Searching for museums : 748 results found | RSS Feed for this search
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30
Description
This photograph shows people in fancy dress participating in 'East End Carnival', Sunderland 1926-1928 including 8 persons representing Britannia, John Bull and some men in drag. Reference number: TWCMS: J13830 (Copyright)We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk. To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.Subjects
wwwtwmuseumsorguk | sunderland | carnival | fancy | dress | twam | 1920s | drag | museums | tyneandweararchivesandmuseums | eastend | blackwhitephotosLicense
No known copyright restrictionsSite sourced from
Tyne & Wear Archives & Museums | FlickRAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataCareers Seminar 2014 - Introduction
Description
A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Welcome and overview: What do History of Art students do?: Lucy Hawkins, Careers Adviser University of Oxford Careers Service Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Subjects
History of Art; careers; visual arts; heritage; museums; galleries; exhibitions; auction houses; graduates; recruitment | History of Art; careers; visual arts; heritage; museums; galleries; exhibitions; auction houses; graduates; recruitment | 2014-02-05License
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
http://mediapub.it.ox.ac.uk/feeds/129032/audio.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataCareers Seminar 2014 - Finding Yourself in Advertising
Description
A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Finding Yourself in Advertising: How to decide before you get here, there or nowhere: Elle Graham-Dixon, Senior Planner, Karmarana Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Subjects
History of Art; careers; visual arts; heritage; museums; galleries; exhibitions; auction houses; graduates; recruitment | History of Art; careers; visual arts; heritage; museums; galleries; exhibitions; auction houses; graduates; recruitment | 2014-02-05License
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
http://mediapub.it.ox.ac.uk/feeds/129032/audio.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataCareers Seminar 2014 - Collections Management in a Historic House
Description
A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Collections Management in a Historic House: Emily Roy, Assistant Registrar and Joint Collections Manager, Waddesdon Manor, National Trust Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Subjects
History of Art; careers; visual arts; heritage; museums; galleries; exhibitions; auction houses; graduates; recruitment | History of Art; careers; visual arts; heritage; museums; galleries; exhibitions; auction houses; graduates; recruitment | 2014-02-05License
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
http://mediapub.it.ox.ac.uk/feeds/129032/audio.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataThe Oxford Philosophical Society and the Royal Society: a meeting of minds?
Description
Dr Anna Marie Roos gives a talk as part of the Museum's celebration of the 35th anniversary of the Royal Society. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Subjects
museums | museum history of science | philosophy | oxford | Royal Society | museums | museum history of science | philosophy | oxford | Royal SocietyLicense
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
http://mediapub.it.ox.ac.uk/feeds/129176/audio.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
A symposium with William Kentridge, Ivo Mesquita and Estrella de Diego Otero, chaired by Shearer West on Thursday 9 May 2013 in the Grove Auditorium, Magdalen College, Oxford. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/License
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
http://mediapub.it.ox.ac.uk/feeds/129189/audio.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadatas feet and Museums: experience versus numbers
Description
Double inaugural lecture with William Kentridge and Ivo Mesquita, chaired by Seamus Perry. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/License
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
http://mediapub.it.ox.ac.uk/feeds/129189/audio.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadata2nd St Cross Special Ethics Seminar TT11: Museum Ethics
Description
Museum Ethics. The Museum world, like most professions, encounters various ethical problems. This short talk will consider the ethics of conservation and reconstruction, and of human remains, but will mostly discuss ethical problems associated with the acquisition of cultural property from other countries. Archaeologists are particularly concerned that the trade in antiquities leads to the looting of sites, and illegal export of valuable items. How far can British and American museums continue to maintain collections from the great ancient civilisations when they are unable to acquire important recent finds from other countries? Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Subjects
museums | st cross | ethics | uehiro | morality | museums | st cross | ethics | uehiro | morality | 2011-06-23License
