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Bridges across the River Tyne, 1978 Bridges across the River Tyne, 1978

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Subjects

road | road | bridge | bridge | roof | roof | industry | industry | window | window | water | water | grass | grass | wall | wall | buildings | buildings | river | river | grid | grid | interesting | interesting | construction | construction | industrial | industrial | unitedkingdom | unitedkingdom | bridges | bridges | aerialviews | aerialviews | rail | rail | gateshead | gateshead | tynebridge | tynebridge | land | land | vegetation | vegetation | vehicle | vehicle | housing | housing | unusual | unusual | 1970s | 1970s | railways | railways | tyneside | tyneside | development | development | swingbridge | swingbridge | centralstation | centralstation | newcastleupontyne | newcastleupontyne | fascinating | fascinating | quayside | quayside | digitalimage | digitalimage | metrobridge | metrobridge | rivertyne | rivertyne | aerialphotograph | aerialphotograph | highlevelbridge | highlevelbridge | industrialheritage | industrialheritage | aerialphotographs | aerialphotographs | colourphotography | colourphotography | northeastengland | northeastengland | april1978 | april1978 | colourphotograph | colourphotograph | newcastlelandscape | newcastlelandscape | turnersltd | turnersltd | colouraerialphotograph | colouraerialphotograph | newcastleincolour | newcastleincolour

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Aerial view of the River Tyne, 1983 Aerial view of the River Tyne, 1983

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Subjects

road | road | park | park | city | city | bridge | bridge | roof | roof | england | england | abstract | abstract | building | building | industry | industry | water | water | grass | grass | metal | metal | wall | wall | architecture | architecture | buildings | buildings | river | river | newcastle | newcastle | landscape | landscape | outdoors | outdoors | coast | coast | daylight | daylight | interesting | interesting | construction | construction | industrial | industrial | crossing | crossing | unitedkingdom | unitedkingdom | pavement | pavement | parking | parking | bridges | bridges | aerialview | aerialview | aerialviews | aerialviews | bank | bank | ground | ground | row | row | aerial | aerial | structure | structure | gateshead | gateshead | tynebridge | tynebridge | business | business | vehicles | vehicles | soil | soil | archives | archives | land | land | vegetation | vegetation | housing | housing | unusual | unusual | carpark | carpark | railways | railways | tyneside | tyneside | development | development | slope | slope | swingbridge | swingbridge | centralstation | centralstation | newcastleupontyne | newcastleupontyne | fascinating | fascinating | quayside | quayside | digitalimage | digitalimage | metrobridge | metrobridge | premises | premises | rivertyne | rivertyne | aerialphotograph | aerialphotograph | highlevelbridge | highlevelbridge | industrialheritage | industrialheritage | aerialphotographs | aerialphotographs | colourphotography | colourphotography | redheughbridge | redheughbridge | northeastengland | northeastengland | august1983 | august1983 | artanddesign | artanddesign | colourphotograph | colourphotograph | newcastlelandscape | newcastlelandscape | turnersltd | turnersltd | colouraerialphotograph | colouraerialphotograph | newcastleincolour | newcastleincolour

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Augusta Caroline Dillon seated in Clonbrock garden Augusta Caroline Dillon seated in Clonbrock garden

