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21G.035 Topics in Culture and Globalization: Reggae as Transnational Culture (MIT) 21G.035 Topics in Culture and Globalization: Reggae as Transnational Culture (MIT)

Description

This course considers reggae, or Jamaican popular music more generally—in its various forms (ska, rocksteady, roots, dancehall)—as constituted by international movements and exchanges and as a product that circulates globally in complex ways. By reading across the reggae literature, as well as considering reggae texts themselves (songs, films, videos, and images), students will scrutinize the different interpretations of reggae's significance and the implications of different interpretations of the story of Jamaica and its music. Beginning with a consideration of how Jamaica's popular music industry emerged out of transnational exchanges, the course will proceed to focus on reggae's circulation outside of Jamaica via diasporic networks and commercial mediascapes. Among other This course considers reggae, or Jamaican popular music more generally—in its various forms (ska, rocksteady, roots, dancehall)—as constituted by international movements and exchanges and as a product that circulates globally in complex ways. By reading across the reggae literature, as well as considering reggae texts themselves (songs, films, videos, and images), students will scrutinize the different interpretations of reggae's significance and the implications of different interpretations of the story of Jamaica and its music. Beginning with a consideration of how Jamaica's popular music industry emerged out of transnational exchanges, the course will proceed to focus on reggae's circulation outside of Jamaica via diasporic networks and commercial mediascapes. Among other

Subjects

reggae | reggae | world culture | world culture | globalization | globalization | Rastafari | Rastafari | Jamaica | Jamaica | Caribbean music | Caribbean music | African diaspora | African diaspora | hip-hop | hip-hop | identity | identity | race | race | ethnicity | ethnicity | nationalism | nationalism | gender | gender | sexuality | sexuality | religion | religion | Bob Marley | Bob Marley | dancehall | dancehall | reggaeton | reggaeton | roots | roots | ska | ska

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.293 Music of Africa (MIT) 21M.293 Music of Africa (MIT)

Description

This course is an introduction to selected musical traditions of West Africa. A variety of musical practices and their cultural contexts will be explored through listening, reading, and written assignments, with an emphasis on class discussion. The course includes in-class instruction in West African drumming, song and dance, as well as lecture-demonstrations by guest artists. After an introductory unit, the course will be organized around four main geographical areas: Senegal, Mali, Ghana, and Nigeria. An in-depth study of music from these countries will be interspersed with brief overviews of Southern, Central, and East Africa. This course is an introduction to selected musical traditions of West Africa. A variety of musical practices and their cultural contexts will be explored through listening, reading, and written assignments, with an emphasis on class discussion. The course includes in-class instruction in West African drumming, song and dance, as well as lecture-demonstrations by guest artists. After an introductory unit, the course will be organized around four main geographical areas: Senegal, Mali, Ghana, and Nigeria. An in-depth study of music from these countries will be interspersed with brief overviews of Southern, Central, and East Africa.

Subjects

african music | african music | world music | world music | west Africa | west Africa | drumming | drumming | song | song | dance | dance | kora | kora | ethnomusicology | ethnomusicology | Senegal | Senegal | Mali | Mali | Ghana | Ghana | Nigeria | Nigeria | Lamine Toure | Lamine Toure | mbalax | mbalax | hip-hop | hip-hop | rhythm | rhythm | Wolof | Wolof | griot | griot | sabar | sabar | Salif Keita | Salif Keita | Oumou Sangare | Oumou Sangare | Ali Farka Toure | Ali Farka Toure | highlife | highlife | juju | juju | afro-beat | afro-beat | afro-pop | afro-pop | afrobeat | afrobeat | afropop | afropop | Fela Kuti | Fela Kuti | King Sunny Ade | King Sunny Ade | Ewe | Ewe | Yoruba | Yoruba | ethnography | ethnography

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.294 Popular Musics of the World (MIT) 21M.294 Popular Musics of the World (MIT)

Description

This course focuses on popular music, i.e. music created for and transmitted by mass media. Various popular music genres from around the world will be studied through listening, reading and written assignments, with an emphasis on class discussion. In particular, we will consider issues of musical change, syncretism, Westernization, globalization, the impact of recording industries, and the post-colonial era. Case studies will include Afro-pop, reggae, bhangra, rave, and global hip-hop. This course focuses on popular music, i.e. music created for and transmitted by mass media. Various popular music genres from around the world will be studied through listening, reading and written assignments, with an emphasis on class discussion. In particular, we will consider issues of musical change, syncretism, Westernization, globalization, the impact of recording industries, and the post-colonial era. Case studies will include Afro-pop, reggae, bhangra, rave, and global hip-hop.