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
http://mediapub.it.ox.ac.uk/feeds/129191/audio.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataR. C. Buehner - Heintze Museum. Dallas, Te[xas] R. C. Buehner - Heintze Museum. Dallas, Te[xas]
Description
Subjects
galleries | galleries | museums | museums | heintze | heintze | rppc | rppc | johannaspeckels | johannaspeckels | alfredheintze | alfredheintze | louiseheintze | louiseheintzeLicense
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=41131493@N06&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
Subjects
animals | animals | taxidermy | taxidermy | museums | museums | museumexhibits | museumexhibits | maxwellmartha18311881 | maxwellmartha18311881License
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=41131493@N06&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
Subjects
taxidermy | taxidermy | museums | museums | americanbison | americanbison | museumexhibits | museumexhibits | maxwellmartha18311881 | maxwellmartha18311881License
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=41131493@N06&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
Subjects
birds | birds | taxidermy | taxidermy | museums | museums | museumexhibits | museumexhibits | maxwellmartha18311881 | maxwellmartha18311881License
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=41131493@N06&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
Subjects
birds | birds | taxidermy | taxidermy | museums | museums | museumexhibits | museumexhibits | maxwellmartha18311881 | maxwellmartha18311881License
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=41131493@N06&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
A symposium with William Kentridge, Ivo Mesquita and Estrella de Diego Otero, chaired by Shearer West on Thursday 9 May 2013 in the Grove Auditorium, Magdalen College, Oxford. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/License
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
http://mediapub.it.ox.ac.uk/feeds/129189/video.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadatas feet and Museums: experience versus numbers
Description
Double inaugural lecture with William Kentridge and Ivo Mesquita, chaired by Seamus Perry. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/License
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
http://mediapub.it.ox.ac.uk/feeds/129189/video.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
3 blind women examining articles worn by soldiers at Sunderland Museums, 1913. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13823.3 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/Subjects
blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | firstworldwar | socialhistory | women | dress | fabric | crease | standing | room | seeingthroughtouch | blindness | 3blindwomen | examining | examinaton | articles | clothing | uniform | soldiers | northeastofengland | unitedkingdom | hendon | england | sunderlandmuseums | 1913 | fingers | hand | senses | eyes | ww1 | formercurator | invitation | sunderlandcouncilblindschool | educational | artefacts | profound | simplicity | painting | frame | portrait | industry | archives | digitalimage | wall | floor | shine | boots | gathering | attentive | handling | object | man | apron | blackandwhitephotographLicense
No known copyright restrictionsSite sourced from
Tyne & Wear Archives & Museums | FlickRAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataWearmouth Bridge to the Sea 2nd March 1967
Description
With Roker pier top right, this photograph looks north over Monkwearmouth and Roker. You can pick out Roker Park football ground top left and J.L. Thompson & Sons outfitting yard, centre right, working on a cargo vessel. Reference: TWAS: DT.TUR.7.7 (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk. To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference numberSubjects
sunderlandrivermouth | wearmouthbridge | sea | 1967 | roker | rokerpier | monkwearmouth | rokerpark | footballground | jlthompsonsons | cargovessel | museums | twam | tyneandweararchivesandmuseums | aerialviews | aerialphotographs | tyneandwear | turner | blackwhitephotosLicense
No known copyright restrictionsSite sourced from
Tyne & Wear Archives & Museums | FlickRAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataMuseum a Circus Built Museum a Circus Built
Description
Subjects
art | art | florida | florida | drawing | drawing | artists | artists | sarasota | sarasota | museums | museums | attractions | attractions | ringlingmuseum | ringlingmuseum | johnandmableringling | johnandmableringling | promotionalfilms | promotionalfilmsLicense
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=31846825@N04&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
Subjects
tutankhamen | tutankhamen | kingofegypt | kingofegypt | museums | museums | stereoviews | stereoviews | egyptianmuseum | egyptianmuseum | museumofegyptianantiquities | museumofegyptianantiquitiesLicense
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=41131493@N06&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataSala de Arqueologia, Museo de Mexico. Sala de Arqueologia, Museo de Mexico.
