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21L.703 Studies in Drama: Too Hot to Handle: Forbidden Plays in Modern America (MIT) 21L.703 Studies in Drama: Too Hot to Handle: Forbidden Plays in Modern America (MIT)

Description

Unlike film, theater in America does not have a ratings board that censors content. So plays have had more freedom to explore and to transgress normative culture. Yet censorship of the theater has been part of American culture from the beginning, and continues today. How and why does this happen, and who decides whether a play is too dangerous to see or to teach? Are plays dangerous? Sinful? Even demonic? In our seminar, we will study plays that have been censored, either legally or extra-legally (i.e. refused production, closed down during production, denied funding, or taken off school reading lists). We'll look at laws, both national and local, relating to the "obscene", as well as unofficial practices, and think about the way censorship operates in American life now. And of course w Unlike film, theater in America does not have a ratings board that censors content. So plays have had more freedom to explore and to transgress normative culture. Yet censorship of the theater has been part of American culture from the beginning, and continues today. How and why does this happen, and who decides whether a play is too dangerous to see or to teach? Are plays dangerous? Sinful? Even demonic? In our seminar, we will study plays that have been censored, either legally or extra-legally (i.e. refused production, closed down during production, denied funding, or taken off school reading lists). We'll look at laws, both national and local, relating to the "obscene", as well as unofficial practices, and think about the way censorship operates in American life now. And of course w

Subjects

drama | drama | forbidden plays | forbidden plays | Modern America | Modern America | decision alley | decision alley | drama strategies | drama strategies | drama skills | drama skills | purchasing institution | purchasing institution | drama activity | drama activity | drama activities | drama activities | writing opportunity | writing opportunity | last wolf | last wolf | learning medium | learning medium | literacy activities | literacy activities | writing opportunities | writing opportunities | foundation stage | foundation stage | assessment focus | assessment focus | two long lines | two long lines | dramatic activity | dramatic activity | action conventions | action conventions | literary arts | literary arts | storytelling | storytelling | poetry | poetry | live performance | live performance | ritual | ritual | entertainment | entertainment | communities | communities | social norms | social norms | audiences | audiences | plays | plays | dramatic structure | dramatic structure | performing arts | performing arts | writing | writing | discussion | discussion | writer | writer | speaker | speaker | cultures | cultures | tools | tools | fiction | fiction | ethical | ethical | historical | historical | political | political | artistic | artistic | questions | questions | creativity | creativity | self-awareness | self-awareness | communicate | communicate | theater | theater | outdoor public theatres | outdoor public theatres | scaena frons | scaena frons | many theatre artists | many theatre artists | violence onstage | violence onstage | neoclassical theatre | neoclassical theatre | neoclassical rules | neoclassical rules | medieval theatre | medieval theatre | environmental theatre | environmental theatre | departures from realism | departures from realism | significant playwrights | significant playwrights | first permanent theatre | first permanent theatre | theatre history | theatre history | theatre | theatre | censorship | censorship | blacklist | blacklist | banned | banned | obscenity | obscenity | architecture | architecture | selective realism | selective realism

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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6.012 Microelectronic Devices and Circuits (MIT) 6.012 Microelectronic Devices and Circuits (MIT)

Description

6.012 is the header course for the department's "Devices, Circuits and Systems" concentration. The topics covered include modeling of microelectronic devices, basic microelectronic circuit analysis and design, physical electronics of semiconductor junction and MOS devices, relation of electrical behavior to internal physical processes, development of circuit models, and understanding the uses and limitations of various models. The course uses incremental and large-signal techniques to analyze and design bipolar and field effect transistor circuits, with examples chosen from digital circuits, single-ended and differential linear amplifiers, and other integrated circuits. 6.012 is the header course for the department's "Devices, Circuits and Systems" concentration. The topics covered include modeling of microelectronic devices, basic microelectronic circuit analysis and design, physical electronics of semiconductor junction and MOS devices, relation of electrical behavior to internal physical processes, development of circuit models, and understanding the uses and limitations of various models. The course uses incremental and large-signal techniques to analyze and design bipolar and field effect transistor circuits, with examples chosen from digital circuits, single-ended and differential linear amplifiers, and other integrated circuits.

