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Visit of Prince Albert to Readhead's shipyard Visit of Prince Albert to Readhead's shipyard

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Subjects

southshields | southshields | shipbuilding | shipbuilding | johnreadheadsonsltd | johnreadheadsonsltd | shipyard | shipyard | historic | historic | northeastengland | northeastengland | tyneside | tyneside | princealbert | princealbert | kinggeorgevi | kinggeorgevi | royalfamily | royalfamily | royalty | royalty | royalvisit | royalvisit | shipyardworkers | shipyardworkers | officials | officials | dignitaries | dignitaries | johnreadheadsonssouthshields | johnreadheadsonssouthshields | northeastofengland | northeastofengland | unitedkingdom | unitedkingdom | socialhistory | socialhistory | archives | archives | abstract | abstract | blackandwhitephotograph | blackandwhitephotograph | digitalimage | digitalimage | industry | industry | industrialheritage | industrialheritage | maritimeheritage | maritimeheritage | shipbuildingheritage | shipbuildingheritage | visit | visit | readheadsshipyard | readheadsshipyard | 16april1920 | 16april1920 | development | development | production | production | interesting | interesting | unusual | unusual | fascinating | fascinating | gathering | gathering | chain | chain | grain | grain | blur | blur | mark | mark | cog | cog | wheel | wheel | timber | timber | tools | tools | workers | workers | cap | cap | uniform | uniform | emblem | emblem | status | status | hat | hat | necklace | necklace | tie | tie | shirt | shirt | ribbon | ribbon | flower | flower | pocket | pocket | fabric | fabric | crease | crease | men | men | beard | beard | moustache | moustache | johnreadhead | johnreadhead | jsoftley | jsoftley | partnership | partnership | lawe | lawe | johnreadheadco | johnreadheadco | highwestyard | highwestyard | johnreadheadsons | johnreadheadsons | swanhuntergroup | swanhuntergroup | britishshipbuilders | britishshipbuilders | hainsteamshipcompanyltd | hainsteamshipcompanyltd | stricklineltd | stricklineltd | princeline | princeline | sirjamesknott | sirjamesknott | standing | standing

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Women working in the shipyard

Description

This is a Photograph of King George V meeting women working at the shipyard of Sir James Laing & Sons Ltd, Deptford, 15 June 1917. Reference: DS.LG/5/1/1 pg127a On 22 November Prince William will be visiting Sunderland and South Tyneside to take part in a number of youth development events. During the visit he will also officially open Haven Point, the new leisure centre in South Shields. To celebrate this Tyne & Wear Archives has produced a short flickr set remembering past royal visits to the region?s shipyards. Most of the visits featured here took place during difficult times and they gave a real boost to public spirits in the face of two World Wars. A short blog relating to these images can be read here . These images are part of the Tyne & Wear Archives Shipyard Collection. In July 2013 the outstanding historical significance of the Collection was recognised by UNESCO through its inscription to the UK Memory of the World Register. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

visits | events | royal | monarchy | industry | patriotic | tynewear | northeast | historical | maritime | wartime | king | prince | morale | queen | maritimeheritage | socialhistory | abstract | blackandwhitephotograph | kinggeorgev | women | workers | shipyard | sirjameslaingsonsltd | deptford | 15june1917 | sunderland | southtyneside | youthdevelopmentevents | princewilliam | havenpoint | open | southshields | fascinating | leisurecentre | 22november | royalvisit | region | publicspirits | difficulttimes | firstworldwar | ww1 | tyneweararchivesshipyardcollection | royalvisits | july2013 | unesco | ukmemoryoftheworldregister | digitalimage | history | rail | shadow | stone | debris | uniform | plank | bar | cane | walkingstick | hat | chain | metal | steel | bolt | plate | rope | porthole | vessel | deck | crew | naval | paper | gathering | line | meeting | timber

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4.301 Introduction to the Visual Arts (MIT) 4.301 Introduction to the Visual Arts (MIT)

Description

This class will introduce students to a variety of contemporary art practices and ideas. The class will begin with a brief overview of 'visual language' by looking at a variety of artworks and discussing basic concepts revolving around artistic practice. The rest of the class will focus on notions of the real/unreal as explored with various mediums and practices. The class will work in video, sculpture and in public space. This class will introduce students to a variety of contemporary art practices and ideas. The class will begin with a brief overview of 'visual language' by looking at a variety of artworks and discussing basic concepts revolving around artistic practice. The rest of the class will focus on notions of the real/unreal as explored with various mediums and practices. The class will work in video, sculpture and in public space.

