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Sailor Circus acrobatic performer Judy Laurent with a camera - Sarasota Sailor Circus acrobatic performer Judy Laurent with a camera - Sarasota

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Subjects

florida | florida | circus | circus | teenagers | teenagers | cameras | cameras | sarasota | sarasota | highschoolstudents | highschoolstudents | acrobaticperformers | acrobaticperformers | sailorcircus | sailorcircus | judylaurent | judylaurent

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Bert Williams (LOC) Bert Williams (LOC)

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Subjects

libraryofcongress | libraryofcongress | bertwilliams | bertwilliams | egbertbertaustinwilliams | egbertbertaustinwilliams | vaudeville | vaudeville | ziegfeldfollies | ziegfeldfollies | entertainers | entertainers | performers | performers | musicals | musicals | blackmusicals | blackmusicals | comedians | comedians | comedy | comedy | broadway | broadway | 1920 | 1920

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21M.734 Design For the Theater - Scenery (MIT) 21M.734 Design For the Theater - Scenery (MIT)

Description

This course examines scenic design as practiced currently and historically, including the use of performance space in western and other cultures, and the audience-performer relationship. Four plays and/or one act operas are designed, accompanied by a study of the social, political and artistic conditions attendant upon their creation and their relevance to a modern audience. Students develop, present and orally defend designs in a variety of two- and three-dimensional media in open studio with an eye to developing a self-critical ability. The final project is a fifth design of the student's choice, consisting of a written concept statement, script analysis and a colored model or renderings. This course examines scenic design as practiced currently and historically, including the use of performance space in western and other cultures, and the audience-performer relationship. Four plays and/or one act operas are designed, accompanied by a study of the social, political and artistic conditions attendant upon their creation and their relevance to a modern audience. Students develop, present and orally defend designs in a variety of two- and three-dimensional media in open studio with an eye to developing a self-critical ability. The final project is a fifth design of the student's choice, consisting of a written concept statement, script analysis and a colored model or renderings.

Subjects

Design | Design | Theater | Theater | Scenery | Scenery | Stagecraft | Stagecraft | Culture | Culture | Play | Play | Script | Script | Set | Set | Prop | Prop | Costume | Costume | Act | Act | scenic design | scenic design | performance space | performance space | audience | audience | performers | performers | plays | plays | operas | operas | one acts | one acts | open studio | open studio | concept statements | concept statements | script analysis | script analysis | models | models | renderings | renderings | props | props | costumes | costumes | sets | sets

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Aerialist and Clown at Circus Hall of Fame - Sarasota Aerialist and Clown at Circus Hall of Fame - Sarasota

Description

Subjects

dogs | dogs | florida | florida | sarasota | sarasota | acrobats | acrobats | clowns | clowns | circusperformers | circusperformers | entertainers | entertainers | aerialists | aerialists

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21M.734 Design for the Theater: Scenery (MIT) 21M.734 Design for the Theater: Scenery (MIT)

Description

This course will examine theory of scenic design as currently practiced, as well as historical traditions for use of performance space and audience/performer engagement. Four play scripts and one opera or dance theater piece will be designed after in-depth analysis; emphasis will be on the social, political and cultural milieu at the time of their creation, and now. This course will examine theory of scenic design as currently practiced, as well as historical traditions for use of performance space and audience/performer engagement. Four play scripts and one opera or dance theater piece will be designed after in-depth analysis; emphasis will be on the social, political and cultural milieu at the time of their creation, and now.