Subjects

semiconductor | semiconductor | integrated circuit | integrated circuit | p-n junction | p-n junction | mos | mos | mosfet | mosfet | digital logic | digital logic | nmos | nmos | cmos | cmos | bipolar junction transistor | bipolar junction transistor | single stage amplifier | single stage amplifier | frequency domain analysis | frequency domain analysis | common emitter | common emitter | multistage amplifier | multistage amplifier | intrinsic semiconductors | intrinsic semiconductors | electrons | electrons | holes | holes | carrier transport | carrier transport | 60mV rule | 60mV rule

License

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6.012 Microelectronic Devices and Circuits (MIT) 6.012 Microelectronic Devices and Circuits (MIT)

Description

6.012 is the header course for the department's "Devices, Circuits and Systems" concentration. The topics covered include: modeling of microelectronic devices, basic microelectronic circuit analysis and design, physical electronics of semiconductor junction and metal-on-silicon (MOS) devices, relation of electrical behavior to internal physical processes, development of circuit models, and understanding the uses and limitations of various models. The course uses incremental and large-signal techniques to analyze and design bipolar and field effect transistor circuits, with examples chosen from digital circuits, single-ended and differential linear amplifiers, and other integrated circuits. 6.012 is the header course for the department's "Devices, Circuits and Systems" concentration. The topics covered include: modeling of microelectronic devices, basic microelectronic circuit analysis and design, physical electronics of semiconductor junction and metal-on-silicon (MOS) devices, relation of electrical behavior to internal physical processes, development of circuit models, and understanding the uses and limitations of various models. The course uses incremental and large-signal techniques to analyze and design bipolar and field effect transistor circuits, with examples chosen from digital circuits, single-ended and differential linear amplifiers, and other integrated circuits.

Subjects

semiconductor | semiconductor | integrated circuit | integrated circuit | p-n junction | p-n junction | mos | mos | mosfet | mosfet | digital logic | digital logic | nmos | nmos | cmos | cmos | bipolar junction transistor | bipolar junction transistor | single stage amplifier | single stage amplifier | frequency domain analysis | frequency domain analysis | common emitter | common emitter | multistage amplifier | multistage amplifier | intrinsic semiconductors | intrinsic semiconductors | electrons | electrons | holes | holes | carrier transport | carrier transport | 60mV rule | 60mV rule

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.606 Introduction to Stagecraft (MIT) 21M.606 Introduction to Stagecraft (MIT)

Description

Offered annually in the spring term, Introduction to Stagecraft is a hands-on course that gets students working with the tools and techniques of theatrical production in a practical way. It is not a design course but one devoted to artisanship. Among the many remarkable final projects that have been proposed and presented at the end of the course have been a Renaissance hourglass blown in the MIT glass shop and set into a frame turned on our set shop lathe; a four harness loom built by a student who then wove cloth on it; a number of chain mail tunics and coifs; a wide variety of costume and furniture pieces and electrified period lighting fixtures. Offered annually in the spring term, Introduction to Stagecraft is a hands-on course that gets students working with the tools and techniques of theatrical production in a practical way. It is not a design course but one devoted to artisanship. Among the many remarkable final projects that have been proposed and presented at the end of the course have been a Renaissance hourglass blown in the MIT glass shop and set into a frame turned on our set shop lathe; a four harness loom built by a student who then wove cloth on it; a number of chain mail tunics and coifs; a wide variety of costume and furniture pieces and electrified period lighting fixtures.

Subjects

stagecraft | stagecraft | shop skills | shop skills | shop machines | shop machines | basic handwork | basic handwork | tools | tools | scenery | scenery | costume | costume | set constuction | set constuction | props | props | stage management | stage management | lighting | lighting | make-up | make-up | scene painting | scene painting

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.606 Introduction to Stagecraft (MIT) 21M.606 Introduction to Stagecraft (MIT)

Description

Offered in the spring and fall terms, Introduction to Stagecraft is a hands-on course that gets students working with the tools and techniques of theatrical production in a practical way. It is not a design course but one devoted to artisanship. Among the many remarkable final projects that have been proposed and presented at the end of the course have been a Renaissance hourglass blown in the MIT glass shop and set into a frame turned on our set shop lathe; a four harness loom built by a student who then wove cloth on it; a number of chain mail tunics and coifs; a wide variety of costume and furniture pieces and electrified period lighting fixtures. Offered in the spring and fall terms, Introduction to Stagecraft is a hands-on course that gets students working with the tools and techniques of theatrical production in a practical way. It is not a design course but one devoted to artisanship. Among the many remarkable final projects that have been proposed and presented at the end of the course have been a Renaissance hourglass blown in the MIT glass shop and set into a frame turned on our set shop lathe; a four harness loom built by a student who then wove cloth on it; a number of chain mail tunics and coifs; a wide variety of costume and furniture pieces and electrified period lighting fixtures.

