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Dunne, Biplane Dunne, Biplane

Description

Subjects

uk | uk | england | england | woman | woman | man | man | paris | paris | kent | kent | wings | wings | unitedkingdom | unitedkingdom | philosophy | philosophy | aeroplane | aeroplane | getty | getty | d8 | d8 | riverthames | riverthames | d3 | d3 | graces | graces | d5 | d5 | biplane | biplane | d1 | d1 | eastchurch | eastchurch | notail | notail | d4 | d4 | thechannel | thechannel | gutenberg | gutenberg | churchroad | churchroad | flyingmachine | flyingmachine | thomasmayne | thomasmayne | serialism | serialism | lanternslides | lanternslides | nationallibraryofireland | nationallibraryofireland | dryflyfishing | dryflyfishing | july1910 | july1910 | swaleborough | swaleborough | locationidentified | locationidentified | johnwilliamdunne | johnwilliamdunne | flightmagazine | flightmagazine | dateestablished | dateestablished | thewarintheair | thewarintheair | standfordhill | standfordhill | arcopublishing | arcopublishing | thomasholmesmason | thomasholmesmason | thomashmasonsonslimited | thomashmasonsonslimited | dunnebiplanesstickandstring | dunnebiplanesstickandstring | lieutenantdunne | lieutenantdunne | darlingdownsgazette | darlingdownsgazette | mrhgwells | mrhgwells | april9th1910 | april9th1910 | no5ateastchurch | no5ateastchurch | jane’salltheworld’saircraft1913 | jane’salltheworld’saircraft1913 | fredtjane | fredtjane | villacoublayairfield | villacoublayairfield | earlymilitaryaircraft | earlymilitaryaircraft | taillesssweptwingdesigns | taillesssweptwingdesigns | certifiedinherentlystableaircraft | certifiedinherentlystableaircraft | flyingwingdesign | flyingwingdesign | lateralstability | lateralstability

License

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Nielsen Bookscan 2015 Travel Publishing Year Book: UK Market

Description

The yearbook includes the following: 1. The UK Market Overview 2. The 2014Travel Guide Report - UK Market 3. The 2014 Maps and Atlas Report - UK Market 4. The 2014 Non-Core Travel Report - UK Market 5. UK Travel Publishing yearbook: 2014 Best-seller lists (separate excel spreadsheet)

Subjects

travel publishing markets | sales | travel guides | map publishing | bestsellers

License

Copyright Oxford Brookes University, all rights reserved Copyright Oxford Brookes University, all rights reserved

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CMS.801 Media in Transition (MIT) CMS.801 Media in Transition (MIT)

Description

This course centers on historical eras in which the form and function of media technologies were radically transformed. It includes consideration of the "Gutenberg Revolution," the rise of modern mass media, and the "digital revolution," among other case studies of media transformation and cultural change. Readings cover cultural and social history and historiographic methods. This course centers on historical eras in which the form and function of media technologies were radically transformed. It includes consideration of the "Gutenberg Revolution," the rise of modern mass media, and the "digital revolution," among other case studies of media transformation and cultural change. Readings cover cultural and social history and historiographic methods.

Subjects

Media | Media | mass media | mass media | history | history | Gutenberg | Gutenberg | cultural change | cultural change | cultural history | cultural history | social history | social history | historiographic method | historiographic method | books | books | medieval history | medieval history | codex book | codex book | writing | writing | printing | printing | printing press | printing press | stage | stage | theater | theater | renaissance | renaissance | romanticism | romanticism | modernity | modernity | inventions | inventions | photography | photography | nineteenth century | nineteenth century | image | image | telegraph | telegraph | electrification | electrification | communication | communication | Morse | Morse | Daguerreotype | Daguerreotype | Fox Talbot | Fox Talbot | phonograph | phonograph | sound recording | sound recording | radio | radio | broadcasting | broadcasting | film | film | video | video | cinema | cinema | publishing | publishing

