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21L.006 American Literature (MIT) 21L.006 American Literature (MIT)

Description

This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions. This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions.

Subjects

William Bradford | William Bradford | Mary Rowlandson | Mary Rowlandson | Jonathan Edwards | Jonathan Edwards | Benjamin Franklin | Benjamin Franklin | Olaudah Equiano | Olaudah Equiano | Phyllis Wheatley | Phyllis Wheatley | Washington Irving | Washington Irving | Ralph Waldo Emerson | Ralph Waldo Emerson | Henry David Thoreau | Henry David Thoreau | Nathaniel Hawthorne | Nathaniel Hawthorne | Frederick Douglass | Frederick Douglass | Herman Melville | Herman Melville | Margaret Fuller | Margaret Fuller | Harriet Beecher Stowe | Harriet Beecher Stowe | Walt Whitman | Walt Whitman | Emily Dickinson | Emily Dickinson | realism | realism | satire | satire | Rebecca Harding Davis | Rebecca Harding Davis | Samuel Clemens | Samuel Clemens | Sarah Orne Jewett | Sarah Orne Jewett | Kate Chopin | Kate Chopin | Charlotte Perkins | Charlotte Perkins | Gilman | Gilman | Edith Wharton | Edith Wharton | revision | revision | Claude McKay | Claude McKay | Zora Neale Hurston | Zora Neale Hurston | Jean Toomer | Jean Toomer | Langston Hughes | Langston Hughes | Countee Cullen | Countee Cullen | Richard Wright | Richard Wright | Toni Morrison | Toni Morrison

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21L.003 Introduction to Fiction (MIT) 21L.003 Introduction to Fiction (MIT)

Description

This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works. This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works.

Subjects

literature | literature | fiction | fiction | reading | reading | Jane Austen | Jane Austen | Mary Shelley | Mary Shelley | Herman Melville | Herman Melville | Kate Chopin | Kate Chopin | Leo Tolstoy | Leo Tolstoy | Virginia Woolf | Virginia Woolf | Nora Okja Keller | Nora Okja Keller | Oscar Wilde | Oscar Wilde | prose narrative | prose narrative | short stories | short stories | novels | novels | literary response | literary response | literary analysis | literary analysis | art | art | war | war | verbal texts | verbal texts | narrative styles | narrative styles

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.250 Beethoven to Mahler (MIT) 21M.250 Beethoven to Mahler (MIT)

Description

This course surveys Romantic musical genres including song, choral music, opera, piano sonata, character cycle, concerto, symphony, and symphonic poem, including the composers Beethoven, Schubert, Berlioz, Chopin, Brahms, Wagner, Verdi, Tchaikovsky, and Mahler. Written essays and oral presentations are based on live performances as well as listening and reading assignments. This course surveys Romantic musical genres including song, choral music, opera, piano sonata, character cycle, concerto, symphony, and symphonic poem, including the composers Beethoven, Schubert, Berlioz, Chopin, Brahms, Wagner, Verdi, Tchaikovsky, and Mahler. Written essays and oral presentations are based on live performances as well as listening and reading assignments.

Subjects

Beethoven | Beethoven | Schubert | Schubert | Berlioz | Berlioz | Chopin | Chopin | Brahms | Brahms | Wagner | Wagner | Verdi | Verdi | Tchaikovsky | Tchaikovsky | Mahler | Mahler | Lied | Lied | Lieder | Lieder | song | song | choral music | choral music | opera | opera | piano sonata | piano sonata | character cycle | character cycle | concerto | concerto | symphony | symphony | symphonic poem | symphonic poem

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.250 Schubert to Debussy (MIT) 21M.250 Schubert to Debussy (MIT)

Description

This course is a survey of developments in Western musical style, 1815-1915. Students will study works by 35 composers, including the romantics: Schubert, Chopin, and Schumann; the post-romantics: Wagner, Verdi, and Brahms; the turn-of-the-centurians: Mahler, Debussy, and Ravel; and the Americans: Gottschalk, Beach, and Joplin. Score-reading ability is beneficial. This course is a survey of developments in Western musical style, 1815-1915. Students will study works by 35 composers, including the romantics: Schubert, Chopin, and Schumann; the post-romantics: Wagner, Verdi, and Brahms; the turn-of-the-centurians: Mahler, Debussy, and Ravel; and the Americans: Gottschalk, Beach, and Joplin. Score-reading ability is beneficial.