Subjects

stagecraft | stagecraft | shop skills | shop skills | shop machines | shop machines | basic handwork | basic handwork | tools | tools | scenery | scenery | costume | costume | set constuction | set constuction | props | props | stage management | stage management | lighting | lighting | scene painting | scene painting | student project | student project | safety | safety | knots | knots

License

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21M.873 Theater Arts Topics (MIT) 21M.873 Theater Arts Topics (MIT)

Description

Directed practice in acting, directing, or design on a sustained theater piece, either one-act or full length, from pre-rehearsal preparation to workshop production. Directed practice in acting, directing, or design on a sustained theater piece, either one-act or full length, from pre-rehearsal preparation to workshop production.

Subjects

Acting; directing; design; theater; one-act; full length; pre-rehearsal; workshop; production; theater arts; directed practice; stagecraft; Dramashop; rehearsal; Anne Washburn; play; The Internationalist; Sonenberg; auditions; technical. | Acting; directing; design; theater; one-act; full length; pre-rehearsal; workshop; production; theater arts; directed practice; stagecraft; Dramashop; rehearsal; Anne Washburn; play; The Internationalist; Sonenberg; auditions; technical. | Acting; | Acting; | Acting | Acting | directing | directing | design | design | theater | theater | one-act | one-act | full length | full length | pre-rehearsal | pre-rehearsal | workshop | workshop | production | production | theater arts | theater arts | directed practice | directed practice | stagecraft | stagecraft | Dramashop | Dramashop | rehearsal | rehearsal | Anne Washburn | Anne Washburn | play | play | The Internationalist | The Internationalist | Sonenberg | Sonenberg | auditions | auditions | technical | technical

License

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Electronic Components and Circuits Electronic Components and Circuits

Description

Operating principle, models and applications of basic semiconductors electronic components (diodes, bipolar transistors and field effect transistors), including the bias circuits. In addition, the concepts related to electronic analog amplification stages (small signal gain, input and output impedances and frequency response). Finally, the characteristics of operational amplifiers (OA) as analog integrated circuits and some of the most important AO applications. Operating principle, models and applications of basic semiconductors electronic components (diodes, bipolar transistors and field effect transistors), including the bias circuits. In addition, the concepts related to electronic analog amplification stages (small signal gain, input and output impedances and frequency response). Finally, the characteristics of operational amplifiers (OA) as analog integrated circuits and some of the most important AO applications.

Subjects

polarization | polarization | Single-stage amplification circuits | Single-stage amplification circuits | electronic circuits analysis | electronic circuits analysis | semiconductor devices | semiconductor devices | Frequency response of transistor amplifier | Frequency response of transistor amplifier | electronic circuits | electronic circuits | a Electrnica | a Electrnica | Multi-stage amplifiers | Multi-stage amplifiers | electronic components | electronic components | Electronic Amplification | Electronic Amplification | Operational Amplifier | Operational Amplifier | 2010 | 2010 | a de Sistemas Audiovisuales | a de Sistemas Audiovisuales

License

Copyright 2015, UC3M http://creativecommons.org/licenses/by-nc-sa/4.0/

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Planning the lighting

Description

This interactive resource explains the various steps a lighting designer needs to take when planning the lighting for a stage performance. These are: talking to the director; reading the script; and watching rehearsals. Students are invited to click through the resource to find out more about each of these actions and why they are useful.

Subjects

lighting design | lighting plans | stage lighting | lighting designers | stage lights | stages | theatres | PERFORMING ARTS | Creative Arts and Design | Learning | Design and delivery of programmes | UK EL06 = SCQF 6 | Advanced courses | NICAT 3 | CQFW 3 | Advanced | A/AS Level | NVQ 3 | Higher | SVQ 3 | UK EL07 = SCQF 7 | Higher Certificate | NICAT 4 | CQFW 4 | NVQ 4 | Advanced Higher | SVQ 4 | HN Certificate | UK EL08 = SCQF 8 | Higher Diploma | NICAT 5 | CQFW 5 | HN Diploma | Diploma in HE | design | W000 | L

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Lantern

Description

This is a colour photograph of the kind of lantern typically used in stage lighting.

