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Students of Margaret St. Ledger performing The Dance of the Hours, ca. 1916 Students of Margaret St. Ledger performing The Dance of the Hours, ca. 1916

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | thedanceofthehours | thedanceofthehours

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The Tivoli Bells striking a pose, 1929 The Tivoli Bells striking a pose, 1929

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | tivolibells | tivolibells

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Studio portrait of ballet dancer Judy Avery striking a pose, 1931 Studio portrait of ballet dancer Judy Avery striking a pose, 1931

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | trissiedeazeleystudio | trissiedeazeleystudio | judyavery | judyavery

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Studio portrait of 14 year old ballet dancer Laurel Gill, 1930 Studio portrait of 14 year old ballet dancer Laurel Gill, 1930

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | sidneyriley | sidneyriley | laurelgill | laurelgill

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Russian prima ballerina Anna Pavlova arriving at Central Station, Brisbane, 1926 Russian prima ballerina Anna Pavlova arriving at Central Station, Brisbane, 1926

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland

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Recital by students of Margaret St. Ledgers dance school, ca. 1914 Recital by students of Margaret St. Ledgers dance school, ca. 1914

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | pyjamas | pyjamas | pajamas | pajamas | pjs | pjs

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Line of ballet dancers on their toes, 1931 Line of ballet dancers on their toes, 1931

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | trissiedeazeleystudio | trissiedeazeleystudio

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Girls attending the first ever Summer School of Classical Ballet at Scarborough Queensland 1929 Girls attending the first ever Summer School of Classical Ballet at Scarborough Queensland 1929

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | scarborough | scarborough

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Dancers Vera Tighe and Tom McKale, 1931 Dancers Vera Tighe and Tom McKale, 1931

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | trissiedeazeleystudio | trissiedeazeleystudio | colourised | colourised

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Dancers striking a pose in the production Gymnastics Brisbane Queensland 1931 Dancers striking a pose in the production Gymnastics Brisbane Queensland 1931

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | trissiedeazeleystudio | trissiedeazeleystudio

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Dancers Mercia Hardy and Vera Tighe striking a pose in costume Brisbane Queensland ca. 1930 Dancers Mercia Hardy and Vera Tighe striking a pose in costume Brisbane Queensland ca. 1930

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland

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Dancers from Marjorie Hollinshed School of Dance in, 1929 Dancers from Marjorie Hollinshed School of Dance in, 1929

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland

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Dancers Budge Gill and Robert Henderson striking a pose in Javanese costume, 1931 Dancers Budge Gill and Robert Henderson striking a pose in Javanese costume, 1931

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | trissiedeazeleystudio | trissiedeazeleystudio | javanesecostume | javanesecostume

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Dancers Billie Spiller and Wally Franklin striking a pose, 1931 Dancers Billie Spiller and Wally Franklin striking a pose, 1931

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | trissiedeazeleystudio | trissiedeazeleystudio | 1930s | 1930s

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Dance students of Marjorie Hollinshead taking part in the schools first annual dance in Centennial Hall, 1927 Dance students of Marjorie Hollinshead taking part in the schools first annual dance in Centennial Hall, 1927

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland

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Dance students of Marjorie Hollinshead in Centennial Hall, 1927 Dance students of Marjorie Hollinshead in Centennial Hall, 1927

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland

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Cast members in the production 'In Time of Roses', 1931 Cast members in the production 'In Time of Roses', 1931

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | trissiedeazeleystudio | trissiedeazeleystudio

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Ballet teacher Marjorie Hollinshed striking a pose with a tambourine Brisbane Queensland ca. 1930 Ballet teacher Marjorie Hollinshed striking a pose with a tambourine Brisbane Queensland ca. 1930

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | marjoriehollinshed | marjoriehollinshed

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Ballet dancer Laurel Gill, aged 14, striking a pose, 1930 Ballet dancer Laurel Gill, aged 14, striking a pose, 1930

