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21G.735 Advanced Topics in Hispanic Literature and Film: The Films of Luis Buñuel (MIT) 21G.735 Advanced Topics in Hispanic Literature and Film: The Films of Luis Buñuel (MIT)

Description

This course considers films spanning the entire career of pioneering Spanish filmmaker Luis Buñuel (1900–1983), from his silent surrealist classic of 1929, Un perro andaluz, to his last film, Ese oscuro objeto del deseo (1977). We pay special attention to his Mexican period, in exile, and the films he made in, and about, Spain, including his work in documentary. It explores Buñuel's early friendship with painter Salvador Dalí and poet Federico García Lorca, surrealist aesthetics, the influence of Freud's ideas on dreams and sexuality, and the director's corrosive criticism of bourgeois society and the Catholic church. We will focus on historical contexts and relevant film criticism. About This Course on OpenCourseWare The instructor of this course, Elizabeth Garrels, is a Prof This course considers films spanning the entire career of pioneering Spanish filmmaker Luis Buñuel (1900–1983), from his silent surrealist classic of 1929, Un perro andaluz, to his last film, Ese oscuro objeto del deseo (1977). We pay special attention to his Mexican period, in exile, and the films he made in, and about, Spain, including his work in documentary. It explores Buñuel's early friendship with painter Salvador Dalí and poet Federico García Lorca, surrealist aesthetics, the influence of Freud's ideas on dreams and sexuality, and the director's corrosive criticism of bourgeois society and the Catholic church. We will focus on historical contexts and relevant film criticism. About This Course on OpenCourseWare The instructor of this course, Elizabeth Garrels, is a Prof

Subjects

film | film | film studies | film studies | film criticism | film criticism | Luis Bunuel | Luis Bunuel | Freud | Freud | Salvador Dali | Salvador Dali | silent film | silent film | surrealism | surrealism | Federico Garcia Lorca | Federico Garcia Lorca | Mexico | Mexico | Spain | Spain | film history | film history

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21G.056 Visual Histories: German Cinema 1945 to Present (MIT) 21G.056 Visual Histories: German Cinema 1945 to Present (MIT)

Description

This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present. This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.

Subjects

German | German | Film | Film | Cinema | Cinema | Movies | Movies | History | History | Intercultural Analyses | Intercultural Analyses | Cinematic Tradition | Cinematic Tradition | Post-War | Post-War | Aesthetics | Aesthetics | German film-making | German film-making | Second World War | Second World War | German Cinema | German Cinema | post-war Germany | post-war Germany | New German Cinema | New German Cinema | East Germany | East Germany | film production | film production | film analysis | film analysis | German cinematic production | German cinematic production | German history | German history | Die Stunde Null | Die Stunde Null | Tr?mmerfilme | Tr?mmerfilme | Catastrophy | Catastrophy | visual histories | visual histories | West Germany | West Germany | America | America | Hollywood | Hollywood | East German Cinema | East German Cinema | Post-unification German Cinema | Post-unification German Cinema | WWII | WWII

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21G.056 Visual Histories: German Cinema 1945 to Present (MIT) 21G.056 Visual Histories: German Cinema 1945 to Present (MIT)

Description

This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present. This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.

Subjects

German | German | Film | Film | Cinema | Cinema | Movies | Movies | History | History | Intercultural Analyses | Intercultural Analyses | Cinematic Tradition | Cinematic Tradition | Post-War | Post-War | Aesthetics | Aesthetics | German film-making | German film-making | Second World War | Second World War | German Cinema | German Cinema | post-war Germany | post-war Germany | New German Cinema | New German Cinema | East Germany | East Germany | film production | film production | film analysis | film analysis | German cinematic production | German cinematic production | German history | German history | Die Stunde Null | Die Stunde Null | Tr?mmerfilme | Tr?mmerfilme | Catastrophy | Catastrophy | visual histories | visual histories | West Germany | West Germany | America | America | Hollywood | Hollywood | East German Cinema | East German Cinema | Post-unification German Cinema | Post-unification German Cinema | WWII | WWII

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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WGS.640 Screen Women: Body Narratives in Popular American Film (MIT) WGS.640 Screen Women: Body Narratives in Popular American Film (MIT)

