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1

Introduction to Crossing Borders

Description

An introduction to the Crossing Borders exhibition. The exhibition tells the story of how Jews, Christians and Muslims have contributed to the development of the book. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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From Roll to Codex

Description

Piet explains codices, the oldest manuscripts in book form, looking in particular at a fragment of the Hebrew text of the book of Ecclesiasticus (ch. 40) from the Cairo Genizah, and the four Gospels in Syriac. Around the ancient Mediterranean the prevailing form of book was the roll. Made of papyrus or parchment, it was unrolled either from side to side, with the text written in parallel columns (scroll), or from top to bottom, with the text in one column (rotulus). In the third century codices came into use. Like a modern book, a codex consisted of separate pages that were bound together along one edge. By using both sides of the parchment or papyrus, more text could be transmitted on the same amount of writing material. The early Christian community in particular employed the new codex Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

jews | manuscript | torah | library | books | hebrew | codices | Jew | codex | religion | book | exhibition | muslim | christian | bodleian | written word | muslims | an | oxford | manuscripts | christians | bible | cairo genizah | an | oxford | manuscripts | christians | bible | cairo genizah | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

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Arabic Art Forms in Spanish Book Production

Description

Piet explains Arabic design and illustration in Spanish books, looking in particular at the Kennicott Bible, produced in La Coruna, Spain, in 1476. Distinctive features of Arabic books, including their non-figurative illuminations, are manifest in Hebrew manuscripts produced under Muslim domination in medieval Spain. Biblical manuscripts in particular were inspired by the decorations found in manuscripts of the Qur'an, as well as by geometric or floral patterns typical of Islamic architecture. Islamic decorative patterns continued to be used by Jewish illuminators in Christian Spain after Muslim rule had ended there. Carpet pages - full-page, abstract decorations recalling the design of carpets - and micrography - patterns made using lines of minute script - were frequently included in f Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

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Attribution

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Hebrew Prayer Books for Public Use

Description

Piet looks at the three great Bodleian mahzorim (large and elaborately decorated prayer books for the festivals), which were illuminated by Christian painters in collaboration with and under the supervision of Jewish scribes. The majority of Hebrew manuscripts were copied out by Jews for their personal use. But during the second half of the thirteenth and the first half of the fourteenth centuries large and elaborately decorated prayer books for the festivals (mahzorim) were produced for communal use in the liturgy. Wealthy laymen vied with each other for the honour of leading prayers on festive occasions. These were the same men who commissioned large and splendidly decorated prayer books as status symbols. They wanted to enhance their prestige by employing the most sought-after professio Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/video.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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User-produced Hebrew Prayer Books and Shared Iconography

Description

Some Hebrew manuscripts were produced in Christian workshops, others were made by Jewish artists themselves for their own use. Piet looks at examples of these and explores the shared iconography between Christian and Jewish faiths, such as the unicorn. Some Hebrew manuscripts were produced in Christian workshops, while others were made by Jewish artists themselves for their own use. An Ashkenazic siddur stands out as an example of a Jewish scribe-artist, influenced by the visual culture of his time, who drew on models, motifs and specialized techniques current in fifteenth-century Germany to illustrate his prayer book. Hebrew manuscripts shared iconography with other manuscripts from the same geo-cultural area. Italian Hebrew manuscripts thus recall the scenery of central Italy and depict Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/video.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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Sciences

Description

Piet looks at how the works of famous ancient thinkers such as Aristotle, Hippocrates, Euclid or Ptolemy traveled from culture to culture and formed the basis of Muslim, Christian and Jewish science and philosophy alike. Ancient Greek science and philosophy reached Christian Europe mainly through the Islamic world. A large corpus of Greek scientific works had been translated into Arabic (often via Syriac) in the eighth and ninth centuries, and Muslim thinkers continued to practice and advance these so-called 'foreign sciences'. Jews who lived under Islamic rule contributed scientific works of their own, written in Arabic. In the twelfth century the works of Greek, Muslim and also some Jewish thinkers started to be translated from Arabic into Latin, often with the help of Jews. Hebrew tr Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/video.xml

