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21M.361 Composing with Computers I (Electronic Music Composition) (MIT) 21M.361 Composing with Computers I (Electronic Music Composition) (MIT)

Description

Includes audio/video content: AV special element audio. This class explores sound and what can be done with it. Sources are recorded from students' surroundings - sampled and electronically generated (both analog and digital). Assignments include composing with the sampled sounds, feedback, and noise, using digital signal processing (DSP), convolution, algorithms, and simple mixing. The class focuses on sonic and compositional aspects rather than technology, math, or acoustics, though these are examined in varying detail. Students complete weekly composition and listening assignments; material for the latter is drawn from sound art, experimental electronica, conventional and non-conventional classical electronic works, popular music, and previous students' compositions. Includes audio/video content: AV special element audio. This class explores sound and what can be done with it. Sources are recorded from students' surroundings - sampled and electronically generated (both analog and digital). Assignments include composing with the sampled sounds, feedback, and noise, using digital signal processing (DSP), convolution, algorithms, and simple mixing. The class focuses on sonic and compositional aspects rather than technology, math, or acoustics, though these are examined in varying detail. Students complete weekly composition and listening assignments; material for the latter is drawn from sound art, experimental electronica, conventional and non-conventional classical electronic works, popular music, and previous students' compositions.

Subjects

computer music | computer music | sound | sound | music | music | audio | audio | listening | listening | electronic music | electronic music | new music | new music | electronica | electronica | sound art | sound art | noise | noise | noise music | noise music | avant-garde | avant-garde | contemporary music | contemporary music | modern music | modern music | composition | composition | recording | recording | music production | music production | recording studio | recording studio | audio software | audio software | recording software | recording software | sampling | sampling | synthesis | synthesis | audio engineering | audio engineering | mixing | mixing | Radiohead | Radiohead

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Tecnología y Dispositivos Multimedia Tecnología y Dispositivos Multimedia

Description

Describe las tecnologías necesarias para la gestión y procesado de audio e imagen Describe las tecnologías necesarias para la gestión y procesado de audio e imagen

Subjects

Redes de contenidos audiovisuales | Redes de contenidos audiovisuales | Protocolo audiovisuales | Protocolo audiovisuales | Producción audiovisual | Producción audiovisual | Estándares multimedia | Estándares multimedia | Teoría de la señal y comunicaciones | Teoría de la señal y comunicaciones

License

Copyright 2009, by the Contributing Authors http://creativecommons.org/licenses/by-nc-sa/3.0/

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Mini project : soundscape for games consoles : document transcript

Description

This open educational resource was released through the Higher Education Academy Engineering Subject Centre Open Engineering Resources Pilot project. The project was funded by HEFCE and the JISC/HE Academy UKOER programme.

Subjects

audio editing techniques | engineering | multitrack | music technology | sound and audio technology | audio samples | music | sound | bsc | uniofhertsoer | engscoer | 2ele0077 | content management | school of electronic communications and electrical | stereo imaging | electronics | video games | multitrack sound sequence | engsc | audio | digital editing | ukoer | communications | editing | digital audio | computer game | university of hertfordshire | Engineering | H000

License

Attribution 2.0 UK: England & Wales Attribution 2.0 UK: England & Wales http://creativecommons.org/licenses/by/2.0/uk/ http://creativecommons.org/licenses/by/2.0/uk/

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6.101 Introductory Analog Electronics Laboratory (MIT) 6.101 Introductory Analog Electronics Laboratory (MIT)

Description

6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects. 6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects.

Subjects

analog electronic circuits | analog electronic circuits | diode characteristics | diode characteristics | transistors | transistors | JFETs | JFETs | op-amps | op-amps | audio amplifier | audio amplifier | preamplifier | preamplifier | audio and radio frequency circuits | audio and radio frequency circuits | electronic test equipment | electronic test equipment | digital multimeter | digital multimeter | oscilloscope | oscilloscope | function generator | function generator | curve tracer | curve tracer

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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6.003 Signals and Systems (MIT) 6.003 Signals and Systems (MIT)

Description

This course covers fundamentals of signal and system analysis, with applications drawn from filtering, audio and image processing, communications, and automatic control. Topics include convolution, Fourier series and transforms, sampling and discrete-time processing of continuous-time signals, modulation, Laplace and Z-transforms, and feedback systems. This course covers fundamentals of signal and system analysis, with applications drawn from filtering, audio and image processing, communications, and automatic control. Topics include convolution, Fourier series and transforms, sampling and discrete-time processing of continuous-time signals, modulation, Laplace and Z-transforms, and feedback systems.

