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Bellevue Conservatory, Delgany, Co. Wicklow Bellevue Conservatory, Delgany, Co. Wicklow

Description

Subjects

robertfrench | robertfrench | williamlawrence | williamlawrence | lawrencecollection | lawrencecollection | lawrencephotographicstudio | lawrencephotographicstudio | thelawrencephotographcollection | thelawrencephotographcollection | glassnegative | glassnegative | nationallibraryofireland | nationallibraryofireland | bellevueconservatory | bellevueconservatory | delgany | delgany | cowicklow | cowicklow | ireland | ireland | glasshouses | glasshouses | design | design | propogation | propogation | flowers | flowers | flowerbeds | flowerbeds | exotic | exotic | stvalentinesday | stvalentinesday | bellevue | bellevue | glasshouse | glasshouse | latouche | latouche | davidlatouche | davidlatouche | peterlatouche | peterlatouche | bellview | bellview | petershanley | petershanley | pantheronsprings | pantheronsprings | octagon | octagon | nolongerstanding | nolongerstanding

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Who Can Name Them All?

Description

Busts of famous men being examined by the Blind,1913. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13584(2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | socialhistory | interior | room | wall | floor | shadow | artificiallight | seeingthroughtouch | blackandwhitephotograph | artanddesign | industry | digitalimage | archives | northeastofengland | unitedkingdom | busts | famousmen | table | stand | paintings | frame | timber | varnish | senses | hendon | examining | examination | 1913 | fingers | eyes | humantouch | sight | formercurator | invitation | sunderlandcouncilblindschool | handle | handling | artefacts | discovery | unusual | fascinating | engaging | geoffreychauce | williamshakespeare | francisbacon | charlesdickens | thomascarlyle | johnmilton | aristotle | robertburns | walterscott

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Potters Wheel

Description

The blind visitors to Sunderland Museum are using a potter's wheel and clay.1913 ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13801 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | potterswheel | clay | 1913 | visitorservices | socialhistory | archives | seeingthroughtouch | northeastofengland | unitedkingdom | blackandwhitephotograph | frame | label | text | october1913 | blindvisitors | fingers | eyes | johnalfredcharltondea | formercurator | interior | room | wall | floor | curtain | decoration | flowers | fascinating | unusual | poignant | museumcollection | sunderlandcouncilblindschool | eager | apron | ribbon | dress | suit | tie | waistcoat | shirt | tablecloth | container | box | furniture | plant | signage | senses | touching | handling | attentive | standing | gathering | grain

License

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River Wear Bridges

Description

Blind visitors to Sunderland Museum, examining models of the old and new bridge across the river Wear. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. TWCMS:K13581 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | riverwear | bridge | sunderlandbridge | wearmouthbridge | socialhistory | northeastofengland | room | interior | unitedkingdom | blackandwhitephotograph | digitalimage | archives | fascinating | interesting | unusual | poignant | table | standing | gathering | formercurator | senses | handling | artefacts | sunderlandcouncilblindschool | seeingthroughtouch | museumcollection | signal | communication | communicating | wall | neutralbackground | examiningmodels | oldbridge | newbridge | models | hendon | england | glasses | engaged | suit | hair | tie | blouse | reflection | grain | mark | dress | fabric | crease | riverwearbridges | fingers | artdesign

License

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21G.052 French Film Classics (MIT) 21G.052 French Film Classics (MIT)

Description

This course covers the history and aesthetics of French cinema from the advent of sound to present-day. It treats films in the context of technical processes, the art of narration, directorial style, role of the scriptwriter, the development of schools and movements, the impact of political events and ideologies, and the relation between French and other national cinemas. Taught in English, the films are screened with English subtitles. Students may complete written assignments in French. This course covers the history and aesthetics of French cinema from the advent of sound to present-day. It treats films in the context of technical processes, the art of narration, directorial style, role of the scriptwriter, the development of schools and movements, the impact of political events and ideologies, and the relation between French and other national cinemas. Taught in English, the films are screened with English subtitles. Students may complete written assignments in French.