Subjects

lights | lighting | lanterns | stage lighting | stage lights | stages | theatres | PERFORMING ARTS | Creative Arts and Design | Employability | Design and delivery of programmes | UK EL06 = SCQF 6 | Advanced courses | NICAT 3 | CQFW 3 | Advanced | A/AS Level | NVQ 3 | Higher | SVQ 3 | UK EL07 = SCQF 7 | Higher Certificate | NICAT 4 | CQFW 4 | NVQ 4 | Advanced Higher | SVQ 4 | HN Certificate | UK EL08 = SCQF 8 | Higher Diploma | NICAT 5 | CQFW 5 | HN Diploma | Diploma in HE | design | W000 | L

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Stage scenery

Description

This is an interactive resource which allows students to experiment with the design of stage sets and use of props. Students can select from a range of materials and designs for the backing, the flats, and the stage floor for example, and drag and drop from a choice of props in order to build up their own stage set.

Subjects

stages | scenes | scenery | props | stage sets | stage design | theatre design | set design | Creative Arts and Design | PERFORMING ARTS | Employability | Learning | Design and delivery of programmes | UK EL06 = SCQF 6 | Advanced courses | NICAT 3 | CQFW 3 | Advanced | A/AS Level | NVQ 3 | Higher | SVQ 3 | UK EL07 = SCQF 7 | Higher Certificate | NICAT 4 | CQFW 4 | NVQ 4 | Advanced Higher | SVQ 4 | HN Certificate | UK EL08 = SCQF 8 | Higher Diploma | NICAT 5 | CQFW 5 | HN Diploma | Diploma in HE | design | W000 | L

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Theatre lanterns - a basic lantern

Description

This interactive Flash-based resource describes the different components that make up basic theatre lanterns used to light the stage area. By clicking on the names of the components - bulb, reflector, metal casing, and yolk - students can see the corresponding part highlighted on an illustration of a lantern.

Subjects

theatre lanterns | stage lighting | theatres | stages | PERFORMING ARTS | Creative Arts and Design | Employability | Learning | Design and delivery of programmes | UK EL06 = SCQF 6 | Advanced courses | NICAT 3 | CQFW 3 | Advanced | A/AS Level | NVQ 3 | Higher | SVQ 3 | UK EL07 = SCQF 7 | Higher Certificate | NICAT 4 | CQFW 4 | NVQ 4 | Advanced Higher | SVQ 4 | HN Certificate | design | W000 | L

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21H.207 The Energy Crisis: Past and Present (MIT) 21H.207 The Energy Crisis: Past and Present (MIT)

Description

This course will explore how Americans have confronted energy challenges since the end of World War II. Beginning in the 1970s, Americans worried about the supply of energy. As American production of oil declined, would the US be able to secure enough fuel to sustain their high consumption lifestyles? At the same time, Americans also began to fear the environmental side affects of energy use. Even if the US had enough fossil fuel, would its consumption be detrimental to health and safety? This class examines how Americans thought about these questions in the last half-century. We will consider the political, diplomatic, economic, cultural, and technological aspects of the energy crisis. Topics include nuclear power, suburbanization and the new car culture, the environmental movement and th This course will explore how Americans have confronted energy challenges since the end of World War II. Beginning in the 1970s, Americans worried about the supply of energy. As American production of oil declined, would the US be able to secure enough fuel to sustain their high consumption lifestyles? At the same time, Americans also began to fear the environmental side affects of energy use. Even if the US had enough fossil fuel, would its consumption be detrimental to health and safety? This class examines how Americans thought about these questions in the last half-century. We will consider the political, diplomatic, economic, cultural, and technological aspects of the energy crisis. Topics include nuclear power, suburbanization and the new car culture, the environmental movement and th

