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MAS.961 Numeric Photography (MIT) MAS.961 Numeric Photography (MIT)

Description

The aim of the students from the Numeric Photography class at the MIT Media Laboratory was to present an exhibition of digital artworks which blend photography and computation, in the context of scene capture, image play, and interaction. Equipped with low end digital cameras, students created weekly software projects to explore aesthetic issues in signal processing and interaction design. The results are more than a hundred Java® applets, many of which are interactive, that suggest new avenues for image play on the computer. These weekly exercises led to the final product, an exhibition of the student work. The aim of the students from the Numeric Photography class at the MIT Media Laboratory was to present an exhibition of digital artworks which blend photography and computation, in the context of scene capture, image play, and interaction. Equipped with low end digital cameras, students created weekly software projects to explore aesthetic issues in signal processing and interaction design. The results are more than a hundred Java® applets, many of which are interactive, that suggest new avenues for image play on the computer. These weekly exercises led to the final product, an exhibition of the student work.

Subjects

photography | photography | computation | computation | numeric photography | numeric photography | digital artworks | digital artworks | digital photography | digital photography | java | java | interactive design | interactive design | interactive media | interactive media | aesthetics | aesthetics | signal processing | signal processing | interaction design | interaction design | programming | programming | visual arts | visual arts

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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RES.10-001 Making Science and Engineering Pictures (MIT) RES.10-001 Making Science and Engineering Pictures (MIT)

Description

Includes audio/video content: AV lectures. This collection of videos teaches how to use a flatbed scanner to create photographs of science and engineering. It is part of the interdisciplinary course taught at MIT called “Visual Strategies for Scientists and Engineers” that provides instruction in best practices for creating more effective graphics and photographs to support and communicate research in science and engineering.About the InstructorFelice Frankel is an award-winning science photographer and research scientist in the Center for Materials Science and Engineering at the Massachusetts Institute of Technology. Felice's images have been internationally published in books, journals, and magazines, including the New York Times, Nature, Science, National Geographic, and Di Includes audio/video content: AV lectures. This collection of videos teaches how to use a flatbed scanner to create photographs of science and engineering. It is part of the interdisciplinary course taught at MIT called “Visual Strategies for Scientists and Engineers” that provides instruction in best practices for creating more effective graphics and photographs to support and communicate research in science and engineering.About the InstructorFelice Frankel is an award-winning science photographer and research scientist in the Center for Materials Science and Engineering at the Massachusetts Institute of Technology. Felice's images have been internationally published in books, journals, and magazines, including the New York Times, Nature, Science, National Geographic, and Di

Subjects

scientific photography | scientific photography | journal submissions | journal submissions | PDMS photography | PDMS photography | microfluidic devices | microfluidic devices | microarrays | microarrays | drug delivery device | drug delivery device | petri dishes | petri dishes | E. Coli growth | E. Coli growth | flatbed scanner images | flatbed scanner images | human physiome chip | human physiome chip | lung on a chip | lung on a chip | electronic camera | electronic camera | microscale solar cells | microscale solar cells | solar cell | solar cell | E-Ink | E-Ink | tomato images | tomato images | music box | music box | Venus’ flower basket | Venus’ flower basket | Soft microfluidic sensor | Soft microfluidic sensor | paper-based microfluidics | paper-based microfluidics | diagnostic device | diagnostic device | macro photography | macro photography

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21G.049 French Photography (MIT) 21G.049 French Photography (MIT)

Description

This course introduces students to the world of French photography from its invention in the 1820s to the present. It provides exposure to major photographers and images of the French tradition, and encourages students to explore the social and cultural roles and meanings of photographs. The class is designed to help students navigate their own photo-saturated worlds and provides an opportunity to gain practical experience in photography. Taught in English. This course introduces students to the world of French photography from its invention in the 1820s to the present. It provides exposure to major photographers and images of the French tradition, and encourages students to explore the social and cultural roles and meanings of photographs. The class is designed to help students navigate their own photo-saturated worlds and provides an opportunity to gain practical experience in photography. Taught in English.