Subjects

Romanticism | Romanticism | romantic music | romantic music | classical music | classical music | chamber music | chamber music | orchestra | orchestra | opera | opera | Brahms | Brahms | Mahler | Mahler | Schubert | Schubert | Mendelssohn | Mendelssohn | Chopin | Chopin | Liszt | Liszt | Wagner | Wagner | Verdi | Verdi | Schumann | Schumann | Dvorak | Dvorak | Tchaikovsky | Tchaikovsky | church music | church music

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.011 Introduction to Western Music (MIT) 21M.011 Introduction to Western Music (MIT)

Description

This course gives a broad overview of Western music from the Middle Ages to the 20th century, with emphasis on late baroque, classical, romantic, and modernist styles (1700-1910). It is also meant to enhance students' musical experience by developing listening skills and an understanding of diverse forms and genres. Major composers and their works will be placed in social and cultural contexts. Weekly lectures feature demonstrations by professional performers, and introduce topics to be discussed in sections. The focus of the course is on the weekly listening and reading assignments. This course gives a broad overview of Western music from the Middle Ages to the 20th century, with emphasis on late baroque, classical, romantic, and modernist styles (1700-1910). It is also meant to enhance students' musical experience by developing listening skills and an understanding of diverse forms and genres. Major composers and their works will be placed in social and cultural contexts. Weekly lectures feature demonstrations by professional performers, and introduce topics to be discussed in sections. The focus of the course is on the weekly listening and reading assignments.

Subjects

western music | western music | baroque music | baroque music | classical music | classical music | romantic music | romantic music | Bach | Bach | modernist music | modernist music | listening skills | listening skills | social context of music | social context of music | cultural context of music | cultural context of music | major composers | major composers | Haydn | Haydn | Mozart | Mozart | concerto | concerto | opera | opera | Beethoven | Beethoven | Vivaldi | Vivaldi | Handel | Handel | Schubert | Schubert | Chopin | Chopin | jazz | jazz

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21L.003 Introduction to Fiction (MIT)

Description

This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works.

Subjects

literature | fiction | reading | Jane Austen | Mary Shelley | Herman Melville | Kate Chopin | Leo Tolstoy | Virginia Woolf | Nora Okja Keller | Oscar Wilde | prose narrative | short stories | novels | literary response | literary analysis | art | war | verbal texts | narrative styles

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

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21L.006 American Literature (MIT)

Description

This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions.

Subjects

William Bradford | Mary Rowlandson | Jonathan Edwards | Benjamin Franklin | Olaudah Equiano | Phyllis Wheatley | Washington Irving | Ralph Waldo Emerson | Henry David Thoreau | Nathaniel Hawthorne | Frederick Douglass | Herman Melville | Margaret Fuller | Harriet Beecher Stowe | Walt Whitman | Emily Dickinson | realism | satire | Rebecca Harding Davis | Samuel Clemens | Sarah Orne Jewett | Kate Chopin | Charlotte Perkins | Gilman | Edith Wharton | revision | Claude McKay | Zora Neale Hurston | Jean Toomer | Langston Hughes | Countee Cullen | Richard Wright | Toni Morrison

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

http://ocw.mit.edu/rss/all/mit-alltraditionalchinesecourses.xml

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21L.003 Introduction to Fiction (MIT)

Description

This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works.

