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21W.749 Documentary Photography and Photojournalism: Still Images of a World in Motion (MIT) 21W.749 Documentary Photography and Photojournalism: Still Images of a World in Motion (MIT)

Description

In this course, you will be exposed to the work of many great documentary photographers and photojournalists, as well as to writing about the documentary tradition. Further, throughout the term, you will hone your photographic skills and 'eye,' and you will work on a photo documentary project of your own, attempting to reduce a tiny area of the moving world to a set of still images that convey what the viewer needs to know about what you saw—without hearing the sounds, smelling the odors, experiencing what was happening outside the viewfinder, and without seeing the motion. In this course, you will be exposed to the work of many great documentary photographers and photojournalists, as well as to writing about the documentary tradition. Further, throughout the term, you will hone your photographic skills and 'eye,' and you will work on a photo documentary project of your own, attempting to reduce a tiny area of the moving world to a set of still images that convey what the viewer needs to know about what you saw—without hearing the sounds, smelling the odors, experiencing what was happening outside the viewfinder, and without seeing the motion.

Subjects

photography | photography | photojournalism | photojournalism | writing | writing | journalism | journalism | documentary | documentary | news | news | image | image | photo | photo | camera | camera | picture | picture | newspaper | newspaper | magazine | magazine | nonfiction | nonfiction

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Reporting the financial crisis - lessons for the future

Description

Jane Fuller, former financial editor at the Financial Times, and director of Fuller Analysis gives a talk for the Reuters seminar series. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

financial crisis | credit crunch | financial journalism | journalism | recession | reuters | politics | financial crisis | credit crunch | financial journalism | journalism | recession | reuters | politics | 2012-02-08

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Trust and Free Speech: some reflections. Trust and Free Speech: some reflections.

Description

This Geddes lecture, marking the 30th anniversary of Philip Geddes' death in the Harrods bombing is by the Rt Hon the Lord Patten of Barnes CH, the Chancellor of the University of Oxford and Chairman of the BBC Trust. This Geddes lecture, marking the 30th anniversary of Philip Geddes' death in the Harrods bombing is by the Rt Hon the Lord Patten of Barnes CH, the Chancellor of the University of Oxford and Chairman of the BBC Trust.

Subjects

media | media | journalism | journalism | communications | communications | broadcasting | broadcasting | freedom of speech | freedom of speech | press | press | media | journalism | communications | broadcasting | freedom of speech | press | 2013-02-15 | media | journalism | communications | broadcasting | freedom of speech | press | 2013-02-15

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Government and press relations in South Africa Government and press relations in South Africa

Description

Seminar delivered by Professor Anton Harber, Caxton Professor of Journalism and Media Studies, University of the Witwatersrand, Johannesburg and visiting fellow, Reuters Institute for the Study of Journalism, University of Oxford. Sunday Dare writes: According to a keen observer of the modus operandi of the ANC-led government in South Africa, the "African National Congress (ANC) talks left and walks right". Perhaps no statement better captures the way the government continues to behave when it comes to its relationship with the media. Since the end of apartheid the media have often come under government scrutiny and have had to face up to government criticism that it is hostile and overly critical and insufficiently transformed from the way it was under apartheid. Under the current poli Seminar delivered by Professor Anton Harber, Caxton Professor of Journalism and Media Studies, University of the Witwatersrand, Johannesburg and visiting fellow, Reuters Institute for the Study of Journalism, University of Oxford. Sunday Dare writes: According to a keen observer of the modus operandi of the ANC-led government in South Africa, the "African National Congress (ANC) talks left and walks right". Perhaps no statement better captures the way the government continues to behave when it comes to its relationship with the media. Since the end of apartheid the media have often come under government scrutiny and have had to face up to government criticism that it is hostile and overly critical and insufficiently transformed from the way it was under apartheid. Under the current poli

Subjects

journalism | journalism | emerging | emerging | estate | estate | relationship | relationship | government | government | civil | civil | media | media | professor | professor | freedom | freedom | Africa | Africa | harber | harber | apartheid | apartheid | issues | issues | african | african | press | press | south | south | journalism | emerging | estate | relationship | government | civil | media | professor | freedom | Africa | harber | apartheid | issues | african | press | south | 2010-10-27 | journalism | emerging | estate | relationship | government | civil | media | professor | freedom | Africa | harber | apartheid | issues | african | press | south | 2010-10-27