Subjects

French | French | France | France | photography | photography | role in modern society | role in modern society | visual and formal analysis | visual and formal analysis | printed forms | printed forms | historical analysis | historical analysis | aesthetic trends | aesthetic trends | Dagguerre | Dagguerre | Dagguerrotype | Dagguerrotype | Barthes | Barthes | portraiture | portraiture | carte de visite | carte de visite | resemblance | resemblance | surrealism | surrealism | abstraction | abstraction | realism | realism | street photography | street photography | Kertesz | Kertesz | Baudelaire | Baudelaire | calotypomania | calotypomania | urbanism | urbanism | picture-taking | picture-taking | picture postcards | picture postcards | neo-realism | neo-realism | Sontag | Sontag | war photography | war photography | fashion | fashion | digital images | digital images | photo-sharing | photo-sharing | instagram | instagram | Ducros | Ducros

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Ectoplasm

Description

This mysterious collection of images have been discovered within the photographic collections of Tyne & Wear Archives & Museums. Reference: TWCMS -H13098-73-4 The lantern slides are from a series titled 'Psychic Photography From A New Angle' and feature eerie images of the supposedly paranormal and unknown forces caught on camera. Very little is known of the origins of this collection. The slides were designed to accompany a lecture by a Mr C.P. MacCarthy of 15 Wilkinson Street, Sheffield. Mr MacCarthy produced the images under test conditions in 1934 in front of an invited committee at 76 Clarkehouse Road, Sheffield. He states the intention was to ?demonstrate under test conditions Fake Psychic Photography? to this committee. Mr MacCarthy states his three reasons for this demonstration. 1.To prove the possibility of Fake under test conditions. 2.To show you cannot be too critical of such phenomena. 3.To indicate the increasing scope for fraud with the probability of genuine spirit photography. Mr MacCarthy further guarantees ?in the sum of five pounds, payable to any charitable institution, that no collusion exists, or has existed between myself and any other party in connection with this demonstration.? Little is currently known of the Psychic demonstration. Who sat on the invited committee? Who was Mr MacCarthy? Why was he investigating Psychic Photography? Can you help us with this information? (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

psychic | photography | paranormal | supernatural | fake | spirit | ghost | ectoplasm | spiritphotography | fraud | experiment | eerie | creepy | weird | odd | blackandwhitephotograph | digitalimage | blackframe | grain | mark | circle | spot | lanternslides | fascinating | surreal | scary | psychicphotographyfromanewangle | mysterious | unknownforces | captured | camera | lectureslides | mr | mrcpmaccarthy | 15wilkinsonstreet | sheffield | testconditions | fakepsychicphotography | committee | meeting | gathering | openmind | phenomena | genuine | forces | genuinespiritphotography | demonstration | mystery | unsolved | neutralbackground | fur | furry | object | crease | frame | ball | socialhistory

License

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4.341 Introduction to Photography and Related Media (MIT) 4.341 Introduction to Photography and Related Media (MIT)

Description

This course provides practical instruction in the fundamentals of analog and digital SLR and medium/large format camera operation, film exposure and development, black and white darkroom techniques, digital imaging, and studio lighting. This semester we will explore the MIT Department of Brain and Cognitive Sciences for our theme- and site-specific term project, which provides opportunities to develop technical skills and experimental photographic techniques, and for personal artistic exploration. Final projects will be presented on site in exhibition format. Work in progress is continuously presented and discussed in a critical forum. Lectures, readings, visiting professionals, group discussions, and site visits encourage aesthetic appreciation of the medium and a deeper understanding of This course provides practical instruction in the fundamentals of analog and digital SLR and medium/large format camera operation, film exposure and development, black and white darkroom techniques, digital imaging, and studio lighting. This semester we will explore the MIT Department of Brain and Cognitive Sciences for our theme- and site-specific term project, which provides opportunities to develop technical skills and experimental photographic techniques, and for personal artistic exploration. Final projects will be presented on site in exhibition format. Work in progress is continuously presented and discussed in a critical forum. Lectures, readings, visiting professionals, group discussions, and site visits encourage aesthetic appreciation of the medium and a deeper understanding of

Subjects

Photography | Photography | digital photography | digital photography | SLR camera | SLR camera | medium format camera | medium format camera | large format camera | large format camera | black and white photography | black and white photography | digital imaging | digital imaging | brain and cognitive sciences | brain and cognitive sciences | experimental photographic techniques | experimental photographic techniques | studio exhibition | studio exhibition | artistic exploration | artistic exploration | vision | vision

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.A21 Stories Without Words: Photographing the First Year (MIT) 4.A21 Stories Without Words: Photographing the First Year (MIT)

Description

The transition from high school and home to college and a new living environment can be a fascinating and interesting time, made all the more challenging and interesting by being at MIT. More than recording the first semester through a series of snapshots, this freshman seminar will attempt to teach photography as a method of seeing and a tool for better understanding new surroundings. Over the course of the semester, students will develop a body of work through a series of assignments, and then attempt to describe the conditions and emotions of their new environment in a cohesive final presentation. The transition from high school and home to college and a new living environment can be a fascinating and interesting time, made all the more challenging and interesting by being at MIT. More than recording the first semester through a series of snapshots, this freshman seminar will attempt to teach photography as a method of seeing and a tool for better understanding new surroundings. Over the course of the semester, students will develop a body of work through a series of assignments, and then attempt to describe the conditions and emotions of their new environment in a cohesive final presentation.