Subjects

signal and system analysis | signal and system analysis | filtering | filtering | audio | audio | audio processing | audio processing | image processing | image processing | communications | communications | automatic control | automatic control | convolution | convolution | Fourier series | Fourier series | fourier transforms | fourier transforms | sampling | sampling | discrete-time processing | discrete-time processing | modulation | modulation | Laplace transforms | Laplace transforms | Z-transforms | Z-transforms | feedback systems | feedback systems

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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CMS.407 Media and Methods: Sound (MIT) CMS.407 Media and Methods: Sound (MIT)

Description

This course explores the ways in which humans experience the realm of sound and how perceptions and technologies of sound emerge from cultural, economic, and historical worlds. It examines how environmental, linguistic, and musical sounds are construed cross-culturally. It describes the rise of telephony, architectural acoustics, sound recording, and the globalized travel of these technologies. Students address questions of ownership, property, authorship, and copyright in the age of digital file sharing. There is a particular focus on how the sound/noise boundary is imagined, created and modeled across diverse sociocultural and scientific contexts. Auditory examples will be provided. Instruction and practice in written and oral communication provided. At MIT, this course is limited to 20 This course explores the ways in which humans experience the realm of sound and how perceptions and technologies of sound emerge from cultural, economic, and historical worlds. It examines how environmental, linguistic, and musical sounds are construed cross-culturally. It describes the rise of telephony, architectural acoustics, sound recording, and the globalized travel of these technologies. Students address questions of ownership, property, authorship, and copyright in the age of digital file sharing. There is a particular focus on how the sound/noise boundary is imagined, created and modeled across diverse sociocultural and scientific contexts. Auditory examples will be provided. Instruction and practice in written and oral communication provided. At MIT, this course is limited to 20

Subjects

photograph | photograph | audio | audio | history of audio | history of audio | piracy | piracy | digital music | digital music | MP3s | MP3s

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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6.101 Introductory Analog Electronics Laboratory (MIT) 6.101 Introductory Analog Electronics Laboratory (MIT)

Description

6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects. 6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects.

Subjects

analog electronic circuits | analog electronic circuits | diode characteristics | diode characteristics | transistors | transistors | JFETs | JFETs | op-amps | op-amps | audio amplifier | audio amplifier | preamplifier | preamplifier | audio and radio frequency circuits | audio and radio frequency circuits | electronic test equipment | electronic test equipment | digital multimeter | digital multimeter | oscilloscope | oscilloscope | function generator | function generator | curve tracer | curve tracer

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.380 Music and Technology: Recording Techniques and Audio Production (MIT) 21M.380 Music and Technology: Recording Techniques and Audio Production (MIT)

Description

Includes audio/video content: AV special element audio. This course covers foundations, practices, and creative techniques in audio recording and music production, including microphone selection and placement, mixing, mastering, signal processing, automation, and digital audio workstations. Includes audio/video content: AV special element audio. This course covers foundations, practices, and creative techniques in audio recording and music production, including microphone selection and placement, mixing, mastering, signal processing, automation, and digital audio workstations.

Subjects

audio engineering | audio engineering | sound recording | sound recording | music recording | music recording | digital audio | digital audio | microphone | microphone | amplifier | amplifier | mixing | mixing | recording studio | recording studio | effects | effects | high fidelity | high fidelity

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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MAS.632 Conversational Computer Systems (MIT) MAS.632 Conversational Computer Systems (MIT)

Description

This class explores interaction with mobile computing systems and telephones by voice, including speech synthesis, recognition, digital recording, and browsing recorded speech. Emphasis on human interface design issues and interaction techniques appropriate for cognitive requirements of speech. Topics include human speech production and perception, speech recognition and text-to-speech algorithms, telephone networks, and spatial and time-compressed listening. Extensive reading from current research literature. This class explores interaction with mobile computing systems and telephones by voice, including speech synthesis, recognition, digital recording, and browsing recorded speech. Emphasis on human interface design issues and interaction techniques appropriate for cognitive requirements of speech. Topics include human speech production and perception, speech recognition and text-to-speech algorithms, telephone networks, and spatial and time-compressed listening. Extensive reading from current research literature.