Subjects

energy | energy | USA | USA | oil embargo | oil embargo | Gulf War | Gulf War | Richard Nixon | Richard Nixon | Ronald Reagan | Ronald Reagan | Jimmy Carter | Jimmy Carter | George Bush | George Bush | nuclear power | nuclear power | wind power | wind power | fossil fuel | fossil fuel | automobiles | automobiles | suburbia | suburbia | Iran Hostage Crisis | Iran Hostage Crisis | climate change | climate change | global warming | global warming | oil drilling | oil drilling | Kyoto Protocol | Kyoto Protocol | solar power | solar power | OPEC | OPEC | EPA | EPA | Earth Day | Earth Day | environmentalism | environmentalism | atomic bomb | atomic bomb | Gerald Ford | Gerald Ford | Levittown | Levittown | Manhattan Project | Manhattan Project

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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15.391 Early Stage Capital (MIT) 15.391 Early Stage Capital (MIT)

Description

15.391 examines the elements of raising early stage capital, focusing on start-up ventures and the early stages of company development. This course also prepares entrepreneurs to make the best use of outside advisors, and to negotiate effective long-term relationships with funding sources. Working in teams, students interact with venture capitalists and other professionals throughout the semester. Disclaimer: The web sites for this course and the materials they offer are provided for educational use only. They are not a substitute for the advice of an attorney and no attorney-client relationship is created by using them. All materials are provided "as-is", without any express or implied warranties. 15.391 examines the elements of raising early stage capital, focusing on start-up ventures and the early stages of company development. This course also prepares entrepreneurs to make the best use of outside advisors, and to negotiate effective long-term relationships with funding sources. Working in teams, students interact with venture capitalists and other professionals throughout the semester. Disclaimer: The web sites for this course and the materials they offer are provided for educational use only. They are not a substitute for the advice of an attorney and no attorney-client relationship is created by using them. All materials are provided "as-is", without any express or implied warranties.

Subjects

raising venture capital | raising venture capital | starting business | starting business | structuring deals | structuring deals | valuating companies | valuating companies | entrepreneurship | entrepreneurship | venture capitalist | venture capitalist | finding early stage capital | finding early stage capital | negotiate investments | negotiate investments | new business laws | new business laws | financial simulations | financial simulations | build relationships | build relationships | start-up ventures | start-up ventures | company development | company development | using outside advisors | using outside advisors | funding sources | funding sources | term sheet | term sheet | VC | VC | entrepreneur | entrepreneur | pursuing seed money | pursuing seed money | biotechnology | biotechnology | biotech | biotech | angel financing | angel financing | first round money | first round money

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Lighting paperwork : lighting cue sheets

Description

This Flash-based resource introduces lighting cue sheets, written notes used to detail changes in lighting during a performance. The resource provides examples, together with explanatory text, of a simple cue sheet and a full list of cues. The former describes the lighting state for just one cue, whereas the latter lists details of all the cues in a performance. Students are required to click on subheadings within the resource to reveal relevant information.

Subjects

lighting plans | lighting design | lighting cues | lighting cue sheets | theatres | stages | stage management | PERFORMING ARTS | Creative Arts and Design | Employability | Learning | Design and delivery of programmes | UK EL06 = SCQF 6 | Advanced courses | NICAT 3 | CQFW 3 | Advanced | A/AS Level | NVQ 3 | Higher | SVQ 3 | UK EL07 = SCQF 7 | Higher Certificate | NICAT 4 | CQFW 4 | NVQ 4 | Advanced Higher | SVQ 4 | HN Certificate | UK EL08 = SCQF 8 | Higher Diploma | NICAT 5 | CQFW 5 | HN Diploma | Diploma in HE | design | W000 | L

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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6.012 Microelectronic Devices and Circuits (MIT)

Description

6.012 is the header course for the department's "Devices, Circuits and Systems" concentration. The topics covered include modeling of microelectronic devices, basic microelectronic circuit analysis and design, physical electronics of semiconductor junction and MOS devices, relation of electrical behavior to internal physical processes, development of circuit models, and understanding the uses and limitations of various models. The course uses incremental and large-signal techniques to analyze and design bipolar and field effect transistor circuits, with examples chosen from digital circuits, single-ended and differential linear amplifiers, and other integrated circuits.

