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21M.304 Writing in Tonal Forms II (MIT) 21M.304 Writing in Tonal Forms II (MIT)

Description

Includes audio/video content: AV selected lectures, AV special element audio. This course builds on the composition techniques practiced in 21M.303 Writing in Tonal Forms I. Students undertake further written and analytic exercises in tonal music, including a sonata-form movement for string quartet. Students will also have the opportunity to write short works that experiment with the expanded tonal techniques of the late 19th and early 20th centuries. Musicianship laboratory is required. Includes audio/video content: AV selected lectures, AV special element audio. This course builds on the composition techniques practiced in 21M.303 Writing in Tonal Forms I. Students undertake further written and analytic exercises in tonal music, including a sonata-form movement for string quartet. Students will also have the opportunity to write short works that experiment with the expanded tonal techniques of the late 19th and early 20th centuries. Musicianship laboratory is required.

Subjects

composition | composition | composing | composing | listening | listening | form | form | structure | structure | harmony | harmony | melody | melody | rhythm | rhythm | motif | motif | theme | theme | voicing | voicing | chord | chord | scale | scale | cadence | cadence | tonality | tonality | tonal music | tonal music | atonal music | atonal music | phrasing | phrasing | canon | canon | classical music | classical music | chamber music | chamber music | aesthetics | aesthetics | musical analysis | musical analysis | string quartet | string quartet | prokofiev | prokofiev | sonata form | sonata form | Haydn | Haydn | Mozart | Mozart | Beethoven | Beethoven

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.303 Writing in Tonal Forms I (MIT) 21M.303 Writing in Tonal Forms I (MIT)

Description

Includes audio/video content: AV special element audio, AV special element video, AV special element audio. Written and analytic exercises based on 18th- and 19th-century small forms and harmonic practice found in music such as the chorale preludes of Bach; minuets and trios of Haydn, Mozart, and Beethoven; and the songs and character pieces of Schubert and Schumann. Musicianship laboratory is required. Includes audio/video content: AV special element audio, AV special element video, AV special element audio. Written and analytic exercises based on 18th- and 19th-century small forms and harmonic practice found in music such as the chorale preludes of Bach; minuets and trios of Haydn, Mozart, and Beethoven; and the songs and character pieces of Schubert and Schumann. Musicianship laboratory is required.

Subjects

composition | composition | composing | composing | listening | listening | form | form | structure | structure | harmony | harmony | melody | melody | rhythm | rhythm | motif | motif | theme | theme | voicing | voicing | chord | chord | scale | scale | cadence | cadence | tonality | tonality | tonal music | tonal music | phrasing | phrasing | canon | canon | classical music | classical music | chamber music | chamber music | aesthetics | aesthetics | musical analysis | musical analysis | romantic music | romantic music | romantic poetry | romantic poetry | lieder | lieder | string quartet | string quartet

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.350 Musical Analysis (MIT) 21M.350 Musical Analysis (MIT)

Description

This class is an introduction to the analysis of tonal music. Students develop analytical techniques based upon concepts learned in 21M.301-21M.302. Students study rhythm and form, harmony, line and motivic relationships at local and large scale levels of musical structure. Three papers (totaling 20 pages, one to be revised) and one oral presentation are required. This class is an introduction to the analysis of tonal music. Students develop analytical techniques based upon concepts learned in 21M.301-21M.302. Students study rhythm and form, harmony, line and motivic relationships at local and large scale levels of musical structure. Three papers (totaling 20 pages, one to be revised) and one oral presentation are required.

Subjects

composition | composition | composing | composing | listening | listening | form | form | structure | structure | harmony | harmony | melody | melody | rhythm | rhythm | musicology | musicology | motive | motive | theme | theme | voicing | voicing | chord | chord | scale | scale | cadence | cadence | tonality | tonality | tonal music | tonal music | phrasing | phrasing | canon | canon | symphony | symphony | sontata | sontata | classical music | classical music | chamber music | chamber music | aesthetics | aesthetics | Schenker | Schenker | Schenkerian analysis | Schenkerian analysis

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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18.310 Principles of Discrete Applied Mathematics (MIT) 18.310 Principles of Discrete Applied Mathematics (MIT)

Description

This course is an introduction to discrete applied mathematics. Topics include probability, counting, linear programming, number-theoretic algorithms, sorting, data compression, and error-correcting codes. This is a Communication Intensive in the Major (CI-M) course, and thus includes a writing component. This course is an introduction to discrete applied mathematics. Topics include probability, counting, linear programming, number-theoretic algorithms, sorting, data compression, and error-correcting codes. This is a Communication Intensive in the Major (CI-M) course, and thus includes a writing component.