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Subjects

ireland | ireland | estate | estate | cologne | cologne | greatwar | greatwar | templebar | templebar | 1920 | 1920 | limburg | limburg | connaught | connaught | 1837 | 1837 | obe | obe | countygalway | countygalway | meetinghousesquare | meetinghousesquare | shrubberies | shrubberies | birrcastle | birrcastle | nationalphotographicarchive | nationalphotographicarchive | nationallibraryofireland | nationallibraryofireland | ladyrosse | ladyrosse | dillonfamily | dillonfamily | connaughtrangers | connaughtrangers | ahascragh | ahascragh | eastgalway | eastgalway | clonbrockhouse | clonbrockhouse | roseshaw | roseshaw | clonbrockestate | clonbrockestate | augustacarolinedillon | augustacarolinedillon | baronessclonbrock | baronessclonbrock | theformalgarden | theformalgarden | redillon | redillon | theclonbrockphotographiccollection | theclonbrockphotographiccollection | augustacarolinecrofton | augustacarolinecrofton | 16thoctober1839 | 16thoctober1839 | died5thseptember1928 | died5thseptember1928 | clonbrocks | clonbrocks | theladiesofthelens | theladiesofthelens | greatexhibitioninlondonof1851 | greatexhibitioninlondonof1851 | ladyaugustacrofton’s | ladyaugustacrofton’s | rteshadows | rteshadows | ladyaugustacrofton | ladyaugustacrofton | michaelo’connell | michaelo’connell | withherwetplateprocesscamera | withherwetplateprocesscamera | dillonfamilyofclonbrock | dillonfamilyofclonbrock | orderofthebritishempirehonourslist | orderofthebritishempirehonourslist | baronessclonbock | baronessclonbock | irishwomen’sassociation | irishwomen’sassociation | irishpows | irishpows | bmaguire | bmaguire | 3000photographsfor£25in1976 | 3000photographsfor£25in1976 | countessofrossenéemaryfield | countessofrossenéemaryfield | britishamateurastronomer | britishamateurastronomer | pioneeringphotographer | pioneeringphotographer | waxedpapernegatives | waxedpapernegatives | terancedooley | terancedooley | 100ishyearsago | 100ishyearsago

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Swan House roundabout and surrounding area, 1977 Swan House roundabout and surrounding area, 1977

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Subjects

road | road | park | park | street | street | bridge | bridge | roof | roof | shadow | shadow | england | england | abstract | abstract | heritage | heritage | window | window | glass | glass | buses | buses | wall | wall | architecture | architecture | fence | fence | buildings | buildings | mosleystreet | mosleystreet | landscape | landscape | vent | vent | daylight | daylight | interesting | interesting | unitedkingdom | unitedkingdom | pavement | pavement | roundabout | roundabout | lawn | lawn | aerialviews | aerialviews | rail | rail | structure | structure | frame | frame | cylinder | cylinder | land | land | vegetation | vegetation | vehicle | vehicle | unusual | unusual | marketstreet | marketstreet | eldonsquare | eldonsquare | tyneside | tyneside | greystreet | greystreet | development | development | impressive | impressive | oval | oval | businesses | businesses | newcastleupontyne | newcastleupontyne | fascinating | fascinating | swanhouseroundabout | swanhouseroundabout | nelsonstreet | nelsonstreet | graingerstreet | graingerstreet | tyneandwear | tyneandwear | pilgrimstreet | pilgrimstreet | greysmonument | greysmonument | aerialphotographs | aerialphotographs | colourphotography | colourphotography | swanhouse | swanhouse | graingermarket | graingermarket | manorsstation | manorsstation | centralmotorway | centralmotorway | blackettstreet | blackettstreet | northeastengland | northeastengland | northeastofengland | northeastofengland | graingertown | graingertown | may1977 | may1977 | worswickstreet | worswickstreet | transporthub | transporthub | surroundingarea | surroundingarea | colourphotograph | colourphotograph | turnersltd | turnersltd | colouraerialphotograph | colouraerialphotograph | newcastleincolour | newcastleincolour

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Looking West along the River Tyne, 1978 Looking West along the River Tyne, 1978

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Subjects

road | road | bridge | bridge | roof | roof | shadow | shadow | blur | blur | industry | industry | window | window | water | water | glass | glass | wall | wall | buildings | buildings | river | river | landscape | landscape | grid | grid | daylight | daylight | interesting | interesting | construction | construction | industrial | industrial | unitedkingdom | unitedkingdom | bridges | bridges | aerialviews | aerialviews | structure | structure | gateshead | gateshead | tynebridge | tynebridge | frame | frame | land | land | vegetation | vegetation | change | change | unusual | unusual | railways | railways | tyneside | tyneside | development | development | swingbridge | swingbridge | centralstation | centralstation | newcastleupontyne | newcastleupontyne | fascinating | fascinating | quayside | quayside | digitalimage | digitalimage | metrobridge | metrobridge | rivertyne | rivertyne | aerialphotograph | aerialphotograph | highlevelbridge | highlevelbridge | aerialphotographs | aerialphotographs | colourphotography | colourphotography | elswick | elswick | redheughbridge | redheughbridge | northeastengland | northeastengland | westroad | westroad | dunstonstaithes | dunstonstaithes | april1978 | april1978 | scotswoodroad | scotswoodroad | colourphotograph | colourphotograph | turnersltd | turnersltd | newcastleincolour | newcastleincolour | stellapowerstationcoolingtowers | stellapowerstationcoolingtowers