Subjects

world music | world music | pop music | pop music | globalization | globalization | recording | recording | Afro-pop | Afro-pop | afropop | afropop | reggae | reggae | bhangra | bhangra | rave | rave | hip-hop | hip-hop | enthnomusicology | enthnomusicology | world beat | world beat | Senegal | Senegal | FelaKuti | FelaKuti | African music | African music | Paul Simon | Paul Simon | Graceland | Graceland | rap | rap | rap music | rap music | dance | dance | anthropology | anthropology | japanese pop | japanese pop | Egypt | Egypt | Egyptian pop | Egyptian pop | techno | techno | youth culture | youth culture | karaoke | karaoke | ska | ska | dancehall | dancehall | Bob Marley | Bob Marley

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21G.039 Japanese Popular Culture (MIT) 21G.039 Japanese Popular Culture (MIT)

Description

This course examines Japanese popular culture as a way of understanding the changing character of media, capitalism, fan communities and culture. Topics include manga (comic books), hip-hop and other popular music in Japan, anime (Japanese animated films) and feature films, sports (sumo, soccer, baseball), and online communication. Emphasis will be on contemporary popular culture and theories of gender, sexuality, race, and the workings of power in global culture industries. This course examines Japanese popular culture as a way of understanding the changing character of media, capitalism, fan communities and culture. Topics include manga (comic books), hip-hop and other popular music in Japan, anime (Japanese animated films) and feature films, sports (sumo, soccer, baseball), and online communication. Emphasis will be on contemporary popular culture and theories of gender, sexuality, race, and the workings of power in global culture industries.

Subjects

japan | japan | popular culture | popular culture | media | media | capitalism | capitalism | comics | comics | hip-hop | hip-hop | music | music | animation | animation | movie | movie | sports | sports | sexuality | sexuality | race | race | gender | gender | fan communities | fan communities | culture | culture | manga | manga | pop | pop | popular music | popular music | anime | anime | Japanese animated films | Japanese animated films | power | power | global culture industries | global culture industries | 21F.039 | 21F.039 | 21F.037 | 21F.037

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21G.035 Topics in Culture and Globalization (MIT) 21G.035 Topics in Culture and Globalization (MIT)

Description

The concept of globalization fosters the understanding of the interconnectedness of cultures and societies geographically wide apart; America, Europe, Asia, and Africa. Subject scans existing debates over globalization around the world. This course explores how globalization impacts everyday life in the First and Third World; how globalization leads to a common cosmopolitan culture; the emergence of a global youth culture; and religious, social, and political movements that challenge globalization. Materials examined include pop music, advertisements, film posters, and political cartoons. The concept of globalization fosters the understanding of the interconnectedness of cultures and societies geographically wide apart; America, Europe, Asia, and Africa. Subject scans existing debates over globalization around the world. This course explores how globalization impacts everyday life in the First and Third World; how globalization leads to a common cosmopolitan culture; the emergence of a global youth culture; and religious, social, and political movements that challenge globalization. Materials examined include pop music, advertisements, film posters, and political cartoons.

Subjects

globalization; society; geography; america; europe; asia; africa; third worrld; development; contemporary culture; religion; politics; youth; developing nation | globalization; society; geography; america; europe; asia; africa; third worrld; development; contemporary culture; religion; politics; youth; developing nation | globalization | globalization | society | society | geography | geography | america | america | europe | europe | asia | asia | africa | africa | third worrld | third worrld | development | development | contemporary culture | contemporary culture | religion | religion | politics | politics | youth | youth | developing nation | developing nation | first world | first world | cosmopolitan culture | cosmopolitan culture | global youth culture | global youth culture | religious movements | religious movements | social movements | social movements | political movements | political movements | pop | pop | popular music | popular music | political cartoons | political cartoons | Japan | Japan | popular culture | popular culture | world hip-hop | world hip-hop | rap | rap | media power | media power | consumer activism | consumer activism | third world | third world | 21F.035 | 21F.035 | 21F.037 | 21F.037

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21F.039 Japanese Popular Culture (MIT)

Description

This course examines Japanese popular culture as a way of understanding the changing character of media, capitalism, fan communities and culture. Topics include manga (comic books), hip-hop and other popular music in Japan, anime (Japanese animated films) and feature films, sports (sumo, soccer, baseball), and online communication. Emphasis will be on contemporary popular culture and theories of gender, sexuality, race, and the workings of power in global culture industries.

Subjects

japan | popular culture | media | capitalism | comics | hip-hop | music | animation | movie | sports | sexuality | race | gender | fan communities | culture | manga | pop | popular music | anime | Japanese animated films | power | global culture industries

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21F.035 Topics in Culture and Globalization (MIT)

Description

The concept of globalization fosters the understanding of the interconnectedness of cultures and societies geographically wide apart; America, Europe, Asia, and Africa. Subject scans existing debates over globalization around the world. This course explores how globalization impacts everyday life in the First and Third World; how globalization leads to a common cosmopolitan culture; the emergence of a global youth culture; and religious, social, and political movements that challenge globalization. Materials examined include pop music, advertisements, film posters, and political cartoons.