Subjects

Design | Design | Theater | Theater | Scenery | Scenery | Stagecraft | Stagecraft | Culture | Culture | Play | Play | Script | Script | Set | Set | Prop | Prop | Costume | Costume | Act | Act | scenic design | scenic design | performance space | performance space | audience | audience | performers | performers | plays | plays | operas | operas | one acts | one acts | open studio | open studio | concept statements | concept statements | script analysis | script analysis | models | models | renderings | renderings | props | props | costumes | costumes | sets | sets

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21G.067J Cultural Performances of Asia (MIT) 21G.067J Cultural Performances of Asia (MIT)

Description

This course examines cultural performances of Asia, including both traditional and contemporary forms, in a variety of genres. Students will explore the communicative power of performances with attention to the ways performers, media, cultural settings, and audiences interact. The representation of cultural difference is considered and how it is altered through processes of globalization. Performances are viewed live when possible, but the course also relies on video, audio, and online materials as necessary. There are no prerequisites for this course and it is taught in English. This course examines cultural performances of Asia, including both traditional and contemporary forms, in a variety of genres. Students will explore the communicative power of performances with attention to the ways performers, media, cultural settings, and audiences interact. The representation of cultural difference is considered and how it is altered through processes of globalization. Performances are viewed live when possible, but the course also relies on video, audio, and online materials as necessary. There are no prerequisites for this course and it is taught in English.

Subjects

21G.067 | 21G.067 | WGS.608 | WGS.608 | Cultural performances | Cultural performances | Asia | Asia | traditional | traditional | contemporary | contemporary | genres | genres | performers | performers | media | media | cultural settings | cultural settings | audiences | audiences | globalization | globalization | live | live | video | video | audio | audio | online | online | English | English

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Guitarist performing at the Florida Folk Festival- White Springs Guitarist performing at the Florida Folk Festival- White Springs

Description

Subjects

florida | florida | performers | performers | guitarists | guitarists | whitesprings | whitesprings | floridafolkfestival | floridafolkfestival

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Launch party of the 'Kosmaj'

Description

View of the launch party of the ?Kosmaj?, taken before her launch at the North Sands shipyard of Sunderland Shipbuilders Ltd, 18 August 1977 (TWAM ref. DS.JLT/4/PH/2/7). She was built for Jugoslavenska Oceanska Plovidba BB, Yugoslavia. The image includes performers in traditional folk costume. Tyne & Wear Archives is proud to present a selection of images from its Sunderland shipbuilding collections. The set has been produced to celebrate Sunderland History Fair on 7 June 2014. It's a reminder of the thousands of vessels launched on the River Wear and the many outstanding achievements of Sunderland?s shipyards and their workers. These photographs reflect Sunderland?s history of innovation in shipbuilding and marine engineering from the development of turret ships in the 1890s through to the design for SD14s in the 1960s. The Sunderland shipbuilding collections are full of fascinating stories. Some of these are represented in this set, such as the ?Rondefjell?, launched in two halves on the River Wear by John Crown & Sons Ltd and then joined together on the River Tyne. The set also shows the vital part that Sunderland?s shipbuilding industry played during the First World War. William Doxford & Sons Ltd built Royal Naval destroyers such as HMS Opal, which served in the Battle of Jutland, while other yards constructed cargo ships to help keep these shores supplied. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

sunderland | shipbuilding | shiplaunches | cargoship | northsandssunderland | shipyard | bulkcarrier | launch | maritimeheritage | colourphotograph | kosmaj | northsandsyard | traditionalfolkcostume | launchparty | view | sunderlandlaunches | digitalimage | archives | shipbuildingheritage | industry | industrialheritage | abstract | northsandsshipyard | sunderlandshipbuildersltd | dress | 18august1977 | construction | production | jugoslavenskaoceanskaplovidbabb | yugoslavia | performers | folk | tradtional | costume | socialhistory | marineengineering | fascinating | unusual | interesting | northeastofengland | unitedkingdom | sunderland?sshipbuildingindustry | riverwear | transportation | artificiallight | shine | wall | floor | interior | room | pole | flag | suit | tie | microphone | wiring | tent | rope | gathering | seated | standing | men | women | musicalinstruments | shoe | belt | shirt | flower | fabric | crease | decoration | smiling | relaxed | event | vessel

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Daly - Sarsota

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portraits | florida | sarasota | performers | entertainers | ringlingbrothersbarnumandbaileycircus | circusworkers | virginiagingerdaly

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Ringling Circus choreographer George Balanchine - Sarasota

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Subjects

dance | florida | sarasota | directors | circusperformers | choreographers | georgebalanchine | ringlingbrothersbarnumandbaileycircus