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West Jesmond and the Town Moor, 1978 West Jesmond and the Town Moor, 1978

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Subjects

road | road | roof | roof | light | light | industry | industry | window | window | water | water | wall | wall | buildings | buildings | landscape | landscape | daylight | daylight | interesting | interesting | pond | pond | construction | construction | industrial | industrial | unitedkingdom | unitedkingdom | pavement | pavement | mark | mark | lawn | lawn | aerialviews | aerialviews | structure | structure | lamppost | lamppost | frame | frame | archives | archives | land | land | vegetation | vegetation | attic | attic | vehicle | vehicle | change | change | unusual | unusual | carpark | carpark | tyneside | tyneside | development | development | newcastleupontyne | newcastleupontyne | fascinating | fascinating | digitalimage | digitalimage | aerialphotograph | aerialphotograph | jesmond | jesmond | townmoor | townmoor | aerialphotographs | aerialphotographs | colourphotography | colourphotography | hoppings | hoppings | greatnorthroad | greatnorthroad | northeastengland | northeastengland | exhibitionpark | exhibitionpark | westjesmond | westjesmond | june1978 | june1978 | colourphotograph | colourphotograph | royalgrammarschool | royalgrammarschool | turnersltd | turnersltd | newcastleincolour | newcastleincolour

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Photography School Photography School

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robertfrench | robertfrench | williamlawrence | williamlawrence | lawrencecollection | lawrencecollection | lawrencephotographicstudio | lawrencephotographicstudio | thelawrencephotographcollection | thelawrencephotographcollection | glassnegative | glassnegative | nationallibraryofireland | nationallibraryofireland | ballinskelligs | ballinskelligs | cokerry | cokerry | ireland | ireland | lawn | lawn | tennis | tennis | croquet | croquet | photographer | photographer | tripod | tripod | camera | camera | group | group | ladies | ladies | poles | poles | houses | houses | bungalows | bungalows | sea | sea | beach | beach | explore | explore | countykerry | countykerry | cablestation | cablestation | photography | photography | beacon | beacon | navigationaid | navigationaid | cable | cable | telegraphstation | telegraphstation | angloamericantelegraphcompany | angloamericantelegraphcompany | westernunion | westernunion | pose | pose

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4.341 Introduction to Photography and Related Media (MIT) 4.341 Introduction to Photography and Related Media (MIT)

Description

This course provides practical instruction in the fundamentals of analog and digital SLR and medium/large format camera operation, film exposure and development, black and white darkroom techniques, digital imaging, and studio lighting. This semester we will explore the MIT Department of Brain and Cognitive Sciences for our theme- and site-specific term project, which provides opportunities to develop technical skills and experimental photographic techniques, and for personal artistic exploration. Final projects will be presented on site in exhibition format. Work in progress is continuously presented and discussed in a critical forum. Lectures, readings, visiting professionals, group discussions, and site visits encourage aesthetic appreciation of the medium and a deeper understanding of This course provides practical instruction in the fundamentals of analog and digital SLR and medium/large format camera operation, film exposure and development, black and white darkroom techniques, digital imaging, and studio lighting. This semester we will explore the MIT Department of Brain and Cognitive Sciences for our theme- and site-specific term project, which provides opportunities to develop technical skills and experimental photographic techniques, and for personal artistic exploration. Final projects will be presented on site in exhibition format. Work in progress is continuously presented and discussed in a critical forum. Lectures, readings, visiting professionals, group discussions, and site visits encourage aesthetic appreciation of the medium and a deeper understanding of

Subjects

Photography | Photography | digital photography | digital photography | SLR camera | SLR camera | medium format camera | medium format camera | large format camera | large format camera | black and white photography | black and white photography | digital imaging | digital imaging | brain and cognitive sciences | brain and cognitive sciences | experimental photographic techniques | experimental photographic techniques | studio exhibition | studio exhibition | artistic exploration | artistic exploration | vision | vision