Description
Subjects
sculpture | sculpture | mesoamerica | mesoamerica | aztec | aztec | galleries | galleries | museums | museums | precolumbian | precolumbian | indiansofmexico | indiansofmexicoLicense
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=41131493@N06&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataWindow at the Villa Vizcaya mansion in Miami Window at the Villa Vizcaya mansion in Miami
Description
Subjects
homes | homes | windows | windows | florida | florida | miami | miami | south | south | historic | historic | artmuseums | artmuseums | jamesdeering | jamesdeeringLicense
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=31846825@N04&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadata11.333 Urban Design Seminar (MIT) 11.333 Urban Design Seminar (MIT)
Description
This course is a requirement for completion of the Urban Design Certificate Program. It investigates the complex nature of 'successful' urban design and attempts to identify and evaluate examples of urban design that are at the leading edge of practice, anticipating the future. The seminar will deal with two parallel questions: what are the key trends that will shape the future form and function of cities, and how will these changes affect the role of the urban designer? The first part of the seminar focuses on the present, and the second part of the semester will consider the future. After the course surveys the landscape of contemporary urban design practice, the challenge it will pose to students will be to identify the trajectory of cities and city design from both physical and socia This course is a requirement for completion of the Urban Design Certificate Program. It investigates the complex nature of 'successful' urban design and attempts to identify and evaluate examples of urban design that are at the leading edge of practice, anticipating the future. The seminar will deal with two parallel questions: what are the key trends that will shape the future form and function of cities, and how will these changes affect the role of the urban designer? The first part of the seminar focuses on the present, and the second part of the semester will consider the future. After the course surveys the landscape of contemporary urban design practice, the challenge it will pose to students will be to identify the trajectory of cities and city design from both physical and sociaSubjects
urban design | urban design | design competitions | design competitions | past and future design trends | past and future design trends | elderly housing | elderly housing | neighborhood design | neighborhood design | housing and technology | housing and technology | workplace design | workplace design | mediated space | mediated space | public spaces and technology | public spaces and technology | schools and technology | schools and technology | cultural regeneration | cultural regeneration | arts districts | arts districts | museums | museums | interpretive pathways | interpretive pathways | waterfront design | waterfront design | natural systems | natural systems | environmental sustainability | environmental sustainability | urban design education | urban design educationLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
http://ocw.mit.edu/rss/all/mit-allcourses-11.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
Subjects
florida | florida | libraries | libraries | floridastateuniversity | floridastateuniversity | tallahassee | tallahassee | museums | museums | stmarkslighthouse | stmarkslighthouse | wakullariver | wakullariver | floridaagriculturalandmechanicaluniversity | floridaagriculturalandmechanicaluniversityLicense
No known copyright restrictionsSite sourced from
http://api.flickr.com/services/feeds/photos_public.gne?id=31846825@N04&lang=en-us&format=rss_200Attribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
This is a module framework. It can be viewed online or downloaded as a zip file. As taught Autumn Semester 2010. This module will focus on the treatment of war or the representation of war in art broadly conceived: war stories, war photography, war paintings, war films, war music, even war architecture - war memorials and war museums. It will seek to ask in what ways such works contribute to our understanding of war, and by extension our understanding of international relations. How effective are they? Can works of the imagination - works of art - reach parts that other works cannot reach? How? What strategies do they employ? Do they have to be explicit? Do they have to be easy to read (or watch or listen to)? In what ways are we affected by them? What difference can they make? Module This is a module framework. It can be viewed online or downloaded as a zip file. As taught Autumn Semester 2010. This module will focus on the treatment of war or the representation of war in art broadly conceived: war stories, war photography, war paintings, war films, war music, even war architecture - war memorials and war museums. It will seek to ask in what ways such works contribute to our understanding of war, and by extension our understanding of international relations. How effective are they? Can works of the imagination - works of art - reach parts that other works cannot reach? How? What strategies do they employ? Do they have to be explicit? Do they have to be easy to read (or watch or listen to)? In what ways are we affected by them? What difference can they make? ModuleSubjects
UNow | UNow | ukoer | ukoer | Module Code: M14060 | Module Code: M14060 | Module Code: M14061 | Module Code: M14061 | representation of war in art | representation of war in art | war stories | war stories | war photography | war photography | war museums | war museums | understanding of war | understanding of war | war architecture | war architectureLicense
Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA) Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA)Site sourced from
http://unow.nottingham.ac.uk/rss.ashxAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadataDescription
Onlookers at one of the attractions held at the Hoppings on the Town Moor. 1940's The Hoppings is a popular fair in the North East of England, held in the last full week of June every year on Newcastle's Town Moor, spanning around 40 acres of land. The Hoppings started out as a Temperance Festival in 1882, when Newcastle Temperance organisations decided to revive the annual gatherings that they had previously held, but included different festivities to coincide, to counter-attract the 'Summer Race Meeting' at Gosforth Park, which was seen as a source of drunkenness. It proved to be a great success and the fair is still being enjoyed to this very day. Ref: TWAS:944/2429 (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk. To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.Subjects
hoppings | townmoor | newcastletownmoor | newcastle | tyne | wear | attractions | rides | fair | temperancefestival | 1940s | archives | museums | gosforthpark | tyneandwear | tyneandweararchivesandmuseumsLicense
No known copyright restrictionsSite sourced from
Tyne & Wear Archives & Museums | FlickRAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadata