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21M.361 Composing with Computers I (Electronic Music Composition) (MIT) 21M.361 Composing with Computers I (Electronic Music Composition) (MIT)

Description

Includes audio/video content: AV special element audio. This class explores sound and what can be done with it. Sources are recorded from students' surroundings - sampled and electronically generated (both analog and digital). Assignments include composing with the sampled sounds, feedback, and noise, using digital signal processing (DSP), convolution, algorithms, and simple mixing. The class focuses on sonic and compositional aspects rather than technology, math, or acoustics, though these are examined in varying detail. Students complete weekly composition and listening assignments; material for the latter is drawn from sound art, experimental electronica, conventional and non-conventional classical electronic works, popular music, and previous students' compositions. Includes audio/video content: AV special element audio. This class explores sound and what can be done with it. Sources are recorded from students' surroundings - sampled and electronically generated (both analog and digital). Assignments include composing with the sampled sounds, feedback, and noise, using digital signal processing (DSP), convolution, algorithms, and simple mixing. The class focuses on sonic and compositional aspects rather than technology, math, or acoustics, though these are examined in varying detail. Students complete weekly composition and listening assignments; material for the latter is drawn from sound art, experimental electronica, conventional and non-conventional classical electronic works, popular music, and previous students' compositions.

Subjects

computer music | computer music | sound | sound | music | music | audio | audio | listening | listening | electronic music | electronic music | new music | new music | electronica | electronica | sound art | sound art | noise | noise | noise music | noise music | avant-garde | avant-garde | contemporary music | contemporary music | modern music | modern music | composition | composition | recording | recording | music production | music production | recording studio | recording studio | audio software | audio software | recording software | recording software | sampling | sampling | synthesis | synthesis | audio engineering | audio engineering | mixing | mixing | Radiohead | Radiohead

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.775 Hip Hop (MIT) 21M.775 Hip Hop (MIT)

Description

This course explores the political and aesthetic foundations of hip hop. It traces the musical, corporeal, visual, spoken word, and literary manifestations of hip hop over its thirty-five year presence in the American cultural imaginary. It also investigates specific black cultural practices that have given rise to its various idioms. Hip hop has invigorated the academy, inspiring scholarship rooted in black musical and literary traditions. This course assesses these sharp breaks and flamboyant versionings of hip hop that have occurred within the academy.RealOne™ is a trademark or a registered trademark of RealNetworks, Inc. This course explores the political and aesthetic foundations of hip hop. It traces the musical, corporeal, visual, spoken word, and literary manifestations of hip hop over its thirty-five year presence in the American cultural imaginary. It also investigates specific black cultural practices that have given rise to its various idioms. Hip hop has invigorated the academy, inspiring scholarship rooted in black musical and literary traditions. This course assesses these sharp breaks and flamboyant versionings of hip hop that have occurred within the academy.RealOne™ is a trademark or a registered trademark of RealNetworks, Inc.

Subjects

Hip Hop | Hip Hop | Dance | Dance | Rap | Rap | Black | Black | visual culture | visual culture | Music | Music | African | African | American | American | history | history | literature | literature | sexuality | sexuality | mysogyny | mysogyny | feminism | feminism | performance | performance | electronic music | electronic music | activism | activism | politics | politics | consumerism | consumerism | race | race | artist | artist | political | political | aesthetic | aesthetic | musical | musical | corporeal | corporeal | visual | visual | spoken word | spoken word | literary | literary | American cultural imagery | American cultural imagery | African American | African American | cultural practices | cultural practices | material culture | material culture | performance studio | performance studio | hip hop style | hip hop style | rapping | rapping | break | break | breaking | breaking | beats | beats | dj | dj | dee jay | dee jay | turntables | turntables | mic | mic | mc | mc | graffiti | graffiti | fashion | fashion | sex | sex | feminist | feminist | electronica | electronica | mediated performance | mediated performance | anarchy | anarchy | commodity fetishism | commodity fetishism | globalization | globalization | whiteness | whiteness | realness | realness | journalism | journalism | criticism | criticism | autobiography | autobiography | black | black