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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11.309J Sites in Sight: Photography as Inquiry (MIT) 11.309J Sites in Sight: Photography as Inquiry (MIT)

Description

This course explores photography as a disciplined way of seeing, of investigating landscapes and expressing ideas. Readings, observations, and photographs form the basis of discussions on landscape, light, significant detail, place, poetics, narrative, and how photography can inform design and planning, among other issues. The class website can be found here: Sites in Sight: Photography as Inquiry. This course explores photography as a disciplined way of seeing, of investigating landscapes and expressing ideas. Readings, observations, and photographs form the basis of discussions on landscape, light, significant detail, place, poetics, narrative, and how photography can inform design and planning, among other issues. The class website can be found here: Sites in Sight: Photography as Inquiry.

Subjects

landscape | landscape | light | light | significant detail | significant detail | place | place | poetics | poetics | narrative | narrative | urban planning | urban planning | seeing | seeing | digital photography | digital photography | digital editing | digital editing | storytelling | storytelling | community | community | urban revitalization | urban revitalization | neighborhood | neighborhood | photography | photography | photographs | photographs | detail | detail | portfolio | portfolio | 11.309 | 11.309 | 4.215 | 4.215

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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MAS.961 Numeric Photography (MIT) MAS.961 Numeric Photography (MIT)

Description

The aim of the students from the Numeric Photography class at the MIT Media Laboratory was to present an exhibition of digital artworks which blend photography and computation, in the context of scene capture, image play, and interaction. Equipped with low end digital cameras, students created weekly software projects to explore aesthetic issues in signal processing and interaction design. The results are more than a hundred Java® applets, many of which are interactive, that suggest new avenues for image play on the computer. These weekly exercises led to the final product, an exhibition of the student work. The aim of the students from the Numeric Photography class at the MIT Media Laboratory was to present an exhibition of digital artworks which blend photography and computation, in the context of scene capture, image play, and interaction. Equipped with low end digital cameras, students created weekly software projects to explore aesthetic issues in signal processing and interaction design. The results are more than a hundred Java® applets, many of which are interactive, that suggest new avenues for image play on the computer. These weekly exercises led to the final product, an exhibition of the student work.

Subjects

photography | photography | computation | computation | numeric photography | numeric photography | digital artworks | digital artworks | digital photography | digital photography | java | java | interactive design | interactive design | interactive media | interactive media | aesthetics | aesthetics | signal processing | signal processing | interaction design | interaction design | programming | programming | visual arts | visual arts

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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RES.10-001 Making Science and Engineering Pictures (MIT) RES.10-001 Making Science and Engineering Pictures (MIT)

Description

Includes audio/video content: AV lectures. This collection of videos teaches how to use a flatbed scanner to create photographs of science and engineering. It is part of the interdisciplinary course taught at MIT called “Visual Strategies for Scientists and Engineers” that provides instruction in best practices for creating more effective graphics and photographs to support and communicate research in science and engineering.About the InstructorFelice Frankel is an award-winning science photographer and research scientist in the Center for Materials Science and Engineering at the Massachusetts Institute of Technology. Felice's images have been internationally published in books, journals, and magazines, including the New York Times, Nature, Science, National Geographic, and Di Includes audio/video content: AV lectures. This collection of videos teaches how to use a flatbed scanner to create photographs of science and engineering. It is part of the interdisciplinary course taught at MIT called “Visual Strategies for Scientists and Engineers” that provides instruction in best practices for creating more effective graphics and photographs to support and communicate research in science and engineering.About the InstructorFelice Frankel is an award-winning science photographer and research scientist in the Center for Materials Science and Engineering at the Massachusetts Institute of Technology. Felice's images have been internationally published in books, journals, and magazines, including the New York Times, Nature, Science, National Geographic, and Di