Subjects

France | France | french film | french film | the new wave | the new wave | René Clair | René Clair | Jean Epstein | Jean Epstein | La Grande Illusion | La Grande Illusion | Jean Renoir | Jean Renoir | The Left Bank | The Left Bank | 1970s Sex and Sectarianism | 1970s Sex and Sectarianism | Les Valseuses | Les Valseuses | Bertrand Blier | Bertrand Blier | Diva | Diva | Jean-Jacques Beineix | Jean-Jacques Beineix | cult film | cult film | cult classic | cult classic | Maghrebi-French (Beur) | Maghrebi-French (Beur) | Amélie | Amélie | popular Film | popular Film | Cluzot | Cluzot | Le corbeau | Le corbeau | Funny Face | Funny Face | Stanley Donen | Stanley Donen | Jacques Cousteau | Jacques Cousteau | BarthesCésaire | BarthesCésaire | Roger Vadim | Roger Vadim | François Truffaut | François Truffaut | Simone de Beauvoir | Simone de Beauvoir | Breathless: Jean-Luc Godard | Breathless: Jean-Luc Godard | Les Aventures de Rabbi Jacob | Les Aventures de Rabbi Jacob | Gérard Oury | Gérard Oury | Nikita | Nikita | Jean-Luc Besson | Jean-Luc Besson | La Haine | La Haine | Mattheiu Kassovitz | Mattheiu Kassovitz | Intouchables | Intouchables | Eric Toledano and Olivier Nakache | Eric Toledano and Olivier Nakache | Bande de filles | Bande de filles | Céline Sciamma | Céline Sciamma | Realism | Realism | the Popular Frot | the Popular Frot | Liberation | Liberation | Henri Langlois and the Cinémathèque française | Henri Langlois and the Cinémathèque française | Les parapluies de Cherboug | Les parapluies de Cherboug | Jacques Demy | Jacques Demy | Brigitte Bardot | Brigitte Bardot | Catherine Deneuve | Catherine Deneuve

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Soldiers Wear

Description

3 blind women examining articles worn by soldiers at Sunderland Museums, 1913. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13823.3 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | firstworldwar | socialhistory | women | dress | fabric | crease | standing | room | seeingthroughtouch | blindness | 3blindwomen | examining | examinaton | articles | clothing | uniform | soldiers | northeastofengland | unitedkingdom | hendon | england | sunderlandmuseums | 1913 | fingers | hand | senses | eyes | ww1 | formercurator | invitation | sunderlandcouncilblindschool | educational | artefacts | profound | simplicity | painting | frame | portrait | industry | archives | digitalimage | wall | floor | shine | boots | gathering | attentive | handling | object | man | apron | blackandwhitephotograph

License

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Skeleton

Description

Here is an example of a blind person "seeing" through touch of a skeleton at Sunderland Museum. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13810(2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

skeleton | blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | artificiallight | interior | room | shadow | man | suit | standing | handling | touching | senses | signal | wall | timber | beard | pocket | crease | mark | blur | hook | chain | loop | tie | shirt | seeing | through | northeastofengland | unitedkingdom | socialhistory | archives | poignant | fascinating | engaging | unusual | museumcollection | blindman | formercurator | sunderlandcouncilblindschool | eager | wonderful | artanddesign | abstract | bone | human | hangingskeleton

License

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A Girl 'Seeing'

Description

Here is a young girl who is blind - examining mounted birds at Sunderland Museum and Winter Gardens. Charlton Deas, curator at Sunderland Museum was a pioneer in making museums accessible to disabled people, especially blind/visually impaired people. In 1913 he organised a number of handling sessions for both blind adults and children. Ref: TWCMS:K13593_2 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | younggirl | mountedbirds | birds | feathers | beak | neutralbackground | dress | cloth | expression | bodygesture | ribbon | hair | paintings | frame | landscape | oil | oils | rope | boundary | pole | stand | decoration | shoe | crease | stocking | blouse | arm | hand | face | stilt | halfmemorytheglasstrunk | seeingthroughtouch | senses | feel | feeling | unusual | fascinating | socialhistory | blackandwhitephotograph | mark | floor | grain | debris | wood | mount | stuffing | wintergardens | examination | examining | accessible | disabled | visuallyimpaired | taxidermy

License

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21A.260 Culture, Embodiment and the Senses (MIT) 21A.260 Culture, Embodiment and the Senses (MIT)