Subjects

semiconductor | integrated circuit | p-n junction | mos | mosfet | digital logic | nmos | cmos | bipolar junction transistor | single stage amplifier | frequency domain analysis | common emitter | multistage amplifier | intrinsic semiconductors | electrons | holes | carrier transport | 60mV rule

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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Strobe lighting effects

Description

This resource demonstrates the effects of strobe lighting when used on the stage. A description is provided of how strobe lights work, together with information about warning audiences if strobe lighting is to be used in a performance. By clicking on the resource, students are shown the flashing effects generated by a strobe light on a particular stage set.

Subjects

lighting | strobes | strobe lights | flashing lights | stage lighting | theatres | lighting design | stages | PERFORMING ARTS | Creative Arts and Design | Employability | Learning | Design and delivery of programmes | Students | UK EL06 = SCQF 6 | Advanced courses | NICAT 3 | CQFW 3 | Advanced | A/AS Level | NVQ 3 | Higher | SVQ 3 | UK EL07 = SCQF 7 | Higher Certificate | NICAT 4 | CQFW 4 | NVQ 4 | Advanced Higher | SVQ 4 | HN Certificate | UK EL08 = SCQF 8 | Higher Diploma | NICAT 5 | CQFW 5 | HN Diploma | Diploma in HE | design | W000 | L

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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CMS.801 Media in Transition (MIT) CMS.801 Media in Transition (MIT)

Description

This course centers on historical eras in which the form and function of media technologies were radically transformed. It includes consideration of the "Gutenberg Revolution," the rise of modern mass media, and the "digital revolution," among other case studies of media transformation and cultural change. Readings cover cultural and social history and historiographic methods. This course centers on historical eras in which the form and function of media technologies were radically transformed. It includes consideration of the "Gutenberg Revolution," the rise of modern mass media, and the "digital revolution," among other case studies of media transformation and cultural change. Readings cover cultural and social history and historiographic methods.

Subjects

Media | Media | mass media | mass media | history | history | Gutenberg | Gutenberg | cultural change | cultural change | cultural history | cultural history | social history | social history | historiographic method | historiographic method | books | books | medieval history | medieval history | codex book | codex book | writing | writing | printing | printing | printing press | printing press | stage | stage | theater | theater | renaissance | renaissance | romanticism | romanticism | modernity | modernity | inventions | inventions | photography | photography | nineteenth century | nineteenth century | image | image | telegraph | telegraph | electrification | electrification | communication | communication | Morse | Morse | Daguerreotype | Daguerreotype | Fox Talbot | Fox Talbot | phonograph | phonograph | sound recording | sound recording | radio | radio | broadcasting | broadcasting | film | film | video | video | cinema | cinema | publishing | publishing

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Lantern barndoors

Description

This interactive resource demonstrates the lighting effects generated from using barndoors on theatre lanterns. Barndoors can be fixed onto theatre lanterns to alter the shape of a light beam and how it is directed onto the stage. This resource allows students to click on two different barndoor positions in order to see the corresponding lighting effects on a stage set.

Subjects

stage lighting | theatre lanterns | lantern barndoors | lighting design | stages | theatres | lanterns | Creative Arts and Design | PERFORMING ARTS | Employability | Learning | Design and delivery of programmes | Students | UK EL06 = SCQF 6 | Advanced courses | NICAT 3 | CQFW 3 | Advanced | A/AS Level | NVQ 3 | Higher | SVQ 3 | UK EL07 = SCQF 7 | Higher Certificate | NICAT 4 | CQFW 4 | NVQ 4 | Advanced Higher | SVQ 4 | HN Certificate | UK EL08 = SCQF 8 | Higher Diploma | NICAT 5 | CQFW 5 | HN Diploma | Diploma in HE | design | W000 | L

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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14.32 Econometrics (MIT) 14.32 Econometrics (MIT)

Description

Introduction to econometric models and techniques, simultaneous equations, program evaluation, emphasizing regression. Advanced topics include instrumental variables, panel data methods, measurement error, and limited dependent variable models. May not count toward HASS requirement. Introduction to econometric models and techniques, simultaneous equations, program evaluation, emphasizing regression. Advanced topics include instrumental variables, panel data methods, measurement error, and limited dependent variable models. May not count toward HASS requirement.

