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Lt. F.A. Tillman] (LOC) Lt. F.A. Tillman] (LOC)

Description

Subjects

libraryofcongress | libraryofcongress | aviation | aviation | aircraft | aircraft | airplane | airplane | biplane | biplane | militaryaviation | militaryaviation | salmson | salmson | salmson2 | salmson2 | salmson2a2 | salmson2a2 | salmson9z | salmson9z | salmson9za | salmson9za | aviator | aviator | williamgschauffler | williamgschauffler | williamschauffler | williamschauffler | wgschauffler | wgschauffler | schauffler | schauffler | fredtillman | fredtillman | tillman | tillman | scarffring | scarffring | lewisgun | lewisgun | lewismachinegun | lewismachinegun | machinegun | machinegun | billschauffler | billschauffler | billyschauffler | billyschauffler | 90thaerosquadron | 90thaerosquadron | usaas | usaas | armyairservice | armyairservice | airservice | airservice | williamgrayschaufflerjr | williamgrayschaufflerjr | williamgrayschauffler | williamgrayschauffler | williamgschaufflerjr | williamgschaufflerjr | fredatillman | fredatillman | fatillman | fatillman | 90thas | 90thas | 90as | 90as | 90thfightersquadron | 90thfightersquadron | 90thfs | 90thfs | 90fs | 90fs | fredricallentillman | fredricallentillman | fredrictillman | fredrictillman | pairodice | pairodice | 37483 | 37483 | signalcorps | signalcorps | wwi | wwi | aviators | aviators | bethelainville | bethelainville | meuse | meuse | france | france | november | november | 1918 | 1918

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21G.056 Visual Histories: German Cinema 1945 to Present (MIT) 21G.056 Visual Histories: German Cinema 1945 to Present (MIT)

Description

This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present. This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.

Subjects

German | German | Film | Film | Cinema | Cinema | Movies | Movies | History | History | Intercultural Analyses | Intercultural Analyses | Cinematic Tradition | Cinematic Tradition | Post-War | Post-War | Aesthetics | Aesthetics | German film-making | German film-making | Second World War | Second World War | German Cinema | German Cinema | post-war Germany | post-war Germany | New German Cinema | New German Cinema | East Germany | East Germany | film production | film production | film analysis | film analysis | German cinematic production | German cinematic production | German history | German history | Die Stunde Null | Die Stunde Null | Tr?mmerfilme | Tr?mmerfilme | Catastrophy | Catastrophy | visual histories | visual histories | West Germany | West Germany | America | America | Hollywood | Hollywood | East German Cinema | East German Cinema | Post-unification German Cinema | Post-unification German Cinema | WWII | WWII

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21G.735 Advanced Topics in Hispanic Literature and Film: The Films of Luis Buñuel (MIT) 21G.735 Advanced Topics in Hispanic Literature and Film: The Films of Luis Buñuel (MIT)

Description

This course considers films spanning the entire career of pioneering Spanish filmmaker Luis Buñuel (1900–1983), from his silent surrealist classic of 1929, Un perro andaluz, to his last film, Ese oscuro objeto del deseo (1977). We pay special attention to his Mexican period, in exile, and the films he made in, and about, Spain, including his work in documentary. It explores Buñuel's early friendship with painter Salvador Dalí and poet Federico García Lorca, surrealist aesthetics, the influence of Freud's ideas on dreams and sexuality, and the director's corrosive criticism of bourgeois society and the Catholic church. We will focus on historical contexts and relevant film criticism. About This Course on OpenCourseWare The instructor of this course, Elizabeth Garrels, is a Prof This course considers films spanning the entire career of pioneering Spanish filmmaker Luis Buñuel (1900–1983), from his silent surrealist classic of 1929, Un perro andaluz, to his last film, Ese oscuro objeto del deseo (1977). We pay special attention to his Mexican period, in exile, and the films he made in, and about, Spain, including his work in documentary. It explores Buñuel's early friendship with painter Salvador Dalí and poet Federico García Lorca, surrealist aesthetics, the influence of Freud's ideas on dreams and sexuality, and the director's corrosive criticism of bourgeois society and the Catholic church. We will focus on historical contexts and relevant film criticism. About This Course on OpenCourseWare The instructor of this course, Elizabeth Garrels, is a Prof

Subjects

film | film | film studies | film studies | film criticism | film criticism | Luis Bunuel | Luis Bunuel | Freud | Freud | Salvador Dali | Salvador Dali | silent film | silent film | surrealism | surrealism | Federico Garcia Lorca | Federico Garcia Lorca | Mexico | Mexico | Spain | Spain | film history | film history

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Informers Corridor, Kilmainham Jail. Informers Corridor, Kilmainham Jail.