Subjects

MIT | MIT | campus | campus | architecture | architecture | student life | student life | photography | photography | digital media | digital media | digital editing | digital editing | Photoshop | Photoshop | HTML | HTML | web design | web design | visual representation | visual representation | documentation | documentation | light | light | detail | detail | poetics | poetics | advising | advising | freshman seminar | freshman seminar | freshman experience | freshman experience | landscape | landscape | significant detail | significant detail | place | place | narrative | narrative | urban planning | urban planning | seeing | seeing | digital photography | digital photography | storytelling | storytelling | community | community | urban revitalization | urban revitalization | neighborhood | neighborhood

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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6.163 Strobe Project Laboratory (MIT) 6.163 Strobe Project Laboratory (MIT)

Description

Includes audio/video content: AV special element video. This is a laboratory experience course with a focus on photography, electronic imaging, and light measurement, much of it at short duration. In addition to teaching these techniques, the course provides students with experience working in a laboratory and teaches good work habits and techniques for approaching laboratory work. A major purpose of 6.163 is to provide students with many opportunities to sharpen their communication skills: oral, written, and visual. Includes audio/video content: AV special element video. This is a laboratory experience course with a focus on photography, electronic imaging, and light measurement, much of it at short duration. In addition to teaching these techniques, the course provides students with experience working in a laboratory and teaches good work habits and techniques for approaching laboratory work. A major purpose of 6.163 is to provide students with many opportunities to sharpen their communication skills: oral, written, and visual.

Subjects

strobe | strobe | edgerton | edgerton | electronic imaging | electronic imaging | light measurement | light measurement | strobe laboratory | strobe laboratory | electronic flash sources | electronic flash sources | measurement | measurement | fundamentals of photography | fundamentals of photography | experiments on application of electronic flash to photography | stroboscopy | motion analysis | and high-speed videography | experiments on application of electronic flash to photography | stroboscopy | motion analysis | and high-speed videography | independent projects | independent projects

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.A21 Stories Without Words: Photographing the First Year (MIT) 4.A21 Stories Without Words: Photographing the First Year (MIT)

Description

The transition from high school and home to college and a new living environment can be a fascinating and interesting time, made all the more challenging and interesting by being at MIT. More than recording the first semester through a series of snapshots, this freshman seminar will attempt to teach photography as a method of seeing and a tool for better understanding new surroundings. Over the course of the semester, students will develop a body of work through a series of assignments, and then attempt to describe the conditions and emotions of their new environment in a cohesive final presentation.Technical RequirementsSpecial software is required to use some of the files in this course: .rm The transition from high school and home to college and a new living environment can be a fascinating and interesting time, made all the more challenging and interesting by being at MIT. More than recording the first semester through a series of snapshots, this freshman seminar will attempt to teach photography as a method of seeing and a tool for better understanding new surroundings. Over the course of the semester, students will develop a body of work through a series of assignments, and then attempt to describe the conditions and emotions of their new environment in a cohesive final presentation.Technical RequirementsSpecial software is required to use some of the files in this course: .rm

Subjects

MIT | MIT | campus | campus | architecture | architecture | student life | student life | photography | photography | digital media | digital media | digital editing | digital editing | Photoshop | Photoshop | HTML | HTML | web design | web design | visual representation | visual representation | documentation | documentation | light | light | detail | detail | poetics | poetics | advising | advising | freshman seminar | freshman seminar | freshman experience | freshman experience | landscape | landscape | significant detail | significant detail | place | place | narrative | narrative | urban planning | urban planning | seeing | seeing | digital photography | digital photography | storytelling | storytelling | community | community | urban revitalization | urban revitalization | neighborhood | neighborhood

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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11.309J Sensing Place: Photography as Inquiry (MIT) 11.309J Sensing Place: Photography as Inquiry (MIT)

Description

This course explores photography as a disciplined way of seeing or investigating urban landscapes, and expressing ideas. Readings, observations, and photographs form the basis of discussions on light, detail, place, poetics, narrative, and how photography can inform design and planning. The current version of the class website for the course can be found here: Sensing Place: Photography as Inquiry. This course explores photography as a disciplined way of seeing or investigating urban landscapes, and expressing ideas. Readings, observations, and photographs form the basis of discussions on light, detail, place, poetics, narrative, and how photography can inform design and planning. The current version of the class website for the course can be found here: Sensing Place: Photography as Inquiry.

