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http://mediapub.it.ox.ac.uk/feeds/129029/audio.xml

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Michael Starks gives the Oxford Media Research Seminar for the Reuters Institute Seminar Series. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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http://mediapub.it.ox.ac.uk/feeds/129029/audio.xml

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Nick Robinson, BBC Political Editor, gives a talk on reporting political news to mass audiences, drawing from his experiences as Political Editor for the BBC. Given on 26th November 2010. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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http://ocw.mit.edu/rss/all/mit-allarchivedcourses.xml

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Dieser Kurs beleuchtet schwerpunktartig das neue Selbstbewusstsein von Minoritäten in Deutschland. Zahlreiche aktuelle Beispiele aus Film, Radio, Fernsehen und Literatur belegen den zunehmenden Beitrag dieser Gruppe zum Kultur- und Medienschaffen in Deutschland, sowie deren sich verändernde Repräsentation in den deutschen Medien. Ein zweiter Themenbereich behandelt den neuen Blick nach Osten und die aktuelle Verarbeitung der deutschen Vereinigung unter dem Stichwort Ostalgie. Jüngste Beispiele von populären Medienformen wie Hörspiel und Kurzfilm verdeutlichen die spezifischen Produktions- und Rezeptionsbedingungen in der deutschen Medienlandschaft. In einem Hörspiel-Workshop mit der deutsch-japanischen Schriftstellerin Yoko Taw Dieser Kurs beleuchtet schwerpunktartig das neue Selbstbewusstsein von Minoritäten in Deutschland. Zahlreiche aktuelle Beispiele aus Film, Radio, Fernsehen und Literatur belegen den zunehmenden Beitrag dieser Gruppe zum Kultur- und Medienschaffen in Deutschland, sowie deren sich verändernde Repräsentation in den deutschen Medien. Ein zweiter Themenbereich behandelt den neuen Blick nach Osten und die aktuelle Verarbeitung der deutschen Vereinigung unter dem Stichwort Ostalgie. Jüngste Beispiele von populären Medienformen wie Hörspiel und Kurzfilm verdeutlichen die spezifischen Produktions- und Rezeptionsbedingungen in der deutschen Medienlandschaft. In einem Hörspiel-Workshop mit der deutsch-japanischen Schriftstellerin Yoko Taw

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Competition in Telecommunications provides an introduction to the economics, business strategies, and technology of telecommunications markets. This includes markets for wireless communications, local and long-distance services, and customer equipment. The convergence of computers, cable TV and telecommunications and the competitive emergence of the Internet are covered in depth. A number of speakers from leading companies in the industry will give course lectures. Competition in Telecommunications provides an introduction to the economics, business strategies, and technology of telecommunications markets. This includes markets for wireless communications, local and long-distance services, and customer equipment. The convergence of computers, cable TV and telecommunications and the competitive emergence of the Internet are covered in depth. A number of speakers from leading companies in the industry will give course lectures.

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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This course explores the international trade in television text, considering the ways in which 'foreign' programs find places within 'domestic' schedules. Looking at the life television texts maintain outside of their home market, this course examines questions of globalization and national cultures of production and reception. Students will be introduced to a range of positions about the nature of international textual trade, including economic arguments about the structuring of international markets and ethnographic studies about the role imported content plays in the formation of hybrid national identities. Students will be encouraged to consider the role American content is made to play in non-American markets. This course explores the international trade in television text, considering the ways in which 'foreign' programs find places within 'domestic' schedules. Looking at the life television texts maintain outside of their home market, this course examines questions of globalization and national cultures of production and reception. Students will be introduced to a range of positions about the nature of international textual trade, including economic arguments about the structuring of international markets and ethnographic studies about the role imported content plays in the formation of hybrid national identities. Students will be encouraged to consider the role American content is made to play in non-American markets.