Subjects

visual art practice | visual art practice | critical analysis | critical analysis | long-range artistic development | long-range artistic development | two-dimensional | two-dimensional | three-dimensional | three-dimensional | time-based media | time-based media | installations | installations | performance and video | performance and video | visiting artist presentations | visiting artist presentations | field trips | field trips | studio practice | studio practice | aesthetic analyses | aesthetic analyses | modern art | modern art | art history | art history | body | body | phenomenology | phenomenology | personal space | personal space | installation | installation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.301 Introduction to the Visual Arts (MIT) 4.301 Introduction to the Visual Arts (MIT)

Description

This course is an introduction to artistic practice and aesthetic analysis through studio work and lectures. Students communicate ideas and experiences through various media such as sculpture, installation, performance, and video. Projects evolve through stages of conceptual and material development to final presentation. Lectures, visiting artist presentations, field trips, and readings supplement studio practice, providing an index to the historical, cultural, and environmental forces that affect both development of artistic vision and reception of works of art.Technical RequirementsSpecial software is required to use some of the files in this course: .rm. This course is an introduction to artistic practice and aesthetic analysis through studio work and lectures. Students communicate ideas and experiences through various media such as sculpture, installation, performance, and video. Projects evolve through stages of conceptual and material development to final presentation. Lectures, visiting artist presentations, field trips, and readings supplement studio practice, providing an index to the historical, cultural, and environmental forces that affect both development of artistic vision and reception of works of art.Technical RequirementsSpecial software is required to use some of the files in this course: .rm.

Subjects

visual art practice | visual art practice | critical analysis | critical analysis | long-range artistic development | long-range artistic development | two-dimensional | two-dimensional | three-dimensional | three-dimensional | time-based media | time-based media | installations | installations | performance and video | performance and video | visiting artist presentations | visiting artist presentations | field trips | field trips | studio practice | studio practice | aesthetic analyses | aesthetic analyses | modern art | modern art | art history | art history | body | body | phenomenology | phenomenology | personal space | personal space | installation | installation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.301 Introduction to the Visual Arts (MIT) 4.301 Introduction to the Visual Arts (MIT)

Description

Introduction to artistic practice and aesthetic analysis through studio work and lectures. Students communicate ideas and experiences through various media such as sculpture, installation, performance, and video. Projects evolve through stages of conceptual and material development to final presentation. Lectures, visiting artist presentations, field trips, and readings supplement studio practice, providing an index to the historical, cultural, and environmental forces that affect both development of artistic vision and reception of works of art.Technical RequirementsRealOne™ Player software  is required to run the .rm files found on this course site. Introduction to artistic practice and aesthetic analysis through studio work and lectures. Students communicate ideas and experiences through various media such as sculpture, installation, performance, and video. Projects evolve through stages of conceptual and material development to final presentation. Lectures, visiting artist presentations, field trips, and readings supplement studio practice, providing an index to the historical, cultural, and environmental forces that affect both development of artistic vision and reception of works of art.Technical RequirementsRealOne™ Player software  is required to run the .rm files found on this course site.

Subjects

visual art practice | visual art practice | critical analysis | critical analysis | long-range | long-range | long-range artistic development | long-range artistic development | two-dimensional | two-dimensional | three-dimensional | three-dimensional | time-based media | time-based media | installations | installations | performance and video | performance and video | visiting artist presentations | visiting artist presentations | field trips | field trips | studio practice | studio practice | aesthetic analyses | aesthetic analyses | modern art | modern art | art history | art history | body | body | phenomenology | phenomenology | personal space | personal space | installation | installation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.303 The Production of Space: Art, Architecture and Urbanism in Dialogue (MIT) 4.303 The Production of Space: Art, Architecture and Urbanism in Dialogue (MIT)

Description

Includes audio/video content: AV selected lectures. This seminar engages in the notion of space from various points of departure. The goal is first of all to engage in the term and secondly to examine possibilities of art, architecture within urban settings in order to produce what is your interpretation of space. Includes audio/video content: AV selected lectures. This seminar engages in the notion of space from various points of departure. The goal is first of all to engage in the term and secondly to examine possibilities of art, architecture within urban settings in order to produce what is your interpretation of space.