Description

Subjects

dublin | dublin | screws | screws | wing | wing | prison | prison | jail | jail | cells | cells | kilmainham | kilmainham | gaol | gaol | informer | informer | kilmainhamgaol | kilmainhamgaol | thomasmayne | thomasmayne | kilmainhamjail | kilmainhamjail | prisoncells | prisoncells | jailer | jailer | lanternslides | lanternslides | nationallibraryofireland | nationallibraryofireland | jamescarey | jamescarey | prisonwarder | prisonwarder | thomasholmesmason | thomasholmesmason | thomashmasonsonslimited | thomashmasonsonslimited | messrsjrobinsonsons | messrsjrobinsonsons | informerscorridor | informerscorridor | kilmainhammemories | kilmainhammemories

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21G.056 Visual Histories: German Cinema 1945 to Present (MIT) 21G.056 Visual Histories: German Cinema 1945 to Present (MIT)

Description

This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present. This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.

Subjects

German | German | Film | Film | Cinema | Cinema | Movies | Movies | History | History | Intercultural Analyses | Intercultural Analyses | Cinematic Tradition | Cinematic Tradition | Post-War | Post-War | Aesthetics | Aesthetics | German film-making | German film-making | Second World War | Second World War | German Cinema | German Cinema | post-war Germany | post-war Germany | New German Cinema | New German Cinema | East Germany | East Germany | film production | film production | film analysis | film analysis | German cinematic production | German cinematic production | German history | German history | Die Stunde Null | Die Stunde Null | Tr?mmerfilme | Tr?mmerfilme | Catastrophy | Catastrophy | visual histories | visual histories | West Germany | West Germany | America | America | Hollywood | Hollywood | East German Cinema | East German Cinema | Post-unification German Cinema | Post-unification German Cinema | WWII | WWII

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Exposição do Mundo Português (1940), Lisboa, Portugal Exposição do Mundo Português (1940), Lisboa, Portugal

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Subjects

fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | gulbenkian | gulbenkian | bibliotecadearte | bibliotecadearte | biblioteca | biblioteca | arte | arte | márionovais | márionovais | novais | novais | exposiçãodomundoportuguês | exposiçãodomundoportuguês | exposição | exposição | mundo | mundo | português | português | 1940 | 1940 | padrãodosdescobrimentos | padrãodosdescobrimentos | padrão | padrão | descobrimentos | descobrimentos | comemoraçõeshenriquinas | comemoraçõeshenriquinas | comemorações | comemorações | henriquinas | henriquinas | arquitectura | arquitectura | cottinellitelmo | cottinellitelmo | cottinelli | cottinelli | telmo | telmo | escultura | escultura | leopoldodealmeida | leopoldodealmeida | leopoldo | leopoldo | almeida | almeida | lisboa | lisboa | belém | belém

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Exposição do Mundo Português (1940), Lisboa, Portugal Exposição do Mundo Português (1940), Lisboa, Portugal

Description

Subjects

fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | gulbenkian | gulbenkian | bibliotecadearte | bibliotecadearte | biblioteca | biblioteca | arte | arte | márionovais | márionovais | novais | novais | exposiçãodomundoportuguês | exposiçãodomundoportuguês | exposição | exposição | mundo | mundo | português | português | 1940 | 1940 | padrãodosdescobrimentos | padrãodosdescobrimentos | padrão | padrão | descobrimentos | descobrimentos | comemoraçõeshenriquinas | comemoraçõeshenriquinas | comemorações | comemorações | henriquinas | henriquinas | arquitectura | arquitectura | cottinellitelmo | cottinellitelmo | cottinelli | cottinelli | telmo | telmo | escultura | escultura | leopoldodealmeida | leopoldodealmeida | leopoldo | leopoldo | almeida | almeida | lisboa | lisboa | belém | belém

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Reflections of the Good Life Reflections of the Good Life

Description

Subjects

horses | horses | tourism | tourism | sports | sports | hockey | hockey | sailing | sailing | cattle | cattle | baseball | baseball | florida | florida | rollerderby | rollerderby | westpalmbeach | westpalmbeach | beaches | beaches | boating | boating | recreation | recreation | agriculture | agriculture | palmbeach | palmbeach | palmbeachcounty | palmbeachcounty | loxahatchee | loxahatchee | dunebuggies | dunebuggies | insdustries | insdustries | promotionalfilms | promotionalfilms

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Betty North on a horse - Sarasota Betty North on a horse - Sarasota