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Our purpose is to consider some of the most elaborate and thoughtful efforts to define and delineate "all-mastering," and to consider some of the delineations of "all-mastering the intellect" in various guises - from magicians to master spies to detectives to scientists (mad and otherwise). The major written work of the term will be an ongoing reading journal, which you will circulate to your classmates using an e-mail mailing list. The use of that list is fundamental - it is my intention to generate a sort of ongoing cyberconversation. Our purpose is to consider some of the most elaborate and thoughtful efforts to define and delineate "all-mastering," and to consider some of the delineations of "all-mastering the intellect" in various guises - from magicians to master spies to detectives to scientists (mad and otherwise). The major written work of the term will be an ongoing reading journal, which you will circulate to your classmates using an e-mail mailing list. The use of that list is fundamental - it is my intention to generate a sort of ongoing cyberconversation.

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identities Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identities

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Innovation in expression, as realized in media, tangible objects, performance and more, generates new questions and new potentials for human engagement. When and how does expression engage us deeply? Many personal stories confirm the hypothesis that once we experience deep engagement, it is a state we long for, remember, and want to repeat. This class will explore what underlying principles and innovative methods can ensure the development of higher-quality "deep engagement" products (artifacts, experiences, environments, performances, etc.) that appeal to a broad audience and that have lasting value over the long term. Innovation in expression, as realized in media, tangible objects, performance and more, generates new questions and new potentials for human engagement. When and how does expression engage us deeply? Many personal stories confirm the hypothesis that once we experience deep engagement, it is a state we long for, remember, and want to repeat. This class will explore what underlying principles and innovative methods can ensure the development of higher-quality "deep engagement" products (artifacts, experiences, environments, performances, etc.) that appeal to a broad audience and that have lasting value over the long term.

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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This seminar explores approaches to representation for distributed cinematic storytelling. The relationship between story creation and story appreciation is analyzed. Readings are drawn from literary and cinematic criticism, as well as from descriptions of interactive, distributed works. Students analyze a range of storytelling techniques; they develop a proposal using visualization techniques; and they prototype a working story experience, culminating in a final project displayed at the end of the semester. This seminar explores approaches to representation for distributed cinematic storytelling. The relationship between story creation and story appreciation is analyzed. Readings are drawn from literary and cinematic criticism, as well as from descriptions of interactive, distributed works. Students analyze a range of storytelling techniques; they develop a proposal using visualization techniques; and they prototype a working story experience, culminating in a final project displayed at the end of the semester.

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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This course examines representations of race, class, gender, and sexual identity in the media. We will be considering issues of authorship, spectatorship, (audience) and the ways in which various media content (film, television, print journalism, advertising) enables, facilitates, and challenges these social constructions in society. In addition, we will examine how gender and race affects the production of media, and discuss the impact of new media and digital media and how it has transformed access and participation, moving contemporary media users from a traditional position of "readers" to "writers" and/or commentators. Students will analyze gendered and racialized language and embodiment as it is produced online in blogs and vlogs, avatars, and in the construction of cyberidentiti This course examines representations of race, class, gender, and sexual identity in the media. We will be considering issues of authorship, spectatorship, (audience) and the ways in which various media content (film, television, print journalism, advertising) enables, facilitates, and challenges these social constructions in society. In addition, we will examine how gender and race affects the production of media, and discuss the impact of new media and digital media and how it has transformed access and participation, moving contemporary media users from a traditional position of "readers" to "writers" and/or commentators. Students will analyze gendered and racialized language and embodiment as it is produced online in blogs and vlogs, avatars, and in the construction of cyberidentiti