Subjects

probability | probability | probability theory counting | probability theory counting | pigeonhole principle | pigeonhole principle | Van der Waerden's theorem | Van der Waerden's theorem | Chernoff bounds | Chernoff bounds | counting | counting | coding | coding | sampling | sampling | random sampling | random sampling | Catalan families | Catalan families | generating functions | generating functions | chord diagrams | chord diagrams | linear programming | linear programming | simplex method | simplex method | Zero-Sum matrix | Zero-Sum matrix | network flows | network flows | maximum flow problem | maximum flow problem | sorting algorithms | sorting algorithms | QUICKSORT | QUICKSORT | median finding | median finding | sorting networks | sorting networks | Batcher's algorithm | Batcher's algorithm | Euclid's algorithm | Euclid's algorithm | Chinese Remainder Theorem | Chinese Remainder Theorem | cryptography | cryptography | RSA code | RSA code | primaility testing | primaility testing | FFT | FFT | Fast Fourier Transform | Fast Fourier Transform | Shannon's coding theorems | Shannon's coding theorems | Lempel-Ziv codes | Lempel-Ziv codes | linear codes | linear codes | hamming code | hamming code

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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The Hospital on board the tanker 'Borgsten' The Hospital on board the tanker 'Borgsten'

Description

Subjects

flowers | flowers | light | light | window | window | glass | glass | wall | wall | hospital | hospital | bed | bed | chair | chair | cabin | cabin | ship | ship | floor | floor | desk | desk | timber | timber | board | board | telephone | telephone | curtain | curtain | vessel | vessel | ceiling | ceiling | container | container | shade | shade | ladder | ladder | unusual | unusual | drawers | drawers | tanker | tanker | chord | chord | bunk | bunk | fascinating | fascinating | digitalimage | digitalimage | sunderland | sunderland | bedding | bedding | shipbuilding | shipbuilding | 1846 | 1846 | maritimeheritage | maritimeheritage | borgsten | borgsten | robertthompsonsons | robertthompsonsons | jlthompsonsonsltd | jlthompsonsonsltd | northsandssunderland | northsandssunderland

License

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Repairing locomotives at the Scotswood Works Repairing locomotives at the Scotswood Works

Description

Subjects

industry | industry | metal | metal | bar | bar | standing | standing | train | train | interesting | interesting | wire | wire | workers | workers | construction | construction | industrial | industrial | factory | factory | pattern | pattern | floor | floor | box | box | britain | britain | mark | mark | steel | steel | parts | parts | pipe | pipe | platform | platform | machine | machine | plate | plate | rope | rope | row | row | structure | structure | line | line | pole | pole | beam | beam | chain | chain | workshop | workshop | transportation | transportation | frame | frame | porthole | porthole | bolt | bolt | cylinder | cylinder | barrier | barrier | locomotive | locomotive | repairing | repairing | products | products | unusual | unusual | hook | hook | tyneside | tyneside | chord | chord | locomotives | locomotives | repairs | repairs | global | global | sections | sections | newcastleupontyne | newcastleupontyne | fascinating | fascinating | digitalimage | digitalimage | factories | factories | nineteenthcentury | nineteenthcentury | rivertyne | rivertyne | manufacturing | manufacturing | boilers | boilers | industrialheritage | industrialheritage | northeastofengland | northeastofengland | vickersarmstrong | vickersarmstrong | elswickworks | elswickworks | workshopoftheworld | workshopoftheworld | scotswoodworks | scotswoodworks | april1948 | april1948 | 12shop | 12shop

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Technical Psychic Photography

Description

This mysterious collection of images have been discovered within the photographic collections of Tyne & Wear Archives & Museums. Reference: TWCMS -H13098-73-12 The lantern slides are from a series titled 'Psychic Photography From A New Angle' and feature eerie images of the supposedly paranormal and unknown forces caught on camera. Very little is known of the origins of this collection. The slides were designed to accompany a lecture by a Mr C.P. MacCarthy of 15 Wilkinson Street, Sheffield. Mr MacCarthy produced the images under test conditions in 1934 in front of an invited committee at 76 Clarkehouse Road, Sheffield. He states the intention was to ?demonstrate under test conditions Fake Psychic Photography? to this committee. Mr MacCarthy states his three reasons for this demonstration. 1.To prove the possibility of Fake under test conditions. 2.To show you cannot be too critical of such phenomena. 3.To indicate the increasing scope for fraud with the probability of genuine spirit photography. Mr MacCarthy further guarantees ?in the sum of five pounds, payable to any charitable institution, that no collusion exists, or has existed between myself and any other party in connection with this demonstration.? Little is currently known of the Psychic demonstration. Who sat on the invited committee? Who was Mr MacCarthy? Why was he investigating Psychic Photography? Can you help us with this information? (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

