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21L.003 Introduction to Fiction (MIT) 21L.003 Introduction to Fiction (MIT)

Description

This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works. This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works.

Subjects

literature | literature | fiction | fiction | reading | reading | Jane Austen | Jane Austen | Mary Shelley | Mary Shelley | Herman Melville | Herman Melville | Kate Chopin | Kate Chopin | Leo Tolstoy | Leo Tolstoy | Virginia Woolf | Virginia Woolf | Nora Okja Keller | Nora Okja Keller | Oscar Wilde | Oscar Wilde | prose narrative | prose narrative | short stories | short stories | novels | novels | literary response | literary response | literary analysis | literary analysis | art | art | war | war | verbal texts | verbal texts | narrative styles | narrative styles

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21L.006 American Literature (MIT) 21L.006 American Literature (MIT)

Description

This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions. This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions.

Subjects

William Bradford | William Bradford | Mary Rowlandson | Mary Rowlandson | Jonathan Edwards | Jonathan Edwards | Benjamin Franklin | Benjamin Franklin | Olaudah Equiano | Olaudah Equiano | Phyllis Wheatley | Phyllis Wheatley | Washington Irving | Washington Irving | Ralph Waldo Emerson | Ralph Waldo Emerson | Henry David Thoreau | Henry David Thoreau | Nathaniel Hawthorne | Nathaniel Hawthorne | Frederick Douglass | Frederick Douglass | Herman Melville | Herman Melville | Margaret Fuller | Margaret Fuller | Harriet Beecher Stowe | Harriet Beecher Stowe | Walt Whitman | Walt Whitman | Emily Dickinson | Emily Dickinson | realism | realism | satire | satire | Rebecca Harding Davis | Rebecca Harding Davis | Samuel Clemens | Samuel Clemens | Sarah Orne Jewett | Sarah Orne Jewett | Kate Chopin | Kate Chopin | Charlotte Perkins | Charlotte Perkins | Gilman | Gilman | Edith Wharton | Edith Wharton | revision | revision | Claude McKay | Claude McKay | Zora Neale Hurston | Zora Neale Hurston | Jean Toomer | Jean Toomer | Langston Hughes | Langston Hughes | Countee Cullen | Countee Cullen | Richard Wright | Richard Wright | Toni Morrison | Toni Morrison

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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http://ocw.mit.edu/rss/all/mit-allarchivedcourses.xml

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21L.006 American Literature (MIT)

Description

This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions.

Subjects

William Bradford | Mary Rowlandson | Jonathan Edwards | Benjamin Franklin | Olaudah Equiano | Phyllis Wheatley | Washington Irving | Ralph Waldo Emerson | Henry David Thoreau | Nathaniel Hawthorne | Frederick Douglass | Herman Melville | Margaret Fuller | Harriet Beecher Stowe | Walt Whitman | Emily Dickinson | realism | satire | Rebecca Harding Davis | Samuel Clemens | Sarah Orne Jewett | Kate Chopin | Charlotte Perkins | Gilman | Edith Wharton | revision | Claude McKay | Zora Neale Hurston | Jean Toomer | Langston Hughes | Countee Cullen | Richard Wright | Toni Morrison

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

http://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

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21L.003 Introduction to Fiction (MIT)

Description

This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works.

Subjects

literature | fiction | reading | Jane Austen | Mary Shelley | Herman Melville | Kate Chopin | Leo Tolstoy | Virginia Woolf | Nora Okja Keller | Oscar Wilde | prose narrative | short stories | novels | literary response | literary analysis | art | war | verbal texts | narrative styles

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allsimplifiedchinesecourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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21L.006 American Literature (MIT)

Description

This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions.

Subjects

William Bradford | Mary Rowlandson | Jonathan Edwards | Benjamin Franklin | Olaudah Equiano | Phyllis Wheatley | Washington Irving | Ralph Waldo Emerson | Henry David Thoreau | Nathaniel Hawthorne | Frederick Douglass | Herman Melville | Margaret Fuller | Harriet Beecher Stowe | Walt Whitman | Emily Dickinson | realism | satire | Rebecca Harding Davis | Samuel Clemens | Sarah Orne Jewett | Kate Chopin | Charlotte Perkins | Gilman | Edith Wharton | revision | Claude McKay | Zora Neale Hurston | Jean Toomer | Langston Hughes | Countee Cullen | Richard Wright | Toni Morrison

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

http://ocw.mit.edu/rss/all/mit-alltraditionalchinesecourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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21L.006 American Literature (MIT)

Description

This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions.

Subjects

William Bradford | Mary Rowlandson | Jonathan Edwards | Benjamin Franklin | Olaudah Equiano | Phyllis Wheatley | Washington Irving | Ralph Waldo Emerson | Henry David Thoreau | Nathaniel Hawthorne | Frederick Douglass | Herman Melville | Margaret Fuller | Harriet Beecher Stowe | Walt Whitman | Emily Dickinson | realism | satire | Rebecca Harding Davis | Samuel Clemens | Sarah Orne Jewett | Kate Chopin | Charlotte Perkins | Gilman | Edith Wharton | revision | Claude McKay | Zora Neale Hurston | Jean Toomer | Langston Hughes | Countee Cullen | Richard Wright | Toni Morrison

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allarchivedcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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21L.003 Introduction to Fiction (MIT)

Description

This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works.

Subjects

literature | fiction | reading | Jane Austen | Mary Shelley | Herman Melville | Kate Chopin | Leo Tolstoy | Virginia Woolf | Nora Okja Keller | Oscar Wilde | prose narrative | short stories | novels | literary response | literary analysis | art | war | verbal texts | narrative styles

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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