Subjects

econometrics | econometrics | statistical methods | statistical methods | differences-in-differences | differences-in-differences | 2SLS | 2SLS | FGLS | FGLS | serial correlation | serial correlation | IV | IV | two-stage least squares | two-stage least squares | multivariate regression | multivariate regression | simultaneous equations | simultaneous equations | econometric models | econometric models | program evaluation | program evaluation | linear regression | linear regression | instrumental variables | instrumental variables | panel data methods | panel data methods | measurement error | measurement error | limited dependent variable models | limited dependent variable models

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21L.703 Studies in Drama: Stoppard and Company (MIT) 21L.703 Studies in Drama: Stoppard and Company (MIT)

Description

Taking as its starting point the works of one of Britain's most respected, prolific—and funny—living dramatists, this seminar will explore a wide range of knowledge in fields such as math, philosophy, politics, history and art. The careful reading and discussion of plays by (Sir) Tom Stoppard and some of his most compelling contemporaries (including Caryl Churchill, Anna Deveare Smith and Howard Barker) will allow us to time-travel and explore other cultures, and to think about the medium of drama as well as one writer's work in depth. Some seminar participants will report on earlier plays that influenced these writers, others will research everything from Lord Byron's poetry to the bridges of Konigsberg, from Dadaism to Charter 77. Employing a variety of critical approaches Taking as its starting point the works of one of Britain's most respected, prolific—and funny—living dramatists, this seminar will explore a wide range of knowledge in fields such as math, philosophy, politics, history and art. The careful reading and discussion of plays by (Sir) Tom Stoppard and some of his most compelling contemporaries (including Caryl Churchill, Anna Deveare Smith and Howard Barker) will allow us to time-travel and explore other cultures, and to think about the medium of drama as well as one writer's work in depth. Some seminar participants will report on earlier plays that influenced these writers, others will research everything from Lord Byron's poetry to the bridges of Konigsberg, from Dadaism to Charter 77. Employing a variety of critical approaches

Subjects

contemporary literature | contemporary literature | drama | drama | stoppard | stoppard | churchill | churchill | play | play | british | british | text analysis | text analysis | stagecraft | stagecraft | writer | writer | history | history | politics | politics | culture | culture | performance | performance | comedy | comedy | Tom Stoppard | Tom Stoppard | Caryl Churchill | Caryl Churchill | Anna Deveare Smith | Anna Deveare Smith | Howard Barker | Howard Barker | dramatist | dramatist

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Early moments of the Apollo 11 launch

Description

Subjects

aviation | nasa | rocket | boeing | douglas | apollo | armstrong | aldrin | collins | staging | aerospace | saturnv | grumman | apolloxi | spaceflight | michaelcollins | apollo11 | projectapollo | buzzaldrin | neilarmstrong | spaceexploration | naa | nationalaeronauticsandspaceadministration | northamericanaviation | mannedspaceflight | s1c | apolloproject | apolloprogram | douglasaircraft | saturnrocket | edwinbuzzaldrin | northamericanrockwell | douglasaircraftcompany | stageseparation | firststageseparation

License

No known copyright restrictions

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21L.005 Introduction to Drama (MIT) 21L.005 Introduction to Drama (MIT)

Description

Drama might be described as a game played with something sacred. It tells stories that go right to the heart of what people believe about themselves. And it is enacted in the moment, which means it has an added layer of interpretive mystery and playfulness, or "theatricality." This course will explore theater and theatricality across periods and cultures, through intensive engagement with texts and with our own readings. Drama might be described as a game played with something sacred. It tells stories that go right to the heart of what people believe about themselves. And it is enacted in the moment, which means it has an added layer of interpretive mystery and playfulness, or "theatricality." This course will explore theater and theatricality across periods and cultures, through intensive engagement with texts and with our own readings.