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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CMS.876 History of Media and Technology: Sound, the Minority Report -- Radical Music of the Past 100 Years (MIT) CMS.876 History of Media and Technology: Sound, the Minority Report -- Radical Music of the Past 100 Years (MIT)

Description

This course looks at the history of avant-garde and electronic music from the early twentieth century to the present. The class is organized as a theory and production seminar for which students may either produce audio/multimedia projects or a research paper. It engages music scholarship, cultural criticism, studio production, and multi-media development, such as recent software, sound design for film and games, and sound installation. Sound as a media tool for communication and sound as a form of artistic expression are subjects under discussion. The artists' work reviewed in the course includes selections from audio innovators such as the Italian Futurists, Edgard Var猫se, John Cage, King Tubby, Brian Eno, Steve Reich, Afrika Bambaataa, Kraftwerk, Merzbow, Aphex Twin, Rza, Bj枚rk, and This course looks at the history of avant-garde and electronic music from the early twentieth century to the present. The class is organized as a theory and production seminar for which students may either produce audio/multimedia projects or a research paper. It engages music scholarship, cultural criticism, studio production, and multi-media development, such as recent software, sound design for film and games, and sound installation. Sound as a media tool for communication and sound as a form of artistic expression are subjects under discussion. The artists' work reviewed in the course includes selections from audio innovators such as the Italian Futurists, Edgard Var猫se, John Cage, King Tubby, Brian Eno, Steve Reich, Afrika Bambaataa, Kraftwerk, Merzbow, Aphex Twin, Rza, Bj枚rk, and

Subjects

popular culture | popular culture | contemporary music | contemporary music | rock | rock | rap | rap | electronic music | electronic music | electronica | electronica | sampling | sampling | noise | noise | audio | audio | avant-garde | avant-garde | music criticism | music criticism | studio production | studio production | podcast | podcast | mashup | mashup | collage | collage | tape loop | tape loop | DJ | DJ | synthesizer | synthesizer | music synthesis | music synthesis | drum machine | drum machine | music concrete | music concrete

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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髇ica de potencia 髇ica de potencia

Description

Esta asignatura se plantea como un primer curso de Electr髇ica de Potencia. En 閘 se abordan los temas b醩icos de esta disciplina, incluyendo una introducci髇 a los dispositivos semiconductores de potencia y estructurando el resto de contenidos en los cuatro diferentes tipos de conversi髇 de energ韆 el閏trica: ca-cc, ca-ca, cc-ca y cc-cc. Esta asignatura se plantea como un primer curso de Electr髇ica de Potencia. En 閘 se abordan los temas b醩icos de esta disciplina, incluyendo una introducci髇 a los dispositivos semiconductores de potencia y estructurando el resto de contenidos en los cuatro diferentes tipos de conversi髇 de energ韆 el閏trica: ca-cc, ca-ca, cc-ca y cc-cc.

Subjects

electronica de potencia | electronica de potencia | Reguladores de alterna | Reguladores de alterna | 髇ica de Potencia | 髇ica de Potencia | | | 髇 CA-CC | 髇 CA-CC | 韆 T閏nica Industrial: Electr髇ica Industrial | 韆 T閏nica Industrial: Electr髇ica Industrial | 韆 Electr髇ica | 韆 Electr髇ica | Transistor | Transistor | 髇 CC-CC | 髇 CC-CC | 髇 CC-CA | 髇 CC-CA | programa | programa | 醤ico | 醤ico | 2009 | 2009 | Diodos | Diodos | 髇 CA-CA | 髇 CA-CA

License

Copyright 2015, UC3M http://creativecommons.org/licenses/by-nc-sa/4.0/

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Clementine Fowler reading oscilloscope to test components manufactured at the Johnson Electronics Company plant in Casselberry

Description

Subjects

women | florida | electronics | casselberry | seminolecounty | electronicinstruments | oscilloscopes | electronicindustries | manufacturingindustries | electronicapparatusandappliances | electronicmeasurements | industrialelectronics | electronicindustryworkers | johnsonelectronicsinc | fowlerclementine | stokesjim

