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Interior of the Shipley Art Gallery

Description

The Shipley Art Gallery was bequeathed to the people of Gateshead following the death of Joseph Shipley, a local solicitor, in 1909. The architect?s plans for the Gallery were submitted to Gateshead for approval in October 1914. With hindsight, it is hard for us to imagine that towns were planning major projects like this during the First World War. However in autumn 1914, the British people were convinced it would be ?all over by Christmas?. Despite this belief coming to nothing, Gateshead continued to build the Gallery, even travelling down to the House of Lords to appeal against a ban on providing new materials except to the War Effort. The building opened in 1917 and is a testament to local pride and craftsmanship. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email claire.ross@twmuseums.org.uk

Subjects

worldwarone | worlife1914 | twamvenues | shipleyartgallery | gateshead | artgallery | paintings | sculpture | interior | blackandwhitephotograph | digitalimage | archives | artanddesign | whiteoutline | text | label | interiorshipleyartgallery8930 | tyneweararchivesmuseumsduringworldwarone | ww1 | bequeathed | socialhistory | josephshipley | solicitor | 1909 | design | architecturalplans | october1914 | planningprojects | britishpeople | construction | building | gallery | houseoflords | appeal | newmaterials | wareffort | 1917 | opening | localpride | craftsmanship | testament | frame | wall | room | floor | display | artcollection | painting | props | bird | figure | form | landscape | animal | doorway | column | space | fascinating | interesting | unusual | gatesheadengland | unitedkingdom | industry | industrialheritage | abstract | decoration | furnishings | layout | creativity | presentation | tynewear

License

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Christopher Brown and Malcom Rogers in conversation

Description

Malcolm Rogers and Dr Brown, the Director of the Ashmolean Museum, will discuss and compare their experiences of overseeing the extensive renovations of the Ashmolean Museum and the Boston Museum of Fine Arts. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

gallery | museum | art | humanitas | humanities | gallery | museum | art | humanitas | humanities | 2012-05-08

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Malcolm Rogers: The Art Museum in the 21st Century

Description

Malcolm Rogers (Ann and Graham Gund Director, Museum of Fine Arts, Boston) delivers a lecture as Visiting Professor in Museums Galleries and Libraries. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

art | humanities | museum | gallery | culture | humanitas | history | art | humanities | museum | gallery | culture | humanitas | history | 2012-05-07

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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18.319 Geometric Combinatorics (MIT) 18.319 Geometric Combinatorics (MIT)

Description

This course offers an introduction to discrete and computational geometry. Emphasis is placed on teaching methods in combinatorial geometry. Many results presented are recent, and include open (as yet unsolved) problems. This course offers an introduction to discrete and computational geometry. Emphasis is placed on teaching methods in combinatorial geometry. Many results presented are recent, and include open (as yet unsolved) problems.

Subjects

discrete geometry | discrete geometry | computational geometry | computational geometry | convex partitions | convex partitions | binary space partitions | binary space partitions | art gallery problems | art gallery problems | Planar graphs | Planar graphs | pseudo-triangulations | pseudo-triangulations | encompassing graphs | encompassing graphs | geometric graphs | geometric graphs | crossing numbers | crossing numbers | extremal graph theory | extremal graph theory | Gallai-Sylvester problems | Gallai-Sylvester problems

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Christopher Brown and Malcom Rogers in conversation

Description

Malcolm Rogers and Dr Brown, the Director of the Ashmolean Museum, will discuss and compare their experiences of overseeing the extensive renovations of the Ashmolean Museum and the Boston Museum of Fine Arts. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

gallery | museum | art | humanitas | humanities | gallery | museum | art | humanitas | humanities | 2012-05-08

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Malcolm Rogers: The Art Museum in the 21st Century

Description

Malcolm Rogers (Ann and Graham Gund Director, Museum of Fine Arts, Boston) delivers a lecture as Visiting Professor in Museums Galleries and Libraries. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

art | humanities | museum | gallery | culture | humanitas | history | art | humanities | museum | gallery | culture | humanitas | history | 2012-05-07