Subjects

photography | photography | landscape | landscape | light | light | significant detail | significant detail | place | place | poetics | poetics | narrative | narrative | urban planning | urban planning | seeing | seeing | digital photography | digital photography | digital editing | digital editing | storytelling | storytelling | community | community | urban revitalization | urban revitalization | neighborhood | neighborhood

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.602 Modern Art and Mass Culture (MIT) 4.602 Modern Art and Mass Culture (MIT)

Description

This class provides an introduction to modern art and theories of modernism and postmodernism. It focuses on the way artists use the tension between fine art and mass culture to mobilize a critique of both. We will examine objects of visual art including painting, sculpture, architecture, photography, and video. These objects will be viewed in their interaction with advertising, caricature, comics, graffiti, television, fashion, folk art, and so-called "primitive" art. This class provides an introduction to modern art and theories of modernism and postmodernism. It focuses on the way artists use the tension between fine art and mass culture to mobilize a critique of both. We will examine objects of visual art including painting, sculpture, architecture, photography, and video. These objects will be viewed in their interaction with advertising, caricature, comics, graffiti, television, fashion, folk art, and so-called "primitive" art.

Subjects

modern art; high art; mass culture; modernist aesthetic; modernism; 19th Century Art; 20th Century Art; modernization; urbanization; globalization; photography; cinema; painting; sculpture; postmodernism; visual arts; multimedia; pop art; popular culture | modern art; high art; mass culture; modernist aesthetic; modernism; 19th Century Art; 20th Century Art; modernization; urbanization; globalization; photography; cinema; painting; sculpture; postmodernism; visual arts; multimedia; pop art; popular culture | modern art | modern art | high art | high art | mass culture | mass culture | modernist aesthetic | modernist aesthetic | modernism | modernism | 19th Century Art | 19th Century Art | 20th Century Art | 20th Century Art | modernization | modernization | urbanization | urbanization | globalization | globalization | photography | photography | cinema | cinema | painting | painting | sculpture | sculpture | postmodernism | postmodernism | visual arts | visual arts | multimedia | multimedia | pop art | pop art | popular culture | popular culture

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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11.309J Sites in Sight: Photography as Inquiry (MIT) 11.309J Sites in Sight: Photography as Inquiry (MIT)

Description

This course explores photography as a disciplined way of seeing, of investigating landscapes and expressing ideas. Readings, observations, and photographs form the basis of discussions on landscape, light, significant detail, place, poetics, narrative, and how photography can inform design and planning, among other issues. The class website can be found here: Sites in Sight: Photography as Inquiry. This course explores photography as a disciplined way of seeing, of investigating landscapes and expressing ideas. Readings, observations, and photographs form the basis of discussions on landscape, light, significant detail, place, poetics, narrative, and how photography can inform design and planning, among other issues. The class website can be found here: Sites in Sight: Photography as Inquiry.

Subjects

landscape | landscape | light | light | significant detail | significant detail | place | place | poetics | poetics | narrative | narrative | urban planning | urban planning | seeing | seeing | digital photography | digital photography | digital editing | digital editing | storytelling | storytelling | community | community | urban revitalization | urban revitalization | neighborhood | neighborhood | photography | photography | photographs | photographs | detail | detail | portfolio | portfolio | 11.309 | 11.309 | 4.215 | 4.215

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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MAS.160 Signals, Systems and Information for Media Technology (MIT) MAS.160 Signals, Systems and Information for Media Technology (MIT)

Description

This class teaches the fundamentals of signals and information theory with emphasis on modeling audio/visual messages and physiologically derived signals, and the human source or recipient. Topics include linear systems, difference equations, Z-transforms, sampling and sampling rate conversion, convolution, filtering, modulation, Fourier analysis, entropy, noise, and Shannon's fundamental theorems. Additional topics may include data compression, filter design, and feature detection. The undergraduate subject MAS.160 meets with the two half-semester graduate subjects MAS.510 and MAS.511, but assignments differ. This class teaches the fundamentals of signals and information theory with emphasis on modeling audio/visual messages and physiologically derived signals, and the human source or recipient. Topics include linear systems, difference equations, Z-transforms, sampling and sampling rate conversion, convolution, filtering, modulation, Fourier analysis, entropy, noise, and Shannon's fundamental theorems. Additional topics may include data compression, filter design, and feature detection. The undergraduate subject MAS.160 meets with the two half-semester graduate subjects MAS.510 and MAS.511, but assignments differ.