Attribution

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Conclusion to Crossing Borders

Description

The conclusion to the Crossing Borders exhibition. The exhibition tells the story of how Jews, Christians and Muslims have contributed to the development of the book. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/video.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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Introduction to Crossing Borders

Description

An introduction to the Crossing Borders exhibition. The exhibition tells the story of how Jews, Christians and Muslims have contributed to the development of the book. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/audio.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

All metadata

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From Roll to Codex

Description

Piet explains codices, the oldest manuscripts in book form, looking in particular at a fragment of the Hebrew text of the book of Ecclesiasticus (ch. 40) from the Cairo Genizah, and the four Gospels in Syriac. Around the ancient Mediterranean the prevailing form of book was the roll. Made of papyrus or parchment, it was unrolled either from side to side, with the text written in parallel columns (scroll), or from top to bottom, with the text in one column (rotulus). In the third century codices came into use. Like a modern book, a codex consisted of separate pages that were bound together along one edge. By using both sides of the parchment or papyrus, more text could be transmitted on the same amount of writing material. The early Christian community in particular employed the new codex Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

jews | manuscript | torah | library | books | hebrew | codices | Jew | codex | religion | book | exhibition | muslim | christian | bodleian | written word | muslims | an | oxford | manuscripts | christians | bible | cairo genizah | an | oxford | manuscripts | christians | bible | cairo genizah | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/audio.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

All metadata

See all metadata

Arabic Art Forms in Spanish Book Production

Description

Piet explains Arabic design and illustration in Spanish books, looking in particular at the Kennicott Bible, produced in La Coruna, Spain, in 1476. Distinctive features of Arabic books, including their non-figurative illuminations, are manifest in Hebrew manuscripts produced under Muslim domination in medieval Spain. Biblical manuscripts in particular were inspired by the decorations found in manuscripts of the Qur'an, as well as by geometric or floral patterns typical of Islamic architecture. Islamic decorative patterns continued to be used by Jewish illuminators in Christian Spain after Muslim rule had ended there. Carpet pages - full-page, abstract decorations recalling the design of carpets - and micrography - patterns made using lines of minute script - were frequently included in f Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/audio.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

All metadata

See all metadata

Hebrew Prayer Books for Public Use

Description

Piet looks at the three great Bodleian mahzorim (large and elaborately decorated prayer books for the festivals), which were illuminated by Christian painters in collaboration with and under the supervision of Jewish scribes. The majority of Hebrew manuscripts were copied out by Jews for their personal use. But during the second half of the thirteenth and the first half of the fourteenth centuries large and elaborately decorated prayer books for the festivals (mahzorim) were produced for communal use in the liturgy. Wealthy laymen vied with each other for the honour of leading prayers on festive occasions. These were the same men who commissioned large and splendidly decorated prayer books as status symbols. They wanted to enhance their prestige by employing the most sought-after professio Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/audio.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

All metadata

See all metadata

User-produced Hebrew Prayer Books and Shared Iconography

Description

Some Hebrew manuscripts were produced in Christian workshops, others were made by Jewish artists themselves for their own use. Piet looks at examples of these and explores the shared iconography between Christian and Jewish faiths, such as the unicorn. Some Hebrew manuscripts were produced in Christian workshops, while others were made by Jewish artists themselves for their own use. An Ashkenazic siddur stands out as an example of a Jewish scribe-artist, influenced by the visual culture of his time, who drew on models, motifs and specialized techniques current in fifteenth-century Germany to illustrate his prayer book. Hebrew manuscripts shared iconography with other manuscripts from the same geo-cultural area. Italian Hebrew manuscripts thus recall the scenery of central Italy and depict Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/audio.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