Description

Using film and related popular media as our texts, this course will examine how screen "embodiments" of the woman visualize ideologies of discipline and desire in a culture in which her body has become a representation of the ability to control appetites, size and shape while investing personal and social capital in its rehabilitation as a project of endless reconstruction, redesign and maintenance. Throughout the course we will draw from feminist film theory, clinical psychology, as well as women's, gender, and cultural studies, to better understand how filmic representations of the woman's body first emerge from contemporary psychosocial contexts and then in turn shape the body ideals and internalizations, as well as the behavioral practices of the film spectator. The Graduat Using film and related popular media as our texts, this course will examine how screen "embodiments" of the woman visualize ideologies of discipline and desire in a culture in which her body has become a representation of the ability to control appetites, size and shape while investing personal and social capital in its rehabilitation as a project of endless reconstruction, redesign and maintenance. Throughout the course we will draw from feminist film theory, clinical psychology, as well as women's, gender, and cultural studies, to better understand how filmic representations of the woman's body first emerge from contemporary psychosocial contexts and then in turn shape the body ideals and internalizations, as well as the behavioral practices of the film spectator. The Graduat

Subjects

film | film | American film | American film | women | women | gender | gender | popular culture | popular culture | feminism | feminism | film theory | film theory | politics | politics | body | body | sexuality | sexuality

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Views of Dolgellau Views of Dolgellau

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Subjects

wales | wales | cymru | cymru | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | filmnegatives | filmnegatives | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm | filmnegativescymru | filmnegativescymru

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21G.414 German Culture, Media, and Society (MIT) 21G.414 German Culture, Media, and Society (MIT)

Description

The topic for Fall 2006 is short film and radio plays. This course investigates current trends and topics in German literary, theater, film, television, radio, and other media arts productions. Students analyze media texts in the context of their production, reception, and distribution as well as the public debates initiated by these works. The topic for Fall 2006 is German Short Film, a popular format that represents most recent trends in film production, and German Radio Art, a striving genre that includes experimental radio plays, sound art, and audio installations. Special attention will be given to the representation of German minorities, contrasted by their own artistic expressions reflecting changes in identity and a new political voice. Students have the opportunity to discuss cour The topic for Fall 2006 is short film and radio plays. This course investigates current trends and topics in German literary, theater, film, television, radio, and other media arts productions. Students analyze media texts in the context of their production, reception, and distribution as well as the public debates initiated by these works. The topic for Fall 2006 is German Short Film, a popular format that represents most recent trends in film production, and German Radio Art, a striving genre that includes experimental radio plays, sound art, and audio installations. Special attention will be given to the representation of German minorities, contrasted by their own artistic expressions reflecting changes in identity and a new political voice. Students have the opportunity to discuss cour

Subjects

German | German | Germany | Germany | kurtzfilm | kurtzfilm | radio | radio | radio plays | radio plays | theater | theater | film | film | television | television | media | media | media text | media text | production | production | filmmaker | filmmaker | art | art | broadcast | broadcast | experimental radio art | experimental radio art

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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uel (MIT)

Description

This course considers films spanning the entire career of pioneering Spanish filmmaker Luis Buuel (1900–1983), from his silent surrealist classic of 1929, Un perro andaluz, to his last film, Ese oscuro objeto del deseo (1977). We pay special attention to his Mexican period, in exile, and the films he made in, and about, Spain, including his work in documentary. It explores Buuel's early friendship with painter Salvador Dal and poet Federico Garca Lorca, surrealist aesthetics, the influence of Freud's ideas on dreams and sexuality, and the director's corrosive criticism of bourgeois society and the Catholic church. We will focus on historical contexts and relevant film criticism. About This Course on OpenCourseWare The instructor of this course, Elizabeth Garrels, is a Prof

Subjects

film | film studies | film criticism | Luis Bunuel | Freud | Salvador Dali | silent film | surrealism | Federico Garcia Lorca | Mexico | Spain | film history

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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'Car llusg' loaded with corn on the road to Llanfyllin 'Car llusg' loaded with corn on the road to Llanfyllin

