Searching for soul : 17 results found | RSS Feed for this search

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St Gallen, Cathedral, Switzerland St Gallen, Cathedral, Switzerland

Description

Subjects

switzerland | switzerland | cathedral | cathedral | painter | painter | stgallen | stgallen | 52 | 52 | kildare | kildare | 1755 | 1755 | romancatholicchurch | romancatholicchurch | 1772 | 1772 | thomasmayne | thomasmayne | lanternslides | lanternslides | 7thcentury | 7thcentury | irishmonks | irishmonks | nationallibraryofireland | nationallibraryofireland | saveyoursoul | saveyoursoul | stiftskirchestgallen | stiftskirchestgallen | abbeyofstgall | abbeyofstgall | thestiftskirche | thestiftskirche | rettedeineseele | rettedeineseele | since1847 | since1847 | locationidentified | locationidentified | johannchristianwentzinger | johannchristianwentzinger | 19april1947 | 19april1947 | thomasholmesmason | thomasholmesmason | thomashmasonsonslimited | thomashmasonsonslimited | stgallusundotmar | stgallusundotmar | dioceseofstgallen | dioceseofstgallen | swissbooksonshowexhibitionofswissbooks | swissbooksonshowexhibitionofswissbooks | drwalterdebourg | drwalterdebourg | connachttribune | connachttribune | 1755to1772 | 1755to1772 | 000gulden | 000gulden | josephwannenmacher | josephwannenmacher

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Close-up of a Japanese magnolia flower - Tallahassee Close-up of a Japanese magnolia flower - Tallahassee

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Subjects

flowers | flowers | florida | florida | tallahassee | tallahassee | japanesemagnolias | japanesemagnolias | magnoliasoulangiana | magnoliasoulangiana

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Neuroscience and the Soul

Description

Professor Roger Scruton gives a talk for the Ian Ramsey Centre for Science and Religion on the 21st October, 2010. Patricia Churchland argued that 'folk psychology , with its everyday concepts of belief, desire, perception and thought, and its idea of the 'mind' as an individual entity in which all these processes occur, is a kind of explanatory science, effective in its way, but with obscure and empirically empty theoretical terms. It is destined to be replaced by a better science of human behaviour, and that science will be the science of the brain and the nervous system. Advances in brain physiology and the accumulation of evidence from brain-scans etc have given some credibility to Churchland's conjecture, and the attempt to meld neuroscience with the 'cognitive science' view of Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

neuroscience | philosophy | soul | theology | neuroscience | philosophy | soul | theology | 2010-10-21

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Creativity Lecture 1: Soul Dust - the Science and Art of Consciousness

Description

Nicholas Humphrey, a theoretical psychologist based in Cambridge, presents his work on the evolution of human intelligence and consciousness. Part of the Creativity Lecture Series by the Keble College Advanced Studies Centre. Nicholas Humphrey studied mountain gorillas with Dian Fossey in Rwanda, he was the first to demonstrate the existence of "blindsight" after brain damage in monkeys, he proposed the celebrated theory of the "social function of intellect". His books include Consciousness Regained, The Inner Eye, A History of the Mind, Leaps of Faith, The Mind Made Flesh, Seeing Red and most recently Soul Dust: the Magic of Consciousness (Princeton University Press). He has been Professor at the London School of Economics. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

body | psychology | consciousness | conscious | philosophy | mind | spiral | soul | body | psychology | consciousness | conscious | philosophy | mind | spiral | soul | 2011-04-29

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Creativity Lecture 1: Soul Dust - the Science and Art of Consciousness

Description

Nicholas Humphrey, a theoretical psychologist based in Cambridge, presents his work on the evolution of human intelligence and consciousness. Part of the Creativity Lecture Series by the Keble College Advanced Studies Centre. Nicholas Humphrey studied mountain gorillas with Dian Fossey in Rwanda, he was the first to demonstrate the existence of "blindsight" after brain damage in monkeys, he proposed the celebrated theory of the "social function of intellect". His books include Consciousness Regained, The Inner Eye, A History of the Mind, Leaps of Faith, The Mind Made Flesh, Seeing Red and most recently Soul Dust: the Magic of Consciousness (Princeton University Press). He has been Professor at the London School of Economics. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

body | psychology | consciousness | conscious | philosophy | mind | spiral | soul | body | psychology | consciousness | conscious | philosophy | mind | spiral | soul | 2011-04-29

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21M.013J The Supernatural in Music, Literature and Culture (MIT) 21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips. This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips.