Subjects

audio | audio | visual | visual | video | video | A/V | A/V | digital media | digital media | digital audio | digital audio | digital video | digital video | photography | photography | digitial photography | digitial photography | spectrum | spectrum | Spectrum plot | Spectrum plot | amplitude modulation | amplitude modulation | AM | AM | Fourier series | Fourier series | frequency modulation | frequency modulation | FM | FM | orthogonality | orthogonality | Walsh functions | Walsh functions | basis sets. Sampling theorem | basis sets. Sampling theorem | aliasing | aliasing | reconstruction | reconstruction | FFT | FFT | DFT | DFT | DTFT | DTFT | z-transform | z-transform | IIR | IIR | frequency response | frequency response | filter | filter | filter response | filter response | impulse response | impulse response | noise | noise | communications system | communications system | communications theory | communications theory | information theory | information theory | communication channel | communication channel | coding | coding | error correction | error correction | DSP | DSP | signal processing | signal processing | digital signal processing | digital signal processing

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Psychic Photography

Description

This mysterious collection of images have been discovered within the photographic collections of Tyne & Wear Archives & Museums. Reference: TWCMS -H13098-73-10 The lantern slides are from a series titled 'Psychic Photography From A New Angle' and feature eerie images of the supposedly paranormal and unknown forces caught on camera. Very little is known of the origins of this collection. The slides were designed to accompany a lecture by a Mr C.P. MacCarthy of 15 Wilkinson Street, Sheffield. Mr MacCarthy produced the images under test conditions in 1934 in front of an invited committee at 76 Clarkehouse Road, Sheffield. He states the intention was to ?demonstrate under test conditions Fake Psychic Photography? to this committee. Mr MacCarthy states his three reasons for this demonstration. 1.To prove the possibility of Fake under test conditions. 2.To show you cannot be too critical of such phenomena. 3.To indicate the increasing scope for fraud with the probability of genuine spirit photography. Mr MacCarthy further guarantees ?in the sum of five pounds, payable to any charitable institution, that no collusion exists, or has existed between myself and any other party in connection with this demonstration.? Little is currently known of the Psychic demonstration. Who sat on the invited committee? Who was Mr MacCarthy? Why was he investigating Psychic Photography? Can you help us with this information? (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

psychic | photography | paranormal | supernatural | fake | spirit | ghost | ectoplasm | spiritphotography | fraud | experiment | eerie | creepy | weird | odd | blackandwhitephotograph | socialhistory | window | frame | glass | head | ears | mouth | nose | eyes | shape | suggestive | psychicphotographyfromanewangle | lanternslides | digitalimage | mysterious | unusual | unknownforces | captured | camera | slides | lecture | mrcpmaccarthy | 15wilkinsonstreet | blur | grain | sheffield | testconditions | 1934 | invitedcommittee | committee | fakepsychicphotography | demonstration | phenomena | genuine | collusion | psychicdemonstration | mark | chandelier | ceiling | wall | pattern | line | surreal

License

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A Spiritual Committee

Description

This mysterious collection of images have been discovered within the photographic collections of Tyne & Wear Archives & Museums. Reference: TWCMS -H13098-73-3 The lantern slides are from a series titled 'Psychic Photography From A New Angle' and feature eerie images of the supposedly paranormal and unknown forces caught on camera. Very little is known of the origins of this collection. The slides were designed to accompany a lecture by a Mr C.P. MacCarthy of 15 Wilkinson Street, Sheffield. Mr MacCarthy produced the images under test conditions in 1934 in front of an invited committee at 76 Clarkehouse Road, Sheffield. He states the intention was to ?demonstrate under test conditions Fake Psychic Photography? to this committee. Mr MacCarthy states his three reasons for this demonstration. 1.To prove the possibility of Fake under test conditions. 2.To show you cannot be too critical of such phenomena. 3.To indicate the increasing scope for fraud with the probability of genuine spirit photography. Mr MacCarthy further guarantees ?in the sum of five pounds, payable to any charitable institution, that no collusion exists, or has existed between myself and any other party in connection with this demonstration.? Little is currently known of the Psychic demonstration. Who sat on the invited committee? Who was Mr MacCarthy? Why was he investigating Psychic Photography? Can you help us with this information? (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

psychic | photography | paranormal | supernatural | fake | spirit | ghost | ectoplasm | spiritphotography | fraud | experiment | eerie | creepy | weird | odd | blackandwhitephotograph | socialhistory | lanternslides | digitalimage | psychicphotographyfromanewangle | unknownforces | mrmaccarthy | testconditions | 1934 | invitedcommittee | 76clarkehouseroad | sheffield | demonstration | genuine | collusion | mysterious | bizzare | unusual | investigation | lecture | slides | camera | captured | grain | blur | room | man | staircase | seated | books | table | attentive | glasses | bald | tie | suit | shirt | marl | scratches | blackoutline | scary | surreal | hand | arm | head | chest | eye | nose | mouth | lip | ear | skin | body | chair | spiritual | committee | image | origins | challenging | england