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Happy 8th Birthday, Flickr Commons ! 6 days to go (LOC) Happy 8th Birthday, Flickr Commons ! 6 days to go (LOC)

Description

Subjects

boston | boston | bridges | bridges | trains | trains | amtrak | amtrak | fortpoint | fortpoint | libraryofcongress | libraryofcongress | bigdig | bigdig | 1904 | 1904 | boxcars | boxcars | channels | channels | southstation | southstation | railroads | railroads | fortpointchannel | fortpointchannel | streetscapes | streetscapes | thenandnow | thenandnow | thennow | thennow | railroadcars | railroadcars | suffolkcounty | suffolkcounty | bostonmassachusetts | bostonmassachusetts | newhavenrailroad | newhavenrailroad | grandtrunkrailway | grandtrunkrailway | liftbridges | liftbridges | bostonmainerailroad | bostonmainerailroad | massachusettsbaytransportationauthority | massachusettsbaytransportationauthority | oldcolonyrailroad | oldcolonyrailroad | detroitpublishingcompany | detroitpublishingcompany | towerbridges | towerbridges | rollingbridgepark | rollingbridgepark | newyorknewhavenhartfordrailroad | newyorknewhavenhartfordrailroad | oldcolonyrailroadbridge | oldcolonyrailroadbridge | pennsylvaniasteelcompany | pennsylvaniasteelcompany | fortpointchannelbridge | fortpointchannelbridge | bostonalbanyrailroad | bostonalbanyrailroad | 017090 | 017090 | newyorknewenglandrailroad | newyorknewenglandrailroad | rollingliftbridges | rollingliftbridges | bostonprovidencerailroad | bostonprovidencerailroad | bostonterminalcompany | bostonterminalcompany | happybirthdayflickrcommons | happybirthdayflickrcommons | fortpointchannelrollingliftbridge | fortpointchannelrollingliftbridge | scherzerrollingliftbridges | scherzerrollingliftbridges | thesixtrackscherzerrollingliftbridge | thesixtrackscherzerrollingliftbridge | williamscherzer | williamscherzer | suburbanloop | suburbanloop | newhavenrailroadsystem | newhavenrailroadsystem | southterminalstation | southterminalstation | holbrookcabotdaly | holbrookcabotdaly | southbaychannel | southbaychannel | maritimechannels | maritimechannels

License

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22.THT Undergraduate Thesis Tutorial (MIT) 22.THT Undergraduate Thesis Tutorial (MIT)

Description

This course is a series of lectures on prospectus and thesis writing. It is a required course for undergraduate Nuclear Science and Engineering majors, taken during the fall semester of their senior year. Students select a thesis topic and a thesis advisor who reviews and approves the prospectus for thesis work in the subsequent spring term. This course is a series of lectures on prospectus and thesis writing. It is a required course for undergraduate Nuclear Science and Engineering majors, taken during the fall semester of their senior year. Students select a thesis topic and a thesis advisor who reviews and approves the prospectus for thesis work in the subsequent spring term.

Subjects

senior thesis | senior thesis | scholarly publishing | scholarly publishing | academic writing | academic writing | prospectus | prospectus | elevator pitch | elevator pitch | citations | citations | bibliography | bibliography | hypothesis | hypothesis

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Ebooks, Reading and Scholarship in a Digital Age

Description

Niko Pfund, President of Oxford University Press (USA), discusses the ways in which technology affects reading, scholarship, publishing and even thinking. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

ebook | publishing | digital | alumni | internet | oxford | scholarship | ebook | publishing | digital | alumni | internet | oxford | scholarship | 2012-09-12

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Guiding Star Publishing House main office on Englewood Avenue in Chicago, Illinois

Description

Subjects

staff | printing | publishing | printers | employees | 1900s | koreshans | chicagoil | publishers | cyrusteed | statelibraryandarchivesofflorida | koreshanunitycollection | englewoodavechicagoil | ettasilverfriend | guidingstarpublishinghouse | henrysilverfriend