Subjects

scientific photography | scientific photography | journal submissions | journal submissions | PDMS photography | PDMS photography | microfluidic devices | microfluidic devices | microarrays | microarrays | drug delivery device | drug delivery device | petri dishes | petri dishes | E. Coli growth | E. Coli growth | flatbed scanner images | flatbed scanner images | human physiome chip | human physiome chip | lung on a chip | lung on a chip | electronic camera | electronic camera | microscale solar cells | microscale solar cells | solar cell | solar cell | E-Ink | E-Ink | tomato images | tomato images | music box | music box | Venus’ flower basket | Venus’ flower basket | Soft microfluidic sensor | Soft microfluidic sensor | paper-based microfluidics | paper-based microfluidics | diagnostic device | diagnostic device | macro photography | macro photography

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.749 Documentary Photography and Photo Journalism: Still Images of A World In Motion (MIT) 21W.749 Documentary Photography and Photo Journalism: Still Images of A World In Motion (MIT)

Description

Documentary Photography and Photojournalism: Still Images of A World In Motion exposes students to the work of a number of great documentary photographers and photojournalists, as well as to writing about the documentary tradition. Students work throughout the term on a photo documentary project of their own, attempting to reduce a tiny area of the moving world to a set of still images that convey what the viewer needs to know about what they saw - without hearing the sounds, smelling the odors, experiencing what was happening outside the viewfinder, and without seeing the motion. Students also write papers about the subjects of their photo documentaries. Documentary Photography and Photojournalism: Still Images of A World In Motion exposes students to the work of a number of great documentary photographers and photojournalists, as well as to writing about the documentary tradition. Students work throughout the term on a photo documentary project of their own, attempting to reduce a tiny area of the moving world to a set of still images that convey what the viewer needs to know about what they saw - without hearing the sounds, smelling the odors, experiencing what was happening outside the viewfinder, and without seeing the motion. Students also write papers about the subjects of their photo documentaries.

Subjects

Photography | Photography | Photojournalism | Photojournalism | Writing | Writing | Journalism | Journalism | Documentary | Documentary | News | News | Image | Image | Photo | Photo | Camera | Camera | Picture | Picture | Newspaper | Newspaper | Magazine | Magazine | documentary photography | documentary photography | photojournalism | photojournalism | Susan Sontag | Susan Sontag | Robert Coles | Robert Coles | Ken Light | Ken Light | Eugene Richards | Eugene Richards | Sebastian Salgado | Sebastian Salgado | still images | still images | documentary photographers | documentary photographers | photojournalists | photojournalists | slides | slides | photographs | photographs | photo project | photo project | contact sheets | contact sheets | objectivity | objectivity | myth | myth | reality | reality | truth | truth | reporters | reporters | voyeurs | voyeurs

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Psychic Photography - C.P. MacCarthy

Description

This mysterious collection of images have been discovered within the photographic collections of Tyne & Wear Archives & Museums. Reference: TWCMS -H13098-73-16 The lantern slides are from a series titled 'Psychic Photography From A New Angle' and feature eerie images of the supposedly paranormal and unknown forces caught on camera. Very little is known of the origins of this collection. The slides were designed to accompany a lecture by a Mr C.P. MacCarthy of 15 Wilkinson Street, Sheffield. Mr MacCarthy produced the images under test conditions in 1934 in front of an invited committee at 76 Clarkehouse Road, Sheffield. He states the intention was to ?demonstrate under test conditions Fake Psychic Photography? to this committee. Mr MacCarthy states his three reasons for this demonstration. 1.To prove the possibility of Fake under test conditions. 2.To show you cannot be too critical of such phenomena. 3.To indicate the increasing scope for fraud with the probability of genuine spirit photography. Mr MacCarthy further guarantees ?in the sum of five pounds, payable to any charitable institution, that no collusion exists, or has existed between myself and any other party in connection with this demonstration.? Little is currently known of the Psychic demonstration. Who sat on the invited committee? Who was Mr MacCarthy? Why was he investigating Psychic Photography? Can you help us with this information? (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

psychic | photography | paranormal | supernatural | fake | spirit | ghost | ectoplasm | spiritphotography | fraud | experiment | eerie | creepy | weird | odd | blackandwhitephotograph | lanternslides | mysterious | photographiccollection | tyneweararchivesmuseums | anewangle | cpmaccarthy | unknown | forces | captured | camera | lecture | mrcpmaccarthy | 15wilkinsonstreet | sheffield | images | testconditions | committee | phenomena | critical | genuine | collusion | demonstration | connection | psychicdemonstration | may15th1934 | fakepsychicphotographs | typedletter | text | word | letter | paper | grain | intriguing | social | psychicphotographyfromanewangle

