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Simon Forman: astrology, Medicine and Quackery in Elizabethan England

Description

The third in a series of public lectures linked to the Museum's 'Eccentricity' exhibition. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

science | quackery | Medicine | history | technology | astrology | science | quackery | Medicine | history | technology | astrology

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21H.141 Renaissance To Revolution: Europe, 1300-1800 (MIT) 21H.141 Renaissance To Revolution: Europe, 1300-1800 (MIT)

Description

This course provides an introduction to major political, social, cultural and intellectual changes in Europe from the beginnings of the Renaissance in Italy around 1300 to the outbreak of the French Revolution at the end of the 1700s. It focuses on the porous boundaries between categories of theology, magic and science, as well as print. It examines how developments in these areas altered European political institutions, social structures, and cultural practices. It also studies men and women, nobles and commoners, as well as Europeans and some non-Europeans with whom they came into contact. This course provides an introduction to major political, social, cultural and intellectual changes in Europe from the beginnings of the Renaissance in Italy around 1300 to the outbreak of the French Revolution at the end of the 1700s. It focuses on the porous boundaries between categories of theology, magic and science, as well as print. It examines how developments in these areas altered European political institutions, social structures, and cultural practices. It also studies men and women, nobles and commoners, as well as Europeans and some non-Europeans with whom they came into contact.

Subjects

renaissance | renaissance | revolution | revolution | Europe | Europe | Italy | Italy | French Revolution | French Revolution | theology | theology | magic | magic | science | science | England | England | censorship | censorship | Rene Descartes | Rene Descartes | Italian humanism | Italian humanism | Copernicus | Copernicus | Constantine | Constantine | printing | printing | rare books | rare books | paper-making | paper-making | Erasmus of Rotterdam | Erasmus of Rotterdam | The Paraclesis | The Paraclesis | free will | free will | Luther | Luther | German Peasants War | German Peasants War | The Cheese and the Worms | The Cheese and the Worms | Protestant revolution | Protestant revolution | Catholic renewal | Catholic renewal | radical reform movements | radical reform movements | religion | religion | Menocchio | Menocchio | skepticism | skepticism | the occult | the occult | Michel de Montaigne | Michel de Montaigne | astrology | astrology | Cardano | Cardano | Cartesian Method | Cartesian Method | Discourse on Method | Discourse on Method | English Civil War | English Civil War | interregnum | Putney debates | interregnum | Putney debates | Wallington's World | Wallington's World | The Mad Hatter | The Mad Hatter | Isaac Newton | Isaac Newton | Newtonianism | Newtonianism | Principia | Principia | The Encyclopedie | The Encyclopedie | Diderot | Diderot | d'Alembert | d'Alembert | metric system | metric system

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.013J The Supernatural in Music, Literature and Culture (MIT) 21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips. This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips.

Subjects

magic | magic | witches | witches | witchcraft | witchcraft | belief | belief | superstition | superstition | sorcery | sorcery | ghost | ghost | spirit | spirit | heaven | heaven | hell | hell | devil | devil | angel | angel | occult | occult | paranormal | paranormal | religion | religion | allegory | allegory | Bible | Bible | God | God | sin | sin | alchemy | alchemy | astrology | astrology | mystic | mystic | mysticism | mysticism | Europe | Europe | European history | European history | medieval | medieval | Renaissance | Renaissance | Shakespeare | Shakespeare | Goethe | Goethe | Henry James | Henry James | 19th century America | 19th century America | metaphysics | metaphysics | pragmatism | pragmatism | death | death | afterlife | afterlife | soul | soul | phantom | phantom | myth | myth | spell | spell | wizard | wizard | wisdom | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.013J The Supernatural in Music, Literature and Culture (MIT) 21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural. This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural.

Subjects

21M.013 | 21M.013 | 21A.113 | 21A.113 | 21L.013 | 21L.013 | Macbeth | Macbeth | Dido and Aeneas | Dido and Aeneas | Faust | Faust | Liszt | Liszt | Berlioz | Berlioz | Murnau | Murnau | Turn of the Screw | Turn of the Screw | magic | magic | witches | witches | witchcraft | witchcraft | belief | belief | superstition | superstition | sorcery | sorcery | ghost | ghost | spirit | spirit | heaven | heaven | hell | hell | devil | devil | angel | angel | occult | occult | paranormal | paranormal | religion | religion | allegory | allegory | Bible | Bible | God | God | sin | sin | alchemy | alchemy | astrology | astrology | mystic | mystic | mysticism | mysticism | Europe | Europe | European history | European history | medieval | medieval | Renaissance | Renaissance | Shakespeare | Shakespeare | Goethe | Goethe | Henry James | Henry James | 19th century America | 19th century America | metaphysics | metaphysics | pragmatism | pragmatism | death | death | afterlife | afterlife | soul | soul | phantom | phantom | myth | myth | spell | spell | wizard | wizard | wisdom | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Temple of the Sun, Palenque

Description

Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.00672 Title: Temple of the Sun, Palenque Building Date: ca. 600-ca. 900 Photograph date: ca. 1895-ca. 1945 Location: North and Central America: Mexico; Palenque Materials: gelatin silver print Image: 9 x 7 1/8 in.; 22.86 x 18.0975 cm Style: Mayan Provenance: Transfer from the College of Architecture, Art and Planning Persistent URI: hdl.handle.net/1813.001/5ss8 There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source. We had some help with the geocoding from Web Services by Yahoo!