Subjects

digital voice | digital voice | voice synthesis | voice synthesis | speech synthesis | speech synthesis | digital speech | digital speech | audio | audio | coding | coding | noise | noise | comprehension | comprehension | audio browsing | audio browsing | voice messaging | voice messaging | voice recognition | voice recognition | call center | call center | voice response | voice response | computer voice | computer voice | computer speech | computer speech | telephony | telephony | mobile applications | mobile applications | voicemail | voicemail

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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MAS.160 Signals, Systems and Information for Media Technology (MIT) MAS.160 Signals, Systems and Information for Media Technology (MIT)

Description

This class teaches the fundamentals of signals and information theory with emphasis on modeling audio/visual messages and physiologically derived signals, and the human source or recipient. Topics include linear systems, difference equations, Z-transforms, sampling and sampling rate conversion, convolution, filtering, modulation, Fourier analysis, entropy, noise, and Shannon's fundamental theorems. Additional topics may include data compression, filter design, and feature detection. The undergraduate subject MAS.160 meets with the two half-semester graduate subjects MAS.510 and MAS.511, but assignments differ. This class teaches the fundamentals of signals and information theory with emphasis on modeling audio/visual messages and physiologically derived signals, and the human source or recipient. Topics include linear systems, difference equations, Z-transforms, sampling and sampling rate conversion, convolution, filtering, modulation, Fourier analysis, entropy, noise, and Shannon's fundamental theorems. Additional topics may include data compression, filter design, and feature detection. The undergraduate subject MAS.160 meets with the two half-semester graduate subjects MAS.510 and MAS.511, but assignments differ.

Subjects

audio | audio | visual | visual | video | video | A/V | A/V | digital media | digital media | digital audio | digital audio | digital video | digital video | photography | photography | digitial photography | digitial photography | spectrum | spectrum | Spectrum plot | Spectrum plot | amplitude modulation | amplitude modulation | AM | AM | Fourier series | Fourier series | frequency modulation | frequency modulation | FM | FM | orthogonality | orthogonality | Walsh functions | Walsh functions | basis sets. Sampling theorem | basis sets. Sampling theorem | aliasing | aliasing | reconstruction | reconstruction | FFT | FFT | DFT | DFT | DTFT | DTFT | z-transform | z-transform | IIR | IIR | frequency response | frequency response | filter | filter | filter response | filter response | impulse response | impulse response | noise | noise | communications system | communications system | communications theory | communications theory | information theory | information theory | communication channel | communication channel | coding | coding | error correction | error correction | DSP | DSP | signal processing | signal processing | digital signal processing | digital signal processing

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.380 Music and Technology (Contemporary History and Aesthetics) (MIT) 21M.380 Music and Technology (Contemporary History and Aesthetics) (MIT)

Description

Includes audio/video content: AV selected lectures, AV special element audio. This course is an investigation into the history and aesthetics of music and technology as deployed in experimental and popular musics from the 19th century to the present. Through original research, creative hands-on projects, readings, and lectures, the following topics will be explored. The history of radio, audio recording, and the recording studio, as well as the development of musique concrète and early electronic instruments. The creation and extension of musical interfaces by composers such as Harry Partch, John Cage, Conlon Nancarrow, and others. The exploration of electromagnetic technologies in pickups, and the development of dub, hip-hop, and turntablism. The history and application of the analog syn Includes audio/video content: AV selected lectures, AV special element audio. This course is an investigation into the history and aesthetics of music and technology as deployed in experimental and popular musics from the 19th century to the present. Through original research, creative hands-on projects, readings, and lectures, the following topics will be explored. The history of radio, audio recording, and the recording studio, as well as the development of musique concrète and early electronic instruments. The creation and extension of musical interfaces by composers such as Harry Partch, John Cage, Conlon Nancarrow, and others. The exploration of electromagnetic technologies in pickups, and the development of dub, hip-hop, and turntablism. The history and application of the analog syn

Subjects

audio | audio | music technology | music technology | sound recording | sound recording | sound reproduction | sound reproduction | contemporary music | contemporary music | experimental music | experimental music | electronic music | electronic music | synthesis | synthesis | synthesizers | synthesizers | music history | music history | music software | music software | analog recording | analog recording | digital recording | digital recording | digital audio | digital audio | music composition | music composition | computer music | computer music | Musique concr?te | Musique concr?te | rock music | rock music | rock and roll | rock and roll | hip hop | hip hop | circuit bending | circuit bending | phonograph | phonograph | radio | radio | noise music | noise music | recording studio | recording studio | sequencer | sequencer | sampling | sampling | sampler | sampler | sound art | sound art | electric guitar | electric guitar | turntablism | turntablism | scratching | scratching | electro-acoustic music | electro-acoustic music | music copyright | music copyright

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.361 Composing with Computers I (Electronic Music Composition) (MIT)

Description

This class explores sound and what can be done with it. Sources are recorded from students' surroundings - sampled and electronically generated (both analog and digital). Assignments include composing with the sampled sounds, feedback, and noise, using digital signal processing (DSP), convolution, algorithms, and simple mixing. The class focuses on sonic and compositional aspects rather than technology, math, or acoustics, though these are examined in varying detail. Students complete weekly composition and listening assignments; material for the latter is drawn from sound art, experimental electronica, conventional and non-conventional classical electronic works, popular music, and previous students' compositions.