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in Estero, Florida

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Subjects

dragon | florida | plays | performers | 1900s | koreshans | statelibraryandarchivesofflorida | koreshanunitycollection | vision:sunset=0663 | vision:mountain=0784 | vision:outdoor=0924 | vision:sky=0725 | vision:ocean=0623 | vision:clouds=0533 | theyellowperilplay

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Koreshan band performing in Chicago, Illinois

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Subjects

chicago | architecture | illinois | bands | performers | koreshans | 1890s | cyanotypes | statelibraryandarchivesofflorida | koreshanunitycollection | vision:mountain=0738 | vision:outdoor=099 | vision:sky=0908 | vision:clouds=0806

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Koreshan band performing at Bamboo Landing in Estero, Florida

Description

Subjects

musicians | florida | bamboo | bands | 1910s | performers | estero | leecounty | koreshans | esteroriver | statelibraryandarchivesofflorida | bamboolanding | koreshanunitycollection | vision:text=0674 | vision:outdoor=0912 | vision:car=0842

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21M.734 Design For the Theater - Scenery (MIT)

Description

This course examines scenic design as practiced currently and historically, including the use of performance space in western and other cultures, and the audience-performer relationship. Four plays and/or one act operas are designed, accompanied by a study of the social, political and artistic conditions attendant upon their creation and their relevance to a modern audience. Students develop, present and orally defend designs in a variety of two- and three-dimensional media in open studio with an eye to developing a self-critical ability. The final project is a fifth design of the student's choice, consisting of a written concept statement, script analysis and a colored model or renderings.

Subjects

Design | Theater | Scenery | Stagecraft | Culture | Play | Script | Set | Prop | Costume | Act | scenic design | performance space | audience | performers | plays | operas | one acts | open studio | concept statements | script analysis | models | renderings | props | costumes | sets

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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Group, including Babette Stephens, wearing classical Greek-style costume, 1930-1940

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Subjects

statelibraryofqueensland | slq | queensland | costumes | brisbane | performingart | performers | greek | babettestephens

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Bell School FFA String Band performing at the 1959 Florida Folk Festival- White Springs

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Subjects

florida | performers | guitarists | stringbands | folkfestivals | whitesprings

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Cast in a Koreshan Unity play in Estero, Florida

Description

Subjects

costumes | buildings | actors | florida | plays | 1910s | performers | productions | estero | leecounty | koreshans | actresses | groupportraits | statelibraryandarchivesofflorida | koreshanunitycollection | vision:text=0533 | vision:outdoor=0937

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Band at the Majestic Ballroom, South Shields

Description

View of a band playing at the Majestic Ballroom, South Shields, September 1961 (TWAM ref. DT.TUR/2/27286). Haven Point is located on the site of the old Ballroom. This photograph is part of a set that has been created to celebrate the opening of South Tyneside Council?s new leisure centre, Haven Point, on 28 October. It focuses in particular on life along the foreshore at South Shields during the 1950s but also includes a few images from further down the coast. South Shields has long been a popular seaside resort and also has a proud industrial heritage. Times have changed, though, and many of the old industries such as shipbuilding and coal mining have disappeared. Rather than stand still and accept this change in fortunes, South Tyneside Council is pressing ahead with an ambitious vision to transform the Foreshore, Town Centre and Riverside areas into vibrant destinations. Haven Point is a key part of this change. Tyne & Wear Archives and South Tyneside Local Studies Library have a vital role to play in this. As South Shields is regenerated and forever changed the Archives and Local Studies serve as its memory. We keep alive a window into the town?s past, preserving the history of people, places and industries that no longer exist. South Shields must look forward but its sense of direction will be lost if it forgets where it came from. These images, together with a fantastic selection from South Tyneside Local Studies Library, can be seen in a digital exhibition at Haven Point. You can also see images from the Local Studies Library online at www.southtynesideimages.org.uk/. A Blog on this collection of images can be read here (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

summer | leisure | social | dance | enjoyment | majesticballroom | southshields | jazz | blackandwhitephotograph | band | stage | pattern | september1961 | havenpoint | opening | southtynesidecouncil | newleisurecentre | 28october | 1950s | sociallife | foreshore | coast | seasideresort | industrial | abstract | transformation | changes | musicalinstruments | blacktie | suit | immaculate | chair | speaker | piano | string | glasses | button | shine | shoes | light | wire | cloth | timber | platform | table | shapes | line | ceiling | wall | floor | shadow | men | performers | playingmusic | culture | entertainment | showbusiness | equipment | attentive | striking | standing | sitting | key | hand | fingers | drum