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Tableaux appartenant a Monsieur Calouste Sarkis Gulbenkian et actuellement exposes a la National Gallery Tableaux appartenant a Monsieur Calouste Sarkis Gulbenkian et actuellement exposes a la National Gallery

Description

Subjects

fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | caloustesarkisgulbenkian | caloustesarkisgulbenkian | caloustegulbenkian | caloustegulbenkian | lista | lista | quadros | quadros | expostos | expostos | nationalgallery | nationalgallery | frança | frança | paris | paris

License

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CMS.950 Workshop I (MIT) CMS.950 Workshop I (MIT)

Description

This course fulfills the first half of the Comparative Media Studies workshop sequence requirement for entering graduate students. The workshop sequence provides an opportunity for a creative, hands-on project development experience and emphasizes intellectual growth as well as the acquisition of technical skills. The course is designed to provide practical, hands-on experience to complement students' theoretical studies. This course fulfills the first half of the Comparative Media Studies workshop sequence requirement for entering graduate students. The workshop sequence provides an opportunity for a creative, hands-on project development experience and emphasizes intellectual growth as well as the acquisition of technical skills. The course is designed to provide practical, hands-on experience to complement students' theoretical studies.

Subjects

Comparative | Comparative | media | media | studies | studies | workshop | workshop | visual narrative | visual narrative | digital | digital | images | images | Web gallery | Web gallery | soundscapes | soundscapes | storytelling | storytelling | digital video | digital video | Flash animation | Flash animation | machinima | machinima | games | games | class blog | class blog | location-based narratives | location-based narratives | handheld devices | handheld devices | PDA | PDA | cellphones | cellphones

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.609 The Art Museum: History, Theory, Controversy (MIT) 4.609 The Art Museum: History, Theory, Controversy (MIT)

Description

Art museums are powerful and contested institutions. They are also innovative sites of architectural and artistic practice. From the exhibitionary complex of the nineteenth century to the experiential complex of today, this course investigates the art museum from historical and contemporary perspectives, striking a balance between theoretical investigation and case studies of recent exhibitions and museum buildings. Where and why did the concept of the public art museum emerge, and how have its functions changed over time? How do art museums continue to shape our definitions of what art is? How have they responded to recent critiques of the self-described 'universal' museum and to claims for the ethical display of ill-gotten artifacts or the restitution of such objects as Greek vases and Art museums are powerful and contested institutions. They are also innovative sites of architectural and artistic practice. From the exhibitionary complex of the nineteenth century to the experiential complex of today, this course investigates the art museum from historical and contemporary perspectives, striking a balance between theoretical investigation and case studies of recent exhibitions and museum buildings. Where and why did the concept of the public art museum emerge, and how have its functions changed over time? How do art museums continue to shape our definitions of what art is? How have they responded to recent critiques of the self-described 'universal' museum and to claims for the ethical display of ill-gotten artifacts or the restitution of such objects as Greek vases and

Subjects

art museum | art museum | art history | art history | museums | museums | repatriation | repatriation | history of architecture | history of architecture | gallery | gallery | cultural appropriation | cultural appropriation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Buckingham Palace, London (with French sub-titles) Buckingham Palace, London (with French sub-titles)

Description

Subjects

thestereopairsphotographcollection | thestereopairsphotographcollection | lawrencecollection | lawrencecollection | stereographicnegatives | stereographicnegatives | jamessimonton | jamessimonton | frederickhollandmares | frederickhollandmares | johnfortunelawrence | johnfortunelawrence | williammervynlawrence | williammervynlawrence | nationallibraryofireland | nationallibraryofireland | thepicturegallery | thepicturegallery | buckinghampalace | buckinghampalace | london | london | england | england | uk | uk | greatbritain | greatbritain | ferrier | ferrier | soulier | soulier | levy | levy

License

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4.609 The Art Museum: History, Theory, Controversy (MIT)