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | laurelgill | laurelgill | laurelmartyn | laurelmartyn | trissiedeazeleystudio | trissiedeazeleystudio

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Ballet dancer Katharine Cook striking a pose, 1931 Ballet dancer Katharine Cook striking a pose, 1931

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statelibraryofqueensland | statelibraryofqueensland | slq | slq | marjorielucas | marjorielucas | ballet | ballet | balletschool | balletschool | dancer | dancer | dancers | dancers | danceschool | danceschool | brisbane | brisbane | queensland | queensland | katharinecook | katharinecook | trissiedeazeleystudio | trissiedeazeleystudio

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21M.670 Traditions in American Concert Dance: Gender and Autobiography (MIT) 21M.670 Traditions in American Concert Dance: Gender and Autobiography (MIT)

Description

This course explores the forms, contents, and context of world traditions in dance that played a crucial role in shaping American concert dance. For example, we will identify dances from an African American vernacular tradition that were transferred from the social space to the concert stage. We will explore the artistic lives of such American dance artists as Katherine Dunham, Pearl Primus, and Alvin Ailey along with Isadora Duncan, Martha Graham, George Balanchine, and Merce Cunningham as American dance innovators. Of particular importance to our investigation will be the construction of gender and autobiography that lie at the heart of concert dance practice, and the ways in which these qualities have been choreographed by American artists. This course explores the forms, contents, and context of world traditions in dance that played a crucial role in shaping American concert dance. For example, we will identify dances from an African American vernacular tradition that were transferred from the social space to the concert stage. We will explore the artistic lives of such American dance artists as Katherine Dunham, Pearl Primus, and Alvin Ailey along with Isadora Duncan, Martha Graham, George Balanchine, and Merce Cunningham as American dance innovators. Of particular importance to our investigation will be the construction of gender and autobiography that lie at the heart of concert dance practice, and the ways in which these qualities have been choreographed by American artists.

Subjects

WGS.591 | WGS.591 | world traditions in dance | world traditions in dance | American concert dance | American concert dance | gender | gender | autobiography | autobiography | Katherine Dunham | Katherine Dunham | Alvin Ailey | Alvin Ailey | Isadora Duncan | Isadora Duncan | Martha Graham | Martha Graham | George Balanchine | George Balanchine | American dance | American dance | choreography | choreography | race | race | sex | sex | student work | student work

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.670 Traditions in American Concert Dance: Gender and Autobiography (MIT) 21M.670 Traditions in American Concert Dance: Gender and Autobiography (MIT)

Description

This course explores the forms, contents, and contexts of world traditions in dance that played a crucial role in shaping American concert dance. For example, we will identify dances from an African American vernacular tradition that were transferred from the social space to the concert stage. We will explore the artistic lives of such American dance artists as Katherine Dunham, and Alvin Ailey along with Isadora Duncan, Martha Graham, George Balanchine, and Merce Cunningham as American dance innovators. Of particular importance to our investigation will be the construction of gender and autobiography which lie at the heart of concert dance practice, and the ways in which these qualities have been choreographed by American artists. This course explores the forms, contents, and contexts of world traditions in dance that played a crucial role in shaping American concert dance. For example, we will identify dances from an African American vernacular tradition that were transferred from the social space to the concert stage. We will explore the artistic lives of such American dance artists as Katherine Dunham, and Alvin Ailey along with Isadora Duncan, Martha Graham, George Balanchine, and Merce Cunningham as American dance innovators. Of particular importance to our investigation will be the construction of gender and autobiography which lie at the heart of concert dance practice, and the ways in which these qualities have been choreographed by American artists.

