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Clocking Off Late Clocking Off Late

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georgian | georgian | nationalmaritimemuseum | nationalmaritimemuseum | royalmuseumsgreenwich | royalmuseumsgreenwich | museumlate | museumlate

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Clocking Off Late Clocking Off Late

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georgian | georgian | nationalmaritimemuseum | nationalmaritimemuseum | royalmuseumsgreenwich | royalmuseumsgreenwich | museumlate | museumlate

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Clocking Off Late Clocking Off Late

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georgian | georgian | nationalmaritimemuseum | nationalmaritimemuseum | royalmuseumsgreenwich | royalmuseumsgreenwich | museumlate | museumlate

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Clocking Off Late Clocking Off Late

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georgian | georgian | nationalmaritimemuseum | nationalmaritimemuseum | royalmuseumsgreenwich | royalmuseumsgreenwich | museumlate | museumlate

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The Egyptian Museum at Cairo Where the Tut-Ankh-Amen Treasures are Housed Egypt. The Egyptian Museum at Cairo Where the Tut-Ankh-Amen Treasures are Housed Egypt.

Description

Subjects

tutankhamen | tutankhamen | kingofegypt | kingofegypt | museums | museums | stereoviews | stereoviews | egyptianmuseum | egyptianmuseum | museumofegyptianantiquities | museumofegyptianantiquities

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The Oxford Philosophical Society and the Royal Society: a meeting of minds?

Description

Dr Anna Marie Roos gives a talk as part of the Museum's celebration of the 35th anniversary of the Royal Society. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

museums | museum history of science | philosophy | oxford | Royal Society | museums | museum history of science | philosophy | oxford | Royal Society

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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[Taxidermied Squirrel and Duckling in Front of House on Display at Mrs. M. A. Maxwell's Rocky Mountain Museum] [Taxidermied Squirrel and Duckling in Front of House on Display at Mrs. M. A. Maxwell's Rocky Mountain Museum]

Description

Subjects

animals | animals | taxidermy | taxidermy | museums | museums | museumexhibits | museumexhibits | maxwellmartha18311881 | maxwellmartha18311881

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[Taxidermied Bison on Display at Mrs. M. A. Maxwell's Rocky Mountain Museum] [Taxidermied Bison on Display at Mrs. M. A. Maxwell's Rocky Mountain Museum]

Description

Subjects

taxidermy | taxidermy | museums | museums | americanbison | americanbison | museumexhibits | museumexhibits | maxwellmartha18311881 | maxwellmartha18311881

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[Taxidermied Birds Perched on Trees on Display at Mrs. M. A. Maxwell's Rocky Mountain Museum] [Taxidermied Birds Perched on Trees on Display at Mrs. M. A. Maxwell's Rocky Mountain Museum]

Description

Subjects

birds | birds | taxidermy | taxidermy | museums | museums | museumexhibits | museumexhibits | maxwellmartha18311881 | maxwellmartha18311881

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[Taxidermied Birds on Display at Mrs. M. A. Maxwell's Rocky Mountain Museum] [Taxidermied Birds on Display at Mrs. M. A. Maxwell's Rocky Mountain Museum]

Description

Subjects

birds | birds | taxidermy | taxidermy | museums | museums | museumexhibits | museumexhibits | maxwellmartha18311881 | maxwellmartha18311881

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River Wear Bridges

Description

Blind visitors to Sunderland Museum, examining models of the old and new bridge across the river Wear. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. TWCMS:K13581 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | riverwear | bridge | sunderlandbridge | wearmouthbridge | socialhistory | northeastofengland | room | interior | unitedkingdom | blackandwhitephotograph | digitalimage | archives | fascinating | interesting | unusual | poignant | table | standing | gathering | formercurator | senses | handling | artefacts | sunderlandcouncilblindschool | seeingthroughtouch | museumcollection | signal | communication | communicating | wall | neutralbackground | examiningmodels | oldbridge | newbridge | models | hendon | england | glasses | engaged | suit | hair | tie | blouse | reflection | grain | mark | dress | fabric | crease | riverwearbridges | fingers | artdesign

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Soldiers Wear

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3 blind women examining articles worn by soldiers at Sunderland Museums, 1913. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13823.3 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | firstworldwar | socialhistory | women | dress | fabric | crease | standing | room | seeingthroughtouch | blindness | 3blindwomen | examining | examinaton | articles | clothing | uniform | soldiers | northeastofengland | unitedkingdom | hendon | england | sunderlandmuseums | 1913 | fingers | hand | senses | eyes | ww1 | formercurator | invitation | sunderlandcouncilblindschool | educational | artefacts | profound | simplicity | painting | frame | portrait | industry | archives | digitalimage | wall | floor | shine | boots | gathering | attentive | handling | object | man | apron | blackandwhitephotograph

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Potters Wheel

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The blind visitors to Sunderland Museum are using a potter's wheel and clay.1913 ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13801 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | potterswheel | clay | 1913 | visitorservices | socialhistory | archives | seeingthroughtouch | northeastofengland | unitedkingdom | blackandwhitephotograph | frame | label | text | october1913 | blindvisitors | fingers | eyes | johnalfredcharltondea | formercurator | interior | room | wall | floor | curtain | decoration | flowers | fascinating | unusual | poignant | museumcollection | sunderlandcouncilblindschool | eager | apron | ribbon | dress | suit | tie | waistcoat | shirt | tablecloth | container | box | furniture | plant | signage | senses | touching | handling | attentive | standing | gathering | grain