Description

Subjects

horses | horses | wales | wales | cymru | cymru | agriculture | agriculture | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | filmnegatives | filmnegatives | sledssleighs | sledssleighs | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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A ghost disturbs Pete and Sian Allport after moving to Garreg Wen near Porthmadog, home of the harpist Dafydd y Garreg Wen (1556991)2 A ghost disturbs Pete and Sian Allport after moving to Garreg Wen near Porthmadog, home of the harpist Dafydd y Garreg Wen (1556991)2

Description

Subjects

cymru | cymru | wales | wales | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm | filmnegatives | filmnegatives | hauntedhouse | hauntedhouse | dafyddygarregwen | dafyddygarregwen | ghost | ghost | fright | fright | fear | fear | haunted | haunted

License

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Claerwen Dam Claerwen Dam

Description

Subjects

men | men | wales | wales | employment | employment | cymru | cymru | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | reservoirs | reservoirs | filmnegatives | filmnegatives | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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The Fiat 500 and Shropshire's Mobile Library The Fiat 500 and Shropshire's Mobile Library

Description

Subjects

wales | wales | libraries | libraries | cymru | cymru | trucks | trucks | automobiles | automobiles | prosperity | prosperity | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | bookmobiles | bookmobiles | filmnegatives | filmnegatives | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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A ghost disturbs Pete and Sian Allport after moving to Garreg Wen near Porthmadog, home of the harpist Dafydd y Garreg Wen (1556991)1 A ghost disturbs Pete and Sian Allport after moving to Garreg Wen near Porthmadog, home of the harpist Dafydd y Garreg Wen (1556991)1

Description

Subjects

cymru | cymru | wales | wales | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm | filmnegatives | filmnegatives | hauntedhouse | hauntedhouse | dafyddygarregwen | dafyddygarregwen | ghost | ghost | fright | fright | fear | fear | haunted | haunted

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A demonstration on how to improve the standard of mountain sheep, held at Coedladur, Llanuwchllyn A demonstration on how to improve the standard of mountain sheep, held at Coedladur, Llanuwchllyn

Description

Subjects

wales | wales | cymru | cymru | agriculture | agriculture | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | filmnegatives | filmnegatives | animalbreeding | animalbreeding | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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Llanddwyn Island Llanddwyn Island

Description

Subjects

wales | wales | islands | islands | ruins | ruins | lighthouses | lighthouses | cymru | cymru | churches | churches | dwellings | dwellings | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | filmnegatives | filmnegatives | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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A ghost disturbs Pete and Sian Allport after moving to Garreg Wen near Porthmadog, home of the harpist Dafydd y Garreg Wen (1556991) A ghost disturbs Pete and Sian Allport after moving to Garreg Wen near Porthmadog, home of the harpist Dafydd y Garreg Wen (1556991)

Description

Subjects

cymru | cymru | wales | wales | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm | filmnegatives | filmnegatives | hauntedhouse | hauntedhouse | dafyddygarregwen | dafyddygarregwen | ghost | ghost | fright | fright | fear | fear | haunted | haunted

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A sharp knife and a firm heart is what's needed to treat and trim sheep's feet A sharp knife and a firm heart is what's needed to treat and trim sheep's feet

Description

Subjects

wales | wales | farmers | farmers | farming | farming | cymru | cymru | farms | farms | farmlife | farmlife | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | filmnegatives | filmnegatives | animalbreeding | animalbreeding | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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Cloddio am ddwr ar Ynys Enlli yn ystod sychtwr 1962 Cloddio am ddwr ar Ynys Enlli yn ystod sychtwr 1962

Description

Subjects

wales | wales | islands | islands | cattle | cattle | cymru | cymru | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | droughts | droughts | filmnegatives | filmnegatives | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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2.800 Tribology (MIT) 2.800 Tribology (MIT)