Description

Culture, Embodiment, and the Senses will provide an historical and cross-cultural analysis of the politics of sensory experience. The subject will address western philosophical debates about mind, brain, emotion, and the body and the historical value placed upon sight, reason, and rationality, versus smell, taste, and touch as acceptable modes of knowing and knowledge production. We will assess cultural traditions that challenge scientific interpretations of experience arising from western philosophical and physiological models. The class will examine how sensory experience lies beyond the realm of individual physiological or psychological responses and occurs within a culturally elaborated field of social relations. Finally, we will debate how discourse about the senses is a product of pa Culture, Embodiment, and the Senses will provide an historical and cross-cultural analysis of the politics of sensory experience. The subject will address western philosophical debates about mind, brain, emotion, and the body and the historical value placed upon sight, reason, and rationality, versus smell, taste, and touch as acceptable modes of knowing and knowledge production. We will assess cultural traditions that challenge scientific interpretations of experience arising from western philosophical and physiological models. The class will examine how sensory experience lies beyond the realm of individual physiological or psychological responses and occurs within a culturally elaborated field of social relations. Finally, we will debate how discourse about the senses is a product of pa

Subjects

Anthropology | Anthropology | culture | culture | embodiment | embodiment | senses | senses | historical | historical | cross-cultural analysis | cross-cultural analysis | politics | politics | sensory experience | sensory experience | western philosophical debates | western philosophical debates | mind | mind | brain | brain | emotion | emotion | body | body | sight | sight | reason | reason | rationality | rationality | smell | smell | taste | taste | touch | touch | knowing | knowing | knowledge production | knowledge production | scientific interpretations | scientific interpretations | western philosophical | western philosophical | physiological models | physiological models | individual physiological | individual physiological | psychological responses | psychological responses | social relations | social relations | power relations | power relations

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Brownies working together

Description

Members of the Royal Victoria School for the Blind Brownie pack, January 1962 (TWAM ref. DT.TUR/2/28235D). Tyne & Wear Archives is proud to present a series of images relating to the Royal Victoria School for the Blind, Newcastle upon Tyne. The set has been produced to celebrate UK Disability History Month 2014. The Royal Victoria School for the Blind (then known as the Royal Victoria Asylum) was established from a fund to mark the coronation of Queen Victoria in 1837 and was originally located at the Spital before moving to premises in Northumberland Street. In the 1890s the name was changed to the Royal Victoria School, and in 1895 the school moved to the former house of Dr Hodgkinson in Benwell Dene. Pupils came from throughout the North of England. As a result of legislation to integrate special groups within the mainstream education system the school closed in 1985. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

children | education | royalvictoriaschoolfortheblind | newcastleupontyne | brownies | girlguiding | crafts | disability | ukdisabilityhistorymonth | blindness | visualimpairment | blackandwhitephotograph | socialheritage | browniepack | january1962 | 2014 | royalvictoriaasylum | coronation | queenvictoria | 1837 | spital | northumberlandstreet | premises | drhodgkinson | benwelldene | northofengland | specialgroups | shirt | costume | dummy | face | dress | belt | badge | tie | pin | hair | wool | touch | senses | figure | pillow | cloth | material | table | carpet | pattern | floor | wall | chair | fireplace | ledge | shelf | timber | frame | glass | lightshade | stand | glasses | smile | attentive | striking | unusual | fastener | zip | hand | girls | female | light | shadow | photoframe | books | window | curtain | watch

License

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Brownies taking part in craft activities

Description

Members of the Royal Victoria School for the Blind Brownie pack, January 1962 (TWAM ref. DT.TUR/2/28235A). Tyne & Wear Archives is proud to present a series of images relating to the Royal Victoria School for the Blind, Newcastle upon Tyne. The set has been produced to celebrate UK Disability History Month 2014. The Royal Victoria School for the Blind (then known as the Royal Victoria Asylum) was established from a fund to mark the coronation of Queen Victoria in 1837 and was originally located at the Spital before moving to premises in Northumberland Street. In the 1890s the name was changed to the Royal Victoria School, and in 1895 the school moved to the former house of Dr Hodgkinson in Benwell Dene. Pupils came from throughout the North of England. As a result of legislation to integrate special groups within the mainstream education system the school closed in 1985. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

children | education | royalvictoriaschoolfortheblind | newcastleupontyne | brownies | girlguiding | crafts | disability | ukdisabilityhistorymonth | blindness | visualimpairment | blackandwhitephotograph | activities | browniepack | january1962 | 2014 | royalvictoriaasylum | coronation | queenvictoria | 1837 | northofengland | pupils | school | formerhouse | drhodgkinson | benwelldene | integrate | specialgroups | mainstreameducationsystem | 1985 | legislation | socialheritage | abstract | unusual | girl | girls | table | britishflag | crease | hair | uniform | tie | dress | belt | uniforms | eyeglasses | eye | touch | feel | plate | shine | scratch | paint | leg | carpet | pattern | floor | wall | shadow | light | mantelpiece | tile | glass | door | frame | structure | doors | concentrating | absorbed | companion | companionship | identification | read | senses | sensation | awareness