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Youth circus acrobats practicing - Tallahassee

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Subjects

florida | bicycles | tallahassee | acrobats | circusperformers

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Band performing at the Lago Mar seaside resort - Fort Lauderdale

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Subjects

musicians | drums | florida | guitars | bands | fortlauderdale | accordions | singers | resorts | performers | vocalists | entertainers | lagomar | loungebands

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Band playing at a Pine Crest School dance party - Fort Lauderdale

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Subjects

musicians | drums | dancing | florida | fortlauderdale | danceparty | keyboards | performers | garagebands | electricguitars | highschoolbands | pinecrestschool

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Band performing at the Lago Mar seaside resort - Fort Lauderdale

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Subjects

musicians | drums | florida | bands | fortlauderdale | pianos | resorts | performers | entertainers | electricguitars | lagomar | loungebands

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Italian Street Musicians

Description

From 'Street Life in London', 1877, by John Thomson and Adolphe Smith: "Then there is something irresistible in the bright glitter of his eyes, in. his cheerful gait, and his fascinating manners; While English mendicant is coarse, ungainly, dirty, rude of speech, unartist-like in his appearance, out of tune when he sings, vulgar in all his deeds, and often bears the stamp of a hopeless drunkard. This perhaps explains how it is that Italians, sons of peasants, agricultural labourers, and others who might lead respectable lives in their own country, prefer to come over to England where they are sometimes treated as mere beggars. They find that a beggar in England is richer than a labourer in Italy; and if he be not equally prosperous it is because he is not equally abstemious and economical. The Italian, therefore, migrates with the knowledge that he may rely on the generosity of the English, and that, if he only receives as much as many of the English poor, he may hope to save enough to buy himself a farm in his own country. They arrive, therefore, in shoals, and seeing how their presence is appreciated, do not realize the somewhat humiliating character of their avocation. Many, on the contrary, proudly claim a right to be ranked above the mendicant class. They urge, and to a certain extent justl y, that they are of use to the community; that, as a rule, their performance, whether with the barrel-organ, the piano-organ, the harp, fiddle, or other instrument, gratifies the majority of their hearers, and propagates the love for music among the poor. The only difference, so far as the political economy of the case is concerned, between them and actors and professional singers is the fact that they impose themselves on the public by performing in the street, and have to solicit, cap in hand, their reward. Otherwise, they argue, that they simply cater for the public amusement; that if their performance is of a very inferior character to what may be heard in concert-rooms or theatres, they consequently receive very inferior pay. This is in fact but a mere question of supply and demand." For the full story, and other photographs and commentaries, follow this link and click through to the PDF file at the bottom of the description archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&i...

Subjects

lse | londonschoolofeconomics | musicians | harp | streetlifeinlondon | streetperformers | italian | italians | italianialondra

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Entertainers at Havana nightclub - Cuba

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Subjects

havana | cuba | performers | nightclubs | entertainers

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21G.067J Cultural Performances of Asia (MIT)

Description

This course examines cultural performances of Asia, including both traditional and contemporary forms, in a variety of genres. Students will explore the communicative power of performances with attention to the ways performers, media, cultural settings, and audiences interact. The representation of cultural difference is considered and how it is altered through processes of globalization. Performances are viewed live when possible, but the course also relies on video, audio, and online materials as necessary. There are no prerequisites for this course and it is taught in English.

Subjects

21G.067 | WGS.608 | Cultural performances | Asia | traditional | contemporary | genres | performers | media | cultural settings | audiences | globalization | live | video | audio | online | English

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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