Description

This course addresses the design of tribological systems: the interfaces between two or more bodies in relative motion. Fundamental topics include: geometric, chemical, and physical characterization of surfaces; friction and wear mechanisms for metals, polymers, and ceramics, including abrasive wear, delamination theory, tool wear, erosive wear, wear of polymers and composites; and boundary lubrication and solid-film lubrication. The course also considers the relationship between nano-tribology and macro-tribology, rolling contacts, tribological problems in magnetic recording and electrical contacts, and monitoring and diagnosis of friction and wear. Case studies are used to illustrate key points. This course addresses the design of tribological systems: the interfaces between two or more bodies in relative motion. Fundamental topics include: geometric, chemical, and physical characterization of surfaces; friction and wear mechanisms for metals, polymers, and ceramics, including abrasive wear, delamination theory, tool wear, erosive wear, wear of polymers and composites; and boundary lubrication and solid-film lubrication. The course also considers the relationship between nano-tribology and macro-tribology, rolling contacts, tribological problems in magnetic recording and electrical contacts, and monitoring and diagnosis of friction and wear. Case studies are used to illustrate key points.

Subjects

tribology | tribology | surfaces | surfaces | interface | interface | friction | friction | wear | wear | metal | metal | polymer | polymer | ceramics | ceramics | abrasive wear | abrasive wear | delamination theory | delamination theory | tool wear | tool wear | erosive wear | erosive wear | composites | composites | boundary lubrication | boundary lubrication | solid-film lubrication. nano-tribology | solid-film lubrication. nano-tribology | macro-tribology | macro-tribology | rolling contacts | rolling contacts | magnetic recording | magnetic recording | electrical contact | electrical contact | connector | connector | axiomatic design | axiomatic design | traction | traction | seals | seals | solid-film lubrication | solid-film lubrication | nano-tribology | nano-tribology

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Freezing conditions in Montgomeryshire during the severe winter of 1939-40 Freezing conditions in Montgomeryshire during the severe winter of 1939-40

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Subjects

wales | wales | cymru | cymru | roads | roads | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | taboggans | taboggans | filmnegatives | filmnegatives | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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Accident at Llanymynech Accident at Llanymynech

Description

Subjects

wales | wales | cymru | cymru | automobiles | automobiles | taverns | taverns | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | filmnegatives | filmnegatives | trafficaccidents | trafficaccidents | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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Aberaman Miners' Training Centre Aberaman Miners' Training Centre

Description

Subjects

wales | wales | cymru | cymru | teenagers | teenagers | coalminers | coalminers | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | filmnegatives | filmnegatives | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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21F.056 Visual Histories: German Cinema 1945 to Present (MIT)

Description

This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.

Subjects

German | Film | Cinema | Movies | History | Intercultural Analyses | Cinematic Tradition | Post-War | Aesthetics | German film-making | Second World War | German Cinema | post-war Germany | New German Cinema | East Germany | film production | film analysis | German cinematic production | German history | Die Stunde Null | Tr?mmerfilme | Catastrophy | visual histories | West Germany | America | Hollywood | East German Cinema | Post-unification German Cinema | WWII

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Dolgellau Rural Council's visit to the Forestry Commission site at Coed y Brenin Dolgellau Rural Council's visit to the Forestry Commission site at Coed y Brenin

Description

Subjects

men | men | wales | wales | forestry | forestry | cymru | cymru | employees | employees | harvesting | harvesting | countryliving | countryliving | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | regionalplanning | regionalplanning | filmnegatives | filmnegatives | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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21G.056 Visual Histories: German Cinema 1945 to Present (MIT)

Description

This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.

Subjects

German | Film | Cinema | Movies | History | Intercultural Analyses | Cinematic Tradition | Post-War | Aesthetics | German film-making | Second World War | German Cinema | post-war Germany | New German Cinema | East Germany | film production | film analysis | German cinematic production | German history | Die Stunde Null | Tr?mmerfilme | Catastrophy | visual histories | West Germany | America | Hollywood | East German Cinema | Post-unification German Cinema | WWII

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Foot and mouth disease at Llainwen, Trawsfynydd, which was isolated thanks to quick action Foot and mouth disease at Llainwen, Trawsfynydd, which was isolated thanks to quick action

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signs | signs | wales | wales | farmers | farmers | farming | farming | cymru | cymru | farms | farms | countrylife | countrylife | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | filmnegatives | filmnegatives | communicablediseases | communicablediseases | quarantines | quarantines | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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