Subjects

Drama | Drama | literary arts | literary arts | storytelling | storytelling | poetry | poetry | live performance | live performance | ritual | ritual | entertainment | entertainment | communities | communities | social norms | social norms | audiences | audiences | plays | plays | dramatic structure | dramatic structure | performing arts | performing arts | writing | writing | discussion | discussion | writer | writer | speaker | speaker | cultures | cultures | tools | tools | fiction | fiction | ethical | ethical | historical | historical | political | political | artistic | artistic | questions | questions | creativity | creativity | self-awareness | self-awareness | communicate | communicate | theater | theater | outdoor public theatres | outdoor public theatres | scaena frons | scaena frons | many theatre artists | many theatre artists | violence onstage | violence onstage | neoclassical theatre | neoclassical theatre | neoclassical rules | neoclassical rules | medieval theatre | medieval theatre | environmental theatre | environmental theatre | departures from realism | departures from realism | significant playwrights | significant playwrights | first permanent theatre | first permanent theatre | theatre history | theatre history | theatre architecture | theatre architecture | selective realism | selective realism | neoclassical ideals | neoclassical ideals | autos sacramentales | autos sacramentales | formal theatre | formal theatre | tiring house | tiring house | realistic theatre | realistic theatre | scene design | scene design | staging practices | staging practices | female playwrights | female playwrights | crisis drama | crisis drama | symbolist drama | symbolist drama | dramatic rules | dramatic rules | theatrical semiosis | theatrical semiosis | theatrical competence | theatrical competence | deictic orientation | deictic orientation | proxemic relations | proxemic relations | theatre semiotics | theatre semiotics | theatrical communication | theatrical communication | dramatic information | dramatic information | dramatic discourse | dramatic discourse | theatrical sign | theatrical sign | theatrical discourse | theatrical discourse | theatrical frame | theatrical frame | dramatic world | dramatic world | dramatic text | dramatic text | perlocutionary effect | perlocutionary effect | theatrical text | theatrical text | performance text | performance text

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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Shakespeare and the Victorians

Description

Robert Douglas-Fairhurst, Professor of English Literature, Oxford, gives a talk for Shakespeare Oxford 2016 series. When the tercentenary of Shakespeare's birth was celebrated in 1864, Robert Browning observed that he and his contemporaries had Shakespeare 'in our very bones and blood, our very selves'. In this talk, Robert Douglas-Fairhurst explores some of the ways in which the Victorians tried to keep Shakespeare alive in the nineteenth century: through theatrical revivals and literary allusions; through paintings and photographs; and especially through their fascination with the idea that, as Tennyson put it in his poem Vastness, 'the dead are not dead but alive'. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

shakespeare | literature | history | theatre | Victorians | stage | shakespeare | literature | history | theatre | Victorians | stage

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21L.703 Studies in Drama: Too Hot to Handle: Forbidden Plays in Modern America (MIT)

Description

Unlike film, theater in America does not have a ratings board that censors content. So plays have had more freedom to explore and to transgress normative culture. Yet censorship of the theater has been part of American culture from the beginning, and continues today. How and why does this happen, and who decides whether a play is too dangerous to see or to teach? Are plays dangerous? Sinful? Even demonic? In our seminar, we will study plays that have been censored, either legally or extra-legally (i.e. refused production, closed down during production, denied funding, or taken off school reading lists). We'll look at laws, both national and local, relating to the "obscene", as well as unofficial practices, and think about the way censorship operates in American life now. And of course w

Subjects

drama | forbidden plays | Modern America | decision alley | drama strategies | drama skills | purchasing institution | drama activity | drama activities | writing opportunity | last wolf | learning medium | literacy activities | writing opportunities | foundation stage | assessment focus | two long lines | dramatic activity | action conventions | literary arts | storytelling | poetry | live performance | ritual | entertainment | communities | social norms | audiences | plays | dramatic structure | performing arts | writing | discussion | writer | speaker | cultures | tools | fiction | ethical | historical | political | artistic | questions | creativity | self-awareness | communicate | theater | outdoor public theatres | scaena frons | many theatre artists | violence onstage | neoclassical theatre | neoclassical rules | medieval theatre | environmental theatre | departures from realism | significant playwrights | first permanent theatre | theatre history | theatre | censorship | blacklist | banned | obscenity | architecture | selective realism

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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Shakespeare and the Victorians

Description

Robert Douglas-Fairhurst, Professor of English Literature, Oxford, gives a talk for Shakespeare Oxford 2016 series. When the tercentenary of Shakespeare's birth was celebrated in 1864, Robert Browning observed that he and his contemporaries had Shakespeare 'in our very bones and blood, our very selves'. In this talk, Robert Douglas-Fairhurst explores some of the ways in which the Victorians tried to keep Shakespeare alive in the nineteenth century: through theatrical revivals and literary allusions; through paintings and photographs; and especially through their fascination with the idea that, as Tennyson put it in his poem Vastness, 'the dead are not dead but alive'. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

shakespeare | literature | history | theatre | Victorians | stage | shakespeare | literature | history | theatre | Victorians | stage

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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