psychic | photography | paranormal | supernatural | fake | spirit | ghost | ectoplasm | spiritphotography | fraud | experiment | eerie | creepy | weird | odd | newangle | mystery | digitalimage | socialhistory | blackandwhitephotography | lanternslides | bizzare | unknown | foces | forces | slides | lecture | mrcpmaccarthy | 15wilkinsonstreet | sheffield | testconditions | unusual | 1934 | invitedcommittee | 76clarkehouseroad | device | critical | phenomena | genuine | collusion | prove | exists | demonstration | investigation | mysterious | table | room | shine | wall | neutralbackground | marks | cloth | grain | cylinder | parts | sctreen | screen | image | projection | box | pole | stand | capturing | attachment | strand | container | chord | pile | line | support | platform | camera | blackframe | twcmsh130987312 | spiritual

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Office workers in the early 1980's

Description

This is a photograph of Office workers, taken in the early 1980's in Washington, UK. Reference: 5417/365/3 This collection of images has been assembled in support of the Washington Heritage Festival 2013. The celebration of Washington brings together a variety of different themes. Washington is a Town in the City of Sunderland, Tyne & Wear. It is traditionally associated with Coal Industry, and notably known as the home of the Washington Family, ancestors of the First President of the United States George Washington. However, in 1964 Washington was designated a New Town and drastically changed. With the introduction of new industry such as the Nissan Car Factory Washington experienced a huge redevelopment in both its economy and community. These Photographs are taken from the Records of the Washington Development Corporation; held at Tyne & Wear Archives. The records document this change in industry, landscape and community in Washington between 1964 & 1988, and consist of many photographs. For more information on the Washington Heritage Festival, 21st September 2013 please click here. (Copyright) These images are Crown Copyright. We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

industry | trade | economy | northeast | development | work | workers | retro | colourphotograph | industrialheritage | 1970s | washington | unitedkingdom | officeworkers | washingtonheritagefestival2013 | washingtonheritagecollectionworkandindustry | cityofsunderland | interesting | tynewear | coalindustry | washingtonfamily | firstpresident | unitedstates | georgewashington | newtown | 1964 | change | progression | nissancarfactory | redevelopment | community | social | abstract | recordsofthewashingtondevelopmentcorporation | tyneweararchives | digitalimage | landscape | 19641988 | mysterious | computers | unusual | equipment | desk | chair | board | scroll | paper | wire | chord | carpet | window | frame | glass | ceiling | light | floor | wall | divider | man | woman | shirt | dress | trousers | shoe | blouse | top | pen | plans | metal | wheel | glare | daylight | 1980s | indoorplants | telephone

License

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Construction, Newcastle city centre

Description

This photograph is from the Robert Hope collection. Robert Hope was a resident of Newcastle upon Tyne. In the early 1970s he took out a bank loan to buy a Rolleiflex camera. Over the next few years he photographed various Newcastle scenes, including the Grainger Market and the demolition of housing estates in the West End of the city. Robert Hope died in 2001. Thanks to Steven Hope for donating the collection to Tyne & Wear Archives & Museums. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

newcastle | 1970s | blackandwhite | crane | constructing | workmen | church | stmarys | civiccentre | monument | memorial | southafrican | clock | scaffolding | architecture | tools | trees | steeple | development | streetphotography | landscape | socialhistory | industrialheritage | industry | abstract | photograph | digitalimage | roberthopecollection | roberthope | newcastleupontyne | fascinating | bankloan | rolleiflexcamera | photographer | newcastlescenes | graingermarket | demolition | housingestates | unusual | westend | city | construction | change | progress | grain | sky | ladder | site | container | hole | daylight | bar | metal | steel | cabin | window | glass | stone | buildings | parts | frame | platform | debris | chord | wall | roof | hand | number | time | inscription | interesting | mark | vegetation | cloth | machine

License

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Wallace the Lion

Description

A group of blind children from Sunderland School for the blind and their teacher at Sunderland Museum. 6 boys are sitting on Wallace, the mounted lion and several are holding mounted animals. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS: K13572 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | wallace | lion | mountedanimals | animalia | chordata | mammalia | carnivora | felidae | panthera | mammal | predator | animal | kids | taxidermy | mountedlion | animals | mounted | blindchildren | socialhistory | group | gathering | archives | documentation | engaging | unusual | interesting | inspiring | fascinating | sunderlandschoolfortheblind | education | programme | event | outreach | teacher | man | boys | girls | child | board | floor | wall | neutralbackground | blackandwhitephotograph | digitalimage | seeingthroughtouch | eyes | handlingsessionsfortheblind | sunderlandcouncilblindschool | specimens | northeastofengland | unitedkingdom | june1913