All metadata

See all metadata

Sciences

Description

Piet looks at how the works of famous ancient thinkers such as Aristotle, Hippocrates, Euclid or Ptolemy traveled from culture to culture and formed the basis of Muslim, Christian and Jewish science and philosophy alike. Ancient Greek science and philosophy reached Christian Europe mainly through the Islamic world. A large corpus of Greek scientific works had been translated into Arabic (often via Syriac) in the eighth and ninth centuries, and Muslim thinkers continued to practice and advance these so-called 'foreign sciences'. Jews who lived under Islamic rule contributed scientific works of their own, written in Arabic. In the twelfth century the works of Greek, Muslim and also some Jewish thinkers started to be translated from Arabic into Latin, often with the help of Jews. Hebrew tr Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/audio.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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Conclusion to Crossing Borders

Description

The conclusion to the Crossing Borders exhibition. The exhibition tells the story of how Jews, Christians and Muslims have contributed to the development of the book. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

written word | christian | jews | manuscript | bible | muslim | torah | library | religion | bodleian | muslims | books | exhibition | hebrew | oxford | an | manuscripts | book | christians | Jew | an | manuscripts | book | christians | Jew | 2010-02-18

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129146/audio.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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Old English Tour - British Library

Description

Audio Only Tour of the Old English Manuscripts on display at the British Library by Dr S. D. Lee, Faculty of English, University of Oxford, 21st March 2007. Audio Only Tour of the Old English Manuscripts on display at the British Library by Dr S. D. Lee, Faculty of English, University of Oxford, 21st March 2007. A step-by-step guide to accompany you through the Old English manuscripts on display in the Sir John Ritblat Gallery of London's British Library, describing notable features, how to read them, etc. This is designed to be used in the room itself. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

literature | england | medieval | manuscript | old english | #greatwriters | english | anglo-saxon | literature | england | medieval | manuscript | old english | #greatwriters | english | anglo-saxon | 2007-03-21

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/128978/video.xml

Attribution

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Document skills : maps and plans

Description

As a specialist medium, maps and plans can be a challenge to use and it is not always immediately obvious just what can be learned from them. This resource demonstrates how the researcher can use these documents to gain varied insights about a particular place and aspects of its history. The resource includes a glossary and bibliography. Illustrative images of items from our collections appear throughout.

Subjects

archives | manuscripts | maps | plans | historical research | military maps | county maps | tithe maps | enclosure award maps | manuscript maps | ukoer | philosophical studies | V000

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://dspace.jorum.ac.uk/oai/request?verb=ListRecords&metadataPrefix=oai_dc

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Document skills : maps and plans

Description

As a specialist medium, maps and plans can be a challenge to use and it is not always immediately obvious just what can be learned from them. This resource demonstrates how the researcher can use these documents to gain varied insights about a particular place and aspects of its history. The resource includes a glossary and bibliography. Illustrative images of items from our collections appear throughout.

Subjects

archives | manuscripts | maps | plans | historical research | military maps | county maps | tithe maps | enclosure award maps | manuscript maps | ukoer | Social studies | L000

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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20.416J Topics in Biophysics and Physical Biology (MIT) 20.416J Topics in Biophysics and Physical Biology (MIT)

Description

This course provides broad exposure to research in biophysics and physical biology, with emphasis on the critical evaluation of scientific literature. Weekly meetings include in-depth discussion of scientific literature led by various MIT faculty on active research topics. Each session also includes a brief discussion of non-research topics including effective presentation skills, writing papers and fellowship proposals, choosing scientific and technical research topics, time management, and scientific ethics. This course provides broad exposure to research in biophysics and physical biology, with emphasis on the critical evaluation of scientific literature. Weekly meetings include in-depth discussion of scientific literature led by various MIT faculty on active research topics. Each session also includes a brief discussion of non-research topics including effective presentation skills, writing papers and fellowship proposals, choosing scientific and technical research topics, time management, and scientific ethics.