License

No known copyright restrictions

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She was so shocked by her neighbours' antics that she took another look

Description

Model posing for a Turners publicity shot, July 1964(TWAM ref. DT.TUR/2/34172P). To read a blog about Turners advertising techniques see www.twmuseums.org.uk/engage/blog/turners-saved-my-marriage/. Tyne and Wear Archives presents a set of images taken by the Newcastle-based firm Turners (Photography) Ltd. They were taken by the firm on is own account for possible use in their advertising campaigns. Turners frequently hired models to help promote their work and to encourage sales in their shops. Some of the shots are humorous or bizarre while others are quite suggestive. The images are fascinating for what they tell us about the times that produced them ? the fashions, the attitudes, the technology ? Most of the images are quirky and almost seem to invite comments. If you?d like to suggest alternative captions we?d be delighted to hear them! (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

model | modelling | turnersphotography | newcastleupontyne | photography | publicity | 1960s | studio | binoculars | neutralbackground | blackandwhitephotograph | digitalimage | archives | documentation | woman | posing | pose | female | shocked | neighboursantics | look | looked | lens | focus | eyeglasses | turnerspublicityshot | northeastofengland | unitedkingdom | newcastle | northeast | advertisingcampaign | consumerism | sales | retail | turnersphotographyltd | promotion | humorous | suggestive | fashions | attitudes | retro | blouse | pattern | fabric | crease | hair | distracted | ring | nailpolish | shadow | artificiallight | interior | room | wall | fascinating | compelling | unusual | interesting | socialhistory | funny | july1964 | makeup | bone | finger | ear

License

No known copyright restrictions

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Her training as a knight had been unconventional

Description

Subjects

horse | hat | fashion | studio | toy | photography | model | dress | 1950s | publicity | swimsuit | lampshade | modelling | newcastleupontyne | colourphotography | playsuit | turnersphotography

License

No known copyright restrictions

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Her training as a knight had been unconventional

Description

Model posing for a Turners publicity shot, August 1958 (TWAM ref. DT.TUR/4/1048/1). To read a blog about Turners advertising techniques see www.twmuseums.org.uk/engage/blog/turners-saved-my-marriage/. Tyne and Wear Archives presents a set of images taken by the Newcastle-based firm Turners (Photography) Ltd. They were taken by the firm on is own account for possible use in their advertising campaigns. Turners frequently hired models to help promote their work and to encourage sales in their shops. Some of the shots are humorous or bizarre while others are quite suggestive. The images are fascinating for what they tell us about the times that produced them ? the fashions, the attitudes, the technology ? Most of the images are quirky and almost seem to invite comments. If you?d like to suggest alternative captions we?d be delighted to hear them! (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

model | modelling | turnersphotography | newcastleupontyne | photography | publicity | toy | horse | 1950s | studio | fashion | colourphotography | dress | swimsuit | playsuit | hat | lampshade | colourphotograph | socialhistory | posing | turnerspublicityshot | august1958 | modellingforturners | woman | female | advertisingcampaigns | promotion | sales | retail | shops | suggestivepose | bizzare | interesting | unusual | trend | strap | eye | ear | industry | abstract | digitalimage | saddle | feet | shoe | pattern | square | leg | skin | lines | earings | lipstick | mouth | lip | makeup | eyelashes | hair | floor | ceiling | neutralbackground | light | shadow | spotlight | centreofattention | striking | attentiongetter | circle | seated | attentive | ring | silver | shine | finger | hand | arm | body

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Born to be Wild

Description

Model posing an a motor scooter, May 1963 (TWAM ref. DT.TUR/4/AG2437C). To read a blog about Turners advertising techniques see www.twmuseums.org.uk/engage/blog/turners-saved-my-marriage/. Tyne and Wear Archives presents a set of images taken by the Newcastle-based firm Turners (Photography) Ltd. They were taken by the firm on is own account for possible use in their advertising campaigns. Turners frequently hired models to help promote their work and to encourage sales in their shops. Some of the shots are humorous or bizarre while others are quite suggestive. The images are fascinating for what they tell us about the times that produced them ? the fashions, the attitudes, the technology ? Most of the images are quirky and almost seem to invite comments. If you?d like to suggest alternative captions we?d be delighted to hear them! (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