Subjects

magic | magic | witches | witches | witchcraft | witchcraft | belief | belief | superstition | superstition | sorcery | sorcery | ghost | ghost | spirit | spirit | heaven | heaven | hell | hell | devil | devil | angel | angel | occult | occult | paranormal | paranormal | religion | religion | allegory | allegory | Bible | Bible | God | God | sin | sin | alchemy | alchemy | astrology | astrology | mystic | mystic | mysticism | mysticism | Europe | Europe | European history | European history | medieval | medieval | Renaissance | Renaissance | Shakespeare | Shakespeare | Goethe | Goethe | Henry James | Henry James | 19th century America | 19th century America | metaphysics | metaphysics | pragmatism | pragmatism | death | death | afterlife | afterlife | soul | soul | phantom | phantom | myth | myth | spell | spell | wizard | wizard | wisdom | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.013J The Supernatural in Music, Literature and Culture (MIT) 21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural. This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural.

Subjects

21M.013 | 21M.013 | 21A.113 | 21A.113 | 21L.013 | 21L.013 | Macbeth | Macbeth | Dido and Aeneas | Dido and Aeneas | Faust | Faust | Liszt | Liszt | Berlioz | Berlioz | Murnau | Murnau | Turn of the Screw | Turn of the Screw | magic | magic | witches | witches | witchcraft | witchcraft | belief | belief | superstition | superstition | sorcery | sorcery | ghost | ghost | spirit | spirit | heaven | heaven | hell | hell | devil | devil | angel | angel | occult | occult | paranormal | paranormal | religion | religion | allegory | allegory | Bible | Bible | God | God | sin | sin | alchemy | alchemy | astrology | astrology | mystic | mystic | mysticism | mysticism | Europe | Europe | European history | European history | medieval | medieval | Renaissance | Renaissance | Shakespeare | Shakespeare | Goethe | Goethe | Henry James | Henry James | 19th century America | 19th century America | metaphysics | metaphysics | pragmatism | pragmatism | death | death | afterlife | afterlife | soul | soul | phantom | phantom | myth | myth | spell | spell | wizard | wizard | wisdom | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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David Hume David Hume

Description

This free course, David Hume, examines Hume's reasons for being complacent in the face of death, as these are laid out in his suppressed essay of 1755, 'Of the immortality of the soul'. More generally, it examines some of the shifts in attitude concerning death and religious belief that were taking place in Europe at the end of the eighteenth century, through examination of this and other short essays. First published on Mon, 08 Feb 2016 as David Hume. To find out more visit The Open University's Openlearn website. Creative-Commons 2016 This free course, David Hume, examines Hume's reasons for being complacent in the face of death, as these are laid out in his suppressed essay of 1755, 'Of the immortality of the soul'. More generally, it examines some of the shifts in attitude concerning death and religious belief that were taking place in Europe at the end of the eighteenth century, through examination of this and other short essays. First published on Mon, 08 Feb 2016 as David Hume. To find out more visit The Open University's Openlearn website. Creative-Commons 2016

Subjects

History of Art | History of Art | death | death | soul | soul | Scotland | Scotland | A207_3 | A207_3

License

Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

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Buckingham Palace, London (with French sub-titles) Buckingham Palace, London (with French sub-titles)

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Subjects

thestereopairsphotographcollection | thestereopairsphotographcollection | lawrencecollection | lawrencecollection | stereographicnegatives | stereographicnegatives | jamessimonton | jamessimonton | frederickhollandmares | frederickhollandmares | johnfortunelawrence | johnfortunelawrence | williammervynlawrence | williammervynlawrence | nationallibraryofireland | nationallibraryofireland | thepicturegallery | thepicturegallery | buckinghampalace | buckinghampalace | london | london | england | england | uk | uk | greatbritain | greatbritain | ferrier | ferrier | soulier | soulier | levy | levy

License

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David Hume

Description

This free course examines Hume's reasons for being complacent in the face of death as these are laid out in his suppressed essay of 1755 'Of the immortality of the soul'. More generally it examines some of the shifts in attitude concerning death and religious belief that were taking place in Europe at the end of the eighteenth century through examination of this and other short essays.