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Ectoplasm

Description

This mysterious collection of images have been discovered within the photographic collections of Tyne & Wear Archives & Museums. Reference: TWCMS -H13098-73-4 The lantern slides are from a series titled 'Psychic Photography From A New Angle' and feature eerie images of the supposedly paranormal and unknown forces caught on camera. Very little is known of the origins of this collection. The slides were designed to accompany a lecture by a Mr C.P. MacCarthy of 15 Wilkinson Street, Sheffield. Mr MacCarthy produced the images under test conditions in 1934 in front of an invited committee at 76 Clarkehouse Road, Sheffield. He states the intention was to ?demonstrate under test conditions Fake Psychic Photography? to this committee. Mr MacCarthy states his three reasons for this demonstration. 1.To prove the possibility of Fake under test conditions. 2.To show you cannot be too critical of such phenomena. 3.To indicate the increasing scope for fraud with the probability of genuine spirit photography. Mr MacCarthy further guarantees ?in the sum of five pounds, payable to any charitable institution, that no collusion exists, or has existed between myself and any other party in connection with this demonstration.? Little is currently known of the Psychic demonstration. Who sat on the invited committee? Who was Mr MacCarthy? Why was he investigating Psychic Photography? Can you help us with this information? (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

psychic | photography | paranormal | supernatural | fake | spirit | ghost | ectoplasm | spiritphotography | fraud | experiment | eerie | creepy | weird | odd | blackandwhitephotograph | digitalimage | blackframe | grain | mark | circle | spot | lanternslides | fascinating | surreal | scary | psychicphotographyfromanewangle | mysterious | unknownforces | captured | camera | lectureslides | mr | mrcpmaccarthy | 15wilkinsonstreet | sheffield | testconditions | fakepsychicphotography | committee | meeting | gathering | openmind | phenomena | genuine | forces | genuinespiritphotography | demonstration | mystery | unsolved | neutralbackground | fur | furry | object | crease | frame | ball | socialhistory

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Studio Shot of Wright's Biscuits

Description

The wrappers for Wright's Biscuits have been photographed here by TurnersPhotographic of Newcastle. Wright?s Biscuits was a well known company in South Shields, South Tyneside. Set up as a maker of biscuits, they started out by supplying their stock to ships in 1790, but after a fall in demand, Wright's turned to making more up-market biscuits. Wright's Biscuit factory closed in 1973. Turner?s was established in Newcastle upon Tyne in the early 1900s. It was originally a chemists shop but in 1938 become a photographic dealer. Turners went on to become a prominent photographic and video production company in the North East of England. They had 3 shops in Newcastle city centre, in Pink Lane, Blackett Street and Eldon Square. Turner?s photographic business closed in the 1990s. Ref: TWAS:DT.TUR/2/898d (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk. To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.

Subjects

turners | photography | 1900s | productioncompany | video | photographic | northeast | northeastofengland | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | wrightsbiscuits | biscuits | southshields | southtyneside | factory | mischief | ginger | pinklane | blackettstreet | eldonsquare | blackwhitephotos | studioshot | advertising | product | production | manufacturing | retail | consumerism | blackandwhitephotograph | digitalimage | archives | documentation | artanddesign | illustration | drawing | letters | wrappers | containers | turnersphotographic | unitedkingdom | company | business | industry | supplier | ships | 1790 | closure | 1973 | upmarketbiscuits | curtain | fascinating | engaging | unusual | socialhistory | photographicandvideoproductioncompany | 1990s | displaybench | display | darkness | shadow | artificiallight | assortment | pile | products | food | child | content | happy | bliss | glimpse | interior

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Rebuilding Castlebar, Co. Mayo Rebuilding Castlebar, Co. Mayo