model | modelling | turnersphotography | newcastleupontyne | photography | publicity | 1960s | studio | motorscooter | fashion | colourphotograph | socialhistory | industry | woman | modellingforturners | neutralbackground | posing | may1963 | wheel | stand | shine | seat | plate | light | metal | handle | tyre | trousers | blouse | leg | arm | feet | hand | shoe | smile | lipstick | hair | makeup | ear | nose | mouth | eye | top | stripes | crease | limelight | attention | newcastle | turnersphotographyltd | advertising | campaign | product | sales | promotion | consumerism | retail | photographicstudio | portrait | shoulder | chest | slim | brandname | enticing | floor | wall | shadow | artificiallight

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MAS.961 Numeric Photography (MIT)

Description

The aim of the students from the Numeric Photography class at the MIT Media Laboratory was to present an exhibition of digital artworks which blend photography and computation, in the context of scene capture, image play, and interaction. Equipped with low end digital cameras, students created weekly software projects to explore aesthetic issues in signal processing and interaction design. The results are more than a hundred Java® applets, many of which are interactive, that suggest new avenues for image play on the computer. These weekly exercises led to the final product, an exhibition of the student work.

Subjects

photography | computation | numeric photography | digital artworks | digital photography | java | interactive design | interactive media | aesthetics | signal processing | interaction design | programming | visual arts

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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The glue was stronger than she thought

Description

Model posing for a Turners publicity shot, May 1963 (TWAM ref. DT.TUR/4/AG2347G). To read a blog about Turners advertising techniques see www.twmuseums.org.uk/engage/blog/turners-saved-my-marriage/. Tyne and Wear Archives presents a set of images taken by the Newcastle-based firm Turners (Photography) Ltd. They were taken by the firm on is own account for possible use in their advertising campaigns. Turners frequently hired models to help promote their work and to encourage sales in their shops. Some of the shots are humorous or bizarre while others are quite suggestive. The images are fascinating for what they tell us about the times that produced them ? the fashions, the attitudes, the technology ? Most of the images are quirky and almost seem to invite comments. If you?d like to suggest alternative captions we?d be delighted to hear them! (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

model | modelling | turnersphotography | newcastleupontyne | photography | publicity | 1960s | studio | fashion | hairstyles | stripes | industry | colourphotograph | socialhistory | colour | photograph | digitalimage | modellingforturners | woman | female | hair | posing | turnerspublicityshot | may1963 | turnersphotographyltd | advertisingcampaigns | advertising | promotion | sales | products | retail | business | consumerism | economy | cushion | wall | floor | neutralbackground | humorous | quirky | fascinating | interesting | northeastofengland | unitedkingdom | suggestive | fabric | crease | archives | decoration | makeup | lipstick | shadow | spotlight | vintage | retro | portrait

License

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Northumberland Street

Description

This photograph is from the Robert Sanderson collection. which was kindly donated to Tyne & Wear Archives & Museums. This is a night view of Northumberland street, Newcastle upon Tyne. It is illuminated by many festive commercial signs and decorations. This is a 35mm slide. It was taken in 1962. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.uk

Subjects

nostalgic | neaon | glowing | illumination | photography | newcastle | shopping | nightphotography | streetphotography | sixties | seasonal

License

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Rita ignored the farmer's advice about work clothes

Description

Model, Rita Fisher, posing for Turners, February 1955 (TWAM ref. DT.TUR/2/13209M). To read a blog about Turners advertising techniques see www.twmuseums.org.uk/engage/blog/turners-saved-my-marriage/. Tyne and Wear Archives presents a set of images taken by the Newcastle-based firm Turners (Photography) Ltd. They were taken by the firm on is own account for possible use in their advertising campaigns. Turners frequently hired models to help promote their work and to encourage sales in their shops. Some of the shots are humorous or bizarre while others are quite suggestive. The images are fascinating for what they tell us about the times that produced them ? the fashions, the attitudes, the technology ? Most of the images are quirky and almost seem to invite comments. If you?d like to suggest alternative captions we?d be delighted to hear them! (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

model | modelling | turnersphotography | newcastleupontyne | photography | publicity | 1950s | fork | fashion | posing | swimsuit | cartoon | socialhistory | blackandwhitephotograph | digitalimage | archives | woman | modeling | modellingforturners | northeastofengland | unitedkingdom | wonderful | fascinating | interesting | unusual | filmwork | greys | turnersnegatives | ritafisher | 1955 | february1955 | turnersadvertising | advertisingcampaign | turnersphotographyltd | promotion | sales | retial | industry | female | suggestive | attitude | quirky | wall | floor | studio | interior | straw | tool | handle | dog | makeup | lipstick | hair | debris | neutralbackground | shoes | strap | pattern | documentation