Description

Subjects

horses | horses | animals | animals | florida | florida | sarasota | sarasota | 1949 | 1949 | sarasotaflorida | sarasotaflorida | ringlingbrothersbarnumandbailey | ringlingbrothersbarnumandbailey | thegreatestshowonearth | thegreatestshowonearth | yaleuniversity | yaleuniversity | circuses | circuses | darienconnecticut | darienconnecticut | theringlingbrothers | theringlingbrothers | ringlingcircus | ringlingcircus | ringlingbrothersbarnumandbaileycircus | ringlingbrothersbarnumandbaileycircus | johnringlingnorth | johnringlingnorth | elizabethpalmer | elizabethpalmer | henryringlingnorth | henryringlingnorth | elizabethnorth | elizabethnorth | josephjanneysteinmetz | josephjanneysteinmetz | ringlingbrothersbarnumandbaileycombinedshows | ringlingbrothersbarnumandbaileycombinedshows | josephsteinmetz | josephsteinmetz | richardnbarnumjr | richardnbarnumjr | richardnichollsbarnumjr | richardnichollsbarnumjr | mrselizabethpalmerbarnum | mrselizabethpalmerbarnum | mrselizabethbarnum | mrselizabethbarnum | henrywhitestonenorth | henrywhitestonenorth | henrybuddyringlingnorth | henrybuddyringlingnorth | mrselizabethnorth | mrselizabethnorth | mrselizabethpalmernorth | mrselizabethpalmernorth | mrselizabethpalmerbarnumnorth | mrselizabethpalmerbarnumnorth | lowheywoodschool | lowheywoodschool | march81949 | march81949 | bettynorth | bettynorth

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Av. Praia da Vitória, 48 (Externato Almada Negreiros) Lisboa, Portugal. Av. Praia da Vitória, 48 (Externato Almada Negreiros) Lisboa, Portugal.

Description

Subjects

fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | gulbenkian | gulbenkian | bibliotecadearte | bibliotecadearte | biblioteca | biblioteca | arte | arte | azulejo | azulejo | jorgebarradas | jorgebarradas | jorge | jorge | barradas | barradas | externatoalmadanegreiros | externatoalmadanegreiros | externato | externato | almadanegreiros | almadanegreiros | almada | almada | negreiros | negreiros | viúvalamego | viúvalamego | analopesdealmeida | analopesdealmeida | lisboa | lisboa

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Millman starting (LOC)

Description

Subjects

airplane | gnome | aircraft | aviation | libraryofcongress | aviator | schmitt | millman | monoplane | gnomeengine | maximilianschmittmonoplane | schmittmonoplane | petermillman | petercarltexmillman | petercarlmillman | petercmillman | texmillman | vision:outdoor=0958 | vision:sky=0522 | vision:text=067 | dc:identifier=httphdllocgovlocpnpggbain21717 | xmlns:dc=httppurlorgdcelements11 | pcmillman

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Exposição do Mundo Português (1940), Lisboa, Portugal Exposição do Mundo Português (1940), Lisboa, Portugal

Description

Subjects

fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | gulbenkian | gulbenkian | bibliotecadearte | bibliotecadearte | biblioteca | biblioteca | arte | arte | márionovais | márionovais | novais | novais | exposiçãodomundoportuguês | exposiçãodomundoportuguês | exposição | exposição | mundoportuguês | mundoportuguês | mundo | mundo | português | português | pavilhãodehonraedelisboa | pavilhãodehonraedelisboa | pavilhão | pavilhão | honra | honra | luíscristinodasilva | luíscristinodasilva | luís | luís | cristino | cristino | silva | silva | portadafundação | portadafundação | porta | porta | fundação | fundação | cottinellitelmo | cottinellitelmo | cottinelli | cottinelli | telmo | telmo | esferadosdescobrimentos | esferadosdescobrimentos | esfera | esfera | descobrimentos | descobrimentos | porfíriopardalmonteiro | porfíriopardalmonteiro | porfírio | porfírio | pardal | pardal | monteiro | monteiro | nau | nau | portugal | portugal | estaleiro | estaleiro | mestremanuelmariabolaismónica | mestremanuelmariabolaismónica | mestre | mestre | manuel | manuel | maria | maria | bolais | bolais | mónica | mónica | gafanhadanazaré | gafanhadanazaré | gafanha | gafanha | nazaré | nazaré | autoria | autoria | leitãodebarros | leitãodebarros | leitão | leitão | barros | barros | lisboa | lisboa | belém | belém

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"My Daddy Wears one of These"

