Searching for hollywood : 14 results found | RSS Feed for this search

1

Hollywood Hat Shop Window

Description

Shop window of Hollywood Fashions Ltd., milliners, Central Arcade, Newcastle. Photographed by Turner's Photographic of Newcastle. Turner?s was established in Newcastle upon Tyne in the early 1900s. It was originally a chemists shop but in 1938 become a photographic dealer. Turners went on to become a prominent photographic and video production company in the North East of England. They had 3 shops in Newcastle city centre, in Pink Lane, Blackett Street and Eldon Square. Turner?s photographic business closed in the 1990s. Ref: TWAS:DT.TUR/2/871 (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk. To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.

Subjects

turners | photography | 1900s | productioncompany | video | photographic | northeast | northeastofengland | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | hollywood | hollywoodhatshop | centralarcade | hollywoodfashionsltd | blackandwhite | intriguing | retail | pavement | grandbuilding | heads | womenshats | scarfs | glass | sign | door | pillars

License

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21L.011 The Film Experience (MIT) 21L.011 The Film Experience (MIT)

Description

This course is an introduction to narrative film, emphasizing the unique properties of the movie house and the motion picture camera, the historical evolution of the film medium, and the intrinsic artistic qualities of individual films. The primary focus is on American cinema, but secondary attention is paid to works drawn from other great national traditions, such as France, Italy, and Japan. The syllabus includes such directors as Griffith, Keaton, Chaplin, Renoir, Ford, Hitchcock, Altman, De Sica, and Fellini. This course is an introduction to narrative film, emphasizing the unique properties of the movie house and the motion picture camera, the historical evolution of the film medium, and the intrinsic artistic qualities of individual films. The primary focus is on American cinema, but secondary attention is paid to works drawn from other great national traditions, such as France, Italy, and Japan. The syllabus includes such directors as Griffith, Keaton, Chaplin, Renoir, Ford, Hitchcock, Altman, De Sica, and Fellini.

Subjects

film history | film history | American culture | American culture | Hollywood | Hollywood | Fred Ott | Fred Ott | early film | early film | D.W. Griffith | D.W. Griffith | Buster Keaton | Buster Keaton | Charlie Chaplin | Charlie Chaplin | Renoir | Renoir | Ford | Ford | Hitchcock | Hitchcock | Altman | Altman | DeSica | DeSica | narrative | narrative | video | video | visual communication | visual communication | storytelling | storytelling | media | media | hollywood | hollywood | cinema | cinema | movie | movie

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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How Hollywood Votes and Why it Matters

Description

Using 2012 as a starting point, Dr Tim Stanley goes back into history and considers the different ways that Hollywood has influenced US elections. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

actor | movies | alumni | governor | vote | california | election | oxford | politics | hollywood | eastwood | actor | movies | alumni | governor | vote | california | election | oxford | politics | hollywood | eastwood | 2012-09-14

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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How Hollywood Votes and Why it Matters

Description

Using 2012 as a starting point, Dr Tim Stanley goes back into history and considers the different ways that Hollywood has influenced US elections. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

actor | movies | alumni | governor | vote | california | election | oxford | politics | hollywood | eastwood | actor | movies | alumni | governor | vote | california | election | oxford | politics | hollywood | eastwood | 2012-09-14

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

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21L.011 The Film Experience (MIT) 21L.011 The Film Experience (MIT)

Description

This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship. Syllabus varies from term to term, but usually includes such directors as Coppola, Eisentein, Fellini, Godard, Griffith, Hawks, Hitchcock, Kubrick, Kurosawa, Tarantino, Welles, Wiseman, and Zhang. This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship. Syllabus varies from term to term, but usually includes such directors as Coppola, Eisentein, Fellini, Godard, Griffith, Hawks, Hitchcock, Kubrick, Kurosawa, Tarantino, Welles, Wiseman, and Zhang.

Subjects

film history | film history | American culture | American culture | Hollywood | Hollywood | Fred Ott | Fred Ott | early film | early film | D.W. Griffith | D.W. Griffith | Buster Keaton | Buster Keaton | Charlie Chaplin | Charlie Chaplin | Renoir | Ford | Renoir | Ford | Hitchcock | Hitchcock | Altman | DeSica | Altman | DeSica | narrative | narrative | video | video | visual communication | visual communication | storytelling | storytelling | media | media | hollywood | hollywood | cinema | cinema | movie | movie

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21L.011 The Film Experience (MIT) 21L.011 The Film Experience (MIT)

Description

Includes audio/video content: AV lectures. This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica, and Kurosawa. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship. Includes audio/video content: AV lectures. This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica, and Kurosawa. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship.