Subjects

20.416 | 20.416 | 7.74 | 7.74 | 8.590 | 8.590 | computational biology | computational biology | science | science | research | research | genome | genome | chromatin | chromatin | fellowship | fellowship | proposal | proposal | grad school | grad school | graduate school | graduate school | nano | nano | writing | writing | journal | journal | article | article | abstract | abstract | peer review | peer review | critique | critique | manuscript | manuscript | talk | talk | presentation | presentation | ethics | ethics | cv | cv | curriculum vitae | curriculum vitae

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Music and its media Music and its media

Description

This free course, Music and its media, examines some of the main ways in which music is transmitted. It considers how the means of communicating a particular piece can change over time; and how the appearance and contents of a source can reflect the circumstances in which it is produced. The course focuses on three examples of musical media that allow us to study music of the past: manuscripts of sixteenth-century Belgium, prints of eighteenth-century London, and recordings of twentieth-century America. First published on Tue, 08 Mar 2016 as Music and its media. To find out more visit The Open University's Openlearn website. Creative-Commons 2016 This free course, Music and its media, examines some of the main ways in which music is transmitted. It considers how the means of communicating a particular piece can change over time; and how the appearance and contents of a source can reflect the circumstances in which it is produced. The course focuses on three examples of musical media that allow us to study music of the past: manuscripts of sixteenth-century Belgium, prints of eighteenth-century London, and recordings of twentieth-century America. First published on Tue, 08 Mar 2016 as Music and its media. To find out more visit The Open University's Openlearn website. Creative-Commons 2016

Subjects

Culture | Culture | Music | Music | A342_1 | A342_1 | music transition | music transition | mediation | mediation | manuscripts | manuscripts | printing | printing | publishing | publishing | recording | recording | oral transmission | oral transmission

License

Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

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The Hobbit at the Bodleian: World Book Day 2010

Description

Judith Priestman, curator of literary manuscripts at the Bodleian library, discusses the World Book Day 2010 Tolkien exhibition, at which a selection of J.R.R. Tolkien's original artwork for The Hobbit, was on display to the public.

Subjects

tolkien | art | fantasy | literature | books | illustration | literary manuscripts | #greatwriters | 2010-03-15 | ukoer | tolkien | art | fantasy | literature | books | illustration | literary manuscripts | #greatwriters | 2010-03-15

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

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s Manuscripts Explored

Description

Professor Kathyrn Sutherland from the University of Oxford talks around the manuscripts of Jane Austen, what we can learn from them about her family life but also her writing style and techniques. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

jane austen | literature | manuscripts | jane austen | literature | manuscripts

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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The Watsons: Jane Austen Practising

Description

Professor Kathryn Sutherland from the University of Oxford talks about some of Jane Austen's manuscripts from the novel 'The Watsons' and what we can learn about her from these. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

jane austen | literature | manuscripts | emma | the watsons | jane austen | literature | manuscripts | emma | the watsons

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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s Manuscripts Explored

Description

Professor Kathyrn Sutherland from the University of Oxford talks around the manuscripts of Jane Austen, what we can learn from them about her family life but also her writing style and techniques. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

jane austen | literature | manuscripts | jane austen | literature | manuscripts

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129096/video.xml

Attribution

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The Watsons: Jane Austen Practising

Description

Professor Kathryn Sutherland from the University of Oxford talks about some of Jane Austen's manuscripts from the novel 'The Watsons' and what we can learn about her from these. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

jane austen | literature | manuscripts | emma | the watsons | jane austen | literature | manuscripts | emma | the watsons

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/129096/video.xml

Attribution

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Old English Tour - British Library

Description

Audio Only Tour of the Old English Manuscripts on display at the British Library by Dr S. D. Lee, Faculty of English, University of Oxford, 21st March 2007. Audio Only Tour of the Old English Manuscripts on display at the British Library by Dr S. D. Lee, Faculty of English, University of Oxford, 21st March 2007. A step-by-step guide to accompany you through the Old English manuscripts on display in the Sir John Ritblat Gallery of London's British Library, describing notable features, how to read them, etc. This is designed to be used in the room itself. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

literature | england | medieval | manuscript | old english | #greatwriters | english | anglo-saxon | literature | england | medieval | manuscript | old english | #greatwriters | english | anglo-saxon | 2007-03-21

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Site sourced from

http://mediapub.it.ox.ac.uk/feeds/128978/audio.xml

Attribution

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