License

No known copyright restrictions

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Guiding Star Publishing House staff in Estero, Florida

Description

Subjects

workers | florida | labor | staff | printing | publishing | estero | printers | employees | 1900s | leecounty | koreshans | robertgraham | publishers | groupportraits | ellagraham | statelibraryandarchivesofflorida | allenandrews | lydiagray | koreshanunitycollection | imogenebubbettrahn | ettasilverfriend | juniusvanduzee | georgesandler | rosamorrow | richardjentsch | hattieenglert | jameshbubbett | winfieldbowlus | decourseyclinchy | guidingstarpublishinghouse | annierayandrews | barbaraehrisman | clauderahn | walterbartsch | ebensonsteele | isabellevanduzee | ulyssessmorrow

License

No known copyright restrictions

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4.107 MArch Portfolio Seminar (MIT) 4.107 MArch Portfolio Seminar (MIT)

Description

The aim of the Portfolio Seminar is to assist in developing a critical position in relationship to their design work. By engaging multiple forms of representation, written and visual, students will explore methods that facilitate describing and representing their design work. Through a critical assessment of their existing portfolios, students will first be challenged to articulate design theses and interests in their past projects. Different mediums of representation will then be studied in order to hone an understanding of the relationship between form and content, and more specifically, the understanding of particular modes of representation as different filters through which their work can be read. Some of the questions that will be addressed are: How does one go about describing an i The aim of the Portfolio Seminar is to assist in developing a critical position in relationship to their design work. By engaging multiple forms of representation, written and visual, students will explore methods that facilitate describing and representing their design work. Through a critical assessment of their existing portfolios, students will first be challenged to articulate design theses and interests in their past projects. Different mediums of representation will then be studied in order to hone an understanding of the relationship between form and content, and more specifically, the understanding of particular modes of representation as different filters through which their work can be read. Some of the questions that will be addressed are: How does one go about describing an i

Subjects

representation | representation | portfolio | portfolio | digital | digital | written | written | communicating design | communicating design | meta-level design | meta-level design | theory | theory | representational media | representational media | words vs image | words vs image | physical vs digital | physical vs digital | design vs representation | design vs representation | multiple media | multiple media | architecture and representation | architecture and representation | design thesis | design thesis | web publishing | web publishing | architecture | architecture | description | description

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.759 Writing Science Fiction (MIT) 21W.759 Writing Science Fiction (MIT)

Description

This class will focus on the craft of writing genre science fiction. Students write and read science fiction and analyze and discuss stories written for the class. For the first eight weeks, readings in contemporary science fiction accompany lectures and formal writing assignments intended to illuminate various aspects of writing craft as well as the particular problems of writing science fiction. The rest of the term is given to roundtable workshops on student's stories. This class will focus on the craft of writing genre science fiction. Students write and read science fiction and analyze and discuss stories written for the class. For the first eight weeks, readings in contemporary science fiction accompany lectures and formal writing assignments intended to illuminate various aspects of writing craft as well as the particular problems of writing science fiction. The rest of the term is given to roundtable workshops on student's stories.

Subjects

writing | writing | scifi | scifi | sci fi | sci fi | science fiction | science fiction | fantasy | fantasy | fiction | fiction | literature | literature | genre | genre | workshop | workshop | speculative fiction | speculative fiction | subgenre | subgenre | world building | world building | worldbuilding | worldbuilding | protagonist | protagonist | characters | characters | future | future | theme | theme | futurist | futurist | publishing | publishing

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Self-publishing in 18th-century Paris and London

Description

Marie-Claude Felton, Royal Bank of Canada-Bodleian Visiting Scholar, gives a talk for the Bodleian Library BODcasts series Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

bodleian | books | publishing | 18th century | history | printing | bodleian | books | publishing | 18th century | history | printing | 2014-06-03