License

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The camera was great but Sandra's new phone just wasn't working

Description

Model poses with a camera, July 1964 (TWAM ref. DT.TUR/2/34172J). To read a blog about Turners advertising techniques see www.twmuseums.org.uk/engage/blog/turners-saved-my-marriage/. Tyne and Wear Archives presents a set of images taken by the Newcastle-based firm Turners (Photography) Ltd. They were taken by the firm on is own account for possible use in their advertising campaigns. Turners frequently hired models to help promote their work and to encourage sales in their shops. Some of the shots are humorous or bizarre while others are quite suggestive. The images are fascinating for what they tell us about the times that produced them ? the fashions, the attitudes, the technology ? Most of the images are quirky and almost seem to invite comments. If you?d like to suggest alternative captions we?d be delighted to hear them! (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

model | modelling | turnersphotography | newcastleupontyne | photography | publicity | 1960s | studio | camera | abstract | industry | socialhistory | woman | pose | poses | july1964 | blackandwhitephotograph | digitalimage | modellingforturners | portrait | face | turnersphotographyltd | advertisingcampaigns | products | promotion | sales | retail | quirky | unusual | striking | dress | crease | arm | hand | strap | ribbon | decoration | makeup | hair | eye | nose | lip | mouth | brush | lense | neutralbackground | grain | mark | female | shadow | floor | fabric | pentaxcamera | pentax

License

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Dear old Neddy - he never let her down!

Description

Model poses for a Turners publicity shot, October 1958 (TWAM ref. DT.TUR/4/AG1083/1). To read a blog about Turners advertising techniques see www.twmuseums.org.uk/engage/blog/turners-saved-my-marriage/. Tyne and Wear Archives presents a set of images taken by the Newcastle-based firm Turners (Photography) Ltd. They were taken by the firm on is own account for possible use in their advertising campaigns. Turners frequently hired models to help promote their work and to encourage sales in their shops. Some of the shots are humorous or bizarre while others are quite suggestive. The images are fascinating for what they tell us about the times that produced them ? the fashions, the attitudes, the technology ? Most of the images are quirky and almost seem to invite comments. If you?d like to suggest alternative captions we?d be delighted to hear them! (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

model | modelling | turnersphotography | newcastleupontyne | photography | publicity | toy | donkey | 1950s | studio | fashion | socialhistory | archives | modellingforturners | woman | glitter | female | feminine | bracelet | dress | makeup | lipstick | fluffy | animal | ear | nailpolish | finger | hand | fabric | decoration | crease | floor | interior | room | neutralbackground | wall | smiling | seated | jewellery | earring | hair | posing | pose | poses | turnerspublicityshot | october1958 | advertising | consumerism | advertisingcampaign | turnersphotographyltd | northeastofengland | unitedkingdom | newcastle | amusing | unusual | interesting | shot | show | glimpse | view | turnersadvertisingtechniques | sales | retail | business | economy | suggestive | bodylanguage | quirky | mark | grain | colourphotograph | digitalimage | industry | feet | elbow

License

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The fishermen were intrigued by Rita's unusual technique

Description

View of model, Rita Fisher, posing for Turners, February 1955 (TWAM ref. DT.TUR/2/13209A). To read a blog about Turners advertising techniques see www.twmuseums.org.uk/engage/blog/turners-saved-my-marriage/. Tyne and Wear Archives presents a set of images taken by the Newcastle-based firm Turners (Photography) Ltd. They were taken by the firm on is own account for possible use in their advertising campaigns. Turners frequently hired models to help promote their work and to encourage sales in their shops. Some of the shots are humorous or bizarre while others are quite suggestive. The images are fascinating for what they tell us about the times that produced them ? the fashions, the attitudes, the technology ? Most of the images are quirky and almost seem to invite comments. If you?d like to suggest alternative captions we?d be delighted to hear them! (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

model | modelling | turnersphotography | newcastleupontyne | photography | publicity | fashion | 1950s | studio | fishingnet | bikini | ladder | modellingforturners | blackandwhitephotograph | socialhistory | ritafisher | posing | february1955 | advertising | product | turnersphotographyltd | campaign | promotion | sales | retail | suggestive | trend | digitalimage | net | pillar | light | shadow | drape | curtain | wall | floor | woman | shade | hair | head | shoulder | back | unusual | leg | arm | smiling | attentive | standing | makeup | lipstick | portrait | spotlight

License

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