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Skeleton

Description

Here is an example of a blind person "seeing" through touch of a skeleton at Sunderland Museum. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13810(2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

skeleton | blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | artificiallight | interior | room | shadow | man | suit | standing | handling | touching | senses | signal | wall | timber | beard | pocket | crease | mark | blur | hook | chain | loop | tie | shirt | seeing | through | northeastofengland | unitedkingdom | socialhistory | archives | poignant | fascinating | engaging | unusual | museumcollection | blindman | formercurator | sunderlandcouncilblindschool | eager | wonderful | artanddesign | abstract | bone | human | hangingskeleton

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Museum a Circus Built Museum a Circus Built

Description

Subjects

art | art | florida | florida | drawing | drawing | artists | artists | sarasota | sarasota | museums | museums | attractions | attractions | ringlingmuseum | ringlingmuseum | johnandmableringling | johnandmableringling | promotionalfilms | promotionalfilms

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4.609 The Art Museum: History, Theory, Controversy (MIT) 4.609 The Art Museum: History, Theory, Controversy (MIT)

Description

Art museums are powerful and contested institutions. They are also innovative sites of architectural and artistic practice. From the exhibitionary complex of the nineteenth century to the experiential complex of today, this course investigates the art museum from historical and contemporary perspectives, striking a balance between theoretical investigation and case studies of recent exhibitions and museum buildings. Where and why did the concept of the public art museum emerge, and how have its functions changed over time? How do art museums continue to shape our definitions of what art is? How have they responded to recent critiques of the self-described 'universal' museum and to claims for the ethical display of ill-gotten artifacts or the restitution of such objects as Greek vases and Art museums are powerful and contested institutions. They are also innovative sites of architectural and artistic practice. From the exhibitionary complex of the nineteenth century to the experiential complex of today, this course investigates the art museum from historical and contemporary perspectives, striking a balance between theoretical investigation and case studies of recent exhibitions and museum buildings. Where and why did the concept of the public art museum emerge, and how have its functions changed over time? How do art museums continue to shape our definitions of what art is? How have they responded to recent critiques of the self-described 'universal' museum and to claims for the ethical display of ill-gotten artifacts or the restitution of such objects as Greek vases and

Subjects

art museum | art museum | art history | art history | museums | museums | repatriation | repatriation | history of architecture | history of architecture | gallery | gallery | cultural appropriation | cultural appropriation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Guns and Poses Guns and Poses

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Subjects

robertfrench | robertfrench | williamlawrence | williamlawrence | lawrencecollection | lawrencecollection | lawrencephotographicstudio | lawrencephotographicstudio | thelawrencephotographcollection | thelawrencephotographcollection | glassnegative | glassnegative | nationallibraryofireland | nationallibraryofireland | guns | guns | statues | statues | artillery | artillery | roundhall | roundhall | polishedfloor | polishedfloor | figleaf | figleaf | cannon | cannon | nationalmuseumofireland | nationalmuseumofireland | kildarestreet | kildarestreet | rotunda | rotunda | mosaic | mosaic | sikhcannon | sikhcannon | museum | museum | aphrodite | aphrodite | hermes | hermes | sophocles | sophocles | dublin | dublin | sikhwars | sikhwars | anglosikhwar | anglosikhwar | flick | flick | battleofsobraon | battleofsobraon | gough | gough | explore | explore

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[Mosul Museum] [Mosul Museum]

Description

Subjects

museum | museum | museu | museu | iraq | iraq | fundação | fundação | antiguidades | antiguidades | gulbenkian | gulbenkian | antiquities | antiquities | iraque | iraque | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | antiquitiesmuseum | antiquitiesmuseum | mossul | mossul

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Ethnography Museum. Looking northward Ethnography Museum. Looking northward

Description

Subjects

museum | museum | museu | museu | iraq | iraq | traje | traje | fundação | fundação | ethnography | ethnography | gulbenkian | gulbenkian | iraque | iraque | ethnographymuseum | ethnographymuseum | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | museuetnográfico | museuetnográfico | bagdade | bagdade

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Antiquities Museum Antiquities Museum

Description

Subjects

museum | museum | museu | museu | iraq | iraq | fundação | fundação | antiguidades | antiguidades | gulbenkian | gulbenkian | antiquities | antiquities | iraque | iraque | fundaçãocaloustegulbenkian | fundaçãocaloustegulbenkian | nassiria | nassiria | antiquitiesmuseum | antiquitiesmuseum | museudeantiguidadesdenassiria | museudeantiguidadesdenassiria

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Clocking Off Late

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Subjects

georgian | nationalmaritimemuseum | royalmuseumsgreenwich | museumlate

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4T engine failed, Adoon, Co. Leitrim

Description

Subjects

ireland | kathleen | engines | stokeontrent | isabel | breakdown | 1941 | thomasthetankengine | connaught | 6t | 4t | blennerville | ulsterfolkmuseum | nationallibraryofireland | coleitrim | builtin1903 | adoon | ladyedith | kerrstewart | cavanandleitrimrailway | newjerseymuseumoftransportation | dromad | loco2 | traleeanddinglelightrailway | loco1 | traleeanddinglerailway | jamespo’dea | o’deaphotographiccollection | processofdismantlingtheline | closedmarch1959 | 260ttanklocomotive | kerrstuartandcompany | 6tarrivingtohelp | 6thaulingitaway | ohmrporter1937 | cavanandleirtrimrailwaymuseumdromodloco3 | 4tenginefailed

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Clocking Off Late

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georgian | nationalmaritimemuseum | royalmuseumsgreenwich | museumlate

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Clocking Off Late

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georgian | nationalmaritimemuseum | royalmuseumsgreenwich | museumlate

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Clocking Off Late

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georgian | nationalmaritimemuseum | royalmuseumsgreenwich | museumlate

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