Subjects

History of Art | death | souls | Scotland | A207_3

License

Except for third party materials and otherwise stated in the acknowledgement section (see our terms and conditions http://www.open.ac.uk/conditions) this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence. - http://creativecommons.org/licenses/by-nc-sa/4.0 Except for third party materials and otherwise stated in the acknowledgement section (see our terms and conditions http://www.open.ac.uk/conditions) this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence. - http://creativecommons.org/licenses/by-nc-sa/4.0

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The Philosophy of Death

Description

This course provides an in-depth introduction to the philosophical problems surrounding death; it is organized around the lectures of Shelly Kagan, Professor of Philosophy at Yale University, who develops his own philosophy of death over the length of the course. Its major purpose, aside from familiarizing the student with the writings of major philosophers on the subject of death, is to teach one how to think about death philosophically—to decide what to believe about death and to provide careful and convincing arguments for those beliefs. This free course may be completed online at any time. See course site for detailed overview and learning outcomes. (Philosophy 201)

Subjects

metaphysics | death | monism | dualism | soul | free will | descartes | plato | identity | immortality | john locke | existentialism | michel de montaigne | jonathan swift | epicureanism | suicide | euthanasia | philosophical studies | V000

License

Attribution 2.0 UK: England & Wales Attribution 2.0 UK: England & Wales http://creativecommons.org/licenses/by/2.0/uk/ http://creativecommons.org/licenses/by/2.0/uk/

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21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips.

Subjects

magic | witches | witchcraft | belief | superstition | sorcery | ghost | spirit | heaven | hell | devil | angel | occult | paranormal | religion | allegory | Bible | God | sin | alchemy | astrology | mystic | mysticism | Europe | European history | medieval | Renaissance | Shakespeare | Goethe | Henry James | 19th century America | metaphysics | pragmatism | death | afterlife | soul | phantom | myth | spell | wizard | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural.

Subjects

21M.013 | 21A.113 | 21L.013 | Macbeth | Dido and Aeneas | Faust | Liszt | Berlioz | Murnau | Turn of the Screw | magic | witches | witchcraft | belief | superstition | sorcery | ghost | spirit | heaven | hell | devil | angel | occult | paranormal | religion | allegory | Bible | God | sin | alchemy | astrology | mystic | mysticism | Europe | European history | medieval | Renaissance | Shakespeare | Goethe | Henry James | 19th century America | metaphysics | pragmatism | death | afterlife | soul | phantom | myth | spell | wizard | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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Black Soul Singer Isaac Hayes Performs At The International Amphitheater In Chicago, 10/1973

Description

Subjects

chicago | soul | singer | africanamerican | hayes | songwriter | isaachayes | stax | environmentalprotectionagency | documerica | usnationalarchives | nara:arcid=556307

License

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21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips.

Subjects

magic | witches | witchcraft | belief | superstition | sorcery | ghost | spirit | heaven | hell | devil | angel | occult | paranormal | religion | allegory | Bible | God | sin | alchemy | astrology | mystic | mysticism | Europe | European history | medieval | Renaissance | Shakespeare | Goethe | Henry James | 19th century America | metaphysics | pragmatism | death | afterlife | soul | phantom | myth | spell | wizard | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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David Hume

Description

This free course examines Hume's reasons for being complacent in the face of death as these are laid out in his suppressed essay of 1755 'Of the immortality of the soul'. More generally it examines some of the shifts in attitude concerning death and religious belief that were taking place in Europe at the end of the eighteenth century through examination of this and other short essays.

Subjects

History of Art | death | souls | Scotland | A207_3

License

Except for third party materials and otherwise stated in the acknowledgement section (see our terms and conditions http://www.open.ac.uk/conditions) this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence. - http://creativecommons.org/licenses/by-nc-sa/4.0 Except for third party materials and otherwise stated in the acknowledgement section (see our terms and conditions http://www.open.ac.uk/conditions) this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence. - http://creativecommons.org/licenses/by-nc-sa/4.0

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David Hume

Description

This unit examines Hume's reasons for being complacent in the face of death, as these are laid out in his suppressed essay of 1755, ‘Of the immortality of the soul’. More generally, they examine some of the shifts in attitude concerning death and religious belief that were taking place in Europe at the end of the eighteenth century, through examination of this and other short essays.

Subjects

arts and history | death | history | humanities | hume | philosophy | religious_belief | scotland | soul | Education | X000

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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