License

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The use of citizen journalism by traditional media The use of citizen journalism by traditional media

Description

Seminar delivered by Nic Newman, former Future Media Controller, BBC and visiting fellow at the Reuters Institute for the Study of Journalism. Nicola Bruno writes: 'To be social or not to be social?' According to Nic Newman, RISJ Visiting Fellow and a digital media consultant, that is no longer the question for mainstream media outlets facing the transition to the digital landscape. During his seminar at the RISJ on 'The use of citizen journalism by traditional media', Nic Newman explained to the audience that in the last two years all media organizations have embraced user-generated and social media tools. After watching with suspicion (and sometimes also with haughtiness) the rise of citizen journalism, mainstream media outlets have become more and more aware that digital networks Seminar delivered by Nic Newman, former Future Media Controller, BBC and visiting fellow at the Reuters Institute for the Study of Journalism. Nicola Bruno writes: 'To be social or not to be social?' According to Nic Newman, RISJ Visiting Fellow and a digital media consultant, that is no longer the question for mainstream media outlets facing the transition to the digital landscape. During his seminar at the RISJ on 'The use of citizen journalism by traditional media', Nic Newman explained to the audience that in the last two years all media organizations have embraced user-generated and social media tools. After watching with suspicion (and sometimes also with haughtiness) the rise of citizen journalism, mainstream media outlets have become more and more aware that digital networks

Subjects

traditional | traditional | mainstream | mainstream | readers | readers | media | media | social | social | journalism | journalism | newman | newman | digital | digital | citizen | citizen | content | content | tools | tools | networks | networks | people | people | traditional | mainstream | readers | media | social | journalism | newman | digital | citizen | content | tools | networks | people | 2010-10-20 | traditional | mainstream | readers | media | social | journalism | newman | digital | citizen | content | tools | networks | people | 2010-10-20

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21W.749 Documentary Photography and Photo Journalism: Still Images of A World In Motion (MIT) 21W.749 Documentary Photography and Photo Journalism: Still Images of A World In Motion (MIT)

Description

Documentary Photography and Photojournalism: Still Images of A World In Motion exposes students to the work of a number of great documentary photographers and photojournalists, as well as to writing about the documentary tradition. Students work throughout the term on a photo documentary project of their own, attempting to reduce a tiny area of the moving world to a set of still images that convey what the viewer needs to know about what they saw - without hearing the sounds, smelling the odors, experiencing what was happening outside the viewfinder, and without seeing the motion. Students also write papers about the subjects of their photo documentaries. Documentary Photography and Photojournalism: Still Images of A World In Motion exposes students to the work of a number of great documentary photographers and photojournalists, as well as to writing about the documentary tradition. Students work throughout the term on a photo documentary project of their own, attempting to reduce a tiny area of the moving world to a set of still images that convey what the viewer needs to know about what they saw - without hearing the sounds, smelling the odors, experiencing what was happening outside the viewfinder, and without seeing the motion. Students also write papers about the subjects of their photo documentaries.

Subjects

Photography | Photography | Photojournalism | Photojournalism | Writing | Writing | Journalism | Journalism | Documentary | Documentary | News | News | Image | Image | Photo | Photo | Camera | Camera | Picture | Picture | Newspaper | Newspaper | Magazine | Magazine | documentary photography | documentary photography | photojournalism | photojournalism | Susan Sontag | Susan Sontag | Robert Coles | Robert Coles | Ken Light | Ken Light | Eugene Richards | Eugene Richards | Sebastian Salgado | Sebastian Salgado | still images | still images | documentary photographers | documentary photographers | photojournalists | photojournalists | slides | slides | photographs | photographs | photo project | photo project | contact sheets | contact sheets | objectivity | objectivity | myth | myth | reality | reality | truth | truth | reporters | reporters | voyeurs | voyeurs

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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The Future of Journalism The Future of Journalism

Description

John Lloyd, Director of Journalism, Reuters Institute, delivers a lecture on the future of journalism. John Lloyd, Director of Journalism, Reuters Institute, delivers a lecture on the future of journalism.