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North Parlor, Webb House, Wethersfield, Connecticut

Description

Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.00145 Title: North Parlor, Webb House, Wethersfield, Connecticut Photograph date: ca. 1925-ca. 1950 Building Date: 1752 Location: North and Central America: United States; Connecticut, Wethersfield Materials: gelatin silver print Image: 7.874 x 10 in.; 20 x 25.4 cm Provenance: Transfer from the College of Architecture, Art and Planning Persistent URI: hdl.handle.net/1813.001/5s9f There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source. We had some help with the geocoding from Web Services by Yahoo!

Subjects

cornelluniversitylibrary | domesticinteriors | hearths | paintings | musicalinstruments | harpsichords | rugs | chairs | tables | wallpaintings | josephwebbhousewethersfieldconnecticut | historichousemuseums | culidentifier:value=155309000145 | culidentifier:lunafield=accessionnumber

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Mentmore Towers (Rothschild Mansion), Great Hall

Description

Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.00877 Title: Mentmore Towers (Rothschild Mansion), Great Hall Architects: Paxton & Stokes Building Date: 1855 Photograph date: ca. 1878-ca. 1890 Location: Europe: United Kingdom; Buckinghamshire Materials: albumen print Image: 8 5/8 x 11 in.; 21.9075 x 27.94 cm Provenance: Transfer from the College of Architecture, Art and Planning Persistent URI: hdl.handle.net/1813.001/5szp There are no known copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source. We had some help with the geocoding from Web Services by Yahoo!

Subjects

cornelluniversitylibrary | mentmoretowersbuckinghamshireengland | mansions | domesticinteriors | tapestries | sculpture | mirrors | galleries | moors | carpets | urns | harpsichords | musicalinstruments | pottedplants | tables | fireplaces | turbans | armchairs | culidentifier:value=155309000877 | culidentifier:lunafield=accessionnumber

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Repairing locomotives at the Scotswood Works

Description

View of locomotives being repaired in 12 Shop, Scotswood Works, Newcastle upon Tyne, April 1948 (TWAM ref. 1027/269). ?Workshop of the World? is a phrase often used to describe Britain?s manufacturing dominance during the Nineteenth Century. It?s also a very apt description for the Elswick Works and Scotswood Works of Vickers Armstrong and its predecessor companies. These great factories, situated in Newcastle along the banks of the River Tyne, employed hundreds of thousands of men and women and built a huge variety of products for customers around the globe. The Elswick Works was established by William George Armstrong (later Lord Armstrong) in 1847 to manufacture hydraulic cranes. From these relatively humble beginnings the company diversified into many fields including shipbuilding, armaments and locomotives. By 1953 the Elswick Works covered 70 acres and extended over a mile along the River Tyne. This set of images, mostly taken from our Vickers Armstrong collection, includes fascinating views of the factories at Elswick and Scotswood, the products they produced and the people that worked there. By preserving these archives we can ensure that their legacy lives on. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

scotswoodworks | newcastleupontyne | factory | industry | vickersarmstrong | locomotive | train | repairing | industrial | tyneside | industrialheritage | fascinating | unusual | workshopoftheworld | interesting | repairs | locomotives | april1948 | 12shop | manufacturing | britain | nineteenthcentury | elswickworks | factories | rivertyne | workers | products | digitalimage | boilers | workshop | northeastofengland | machine | floor | parts | box | metal | steel | beam | frame | structure | construction | line | barrier | mark | sections | platform | bar | cylinder | pole | rope | wire | chain | hook | chord | bolt | plate | porthole | standing | pipe | global | transportation | pattern | row

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The Hospital on board the tanker 'Borgsten'