Description

"My Daddy wears one of these" (Sunderlands Blind Schoolmaster - Mr James Smith, M.A. - and one of his scholars). ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13813(2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | scholar | schoolmaster | ma | daddy | helmet | helmets | pickelhaube | pickelhelm | stahlhelm | brodiehelmet | tommyhelmet | grenade | firstworldwar

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Tyne & Wear Archives & Museums | FlickR

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Tex. Millman (LOC)

Description

Subjects

airplane | aircraft | aviation | libraryofcongress | aviator | biplane | millman | xmlns:dc=httppurlorgdcelements11 | petermillman | vision:sky=0655 | vision:outdoor=0929 | dc:identifier=httphdllocgovlocpnpggbain21617 | petercarltexmillman | petercarlmillman | petercmillman | texmillman

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Aberaman Miners' Training Centre Aberaman Miners' Training Centre

Description

Subjects

wales | wales | cymru | cymru | teenagers | teenagers | coalminers | coalminers | llyfrgellgenedlaetholcymru | llyfrgellgenedlaetholcymru | nationallibraryofwales | nationallibraryofwales | filmnegatives | filmnegatives | charlesgeoff19092002 | charlesgeoff19092002 | negyddffilm | negyddffilm

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The steamship 'Egret' passing the warehouses of the Eagle, Baltic and Old Aberdeen Wharves in Wapping

Description

Reproduction ID: H1014 Maker: Thacker Date: circa 1884 Thacker Collection

Subjects

nationalmaritimemuseum | ship | steamship | steamer | ssegret | palmersshipbuildingironcompany | palmersshipbuildingandironcompany | palmersshipbuilding | palmersshipbuildingironco | palmersshipbuildingandironco

License

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WGS.640 Screen Women: Body Narratives in Popular American Film (MIT) WGS.640 Screen Women: Body Narratives in Popular American Film (MIT)

Description

Using film and related popular media as our texts, this course will examine how screen "embodiments" of the woman visualize ideologies of discipline and desire in a culture in which her body has become a representation of the ability to control appetites, size and shape while investing personal and social capital in its rehabilitation as a project of endless reconstruction, redesign and maintenance. Throughout the course we will draw from feminist film theory, clinical psychology, as well as women's, gender, and cultural studies, to better understand how filmic representations of the woman's body first emerge from contemporary psychosocial contexts and then in turn shape the body ideals and internalizations, as well as the behavioral practices of the film spectator. The Graduat Using film and related popular media as our texts, this course will examine how screen "embodiments" of the woman visualize ideologies of discipline and desire in a culture in which her body has become a representation of the ability to control appetites, size and shape while investing personal and social capital in its rehabilitation as a project of endless reconstruction, redesign and maintenance. Throughout the course we will draw from feminist film theory, clinical psychology, as well as women's, gender, and cultural studies, to better understand how filmic representations of the woman's body first emerge from contemporary psychosocial contexts and then in turn shape the body ideals and internalizations, as well as the behavioral practices of the film spectator. The Graduat

Subjects

film | film | American film | American film | women | women | gender | gender | popular culture | popular culture | feminism | feminism | film theory | film theory | politics | politics | body | body | sexuality | sexuality

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21G.052 French Film Classics (MIT) 21G.052 French Film Classics (MIT)

Description

This course covers the history and aesthetics of French cinema from the advent of sound to present-day. It treats films in the context of technical processes, the art of narration, directorial style, role of the scriptwriter, the development of schools and movements, the impact of political events and ideologies, and the relation between French and other national cinemas. Taught in English, the films are screened with English subtitles. Students may complete written assignments in French. This course covers the history and aesthetics of French cinema from the advent of sound to present-day. It treats films in the context of technical processes, the art of narration, directorial style, role of the scriptwriter, the development of schools and movements, the impact of political events and ideologies, and the relation between French and other national cinemas. Taught in English, the films are screened with English subtitles. Students may complete written assignments in French.