Subjects

models | models | newspaper | newspaper | model | model | journalism | journalism | business | business | models | newspaper | model | journalism | business | 2010-10-13 | models | newspaper | model | journalism | business | 2010-10-13

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21W.749 Documentary Photography and Photojournalism: Still Images of a World in Motion (MIT) 21W.749 Documentary Photography and Photojournalism: Still Images of a World in Motion (MIT)

Description

This course is an introduction to the great tradition of documentary photography. Students learn to see the world around them in a new way and produce a documentary project. The course requires reading and writing about photography, as well as doing it on a regular basis. The class emphasis is on thinking about why people photograph, what photographs do and do not mean to us, and on doing documentary work, on telling stories with photographs. This is not a technical class, and it should not be considered an "introduction to photography." I work on the assumption that any student signing up for the class has at least a minimal sense of the difference between f stops and T stops, and can find his or her way around a camera. While there will be some technical discussion in class, it This course is an introduction to the great tradition of documentary photography. Students learn to see the world around them in a new way and produce a documentary project. The course requires reading and writing about photography, as well as doing it on a regular basis. The class emphasis is on thinking about why people photograph, what photographs do and do not mean to us, and on doing documentary work, on telling stories with photographs. This is not a technical class, and it should not be considered an "introduction to photography." I work on the assumption that any student signing up for the class has at least a minimal sense of the difference between f stops and T stops, and can find his or her way around a camera. While there will be some technical discussion in class, it

Subjects

Photography | Photography | photojournalism | photojournalism | writing | writing | journalism | journalism | documentary | documentary | news | news | image | image | photo | photo | camera | camera | picture | picture | newspaper | newspaper | magazine | magazine

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Social media is changing our digital news habits – but to varying degrees in US and UK Social media is changing our digital news habits – but to varying degrees in US and UK

Description

Digital technology has dramatically reshaped the news and media industries in the past decade. We’ve left behind a world where established news brands could rely on reaching large audiences and hence secure advertising revenues. Now there is huge uncertainty about business models, even as digital gives consumers more convenient access to news than ever before. The emergence of new players, including BuzzFeed and The Huffington Post, coupled with the growth of social networking, the introduction of smartphones and the evolution of online advertising, have contributed to a media landscape that is changing at considerable speed. We’ve been tracking the ways ... Digital technology has dramatically reshaped the news and media industries in the past decade. We’ve left behind a world where established news brands could rely on reaching large audiences and hence secure advertising revenues. Now there is huge uncertainty about business models, even as digital gives consumers more convenient access to news than ever before. The emergence of new players, including BuzzFeed and The Huffington Post, coupled with the growth of social networking, the introduction of smartphones and the evolution of online advertising, have contributed to a media landscape that is changing at considerable speed. We’ve been tracking the ways ...

Subjects

Ad blocking | Ad blocking | digital media | digital media | Journalism | Journalism | Media | Media | news | news | online media | online media | online news | online news | Social Media | Social Media | UK journalism | UK journalism | UK media | UK media | US journalism | US journalism | US media | US media

License

http://creativecommons.org/licenses/by-sa/3.0/

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21W.749 Documentary Photography and Photo Journalism: Still Images of A World In Motion (MIT)

Description

Documentary Photography and Photojournalism: Still Images of A World In Motion exposes students to the work of a number of great documentary photographers and photojournalists, as well as to writing about the documentary tradition. Students work throughout the term on a photo documentary project of their own, attempting to reduce a tiny area of the moving world to a set of still images that convey what the viewer needs to know about what they saw - without hearing the sounds, smelling the odors, experiencing what was happening outside the viewfinder, and without seeing the motion. Students also write papers about the subjects of their photo documentaries.

Subjects

Photography | Photojournalism | Writing | Journalism | Documentary | News | Image | Photo | Camera | Picture | Newspaper | Magazine | documentary photography | photojournalism | Susan Sontag | Robert Coles | Ken Light | Eugene Richards | Sebastian Salgado | still images | documentary photographers | photojournalists | slides | photographs | photo project | contact sheets | objectivity | myth | reality | truth | reporters | voyeurs

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Innovation in Legacy Media - The Challenge for Leaders

Description

Professor Lucy Keung, Jonkoping University, gives a talk for the Reuters Institute seminar series Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

journalism | digital | internet | politics | reuters | journalism | digital | internet | politics | reuters

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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News in the digital age, and how The Economist fits in

Description

Tom Standage, media correspondent, The Economist, gives a talk for the Reuters Institute of Journalism seminar series Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

news | reuters | journalism | politics | The Economist | internet | digital | news | reuters | journalism | politics | The Economist | internet | digital

License

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Creativity and Change in public service broadcasting - managing the tough times