Subjects

globalization; society; geography; america; europe; asia; africa; third worrld; development; contemporary culture; religion; politics; youth; developing nation | globalization | society | geography | america | europe | asia | africa | third worrld | development | contemporary culture | religion | politics | youth | developing nation | first world | cosmopolitan culture | global youth culture | religious movements | social movements | political movements | pop | popular music | political cartoons | Japan | popular culture | world hip-hop | rap | media power | consumer activism | third world

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

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Attribution

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21G.039 Japanese Popular Culture (MIT)

Description

This course examines Japanese popular culture as a way of understanding the changing character of media, capitalism, fan communities and culture. Topics include manga (comic books), hip-hop and other popular music in Japan, anime (Japanese animated films) and feature films, sports (sumo, soccer, baseball), and online communication. Emphasis will be on contemporary popular culture and theories of gender, sexuality, race, and the workings of power in global culture industries.

Subjects

japan | popular culture | media | capitalism | comics | hip-hop | music | animation | movie | sports | sexuality | race | gender | fan communities | culture | manga | pop | popular music | anime | Japanese animated films | power | global culture industries | 21F.039 | 21F.037

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21G.035 Topics in Culture and Globalization (MIT)

Description

The concept of globalization fosters the understanding of the interconnectedness of cultures and societies geographically wide apart; America, Europe, Asia, and Africa. Subject scans existing debates over globalization around the world. This course explores how globalization impacts everyday life in the First and Third World; how globalization leads to a common cosmopolitan culture; the emergence of a global youth culture; and religious, social, and political movements that challenge globalization. Materials examined include pop music, advertisements, film posters, and political cartoons.

Subjects

globalization; society; geography; america; europe; asia; africa; third worrld; development; contemporary culture; religion; politics; youth; developing nation | globalization | society | geography | america | europe | asia | africa | third worrld | development | contemporary culture | religion | politics | youth | developing nation | first world | cosmopolitan culture | global youth culture | religious movements | social movements | political movements | pop | popular music | political cartoons | Japan | popular culture | world hip-hop | rap | media power | consumer activism | third world | 21F.035 | 21F.037

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

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Attribution

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21M.293 Music of Africa (MIT)

Description

This course is an introduction to selected musical traditions of West Africa. A variety of musical practices and their cultural contexts will be explored through listening, reading, and written assignments, with an emphasis on class discussion. The course includes in-class instruction in West African drumming, song and dance, as well as lecture-demonstrations by guest artists. After an introductory unit, the course will be organized around four main geographical areas: Senegal, Mali, Ghana, and Nigeria. An in-depth study of music from these countries will be interspersed with brief overviews of Southern, Central, and East Africa.

Subjects

african music | world music | west Africa | drumming | song | dance | kora | ethnomusicology | Senegal | Mali | Ghana | Nigeria | Lamine Toure | mbalax | hip-hop | rhythm | Wolof | griot | sabar | Salif Keita | Oumou Sangare | Ali Farka Toure | highlife | juju | afro-beat | afro-pop | afrobeat | afropop | Fela Kuti | King Sunny Ade | Ewe | Yoruba | ethnography

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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21M.294 Popular Musics of the World (MIT)

Description

This course focuses on popular music, i.e. music created for and transmitted by mass media. Various popular music genres from around the world will be studied through listening, reading and written assignments, with an emphasis on class discussion. In particular, we will consider issues of musical change, syncretism, Westernization, globalization, the impact of recording industries, and the post-colonial era. Case studies will include Afro-pop, reggae, bhangra, rave, and global hip-hop.

Subjects

world music | pop music | globalization | recording | Afro-pop | afropop | reggae | bhangra | rave | hip-hop | enthnomusicology | world beat | Senegal | FelaKuti | African music | Paul Simon | Graceland | rap | rap music | dance | anthropology | japanese pop | Egypt | Egyptian pop | techno | youth culture | karaoke | ska | dancehall | Bob Marley

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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Attribution

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21F.035 Topics in Culture and Globalization: Reggae as Transnational Culture (MIT)

Description

This course considers reggae, or Jamaican popular music more generally—in its various forms (ska, rocksteady, roots, dancehall)—as constituted by international movements and exchanges and as a product that circulates globally in complex ways. By reading across the reggae literature, as well as considering reggae texts themselves (songs, films, videos, and images), students will scrutinize the different interpretations of reggae's significance and the implications of different interpretations of the story of Jamaica and its music. Beginning with a consideration of how Jamaica's popular music industry emerged out of transnational exchanges, the course will proceed to focus on reggae's circulation outside of Jamaica via diasporic networks and commercial mediascapes. Among other