Subjects

France | France | french film | french film | the new wave | the new wave | René Clair | René Clair | Jean Epstein | Jean Epstein | La Grande Illusion | La Grande Illusion | Jean Renoir | Jean Renoir | The Left Bank | The Left Bank | 1970s Sex and Sectarianism | 1970s Sex and Sectarianism | Les Valseuses | Les Valseuses | Bertrand Blier | Bertrand Blier | Diva | Diva | Jean-Jacques Beineix | Jean-Jacques Beineix | cult film | cult film | cult classic | cult classic | Maghrebi-French (Beur) | Maghrebi-French (Beur) | Amélie | Amélie | popular Film | popular Film | Cluzot | Cluzot | Le corbeau | Le corbeau | Funny Face | Funny Face | Stanley Donen | Stanley Donen | Jacques Cousteau | Jacques Cousteau | BarthesCésaire | BarthesCésaire | Roger Vadim | Roger Vadim | François Truffaut | François Truffaut | Simone de Beauvoir | Simone de Beauvoir | Breathless: Jean-Luc Godard | Breathless: Jean-Luc Godard | Les Aventures de Rabbi Jacob | Les Aventures de Rabbi Jacob | Gérard Oury | Gérard Oury | Nikita | Nikita | Jean-Luc Besson | Jean-Luc Besson | La Haine | La Haine | Mattheiu Kassovitz | Mattheiu Kassovitz | Intouchables | Intouchables | Eric Toledano and Olivier Nakache | Eric Toledano and Olivier Nakache | Bande de filles | Bande de filles | Céline Sciamma | Céline Sciamma | Realism | Realism | the Popular Frot | the Popular Frot | Liberation | Liberation | Henri Langlois and the Cinémathèque française | Henri Langlois and the Cinémathèque française | Les parapluies de Cherboug | Les parapluies de Cherboug | Jacques Demy | Jacques Demy | Brigitte Bardot | Brigitte Bardot | Catherine Deneuve | Catherine Deneuve

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Rua Cidade Liverpool, n.º 16. Lisboa, Portugal. Rua Cidade Liverpool, n.º 16. Lisboa, Portugal.

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Subjects

arte | arte | lisboa | lisboa | biblioteca | biblioteca | azulejo | azulejo | gulbenkian | gulbenkian | artenova | artenova | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | valmor | valmor | prémiovalmor | prémiovalmor | bibliotecadearte | bibliotecadearte | analopesdealmeida | analopesdealmeida

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Rua Cidade Liverpool, n.º 16. Lisboa, Portugal. Rua Cidade Liverpool, n.º 16. Lisboa, Portugal.

Description

Subjects

arte | arte | lisboa | lisboa | biblioteca | biblioteca | azulejo | azulejo | gulbenkian | gulbenkian | artenova | artenova | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | valmor | valmor | prémiovalmor | prémiovalmor | bibliotecadearte | bibliotecadearte | analopesdealmeida | analopesdealmeida

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Rua Cidade Liverpool, n.º 16. Lisboa, Portugal. Rua Cidade Liverpool, n.º 16. Lisboa, Portugal.

Description

Subjects

arte | arte | lisboa | lisboa | biblioteca | biblioteca | azulejo | azulejo | gulbenkian | gulbenkian | artenova | artenova | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | valmor | valmor | prémiovalmor | prémiovalmor | bibliotecadearte | bibliotecadearte | analopesdealmeida | analopesdealmeida

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Rua Cidade Liverpool, n.º 16. Lisboa, Portugal. Rua Cidade Liverpool, n.º 16. Lisboa, Portugal.

Description

Subjects

arte | arte | lisboa | lisboa | biblioteca | biblioteca | azulejo | azulejo | gulbenkian | gulbenkian | artenova | artenova | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | valmor | valmor | prémiovalmor | prémiovalmor | bibliotecadearte | bibliotecadearte | analopesdealmeida | analopesdealmeida

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Rua Cidade Liverpool, n.º 16. Lisboa, Portugal. Rua Cidade Liverpool, n.º 16. Lisboa, Portugal.

Description

Subjects

arte | arte | lisboa | lisboa | biblioteca | biblioteca | azulejo | azulejo | gulbenkian | gulbenkian | artenova | artenova | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | valmor | valmor | prémiovalmor | prémiovalmor | bibliotecadearte | bibliotecadearte | analopesdealmeida | analopesdealmeida

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Av. da República n.º 38. Lisboa, Portugal. Av. da República n.º 38. Lisboa, Portugal.

Description

Subjects

arte | arte | lisboa | lisboa | biblioteca | biblioteca | azulejo | azulejo | gulbenkian | gulbenkian | artenova | artenova | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | valmor | valmor | prémiovalmor | prémiovalmor | bibliotecadearte | bibliotecadearte | analopesdealmeida | analopesdealmeida

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Av. da República n.º 38. Lisboa, Portugal. Av. da República n.º 38. Lisboa, Portugal.

Description

Subjects

arte | arte | lisboa | lisboa | biblioteca | biblioteca | azulejo | azulejo | gulbenkian | gulbenkian | artenova | artenova | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | valmor | valmor | prémiovalmor | prémiovalmor | bibliotecadearte | bibliotecadearte | analopesdealmeida | analopesdealmeida

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