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Self-publishing in 18th-century Paris and London

Description

Marie-Claude Felton, Royal Bank of Canada-Bodleian Visiting Scholar, gives a talk for the Bodleian Library BODcasts series

Subjects

bodleian | books | publishing | 18th century | history | printing | bodleian | books | publishing | 18th century | history | printing | 2014-06-03

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Self-publishing in 18th-century Paris and London (Slides)

Description

Marie-Claude Felton, Royal Bank of Canada-Bodleian Visiting Scholar, gives a talk for the Bodleian Library BODcasts series Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

bodleian | books | publishing | 18th century | history | printing | bodleian | books | publishing | 18th century | history | printing | 2014-06-03

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Nielsen Bookscan 2014 Travel Publishing Year Book: UK Market

Description

The yearbook includes the following: 1. The UK Market Overview 2. The 2013 Travel Guide Report - UK Market 3. The 2013 Maps and Atlas Report - UK Market 4. The 2013 Non-Core Travel Report - UK Market 5. UK Travel Publishing yearbook: 2013 Best-seller lists (separate excel spreadsheet)

Subjects

travel publishing markets | sales | travel guides | map publishing | bestsellers

License

Copyright Oxford Brookes University, all rights reserved Copyright Oxford Brookes University, all rights reserved

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On Writing: A conversation with Tom Fletcher, author of Naked Diplomacy [Part III] On Writing: A conversation with Tom Fletcher, author of Naked Diplomacy [Part III]

Description

Dr Tristen Naylor, Oxford’s Lecturer in Diplomatic Studies, chatted with Tom Fletcher, the former British Ambassador and Downing Street foreign policy advisor, about his new book, Naked Diplomacy.  In this three-part series their discussion explores everything from diplomacy in the digital era to the divide between academics and policy makers — with a nod to the intertextuality of W.H. Auden and Black Sabbath along the way. For Part I, see here, and Part II, see here.    TN: I want to talk about your style of writing and your approach to it. I spend most of my waking hours reading works on diplomacy and I ... Dr Tristen Naylor, Oxford’s Lecturer in Diplomatic Studies, chatted with Tom Fletcher, the former British Ambassador and Downing Street foreign policy advisor, about his new book, Naked Diplomacy.  In this three-part series their discussion explores everything from diplomacy in the digital era to the divide between academics and policy makers — with a nod to the intertextuality of W.H. Auden and Black Sabbath along the way. For Part I, see here, and Part II, see here.    TN: I want to talk about your style of writing and your approach to it. I spend most of my waking hours reading works on diplomacy and I ...

Subjects

Books | Books | British Politics | British Politics | International Relations | International Relations | academic publishing | academic publishing | Naked Diplomacy | Naked Diplomacy | Tom Fletcher | Tom Fletcher

License

http://creativecommons.org/licenses/by-sa/3.0/

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Nielsen Bookscan 2017 Travel Publishing Year Book: UK Market - 11th edition

Description

The yearbook includes the following: 1. The UK Market Overview 2. The 2016 UK Travel Guide Report 3. The 2016 UK Map and Atlas Report and 2016 Non-Core Travel Report 4. UK Travel Publishing yearbook: 2016 Best-seller lists (spreadsheet)

Subjects

travel publishing markets | sales | travel guides | map publishing | bestsellers

License

Copyright Oxford Brookes University, all rights reserved Copyright Oxford Brookes University, all rights reserved

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2010 UK Travel Publishing Year Book

Description

ly, Denmark and New Zealand 7. The 2009 International Best seller lists ? separate supplement (excel spreadsheet) Publisher: Nielsen Amendments included for p63-64, p66 from author 18 March 2010

Subjects

travel publishing markets | sales | travel guides | map publishing

License

Copyright Oxford Brookes University, all rights reserved Copyright Oxford Brookes University, all rights reserved