Subjects

cornelluniversitylibrary | palenquechiapasmexico | ruins | temples | religiousbuildings | mythology | astrology | plants | vines | archaeology | steps | culidentifier:value=155309000672 | culidentifier:lunafield=accessionnumber

License

No known copyright restrictions

Site sourced from

Cornell University Library | FlickR

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The Nunnery and Pyramid or House of the Magician [Las Monjas and El Adivino], Uxmal

Description

Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.00670 Title: The Nunnery and Pyramid or House of the Magician [Las Monjas and El Adivino], Uxmal Photograph date: ca. 1895-ca. 1945 Building Date: ca. 600-ca. 900 Location: North and Central America: Mexico; Uxmal Materials: gelatin silver print Image: 6 3/4 x 9 in.; 17.145 x 22.86 cm Style: Puuc Provenance: Transfer from the College of Architecture, Art and Planning Persistent URI: hdl.handle.net/1813.001/5ss6 There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source. We had some help with the geocoding from Web Services by Yahoo!

Subjects

cornelluniversitylibrary | uxmalyucatánmexico | monasteries | temples | religiousbuildings | pyramids | steps | corbelledvaults | plants | archaeology | astrology | mythology | culidentifier:value=155309000670 | culidentifier:lunafield=accessionnumber

License

No known copyright restrictions

Site sourced from

Cornell University Library | FlickR

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El Castillo [Temple of Kukulkan], Chichén Itzá

Description

Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.00663 Title: El Castillo [Temple of Kukulkan], Chichén Itzá Photograph date: ca. 1895-ca. 1935 Building Date: 900-1100 Location: North and Central America: Mexico; Chichen Itzá Materials: gelatin silver print Image: 4 x 6 1/4 in.; 10.16 x 15.875 cm Style: Mayan Provenance: Transfer from the College of Architecture, Art and Planning Persistent URI: hdl.handle.net/1813.001/5srz There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source. We had some help with the geocoding from Web Services by Yahoo!

Subjects

cornelluniversitylibrary | chichénitzáyucatánmexico | pyramids | ruins | temples | religiousbuildings | astrology | steps | mythology | plants | archaeology | culidentifier:value=155309000663 | culidentifier:lunafield=accessionnumber

License

No known copyright restrictions

Site sourced from

Cornell University Library | FlickR

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Temple of Jaguars and El Castillo [Temple of Kukulkan], Chichén Itzá

Description

Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.00652 Title: Temple of Jaguars and El Castillo [Temple of Kukulkan], Chichén Itzá Photograph date: ca. 1895-ca. 1935 Building Date: 9th-12th century Location: North and Central America: Mexico; Chichen Itzá Materials: gelatin silver print Image: 7 1/4 x 9 1/8 in.; 18.415 x 23.1775 cm Style: Mayan Provenance: Transfer from the College of Architecture, Art and Planning Persistent URI: hdl.handle.net/1813.001/5srk There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source. We had some help with the geocoding from Web Services by Yahoo!

Subjects

cornelluniversitylibrary | chichénitzáyucatánmexico | ruins | temples | religiousbuildings | plants | pyramids | astrology | mythology | steps | archaeology | culidentifier:value=155309000652 | culidentifier:lunafield=accessionnumber

License

No known copyright restrictions

Site sourced from

Cornell University Library | FlickR

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21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips.

Subjects

magic | witches | witchcraft | belief | superstition | sorcery | ghost | spirit | heaven | hell | devil | angel | occult | paranormal | religion | allegory | Bible | God | sin | alchemy | astrology | mystic | mysticism | Europe | European history | medieval | Renaissance | Shakespeare | Goethe | Henry James | 19th century America | metaphysics | pragmatism | death | afterlife | soul | phantom | myth | spell | wizard | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allarchivedcourses.xml

Attribution

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21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural.

Subjects

21M.013 | 21A.113 | 21L.013 | Macbeth | Dido and Aeneas | Faust | Liszt | Berlioz | Murnau | Turn of the Screw | magic | witches | witchcraft | belief | superstition | sorcery | ghost | spirit | heaven | hell | devil | angel | occult | paranormal | religion | allegory | Bible | God | sin | alchemy | astrology | mystic | mysticism | Europe | European history | medieval | Renaissance | Shakespeare | Goethe | Henry James | 19th century America | metaphysics | pragmatism | death | afterlife | soul | phantom | myth | spell | wizard | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips.

Subjects

magic | witches | witchcraft | belief | superstition | sorcery | ghost | spirit | heaven | hell | devil | angel | occult | paranormal | religion | allegory | Bible | God | sin | alchemy | astrology | mystic | mysticism | Europe | European history | medieval | Renaissance | Shakespeare | Goethe | Henry James | 19th century America | metaphysics | pragmatism | death | afterlife | soul | phantom | myth | spell | wizard | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

http://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

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21H.141 Renaissance To Revolution: Europe, 1300-1800 (MIT)

Description

This course provides an introduction to major political, social, cultural and intellectual changes in Europe from the beginnings of the Renaissance in Italy around 1300 to the outbreak of the French Revolution at the end of the 1700s. It focuses on the porous boundaries between categories of theology, magic and science, as well as print. It examines how developments in these areas altered European political institutions, social structures, and cultural practices. It also studies men and women, nobles and commoners, as well as Europeans and some non-Europeans with whom they came into contact.

Subjects

renaissance | revolution | Europe | Italy | French Revolution | theology | magic | science | England | censorship | Rene Descartes | Italian humanism | Copernicus | Constantine | printing | rare books | paper-making | Erasmus of Rotterdam | The Paraclesis | free will | Luther | German Peasants War | The Cheese and the Worms | Protestant revolution | Catholic renewal | radical reform movements | religion | Menocchio | skepticism | the occult | Michel de Montaigne | astrology | Cardano | Cartesian Method | Discourse on Method | English Civil War | interregnum | Putney debates | Wallington's World | The Mad Hatter | Isaac Newton | Newtonianism | Principia | The Encyclopedie | Diderot | d'Alembert | metric system

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

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