License

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Prehistoric Canoe

Description

Several blind children and their teacher are sitting in the prehistoric dug out canoe. The canoe was discovered in the River Wear at South Hylton in 1888. Photograph taken at Sunderland Museum and Art Gallery. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13802 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | canoe | teacher | prehistoric | riverwear | southhylton | 1888 | dugoutcanoe | woman | blackandwhite | intriguing | unusual | spectacles | wellbehaved | wood | attentive

License

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Officers and Privates

Description

Two blind men examining a German Saw Bayonet. The man on the left is wearing a German Officer's Iron Cross of the First Class on his chest and to the right, the man is wearing an Iron Cross of a Brunswick Private. 1913(c). ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13817 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | bayonet | saw | officer | private | ironcross | firstclass | brunswickprivate | 1916 | rifle | mauser | mauser98 | gewehr98 | g98 | mauserrifle

License

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Locomotive

Description

Sighted guides showing a model locomotive to the blind visitors at Sunderland Museum. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13586 (2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | locomotive

License

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Examination

Description

Blind visitors examining arms and armour at the Sunderland Museum. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref:TWCMS:K13811(3) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | armsandarmour | armour | firearms | rifle | rifles

License

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Weapons

Description

Blind visitors inspecting illuminating and extinguishing weapons at Sunderland Museum. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13816(2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | illuminating | extinguishing | weapons | 1916 | pistol | luger | lugerpistol | firstworldwar

License

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'Seeing' a Polar Bear

Description

Here are three blind children examining a mounted polar bear at Sunderland Museum. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13838 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | polarbear | girls | boy | paintings | platform | fur | barrier | sensations | from1913 | sunderlandcouncilblindschool | blackandwhite | poignant | rope | stands | board | attentive | feeling | standing | gallery | room | taxidermy

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"My Daddy Wears one of These"

Description

"My Daddy wears one of these" (Sunderlands Blind Schoolmaster - Mr James Smith, M.A. - and one of his scholars). ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13813(2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | scholar | schoolmaster | ma | daddy | helmet | helmets | pickelhaube | pickelhelm | stahlhelm | brodiehelmet | tommyhelmet | grenade | firstworldwar

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Coronation Chair

Description

The blind visitors in this photograph at Sunderland Museum, are examining an exact model of the Coronation chair. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13577 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | coronationchair | copy | exact | blackandwhitephotograph | necktie | intriguing | waistcoat | attentive | lion | statue | glassdisplay | stone | wood | spactacles | pattern | sensation | unsual | lense | feel | sunderlandcouncilblindschool | exactmodel | examining | formercurator | collection | shadow | shoes | frames | attachment | trosuers | cleanshaven | shirt | coat | twirl | handling | invitation | visitors

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Portland Vase

Description

Blind visitors to Sunderland Museum 'seeing' a copy of the Portland Vase through touch. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:2006.7984 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | portlandvase | blindmen

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In The Stocks

Description

Blind men who chose to sit in the stocks from Bishopwearmouth Green. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:2006.7981 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | bishopwearmouth | stocks | boots | hobnailboots

License

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Sunderland Memorial

Description

Blind people of Sunderland "seeing" what their Town's War memorial is to be like, by feeling a model one-tenth of its full size. The woman lost her sight through a Zeppelin raid on the town, in April, 1916. 30/11/1921 ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13590 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | memorial | warmemorial | zeppelinraid | bombing

License

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Gas Masks

Description

3 men examining and wearing some British and German Gas Masks. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13808(2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | gasmasks | british | german | firstworldwar

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Arms and Armour

Description

3 blind children are wearing and examining arms and armour at the Sunderland Museum. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13820(3) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | armsandarmour | armour

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"This Fell Beside our House"

Description

"this fell beside our house" (A Zeppelin Incendiary) A young boy 'seeing' the object through touch at Sunderland Museum. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13818(2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | incendiarybomb | zeppelin | airraid | firstworldwar

License

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