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Ebooks, Reading and Scholarship in a Digital Age

Description

Niko Pfund, President of Oxford University Press (USA), discusses the ways in which technology affects reading, scholarship, publishing and even thinking. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

ebook | publishing | digital | alumni | internet | oxford | scholarship | ebook | publishing | digital | alumni | internet | oxford | scholarship | 2012-09-12

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21W.755 Writing and Reading Short Stories (MIT) 21W.755 Writing and Reading Short Stories (MIT)

Description

This class will focus on the craft of the short story, which we will explore through reading great short stories, writers speaking about writing, writing exercises and conducting workshops on original stories. This class will focus on the craft of the short story, which we will explore through reading great short stories, writers speaking about writing, writing exercises and conducting workshops on original stories.

Subjects

short story | short story | voice | voice | point of view | point of view | character | character | place | place | plot | plot | pace | pace | conflict | conflict | want | want | obstacle | obstacle | writer's block | writer's block | workshop | workshop | incident | incident | description | description | publishing | publishing | revelation | revelation | reader | reader | writer | writer | free writing | free writing | rewrite | rewrite

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21H.418 Technologies of Word 1450-2000 (MIT) 21H.418 Technologies of Word 1450-2000 (MIT)

Description

There has been much discussion in recent years, on this campus and elsewhere, about the death of the book. Digitization and various forms of electronic media, some critics say, are rendering the printed text as obsolete as the writing quill. In this subject we will examine the claims for and against the demise of the book, but we also supplement these arguments with an historical perspective they lack: we examine books and printing technology during the Early Modern period of European history, from roughly 1450 to 1800. We will begin with the theoretical and historical overviews of Walter Ong and Elizabeth Eisenstein, after which we will study specific cases such as the writings and readers of Erasmus and Jean-Jacques Rousseau, English chapbooks, and stage plays in print. Finally, we will There has been much discussion in recent years, on this campus and elsewhere, about the death of the book. Digitization and various forms of electronic media, some critics say, are rendering the printed text as obsolete as the writing quill. In this subject we will examine the claims for and against the demise of the book, but we also supplement these arguments with an historical perspective they lack: we examine books and printing technology during the Early Modern period of European history, from roughly 1450 to 1800. We will begin with the theoretical and historical overviews of Walter Ong and Elizabeth Eisenstein, after which we will study specific cases such as the writings and readers of Erasmus and Jean-Jacques Rousseau, English chapbooks, and stage plays in print. Finally, we will

Subjects

publishing | publishing | Gutenberg | Gutenberg | printing | printing | Walter Ong | Walter Ong | Elizabeth Eisenstein | Elizabeth Eisenstein | Erasmus | Jean-Jacques Rousseau | Erasmus | Jean-Jacques Rousseau | Erasmus | Erasmus | Jean-Jacques Rousseau | Jean-Jacques Rousseau | English chapbooks | English chapbooks | stage plays | stage plays

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Self-publishing in 18th-century Paris and London

Description

Marie-Claude Felton, Royal Bank of Canada-Bodleian Visiting Scholar, gives a talk for the Bodleian Library BODcasts series Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

bodleian | books | publishing | 18th century | history | printing | bodleian | books | publishing | 18th century | history | printing | 2014-06-03

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21W.755 Writing and Reading Short Stories (MIT) 21W.755 Writing and Reading Short Stories (MIT)

Description

This course is an introduction to the short story. Students will write stories and short descriptive sketches. Students will read great short stories and participate in class discussions of students' writing and the assigned stories in their historical and social contexts. This course is an introduction to the short story. Students will write stories and short descriptive sketches. Students will read great short stories and participate in class discussions of students' writing and the assigned stories in their historical and social contexts.