Subjects

computer music | sound | music | audio | listening | electronic music | new music | electronica | sound art | noise | noise music | avant-garde | contemporary music | modern music | composition | recording | music production | recording studio | audio software | recording software | sampling | synthesis | audio engineering | mixing | Radiohead

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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6.101 Introductory Analog Electronics Laboratory (MIT)

Description

6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects.

Subjects

analog electronic circuits | diode characteristics | transistors | JFETs | op-amps | audio amplifier | preamplifier | audio and radio frequency circuits | electronic test equipment | digital multimeter | oscilloscope | function generator | curve tracer

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Social construction and social constructionism Social construction and social constructionism

Description

Within the field of social sciences the terms 'social construction' and 'social constructionism' are frequently used, particularly in relation to social policy. This free course, Social construction and social constructionism, will enable you to achieve a greater definition and understanding of these terms. First published on Fri, 04 Mar 2016 as Social construction and social constructionism. To find out more visit The Open University's Openlearn website. Creative-Commons 2016 Within the field of social sciences the terms 'social construction' and 'social constructionism' are frequently used, particularly in relation to social policy. This free course, Social construction and social constructionism, will enable you to achieve a greater definition and understanding of these terms. First published on Fri, 04 Mar 2016 as Social construction and social constructionism. To find out more visit The Open University's Openlearn website. Creative-Commons 2016

Subjects

Sociology | Sociology | audio | audio | social policy | social policy | D218_3 | D218_3

License

Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

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6.101 Introductory Analog Electronics Laboratory (MIT)

Description

6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects.

Subjects

analog electronic circuits | diode characteristics | transistors | JFETs | op-amps | audio amplifier | preamplifier | audio and radio frequency circuits | electronic test equipment | digital multimeter | oscilloscope | function generator | curve tracer

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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6.101 Introductory Analog Electronics Laboratory (MIT)

Description

6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects.

Subjects

analog electronic circuits | diode characteristics | transistors | JFETs | op-amps | audio amplifier | preamplifier | audio and radio frequency circuits | electronic test equipment | digital multimeter | oscilloscope | function generator | curve tracer

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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6.101 Introductory Analog Electronics Laboratory (MIT)

Description

6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects.

Subjects

analog electronic circuits | diode characteristics | transistors | JFETs | op-amps | audio amplifier | preamplifier | audio and radio frequency circuits | electronic test equipment | digital multimeter | oscilloscope | function generator | curve tracer

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Note taking in relation to the Social Sciences Note taking in relation to the Social Sciences

Description

Do you find it difficult to know what is important when taking notes? This free course, Note taking in relation to the Social Sciences, will enable you to decide the value of taking notes and improve your understanding of the methods that can be used. First published on Wed, 24 Feb 2016 as Note taking in relation to the Social Sciences. To find out more visit The Open University's Openlearn website. Creative-Commons 2016 Do you find it difficult to know what is important when taking notes? This free course, Note taking in relation to the Social Sciences, will enable you to decide the value of taking notes and improve your understanding of the methods that can be used. First published on Wed, 24 Feb 2016 as Note taking in relation to the Social Sciences. To find out more visit The Open University's Openlearn website. Creative-Commons 2016

Subjects

Sociology | Sociology | audio | audio | D218_2 | D218_2

License

Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

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How arguments are constructed and used in the Social Sciences How arguments are constructed and used in the Social Sciences

Description

This free course will enable you to understand how arguments are constructed and used in the Social Sciences. Using extracts from a Radio 4 broadcast, you will look at the different viewpoints that are taken by the participants and analyse how the different arguments are being put together. First published on Wed, 24 Feb 2016 as How arguments are constructed and used in the Social Sciences. To find out more visit The Open University's Openlearn website. Creative-Commons 2016 This free course will enable you to understand how arguments are constructed and used in the Social Sciences. Using extracts from a Radio 4 broadcast, you will look at the different viewpoints that are taken by the participants and analyse how the different arguments are being put together. First published on Wed, 24 Feb 2016 as How arguments are constructed and used in the Social Sciences. To find out more visit The Open University's Openlearn website. Creative-Commons 2016

Subjects

Sociology | Sociology | social sciences | social sciences | audio | audio | D218_4 | D218_4