Description

View of the Hospital on the tanker ?Borgsten?, January 1964 (TWAM ref. DS.JLT/4/PH/1/709/7/18). She was built by J.L. Thompson & Sons Ltd, North Sands, Sunderland. This set celebrates the achievements of the famous Sunderland shipbuilding firm Joseph L. Thompson & Sons. The company?s origins date back to 1846 when the firm was known as Robert Thompson & Sons. Robert Thompson senior died in 1860, leaving his second son Joseph Lowes Thompson in control. In 1870 the shipyard completed its last wooden vessel and was then adapted for iron shipbuilding. By 1880 the firm had expanded its operations over much of North Sands and in 1884 completed the construction of Manor Quay, which served as fitting out and repair facilities. For many years in the late nineteenth century the yard was the most productive in Sunderland and in 1894 had the fourth largest output of any shipyard in the world. The Depression affected the firm severely in the early 1930s and no vessels were launched from 1931 to 1934. However, during those years the company developed a hull design giving greater efficiency and economy in service. During the Second World War the prototype developed by Joseph L. Thompson & Sons proved so popular that it was used by the US Government as the basis of over 2,700 Liberty ships built at American shipyards between 1942 and 1945. After the War the North Sands shipyard went on to build many fine cargo ships, oil tankers and bulk carriers. Sadly the shipyard closed in 1979, although it briefly reopened in 1986 to construct the crane barge ITM Challenger. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

sunderland | shipbuilding | jlthompsonsonsltd | northsandssunderland | borgsten | tanker | hospital | ship | vessel | maritimeheritage | cabin | ladder | bunk | bed | timber | bedding | board | light | shade | curtain | window | glass | wall | ceiling | floor | chair | desk | drawers | telephone | flowers | container | chord | fascinating | unusual | robertthompsonsons | 1846 | digitalimage | blackandwhitephotograph | northsandsshipyard | shipbuildingheritage | industrialheritage | industry | abstract | archives | january1964 | northsands | josephlthompsonsons | robertthompson | josephlowesthompson | transportation | northeastofengland | unitedkingdom | interesting | impressive | design | fabric | crease | vase | pillow | shadow | daylight | signage | pipe | handle | wardrobe | drawer | cord | room | interior | sunderlandshipbuildingfirm

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18.310 Principles of Discrete Applied Mathematics (MIT)

Description

This course is an introduction to discrete applied mathematics. Topics include probability, counting, linear programming, number-theoretic algorithms, sorting, data compression, and error-correcting codes. This is a Communication Intensive in the Major (CI-M) course, and thus includes a writing component.

Subjects

probability | probability theory counting | pigeonhole principle | Van der Waerden's theorem | Chernoff bounds | counting | coding | sampling | random sampling | Catalan families | generating functions | chord diagrams | linear programming | simplex method | Zero-Sum matrix | network flows | maximum flow problem | sorting algorithms | QUICKSORT | median finding | sorting networks | Batcher's algorithm | Euclid's algorithm | Chinese Remainder Theorem | cryptography | RSA code | primaility testing | FFT | Fast Fourier Transform | Shannon's coding theorems | Lempel-Ziv codes | linear codes | hamming code

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21M.304 Writing in Tonal Forms II (MIT)

Description

This course builds on the composition techniques practiced in 21M.303 Writing in Tonal Forms I. Students undertake further written and analytic exercises in tonal music, including a sonata-form movement for string quartet. Students will also have the opportunity to write short works that experiment with the expanded tonal techniques of the late 19th and early 20th centuries. Musicianship laboratory is required.

Subjects

composition | composing | listening | form | structure | harmony | melody | rhythm | motif | theme | voicing | chord | scale | cadence | tonality | tonal music | atonal music | phrasing | canon | classical music | chamber music | aesthetics | musical analysis | string quartet | prokofiev | sonata form | Haydn | Mozart | Beethoven

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21M.303 Writing in Tonal Forms I (MIT)

Description

Written and analytic exercises based on 18th- and 19th-century small forms and harmonic practice found in music such as the chorale preludes of Bach; minuets and trios of Haydn, Mozart, and Beethoven; and the songs and character pieces of Schubert and Schumann. Musicianship laboratory is required.

Subjects

composition | composing | listening | form | structure | harmony | melody | rhythm | motif | theme | voicing | chord | scale | cadence | tonality | tonal music | phrasing | canon | classical music | chamber music | aesthetics | musical analysis | romantic music | romantic poetry | lieder | string quartet

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21M.350 Musical Analysis (MIT)

Description

This class is an introduction to the analysis of tonal music. Students develop analytical techniques based upon concepts learned in 21M.301-21M.302. Students study rhythm and form, harmony, line and motivic relationships at local and large scale levels of musical structure. Three papers (totaling 20 pages, one to be revised) and one oral presentation are required.

Subjects

composition | composing | listening | form | structure | harmony | melody | rhythm | musicology | motive | theme | voicing | chord | scale | cadence | tonality | tonal music | phrasing | canon | symphony | sontata | classical music | chamber music | aesthetics | Schenker | Schenkerian analysis

License

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