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Symposium following Mark Thompson's series of talks for the Humanitas Programme. With Polly Toynbee, Gus O'Donnell, David Willetts MP and chaired by Andrew Marr. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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In his third lecture, Mark Thompson looks at what happens when modern rhetoric and morality collide, taking the wars in Iraq and Afghanistan as his principal examples. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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In his third lecture, Mark Thompson looks at what happens when modern rhetoric and morality collide, taking the wars in Iraq and Afghanistan as his principal examples. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Almost everyone accepts that science is our most authoritative guide to understanding the world so why is it so disputed when it comes to public policy? Mark Thompson examines what's happened to the 'argument from authority' in modern rhetoric. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Almost everyone accepts that science is our most authoritative guide to understanding the world so why is it so disputed when it comes to public policy? Mark Thompson examines what's happened to the 'argument from authority' in modern rhetoric. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Drawing in particular on recent examples from American and British healthcare reform, Mark Thompson asks whether the language of politics is changing in ways which threaten public understanding of and engagement with the most important issues of the day. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Drawing in particular on recent examples from American and British healthcare reform, Mark Thompson asks whether the language of politics is changing in ways which threaten public understanding of and engagement with the most important issues of the day. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Symposium following Mark Thompson's series of talks for the Humanitas Programme. With Polly Toynbee, Gus O'Donnell, David Willetts MP and chaired by Andrew Marr. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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In his third lecture, Mark Thompson looks at what happens when modern rhetoric and morality collide, taking the wars in Iraq and Afghanistan as his principal examples. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Almost everyone accepts that science is our most authoritative guide to understanding the world so why is it so disputed when it comes to public policy? Mark Thompson examines what's happened to the 'argument from authority' in modern rhetoric. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Drawing in particular on recent examples from American and British healthcare reform, Mark Thompson asks whether the language of politics is changing in ways which threaten public understanding of and engagement with the most important issues of the day. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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http://unow.nottingham.ac.uk/rss.ashx

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This is a module framework. It can be viewed online or downloaded as a zip file. As taught in Autumn/Spring Semesters 2009/2010 This resource presents material from four different courses taught across the School of American and Canadian Studies and Film and Television Studies. It addresses various aspects of nineteenth and early twentieth century American entertainment culture. You can view module outlines for 4 modules taught within the school: * American Drama (undergraduate year 3 level) * American Sensations (undergraduate year 3 level) * Film History (undergraduate year 1 level) * Emergence of Mass Culture (undergraduate year 2 level) The information contained within the module outlines includes: module objectives, lecture schedules, reading lists, teaching and l This is a module framework. It can be viewed online or downloaded as a zip file. As taught in Autumn/Spring Semesters 2009/2010 This resource presents material from four different courses taught across the School of American and Canadian Studies and Film and Television Studies. It addresses various aspects of nineteenth and early twentieth century American entertainment culture. You can view module outlines for 4 modules taught within the school: * American Drama (undergraduate year 3 level) * American Sensations (undergraduate year 3 level) * Film History (undergraduate year 1 level) * Emergence of Mass Culture (undergraduate year 2 level) The information contained within the module outlines includes: module objectives, lecture schedules, reading lists, teaching and l

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Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA) Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA)

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This course focuses on novels and films from the last twenty-five years (nominally 1985–2010) marked by their relationship to extreme violence and transgression. Our texts will focus on serial killers, torture, rape, and brutality, but they also explore notions of American history, gender and sexuality, and reality television—sometimes, they delve into love or time or the redemptive role of art in late modernity. Our works are a motley assortment, with origins in the U.S., France, Spain, Belgium, Austria, Japan and South Korea. The broad global era marked by this period is one of acceleration, fragmentation, and late capitalism; however, we will also consider national specificities of violent representation, including particulars like the history of racism in the United States, This course focuses on novels and films from the last twenty-five years (nominally 1985–2010) marked by their relationship to extreme violence and transgression. Our texts will focus on serial killers, torture, rape, and brutality, but they also explore notions of American history, gender and sexuality, and reality television—sometimes, they delve into love or time or the redemptive role of art in late modernity. Our works are a motley assortment, with origins in the U.S., France, Spain, Belgium, Austria, Japan and South Korea. The broad global era marked by this period is one of acceleration, fragmentation, and late capitalism; however, we will also consider national specificities of violent representation, including particulars like the history of racism in the United States,

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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