License

Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

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Engendering citizenship Engendering citizenship

Description

How do you create citizenship? How do you feel you belong? This free course, Engendering citizenship, examines social citizenship. With particular reference to women and disabled people, you will look at the rights and obligations that develop within society to link people together. First published on Wed, 24 Feb 2016 as Engendering citizenship. To find out more visit The Open University's Openlearn website. Creative-Commons 2016 How do you create citizenship? How do you feel you belong? This free course, Engendering citizenship, examines social citizenship. With particular reference to women and disabled people, you will look at the rights and obligations that develop within society to link people together. First published on Wed, 24 Feb 2016 as Engendering citizenship. To find out more visit The Open University's Openlearn website. Creative-Commons 2016

Subjects

Sociology | Sociology | audio | audio | citizenship | citizenship | disability | disability | women | women | D218_6 | D218_6

License

Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

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6.101 Introductory Analog Electronics Laboratory (MIT)

Description

6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects.

Subjects

analog electronic circuits | diode characteristics | transistors | JFETs | op-amps | audio amplifier | preamplifier | audio and radio frequency circuits | electronic test equipment | digital multimeter | oscilloscope | function generator | curve tracer

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Children’s rights Children’s rights

Description

How do children fit in to our society? This free course will help you to understand the issues surrounding children's rights as well as examining the implications of seeing children as citizens. You will also explore the meaning of childhood and analyse children's needs. First published on Mon, 22 Feb 2016 as Children’s rights. To find out more visit The Open University's Openlearn website. Creative-Commons 2016 How do children fit in to our society? This free course will help you to understand the issues surrounding children's rights as well as examining the implications of seeing children as citizens. You will also explore the meaning of childhood and analyse children's needs. First published on Mon, 22 Feb 2016 as Children’s rights. To find out more visit The Open University's Openlearn website. Creative-Commons 2016

Subjects

Sociology | Sociology | audio | audio | citizenship | citizenship | D218_5 | D218_5

License

Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

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Welfare reconstruction Welfare reconstruction

Description

This free course examines the approach adopted by Tony Blair and New Labour to welfare reconstruction in the United Kingdom. Using extracts from speeches made by Tony Blair, you will listen to a discussion on how the Welfare State was remade by the 'New Right'. First published on Fri, 05 Feb 2016 as Welfare reconstruction. To find out more visit The Open University's Openlearn website. Creative-Commons 2016 This free course examines the approach adopted by Tony Blair and New Labour to welfare reconstruction in the United Kingdom. Using extracts from speeches made by Tony Blair, you will listen to a discussion on how the Welfare State was remade by the 'New Right'. First published on Fri, 05 Feb 2016 as Welfare reconstruction. To find out more visit The Open University's Openlearn website. Creative-Commons 2016

Subjects

Politics | Politics | audio | audio | New Labour | New Labour | Labour Party | Labour Party | D218_8 | D218_8

License

Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

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CMS.407 Media and Methods: Sound (MIT)

Description

This course explores the ways in which humans experience the realm of sound and how perceptions and technologies of sound emerge from cultural, economic, and historical worlds. It examines how environmental, linguistic, and musical sounds are construed cross-culturally. It describes the rise of telephony, architectural acoustics, sound recording, and the globalized travel of these technologies. Students address questions of ownership, property, authorship, and copyright in the age of digital file sharing. There is a particular focus on how the sound/noise boundary is imagined, created and modeled across diverse sociocultural and scientific contexts. Auditory examples will be provided. Instruction and practice in written and oral communication provided. At MIT, this course is limited to 20

Subjects

photograph | audio | history of audio | piracy | digital music | MP3s

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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6.101 Introductory Analog Electronics Laboratory (MIT)

Description

6.101 is an introductory experimental laboratory that explores the design, construction, and debugging of analog electronic circuits. Lectures and six laboratory projects investigate the performance characteristics of diodes, transistors, JFETs, and op-amps, including the construction of a small audio amplifier and preamplifier. Seven weeks are devoted to the design and implementation, and written and oral presentation of a project in an environment similar to that of engineering design teams in industry. The course provides opportunity to simulate real-world problems and solutions that involve trade offs and the use of engineering judgment. Engineers from local analog engineering companies come to campus to help students with their design projects.

Subjects

analog electronic circuits | diode characteristics | transistors | JFETs | op-amps | audio amplifier | preamplifier | audio and radio frequency circuits | electronic test equipment | digital multimeter | oscilloscope | function generator | curve tracer

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

http://ocw.mit.edu/rss/all/mit-allthaicourses.xml

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