Description

Art museums are powerful and contested institutions. They are also innovative sites of architectural and artistic practice. From the exhibitionary complex of the nineteenth century to the experiential complex of today, this course investigates the art museum from historical and contemporary perspectives, striking a balance between theoretical investigation and case studies of recent exhibitions and museum buildings. Where and why did the concept of the public art museum emerge, and how have its functions changed over time? How do art museums continue to shape our definitions of what art is? How have they responded to recent critiques of the self-described 'universal' museum and to claims for the ethical display of ill-gotten artifacts or the restitution of such objects as Greek vases and

Subjects

art museum | art history | museums | repatriation | history of architecture | gallery | cultural appropriation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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CMS.950 Workshop I (MIT)

Description

This course fulfills the first half of the Comparative Media Studies workshop sequence requirement for entering graduate students. The workshop sequence provides an opportunity for a creative, hands-on project development experience and emphasizes intellectual growth as well as the acquisition of technical skills. The course is designed to provide practical, hands-on experience to complement students' theoretical studies.

Subjects

Comparative | media | studies | workshop | visual narrative | digital | images | Web gallery | soundscapes | storytelling | digital video | Flash animation | machinima | games | class blog | location-based narratives | handheld devices | PDA | cellphones

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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Whitley Sands

Description

This is a Glass Slide showing a sea side summer scene of Whitley Sands. The slide is from some time between the late 19th and early 20th century. It was taken by the Tynemouth photographer M. Auty. The slide would have been viewed through a Magic Lantern, an early type of image projector. This image is part of the Tyne & Wear archives & museums set South Shields Art Gallery Social History collection. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk

Subjects

whitleysands | southshieldsartgallerysocialhistorycollection | blackframe | blackoutline | mark | grain | sky | land | sea | ocean | water | tide | buildings | slope | bathers | glassslide | seasidesummerscene | seaside | slide | archives | socialhistory | late19thandearly20thcentury | view | glimpse | magiclantern | imageprojector | leisure | digitalimage | blackandwhitephotograph | northeastofengland | unitedkingdom | umbrella | rocks | sign | post | window | door | stairs | chimney | curve | wheel | horse | carriage | tent | pole | flag | blur | reflection | fence | posts | gathering | people | dress | hat | ribbon | fascinating | interesting | unusual | tynemouth | mauty | recreation | socialheritage | landscape | sand | calm

License

No known copyright restrictions

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The Village Homes

Description

This is a Glass Slide showing the village homes in whitley and a group of young girls. The slide is from some time between the late 19th and early 20th century. It was taken by the Tynemouth photographer M. Auty. The slide would have been viewed through a Magic Lantern, an early type of image projector. This image is part of the Tyne & Wear archives & museums set South Shields Art Gallery Social History collection. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk

Subjects

glassslide | blackandwhitephotograph | digitalimage | archives | socialhistory | southshieldsartgallerysocialhistorycollection | whitley | group | gathering | late19thandearly20thcentury | tynemouthphotographer | mauty | magiclantern | view | glimpse | imageprojector | lawn | grass | building | land | sky | wall | window | frame | glass | roof | label | blackoutline | blackframe | curve | debris | grain | mark | blur | stone | brick | vent | seat | seated | younggirls | staff | man | women | standing | pipe | gutter | hat | fascinating | interesting | unusual | compelling | poignant | northeastofengland | unitedkingdom | villagehomes | residential | shelter | refuge | carer | caretaker | fabric | crease | clothing | uniform | shirt | coat | faded

License

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The Village Homes

Description

This is a Glass Slide showing the village homes in whitley. It features the row of houses and a group of young girls. The slide is from some time between the late 19th and early 20th century. It was taken by the Tynemouth Photographer M. Auty. The slide would have been viewed through a Magic Lantern, an early type of image projector. This image is part of the Tyne & Wear archives & museums set South Shields Art Gallery Social History collection. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk

Subjects

glassslide | digitalimage | archives | socialhistory | blackandwhitephotograph | northeastofengland | unitedkingdom | southshields | southshieldsartgallerysocialhistorycollection | villagehomes | residential | refuge | whitley | group | gathering | younggirls | poignant | interesting | engaging | fascinating | unusual | slide | row | houses | late19thandearly20thcentury | tynemouthphotographer | mauty | view | glimpse | land | landscape | sky | magiclantern | imageprojector | earlytype | socialhistorycollection | curve | blackoutline | blackframe | pole | flag | pipe | wall | roof | window | glass | frame | uniform | seated | seat | clothing | hat | dress | crease | debris | soil | garden | vegetation | fence | post | chimney | caretaker | staff | working | standing | grain | blur | mark | discolouration | surreal | trail | doorway | door | darkness | daylight

License

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The Mayor

Description

This is a Glass Slide simple entitled 'portrait of the Mayors Head.' The slide is from some time between the Late 19th and early 20th Century. It would have been viewed through a Magic Lantern, an early type of image projector. This image is part of the Tyne & Wear archives & museums set South Shields Art Gallery Social History collection. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk

Subjects

portrait | blackandwhitephotograph | digitalimage | archives | socialhistory | mayors | head | portraitofthemayorshead | glassslide | southshieldsartgallerysocialhistorycollection | blackframe | blackoutline | curve | flower | shirt | tie | pin | button | immaculate | late19thandearly20thcentury | view | glimpse | magiclantern | earlytype | imageprojector | man | neutralbackground | male | blur | grain | mark | hair | distracted | eye | cleanshaven | lips | jacket | decoration | northeastofengland | unitedkingdom | mysterious | unusual | fascinating | interesting

License

No known copyright restrictions

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Morpeth

Description

This is a Glass slide showing the Bridge Hotel in Morpeth, Northumberland. The slide is from some time between the late 19th and early 20th century. It would have been viewed through a Magic Lantern, an early type of image projector. This image is part of the Tyne & Wear archives & museums set South Shields Art Gallery Social History collection. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk

Subjects

morpeth | northumberland | bridgehotel | blackbullhotel | oldcoachinginn | glassslide | slide | southshieldsartgallerysocialhistorycollection | late19thandearly20thcentury | socialhistory | magiclantern | view | glimpse | imageprojector | bridgestreet | urban | city | street | sky | buildings | blackandwhitephotograph | digitalimage | curtain | window | frame | wall | roof | chimney | grain | blur | mark | debris | pedestrian | pavement | industry | blackoutline | curve | table | container | door | stair | shadow | daylight | lightpost | cart | wheel | northeastofengland | unitedkingdom | surreal | interesting | unusual | construction | design | structure | infrastructure | planning | signage | letters | socialheritage | archives

License

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Edinburgh. Sir Walter Scott Monument

Description

Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.01239 Title: Edinburgh. Sir Walter Scott Monument Photographer: George Washington Wilson (Scottish, 1823-1893) Architect of Scott Memorial: E. Meikle Kemp (1795-1844) Monument date: 1840-1846 Photograph date: ca. 1865-ca. 1885 Location: Europe: United Kingdom; Edinburgh Materials: albumen print Image: 7 1/2 x 11 1/2 in.; 19.05 x 29.21 cm Provenance: Gift of Andrew Dickson White Persistent URI: hdl.handle.net/1813.001/5tdh There are no known copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source. We had some help with the geocoding from Web Services by Yahoo!

Subjects

cornelluniversitylibrary | sirwalterscottmemorialedinburghscotland | princesstreetedinburghscotland | edinburghcastleedinburghscotland | nationalgalleryofscotlandedinburghscotland | cityscapes | urbanviews | pedestrians | omnibuses | carriages | awnings | urbanparks | wroughtiron | monuments | memorials | crockets | spires | flyingbuttresses | museums | publicbuildings | castles | fortifications | hills | railroadstations | culidentifier:value=155309001239 | culidentifier:lunafield=accessionnumber

License

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Exhibition room, Art Gallery, Montreal, QC, 1879

Description

Subjects

mccordmuseum | musemccord | canada | gallery | bench | art | paintings | framed | blackandwhite | 19thcentury | interior | skylight | ceilingfan | 1879