License

No known copyright restrictions

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CMS.876 History of Media and Technology: Sound, the Minority Report -- Radical Music of the Past 100 Years (MIT)

Description

This course looks at the history of avant-garde and electronic music from the early twentieth century to the present. The class is organized as a theory and production seminar for which students may either produce audio/multimedia projects or a research paper. It engages music scholarship, cultural criticism, studio production, and multi-media development, such as recent software, sound design for film and games, and sound installation. Sound as a media tool for communication and sound as a form of artistic expression are subjects under discussion. The artists' work reviewed in the course includes selections from audio innovators such as the Italian Futurists, Edgard Var鑣e, John Cage, King Tubby, Brian Eno, Steve Reich, Afrika Bambaataa, Kraftwerk, Merzbow, Aphex Twin, Rza, Bj鰎k, and

Subjects

popular culture | contemporary music | rock | rap | electronic music | electronica | sampling | noise | audio | avant-garde | music criticism | studio production | podcast | mashup | collage | tape loop | DJ | synthesizer | music synthesis | drum machine | music concrete

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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CMS.876 History of Media and Technology: Sound, the Minority Report -- Radical Music of the Past 100 Years (MIT)

Description

This course looks at the history of avant-garde and electronic music from the early twentieth century to the present. The class is organized as a theory and production seminar for which students may either produce audio/multimedia projects or a research paper. It engages music scholarship, cultural criticism, studio production, and multi-media development, such as recent software, sound design for film and games, and sound installation. Sound as a media tool for communication and sound as a form of artistic expression are subjects under discussion. The artists' work reviewed in the course includes selections from audio innovators such as the Italian Futurists, Edgard Varèse, John Cage, King Tubby, Brian Eno, Steve Reich, Afrika Bambaataa, Kraftwerk, Merzbow, Aphex Twin, Rza, Bj&oum

Subjects

popular culture | contemporary music | rock | rap | electronic music | electronica | sampling | noise | audio | avant-garde | music criticism | studio production | podcast | mashup | collage | tape loop | DJ | synthesizer | music synthesis | drum machine | music concrete

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.775 Hip Hop (MIT)

Description

This course explores the political and aesthetic foundations of hip hop. It traces the musical, corporeal, visual, spoken word, and literary manifestations of hip hop over its thirty-five year presence in the American cultural imaginary. It also investigates specific black cultural practices that have given rise to its various idioms. Hip hop has invigorated the academy, inspiring scholarship rooted in black musical and literary traditions. This course assesses these sharp breaks and flamboyant versionings of hip hop that have occurred within the academy.RealOne™ is a trademark or a registered trademark of RealNetworks, Inc.

Subjects

Hip Hop | Dance | Rap | Black | visual culture | Music | African | American | history | literature | sexuality | mysogyny | feminism | performance | electronic music | activism | politics | consumerism | race | artist | political | aesthetic | musical | corporeal | visual | spoken word | literary | American cultural imagery | African American | cultural practices | material culture | performance studio | hip hop style | rapping | break | breaking | beats | dj | dee jay | turntables | mic | mc | graffiti | fashion | sex | feminist | electronica | mediated performance | anarchy | commodity fetishism | globalization | whiteness | realness | journalism | criticism | autobiography | black

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21M.361 Composing with Computers I (Electronic Music Composition) (MIT)

Description

This class explores sound and what can be done with it. Sources are recorded from students' surroundings - sampled and electronically generated (both analog and digital). Assignments include composing with the sampled sounds, feedback, and noise, using digital signal processing (DSP), convolution, algorithms, and simple mixing. The class focuses on sonic and compositional aspects rather than technology, math, or acoustics, though these are examined in varying detail. Students complete weekly composition and listening assignments; material for the latter is drawn from sound art, experimental electronica, conventional and non-conventional classical electronic works, popular music, and previous students' compositions.

Subjects

computer music | sound | music | audio | listening | electronic music | new music | electronica | sound art | noise | noise music | avant-garde | contemporary music | modern music | composition | recording | music production | recording studio | audio software | recording software | sampling | synthesis | audio engineering | mixing | Radiohead

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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