Subjects

world traditions in dance | world traditions in dance | American concert dance | American concert dance | gender | gender | autobiography | autobiography | Katherine Dunham | Katherine Dunham | Alvin Ailey | Alvin Ailey | Isadora Duncan | Isadora Duncan | Martha Graham | Martha Graham | George Balanchine | George Balanchine | American dance | American dance | choreography | choreography | WMN.472 | WMN.472

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Contemporary Dancers

Description

This is a photograph of a Dance Performance taken in Washington, UK at some point in the early 1980's. Reference: 5417/470/4 This collection of images has been assembled in support of the Washington Heritage Festival 2013. The celebration of Washington brings together a variety of different themes. Washington is a Town in the City of Sunderland, Tyne & Wear. It is traditionally associated with Coal Industry, and notably known as the home of the Washington Family, ancestors of the First President of the United States George Washington. However, in 1964 Washington was designated a New Town and drastically changed. With the introduction of new industry such as the Nissan Car Factory Washington experienced a huge redevelopment in both its economy and community. These Photographs are taken from the Records of the Washington Development Corporation; held at Tyne & Wear Archives. The records document this change in industry, landscape and community in Washington between 1964 & 1988, and consist of many photographs. For more information on the Washington Heritage Festival, 21st September 2013 please click here. (Copyright) These images are Crown Copyright. We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

northeastevent | community | nostalgic | development | newtown | social | leisure | entertainment | hobby | sport | contemporary | dances | man | woman | dancer | washingtonuk | early1980s | colour | letter | pole | balance | concentration | eyesclosed | meditation | poignant | inward | deep | expression | storytelling | redevelopment | newindustry | humanity | freemovement | necklace | upright | standing | loosefittedclothing | openspace | self | colourphotograph | artanddesign | socialhistory | digitalimage | archives | documentation | danceperformance | dance | performer | presentation | art | stage | washingtonheritagecollectionsportandleisure | washingtonheritagefestival2013 | 1980s | cityofsunderland | tynewear | northeastofengland | unitedkingdom | coalindustry | industry | industrialheritage | washingtonfamily | firstpresidentoftheunitedstates | georgewashington | nissancarfactory | economy | progression | engaging | unusual | interesting | neutralbackground | interior | room | props | contemporarydance

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Phyllis Danaher, 1929 Phyllis Danaher, 1929

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Subjects

1920s | 1920s | ballet | ballet | dancer | dancer | queensland | queensland | pavlova | pavlova | statelibraryofqueensland | statelibraryofqueensland | balletdancer | balletdancer

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21M.294 Popular Musics of the World (MIT) 21M.294 Popular Musics of the World (MIT)

Description

This course focuses on popular music, i.e. music created for and transmitted by mass media. Various popular music genres from around the world will be studied through listening, reading and written assignments, with an emphasis on class discussion. In particular, we will consider issues of musical change, syncretism, Westernization, globalization, the impact of recording industries, and the post-colonial era. Case studies will include Afro-pop, reggae, bhangra, rave, and global hip-hop. This course focuses on popular music, i.e. music created for and transmitted by mass media. Various popular music genres from around the world will be studied through listening, reading and written assignments, with an emphasis on class discussion. In particular, we will consider issues of musical change, syncretism, Westernization, globalization, the impact of recording industries, and the post-colonial era. Case studies will include Afro-pop, reggae, bhangra, rave, and global hip-hop.

Subjects

world music | world music | pop music | pop music | globalization | globalization | recording | recording | Afro-pop | Afro-pop | afropop | afropop | reggae | reggae | bhangra | bhangra | rave | rave | hip-hop | hip-hop | enthnomusicology | enthnomusicology | world beat | world beat | Senegal | Senegal | FelaKuti | FelaKuti | African music | African music | Paul Simon | Paul Simon | Graceland | Graceland | rap | rap | rap music | rap music | dance | dance | anthropology | anthropology | japanese pop | japanese pop | Egypt | Egypt | Egyptian pop | Egyptian pop | techno | techno | youth culture | youth culture | karaoke | karaoke | ska | ska | dancehall | dancehall | Bob Marley | Bob Marley

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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