Description

Helen Boaden (Director, Radio, BBC) gives a talk for the Reuters Institute. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

bbc | radio | journalism | politics | bbc | radio | journalism | politics | 2015-03-11

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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The problems of reporting Islamic State

Description

John Simpson, BBC World Affairs editor, gives a talk for the The Business and Practice of Journalism Seminar Series on Islamic State. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

journalism | isis | middle east | war | syria | journalism | isis | middle east | war | syria

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Media Law after Leveson: The Sanctity of Press Partisanship

Description

Paul Wragg, Lecturer in Law, University of Leeds, gives a talk for the Media after Leveson workshop. Paul Wragg, Lecturer in Law at the University of Leeds, discusses the inherent value placed on press partisanship in the Leveson Report into the culture, practices and ethics of the press, with a case study of the Daily Mail's coverage of trans teacher Lucy Meadows, at the Media Law after Leveson workshop at the Oxford Law Faculty on behalf of the Foundation for Law, Justice and Society. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

Leveson | media | press ethics | journalism | regulation | press | law | media law | Daily Mail | Leveson | media | press ethics | journalism | regulation | press | law | media law | Daily Mail

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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News in the digital age, and how The Economist fits in

Description

Tom Standage, Deputy Editor, The Economist, gives a talk for the The Business and Practice of Journalism seminar series. Introduction by Richard Sambrook. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

journalism | reuters | news | economics | journalism | reuters | news | economics

License

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The Kidnapping of journalists: reporting from high-risk conflict zones

Description

Hannah Storm, director of International News Safety Institute (INSI) and RISJ author gives a talk for the The Business and Practice of Journalism seminar series. Introduction by Richard Sambrook. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

journalism | news | reuters | kidnapping | journalism | news | reuters | kidnapping

License

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21W.749 Documentary Photography and Photojournalism: Still Images of a World in Motion (MIT)

Description

This course is an introduction to the great tradition of documentary photography. Students learn to see the world around them in a new way and produce a documentary project. The course requires reading and writing about photography, as well as doing it on a regular basis. The class emphasis is on thinking about why people photograph, what photographs do and do not mean to us, and on doing documentary work, on telling stories with photographs. This is not a technical class, and it should not be considered an "introduction to photography." I work on the assumption that any student signing up for the class has at least a minimal sense of the difference between f stops and T stops, and can find his or her way around a camera. While there will be some technical discussion in class, it

Subjects

Photography | photojournalism | writing | journalism | documentary | news | image | photo | camera | picture | newspaper | magazine

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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s outback

Description

Ben Judah, author of 'Fragile Empire: How Russia Fell In And Out Of Love with Vladimir Putin', gives a talk for the Reuters Schoolf of Journalism seminar series. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

putin | media | greenpeace | journalism | reuters | politics | Russia | putin | media | greenpeace | journalism | reuters | politics | Russia | 2013-10-30

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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The global citizens movement and the role of independent journalists

Description

David Hoffman, Founder/President Emeritus, Internews gives a talk for the Reuters School of Journalism seminar series. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

reuters | journalism | independent journalists | reuters | journalism | independent journalists

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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How to make serious magazine journalism pay

Description

Bronwen Maddox (editor, Prospect magazine) delivers a talk for the Reuters Institute Business and Practice of Journalism seminar series. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

politics | journalism | politics | journalism | 2015-06-03

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Ten years that shook the media world [2013]

Description

Rasmus Kleis Nielsen gives a talk for the Reuters seminar series. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

media | reuters | journalism | politics | media | reuters | journalism | politics

License

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Plenary panel debate: The Future of Journalism

Description

Panel debate at the 30th Anniversary Reunion of the Journalism Fellow Programme. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

media | reporting | journalism | politics | journalist | internet | press | news | media | reporting | journalism | politics | journalist | internet | press | news | 2013-09-07

License

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Paying the Piper: Rethinking the Economics of Newspaper Journalism

Description

Reuters Memorial Lecture 2013 - by Mark Thompson, President and Chief Executive of the New York Times Company. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

media | reporting | journalism | politics | journalist | internet | press | news | media | reporting | journalism | politics | journalist | internet | press | news | 2013-09-06

License

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de (Le Monde)

Description

Natalie Nougayrde, Executive Editor of Le Monde talks at the 30th Anniversary Reunion of the Journalism Fellow Programme. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

media | reporting | journalism | politics | journalist | internet | press | news | media | reporting | journalism | politics | journalist | internet | press | news | 2013-09-07

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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