Subjects

reggae | world culture | globalization | Rastafari | Jamaica | Caribbean music | African diaspora | hip-hop | identity | race | ethnicity | nationalism | gender | sexuality | religion | Bob Marley | dancehall | reggaeton | roots | ska

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Attribution

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21G.035 Topics in Culture and Globalization: Reggae as Transnational Culture (MIT)

Description

This course considers reggae, or Jamaican popular music more generally—in its various forms (ska, rocksteady, roots, dancehall)—as constituted by international movements and exchanges and as a product that circulates globally in complex ways. By reading across the reggae literature, as well as considering reggae texts themselves (songs, films, videos, and images), students will scrutinize the different interpretations of reggae's significance and the implications of different interpretations of the story of Jamaica and its music. Beginning with a consideration of how Jamaica's popular music industry emerged out of transnational exchanges, the course will proceed to focus on reggae's circulation outside of Jamaica via diasporic networks and commercial mediascapes. Among other

Subjects

reggae | world culture | globalization | Rastafari | Jamaica | Caribbean music | African diaspora | hip-hop | identity | race | ethnicity | nationalism | gender | sexuality | religion | Bob Marley | dancehall | reggaeton | roots | ska

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

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21F.035 Topics in Culture and Globalization: Reggae as Transnational Culture (MIT)

Description

This course considers reggae, or Jamaican popular music more generally—in its various forms (ska, rocksteady, roots, dancehall)—as constituted by international movements and exchanges and as a product that circulates globally in complex ways. By reading across the reggae literature, as well as considering reggae texts themselves (songs, films, videos, and images), students will scrutinize the different interpretations of reggae's significance and the implications of different interpretations of the story of Jamaica and its music. Beginning with a consideration of how Jamaica's popular music industry emerged out of transnational exchanges, the course will proceed to focus on reggae's circulation outside of Jamaica via diasporic networks and commercial mediascapes. Among other

Subjects

reggae | world culture | globalization | Rastafari | Jamaica | Caribbean music | African diaspora | hip-hop | identity | race | ethnicity | nationalism | gender | sexuality | religion | Bob Marley | dancehall | reggaeton | roots | ska

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses-21F.xml

Attribution

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21G.035 Topics in Culture and Globalization (MIT)

Description

The concept of globalization fosters the understanding of the interconnectedness of cultures and societies geographically wide apart; America, Europe, Asia, and Africa. Subject scans existing debates over globalization around the world. This course explores how globalization impacts everyday life in the First and Third World; how globalization leads to a common cosmopolitan culture; the emergence of a global youth culture; and religious, social, and political movements that challenge globalization. Materials examined include pop music, advertisements, film posters, and political cartoons.

Subjects

globalization; society; geography; america; europe; asia; africa; third worrld; development; contemporary culture; religion; politics; youth; developing nation | globalization | society | geography | america | europe | asia | africa | third worrld | development | contemporary culture | religion | politics | youth | developing nation | first world | cosmopolitan culture | global youth culture | religious movements | social movements | political movements | pop | popular music | political cartoons | Japan | popular culture | world hip-hop | rap | media power | consumer activism | third world | 21F.035 | 21F.037

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21F.039 Japanese Popular Culture (MIT)

Description

This course examines Japanese popular culture as a way of understanding the changing character of media, capitalism, fan communities and culture. Topics include manga (comic books), hip-hop and other popular music in Japan, anime (Japanese animated films) and feature films, sports (sumo, soccer, baseball), and online communication. Emphasis will be on contemporary popular culture and theories of gender, sexuality, race, and the workings of power in global culture industries.

Subjects

japan | popular culture | media | capitalism | comics | hip-hop | music | animation | movie | sports | sexuality | race | gender | fan communities | culture | manga | pop | popular music | anime | Japanese animated films | power | global culture industries

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21F.035 Topics in Culture and Globalization (MIT)

Description

The concept of globalization fosters the understanding of the interconnectedness of cultures and societies geographically wide apart; America, Europe, Asia, and Africa. Subject scans existing debates over globalization around the world. This course explores how globalization impacts everyday life in the First and Third World; how globalization leads to a common cosmopolitan culture; the emergence of a global youth culture; and religious, social, and political movements that challenge globalization. Materials examined include pop music, advertisements, film posters, and political cartoons.

Subjects

globalization; society; geography; america; europe; asia; africa; third worrld; development; contemporary culture; religion; politics; youth; developing nation | globalization | society | geography | america | europe | asia | africa | third worrld | development | contemporary culture | religion | politics | youth | developing nation | first world | cosmopolitan culture | global youth culture | religious movements | social movements | political movements | pop | popular music | political cartoons | Japan | popular culture | world hip-hop | rap | media power | consumer activism | third world

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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