Subjects

film history | film history | American culture | American culture | Fred Ott | Fred Ott | early film | early film | D.W. Griffith | D.W. Griffith | Buster Keaton | Buster Keaton | Charlie Chaplin | Charlie Chaplin | Renoir | Renoir | Ford | Ford | Hitchcock | Hitchcock | Altman | Altman | DeSica | DeSica | narrative | narrative | television | television | visual communication | visual communication | storytelling | storytelling | media | media | hollywood | hollywood | cinema | cinema | movie | movie

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Helen Hayes (LOC) Helen Hayes (LOC)

Description

Subjects

libraryofcongress | libraryofcongress | helenhayes | helenhayes | helenhayesmacarthur | helenhayesmacarthur | actresses | actresses | actors | actors | firstladyofamericantheatre | firstladyofamericantheatre | emmyawards | emmyawards | emmyawardwinners | emmyawardwinners | oscarawards | oscarawards | oscarawardwinners | oscarawardwinners | academyawards | academyawards | academyawardwinner | academyawardwinner | academyawardbestactress | academyawardbestactress | bestactress | bestactress | tonyawards | tonyawards | presidentialmedaloffreedomawards | presidentialmedaloffreedomawards | nationalmedalofartsawards | nationalmedalofartsawards | egotwinners | egotwinners | hollywoodwalkoffamestars | hollywoodwalkoffamestars | americantheatrehalloffame | americantheatrehalloffame | helenhayesawards | helenhayesawards | helenhayestheatre | helenhayestheatre

License

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Seminole men at the Dania Reservation in Hollywood, Florida

Description

Subjects

florida | hollywood | 1950s | classiccars | browardcounty | classicautomobiles | seminoleindians | floridaseminoles | statelibraryandarchivesofflorida | daniaseminoleindianreservation | billybowlegsiii | vision:outdoor=075 | peithmanncollection

License

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Overcast skies above cypress forest - Dania Seminole Indian Reservation

Description

Subjects

clouds | florida | hollywood | dania | seminoleindianreservation | cypressforests

License

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All Us Kids Love Florida

Description

Subjects

swimming | children | florida | hollywood | hotels | vacations | swimmingpools | countryclubs

License

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Sally Buster at the Hollywood Indian Reservation - Dania

Description

Subjects

women | florida | nativeamericans | dania | ethnicclothing | sallybuster | seminolewomen | hollywoodindianreservation

License

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21L.011 The Film Experience (MIT)

Description

This course is an introduction to narrative film, emphasizing the unique properties of the movie house and the motion picture camera, the historical evolution of the film medium, and the intrinsic artistic qualities of individual films. The primary focus is on American cinema, but secondary attention is paid to works drawn from other great national traditions, such as France, Italy, and Japan. The syllabus includes such directors as Griffith, Keaton, Chaplin, Renoir, Ford, Hitchcock, Altman, De Sica, and Fellini.

Subjects

film history | American culture | Hollywood | Fred Ott | early film | D.W. Griffith | Buster Keaton | Charlie Chaplin | Renoir | Ford | Hitchcock | Altman | DeSica | narrative | video | visual communication | storytelling | media | hollywood | cinema | movie

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allarchivedcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

All metadata

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21L.011 The Film Experience (MIT)

Description

This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica, and Kurosawa. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship.

Subjects

film history | American culture | Fred Ott | early film | D.W. Griffith | Buster Keaton | Charlie Chaplin | Renoir | Ford | Hitchcock | Altman | DeSica | narrative | television | visual communication | storytelling | media | hollywood | cinema | movie

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

All metadata

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21L.011 The Film Experience (MIT)

Description

This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship. Syllabus varies from term to term, but usually includes such directors as Coppola, Eisentein, Fellini, Godard, Griffith, Hawks, Hitchcock, Kubrick, Kurosawa, Tarantino, Welles, Wiseman, and Zhang.

Subjects

film history | American culture | Hollywood | Fred Ott | early film | D.W. Griffith | Buster Keaton | Charlie Chaplin | Renoir | Ford | Hitchcock | Altman | DeSica | narrative | video | visual communication | storytelling | media | hollywood | cinema | movie

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allarchivedcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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