Subjects

literature | fiction | reading | Jane Austen | Mary Shelley | Herman Melville | Kate Chopin | Leo Tolstoy | Virginia Woolf | Nora Okja Keller | Oscar Wilde | prose narrative | short stories | novels | literary response | literary analysis | art | war | verbal texts | narrative styles

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21M.250 Beethoven to Mahler (MIT)

Description

This course surveys Romantic musical genres including song, choral music, opera, piano sonata, character cycle, concerto, symphony, and symphonic poem, including the composers Beethoven, Schubert, Berlioz, Chopin, Brahms, Wagner, Verdi, Tchaikovsky, and Mahler. Written essays and oral presentations are based on live performances as well as listening and reading assignments.

Subjects

Beethoven | Schubert | Berlioz | Chopin | Brahms | Wagner | Verdi | Tchaikovsky | Mahler | Lied | Lieder | song | choral music | opera | piano sonata | character cycle | concerto | symphony | symphonic poem

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

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Attribution

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21M.250 Schubert to Debussy (MIT)

Description

This course is a survey of developments in Western musical style, 1815-1915. Students will study works by 35 composers, including the romantics: Schubert, Chopin, and Schumann; the post-romantics: Wagner, Verdi, and Brahms; the turn-of-the-centurians: Mahler, Debussy, and Ravel; and the Americans: Gottschalk, Beach, and Joplin. Score-reading ability is beneficial.

Subjects

Romanticism | romantic music | classical music | chamber music | orchestra | opera | Brahms | Mahler | Schubert | Mendelssohn | Chopin | Liszt | Wagner | Verdi | Schumann | Dvorak | Tchaikovsky | church music

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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21L.006 American Literature (MIT)

Description

This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions.

Subjects

William Bradford | Mary Rowlandson | Jonathan Edwards | Benjamin Franklin | Olaudah Equiano | Phyllis Wheatley | Washington Irving | Ralph Waldo Emerson | Henry David Thoreau | Nathaniel Hawthorne | Frederick Douglass | Herman Melville | Margaret Fuller | Harriet Beecher Stowe | Walt Whitman | Emily Dickinson | realism | satire | Rebecca Harding Davis | Samuel Clemens | Sarah Orne Jewett | Kate Chopin | Charlotte Perkins | Gilman | Edith Wharton | revision | Claude McKay | Zora Neale Hurston | Jean Toomer | Langston Hughes | Countee Cullen | Richard Wright | Toni Morrison

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

http://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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21M.011 Introduction to Western Music (MIT)

Description

This course gives a broad overview of Western music from the Middle Ages to the 20th century, with emphasis on late baroque, classical, romantic, and modernist styles (1700-1910). It is also meant to enhance students' musical experience by developing listening skills and an understanding of diverse forms and genres. Major composers and their works will be placed in social and cultural contexts. Weekly lectures feature demonstrations by professional performers, and introduce topics to be discussed in sections. The focus of the course is on the weekly listening and reading assignments.

Subjects

western music | baroque music | classical music | romantic music | Bach | modernist music | listening skills | social context of music | cultural context of music | major composers | Haydn | Mozart | concerto | opera | Beethoven | Vivaldi | Handel | Schubert | Chopin | jazz

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

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21L.006 American Literature (MIT)

Description

This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions.

Subjects

William Bradford | Mary Rowlandson | Jonathan Edwards | Benjamin Franklin | Olaudah Equiano | Phyllis Wheatley | Washington Irving | Ralph Waldo Emerson | Henry David Thoreau | Nathaniel Hawthorne | Frederick Douglass | Herman Melville | Margaret Fuller | Harriet Beecher Stowe | Walt Whitman | Emily Dickinson | realism | satire | Rebecca Harding Davis | Samuel Clemens | Sarah Orne Jewett | Kate Chopin | Charlotte Perkins | Gilman | Edith Wharton | revision | Claude McKay | Zora Neale Hurston | Jean Toomer | Langston Hughes | Countee Cullen | Richard Wright | Toni Morrison

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allarchivedcourses.xml

Attribution

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