Subjects

short story | short story | creative writing | creative writing | voice | voice | point of view | point of view | character | character | place | place | plot | plot | pace | pace | conflict | conflict | obstacle | obstacle | writer's block | writer's block | workshop | workshop | incident | incident | description | description | publishing | publishing | revelation | revelation | reader | reader | writer | writer | free writing | free writing | rewrite | rewrite

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Music and its media Music and its media

Description

This free course, Music and its media, examines some of the main ways in which music is transmitted. It considers how the means of communicating a particular piece can change over time; and how the appearance and contents of a source can reflect the circumstances in which it is produced. The course focuses on three examples of musical media that allow us to study music of the past: manuscripts of sixteenth-century Belgium, prints of eighteenth-century London, and recordings of twentieth-century America. First published on Tue, 08 Mar 2016 as Music and its media. To find out more visit The Open University's Openlearn website. Creative-Commons 2016 This free course, Music and its media, examines some of the main ways in which music is transmitted. It considers how the means of communicating a particular piece can change over time; and how the appearance and contents of a source can reflect the circumstances in which it is produced. The course focuses on three examples of musical media that allow us to study music of the past: manuscripts of sixteenth-century Belgium, prints of eighteenth-century London, and recordings of twentieth-century America. First published on Tue, 08 Mar 2016 as Music and its media. To find out more visit The Open University's Openlearn website. Creative-Commons 2016

Subjects

Culture | Culture | Music | Music | A342_1 | A342_1 | music transition | music transition | mediation | mediation | manuscripts | manuscripts | printing | printing | publishing | publishing | recording | recording | oral transmission | oral transmission

License

Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

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Guiding Star Publishing House staff at work in chicago, Illinois

Description

Subjects

industry | labor | machinery | printing | machines | publishing | printers | employees | 1900s | koreshans | chicagoil | publishers | printingequipment | printshops | cyrusteed | statelibraryandarchivesofflorida | printinghouses | koreshanunitycollection | guidingstarpublishinghouse | englewoodavenuechicagoil

License

No known copyright restrictions

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21W.035 Science Writing and New Media: Elements of Science Writing for the Public (MIT) 21W.035 Science Writing and New Media: Elements of Science Writing for the Public (MIT)

Description

This class is an introduction to writing about science–including nature, medicine, and technology–for general readers. In our reading and writing we explore the craft of making scientific concepts, and the work of scientists, accessible to the public through news articles and essays. The chief work of the class is students' writing. As part of our exploration of the craft of science writing, we will read essays and articles by writers such as David Quammen, Atul Gawande, Michael Pollan, and Elizabeth Kolbert. This class is an introduction to writing about science–including nature, medicine, and technology–for general readers. In our reading and writing we explore the craft of making scientific concepts, and the work of scientists, accessible to the public through news articles and essays. The chief work of the class is students' writing. As part of our exploration of the craft of science writing, we will read essays and articles by writers such as David Quammen, Atul Gawande, Michael Pollan, and Elizabeth Kolbert.

Subjects

writing | writing | science | science | technology | technology | communications | communications | medicine | medicine | public | public | public interest | public interest | science in the public interest | science in the public interest | education | education | literacy | literacy | science literacy | science literacy | scientific literacy | scientific literacy | nature | nature | nature writing | nature writing | craft | craft | process | process | scientists | scientists | news | news | article | article | essay | essay | write | write | read | read | composition | composition | revise | revise | revision | revision | rewrite | rewrite | archive | archive | archival | archival | history | history | history of science | history of science | history of technology | history of technology | history of medicine | history of medicine | history of nature | history of nature | nature of history | nature of history | nature of technology | nature of technology | technological history | technological history | medical history | medical history | science of history | science of history | writing history | writing history | history of writing | history of writing | writing history of history of science | writing history of history of science | interview | interview | interviewing | interviewing | publish | publish | publishing | publishing | teaching writing | teaching writing | writing teaching | writing teaching | book | book | book review | book review | writing book review | writing book review | discussion | discussion | draft | draft | drafting | drafting

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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