License

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Jimmy Forsyth

Description

Jimmy Forsyth, photographer, 1913-2009. Jimmy Forsyth was born in Barry, South Wales on 15 August 1913, the son of John and Bertha Forsyth. On leaving school at 14 he became an apprentice fitter in a cement works repair shop, but later joined the merchant navy. He returned to Wales in 1938 to work for ICI at Hirwaun. He moved to Newcastle as a munitions volunteer in 1943 and found a room in Elswick, just off the Scotswood Road, working for ICI at Prudhoe. Just four days after starting work a metal splinter blinded him in one eye, but he continued to work at ICI in other capacities until 1946, when he was sacked. Following this he took various odd jobs, including running a general store for a while. Some time in the 1950s he acquired a camera and began recording the area he lived in. He continued to take photographs until only a short while before his death. In the late 1970s his black and white negatives were acquired for preservation by Benwell Library, and in 1979 the first exhibition of Jimmy's work was held at the Side Gallery in Newcastle. The publication of Scotswood Road by Bloodaxe Books in 1986, accompanied by another exhibition at the Side, and followed by a Tyne Tees Television documentary No Fancy Shades brought his work to a wider audience. He was awarded the Halina Award for photography in 1987 and an Open University Master's degree in 2002. Reference: TWAS: DF.JF.4651(Jimmy Forsyth 2) (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk. To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.

Subjects

jimmyforsyth | forsyth | museum | twam | tyneandweararchivesandmuseums | tyne | northeast | photographer | newcastle | jimmyforsthye | forsythe | photography | newcastleeastend | scotswood | walker | byker | newcastleupontyne | blackwhitephotos | celebrateneengland | socialhistory | archives | northeastofengland | unitedkingdom | interesting | fascinating | wrinkle | portrait | barry | southwales | 19132009 | 15august1913 | johnforsyth | berthaforsyth | apprenticefitter | merchantnavy | ici | hirwaun | elswick | munitionsvolunteer | scotswoodroad | prudhoe | generalstore | camera | localrecords | benwelllibrary | late1970s | preservation | exhibition | sidegallery | 1979 | bloodaxebooks | publication | 1986 | tyneteestelevisiondocumentary | nofancyshades | halinaawardforphotography | 1987 | openuniversitymastersdegree | 2002 | digitalimage | stripes | shirt | button | moustache | happy | hair | industry | industrial | abstract | personality | eyes | expression | whiteoutline | curtain | blackandwhitephotograph

License

No known copyright restrictions

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'Seeing' a Polar Bear

Description

Here are three blind children examining a mounted polar bear at Sunderland Museum. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13838 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | polarbear | girls | boy | paintings | platform | fur | barrier | sensations | from1913 | sunderlandcouncilblindschool | blackandwhite | poignant | rope | stands | board | attentive | feeling | standing | gallery | room | taxidermy

License

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Women Picket during Ladies Tailors Strike, 02/1910

Description

Subjects

strike | grève | gréviste | usnationalarchives | suffragettemovement | recordsofrights | job12a2257 | lxa22012049 | projectrubensteingallery | nara:arcid=7452469

License

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It's Either That, or Time off Until a Day Nursery is Organized

Description

Subjects

women | factory | cartoon | worldwartwo | workingconditions | usnationalarchives | recordsofrights | job12a2257 | lxa22012049 | projectrubensteingallery | nara:arcid=7452286

License

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Evelyn T. Gray, Riveter and Pearlyne Smiley, Bucker, Complete a Job on Center Section of a Bomber

Description

Subjects

industry | workers | women | industrie | femmes | worldwartwo | noires | ouvrières | usnationalarchives | recordsofrights | rubensteingallery | nara:arcid=7452275

License

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18.319 Geometric Combinatorics (MIT)

Description

This course offers an introduction to discrete and computational geometry. Emphasis is placed on teaching methods in combinatorial geometry. Many results presented are recent, and include open (as yet unsolved) problems.

Subjects

discrete geometry | computational geometry | convex partitions | binary space partitions | art gallery problems | Planar graphs | pseudo-triangulations | encompassing graphs | geometric graphs | crossing numbers | extremal graph theory | Gallai-Sylvester problems

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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