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Subjects

ireland | ireland | market | market | pump | pump | gaslight | gaslight | thomasstreet | thomasstreet | connaught | connaught | glassnegative | glassnegative | castlebar | castlebar | comayo | comayo | terracedhouses | terracedhouses | robertfrench | robertfrench | williamlawrence | williamlawrence | nationallibraryofireland | nationallibraryofireland | lawrencecollection | lawrencecollection | poorhousehill | poorhousehill | parishregisters | parishregisters | lawrencephotographicproject | lawrencephotographicproject | lawrencephotographicstudio | lawrencephotographicstudio | thelawrencephotographcollection | thelawrencephotographcollection | staballhill | staballhill

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Woman modelling swimwear, 28 March 1947 Woman modelling swimwear, 28 March 1947

Description

Subjects

white | white | black | black | fashion | fashion | museum | museum | vintage | vintage | photography | photography | sydney | sydney | australian | australian | hats | hats | 1940s | 1940s | photographs | photographs | national | national | maritime | maritime | 1950s | 1950s | 1960s | 1960s | airlines | airlines | swimwear | swimwear | davidjones | davidjones | postwar | postwar | vintageclothing | vintageclothing | ansett | ansett | commercialphotographer | commercialphotographer | amalgamatedwireless | amalgamatedwireless | jantzenswimwear | jantzenswimwear | gervaispurcell | gervaispurcell | pocruiseliners | pocruiseliners | millinerydesigns | millinerydesigns | leighpurcell | leighpurcell

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Woman modelling beach wear, 1950s Woman modelling beach wear, 1950s

Description

Subjects

white | white | black | black | fashion | fashion | museum | museum | vintage | vintage | photography | photography | sydney | sydney | australian | australian | hats | hats | polka | polka | 1940s | 1940s | photographs | photographs | national | national | maritime | maritime | 1950s | 1950s | 1960s | 1960s | dots | dots | airlines | airlines | swimwear | swimwear | davidjones | davidjones | postwar | postwar | vintageclothing | vintageclothing | ansett | ansett | commercialphotographer | commercialphotographer | amalgamatedwireless | amalgamatedwireless | jantzenswimwear | jantzenswimwear | gervaispurcell | gervaispurcell | pocruiseliners | pocruiseliners | millinerydesigns | millinerydesigns | leighpurcell | leighpurcell

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Woman modelling a hat, 1949 Woman modelling a hat, 1949

Description

Subjects

white | white | black | black | fashion | fashion | museum | museum | vintage | vintage | photography | photography | sydney | sydney | australian | australian | hats | hats | 1940s | 1940s | photographs | photographs | national | national | maritime | maritime | 1950s | 1950s | 1960s | 1960s | airlines | airlines | beret | beret | shoulder | shoulder | swimwear | swimwear | davidjones | davidjones | pads | pads | postwar | postwar | vintageclothing | vintageclothing | ansett | ansett | commercialphotographer | commercialphotographer | amalgamatedwireless | amalgamatedwireless | jantzenswimwear | jantzenswimwear | gervaispurcell | gervaispurcell | pocruiseliners | pocruiseliners | millinerydesigns | millinerydesigns | leighpurcell | leighpurcell

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Woman modelling a hat, 1949 Woman modelling a hat, 1949

Description

Subjects

white | white | black | black | fashion | fashion | museum | museum | vintage | vintage | photography | photography | sydney | sydney | australian | australian | hats | hats | 1940s | 1940s | photographs | photographs | national | national | maritime | maritime | 1950s | 1950s | 1960s | 1960s | airlines | airlines | swimwear | swimwear | davidjones | davidjones | postwar | postwar | vintageclothing | vintageclothing | ansett | ansett | commercialphotographer | commercialphotographer | amalgamatedwireless | amalgamatedwireless | jantzenswimwear | jantzenswimwear | gervaispurcell | gervaispurcell | pocruiseliners | pocruiseliners | millinerydesigns | millinerydesigns | leighpurcell | leighpurcell

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Woman modelling swimwear, 7 October 1952 Woman modelling swimwear, 7 October 1952

Description

Subjects

white | white | black | black | fashion | fashion | museum | museum | vintage | vintage | photography | photography | sydney | sydney | australian | australian | hats | hats | 1940s | 1940s | photographs | photographs | national | national | maritime | maritime | 1950s | 1950s | 1960s | 1960s | airlines | airlines | swimwear | swimwear | davidjones | davidjones | postwar | postwar | vintageclothing | vintageclothing | ansett | ansett | commercialphotographer | commercialphotographer | amalgamatedwireless | amalgamatedwireless | jantzenswimwear | jantzenswimwear | gervaispurcell | gervaispurcell | pocruiseliners | pocruiseliners | millinerydesigns | millinerydesigns | leighpurcell | leighpurcell

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Woman modelling a playsuit, 7 October 1952 Woman modelling a playsuit, 7 October 1952

Description

Subjects

white | white | black | black | photography | photography | sydney | sydney | hats | hats | 1940s | 1940s | 1950s | 1950s | 1960s | 1960s | davidjones | davidjones | vintageclothing | vintageclothing | vintagephotograph | vintagephotograph | australiannationalmaritimemuseum | australiannationalmaritimemuseum | vintagefashion | vintagefashion | commercialphotographer | commercialphotographer | amalgamatedwireless | amalgamatedwireless | jantzenswimwear | jantzenswimwear | gervaispurcell | gervaispurcell | exposedthestoryofswimearexhibition2009 | exposedthestoryofswimearexhibition2009 | pocruiseliners | pocruiseliners | hordernbrothers | hordernbrothers | millinerydesigns | millinerydesigns | swimweardesigns | swimweardesigns | leighpurcell | leighpurcell

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Woman modelling swimwear, 1957 Woman modelling swimwear, 1957

Description

Subjects

white | white | black | black | photography | photography | sydney | sydney | hats | hats | 1940s | 1940s | 1950s | 1950s | 1960s | 1960s | davidjones | davidjones | vintageclothing | vintageclothing | vintagephotograph | vintagephotograph | australiannationalmaritimemuseum | australiannationalmaritimemuseum | vintagefashion | vintagefashion | commercialphotographer | commercialphotographer | amalgamatedwireless | amalgamatedwireless | jantzenswimwear | jantzenswimwear | gervaispurcell | gervaispurcell | exposedthestoryofswimearexhibition2009 | exposedthestoryofswimearexhibition2009 | pocruiseliners | pocruiseliners | hordernbrothers | hordernbrothers | millinerydesigns | millinerydesigns | swimweardesigns | swimweardesigns | leighpurcell | leighpurcell

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21G.049 French Photography (MIT) 21G.049 French Photography (MIT)

Description

This course introduces students to the world of French photography from its invention in the 1820s to the present. It provides exposure to major photographers and images of the French tradition, and encourages students to explore the social and cultural roles and meanings of photographs. The class is designed to help students navigate their own photo-saturated worlds and provides an opportunity to gain practical experience in photography. Taught in English. This course introduces students to the world of French photography from its invention in the 1820s to the present. It provides exposure to major photographers and images of the French tradition, and encourages students to explore the social and cultural roles and meanings of photographs. The class is designed to help students navigate their own photo-saturated worlds and provides an opportunity to gain practical experience in photography. Taught in English.

Subjects

French | French | France | France | photography | photography | role in modern society | role in modern society | visual and formal analysis | visual and formal analysis | printed forms | printed forms | historical analysis | historical analysis | aesthetic trends | aesthetic trends | Dagguerre | Dagguerre | Dagguerrotype | Dagguerrotype | Barthes | Barthes | portraiture | portraiture | carte de visite | carte de visite | resemblance | resemblance | surrealism | surrealism | abstraction | abstraction | realism | realism | street photography | street photography | Kertesz | Kertesz | Baudelaire | Baudelaire | calotypomania | calotypomania | urbanism | urbanism | picture-taking | picture-taking | picture postcards | picture postcards | neo-realism | neo-realism | Sontag | Sontag | war photography | war photography | fashion | fashion | digital images | digital images | photo-sharing | photo-sharing | instagram | instagram | Ducros | Ducros

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Outing of the Queensland Photographic Society 1910-1920 Outing of the Queensland Photographic Society 1910-1920

Description

Subjects

camera | camera | fashion | fashion | photography | photography | photographer | photographer | tripod | tripod | queensland | queensland | statelibraryofqueensland | statelibraryofqueensland | slq | slq | happybirthdayflickrcommons | happybirthdayflickrcommons | queenslandphotographicsociety | queenslandphotographicsociety

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