Subjects

architecture | architecture | urbanisml gender | urbanisml gender | space | space | visual art practice | visual art practice | critical analysis | critical analysis | long-range artistic development | long-range artistic development | two-dimensional | two-dimensional | three-dimensional | three-dimensional | time-based media | time-based media | installations | installations | performance and video | performance and video | visiting artist presentations | visiting artist presentations | field trips | field trips | studio practice | studio practice | aesthetic analyses | aesthetic analyses | modern art | modern art | art history | art history | body | body | phenomenology | phenomenology | personal space | personal space | installation | installation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.367 Studio Seminar in Public Art (MIT) 4.367 Studio Seminar in Public Art (MIT)

Description

Includes audio/video content: AV special element video. How do we define Public Art? This course focuses on the production of projects for public places. Public Art is a concept that is in constant discussion and revision, as much as the evolution and transformation of public spaces and cities are. Monuments are repositories of memory and historical presences with the expectation of being permanent. Public interventions are created not to impose and be temporary, but as forms intended to activate discourse and discussion. Considering the concept of a museum as a public device and how they are searching for new ways of avoiding generic identities, we will deal with the concept of the personal imaginary museum. It should be considered as a point of departure to propose a personal individual Includes audio/video content: AV special element video. How do we define Public Art? This course focuses on the production of projects for public places. Public Art is a concept that is in constant discussion and revision, as much as the evolution and transformation of public spaces and cities are. Monuments are repositories of memory and historical presences with the expectation of being permanent. Public interventions are created not to impose and be temporary, but as forms intended to activate discourse and discussion. Considering the concept of a museum as a public device and how they are searching for new ways of avoiding generic identities, we will deal with the concept of the personal imaginary museum. It should be considered as a point of departure to propose a personal individual

Subjects

cities | cities | urbanism | urbanism | artists | artists | architects | architects | collaboration | collaboration | translation | translation | revitalization | revitalization | urban space | urban space | redistricting | redistricting | planned cities | planned cities | development | development | ground zero | ground zero | blank slate | blank slate | interventions | interventions | visual art practice | visual art practice | critical analysis | critical analysis | long-range artistic development | long-range artistic development | two-dimensional | two-dimensional | three-dimensional | three-dimensional | time-based media | time-based media | installations | installations | performance and video | performance and video | visiting artist presentations | visiting artist presentations | field trips | field trips | studio practice | studio practice | aesthetic analyses | aesthetic analyses | modern art | modern art | art history | art history | body | body | phenomenology | phenomenology | personal space | personal space | installation | installation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.370 Interrogative Design Workshop (MIT) 4.370 Interrogative Design Workshop (MIT)

Description

Includes audio/video content: AV selected lectures. "Parrhesia" was an Athenian right to frank and open speaking, the right that, like the First Amendment, demands a "fearless speaker" who must challenge political powers with criticism and unsolicited advice. Can designer and artist respond today to such a democratic call and demand? Is it possible to do so despite the (increasing) restrictions imposed on our liberties today? Can the designer or public artist operate as a proactive "parrhesiatic" agent and contribute to the protection, development and dissemination of "fearless speaking" in Public Space? Includes audio/video content: AV selected lectures. "Parrhesia" was an Athenian right to frank and open speaking, the right that, like the First Amendment, demands a "fearless speaker" who must challenge political powers with criticism and unsolicited advice. Can designer and artist respond today to such a democratic call and demand? Is it possible to do so despite the (increasing) restrictions imposed on our liberties today? Can the designer or public artist operate as a proactive "parrhesiatic" agent and contribute to the protection, development and dissemination of "fearless speaking" in Public Space?

Subjects

visual art practice | visual art practice | critical analysis | critical analysis | long-range artistic development | long-range artistic development | two-dimensional | two-dimensional | three-dimensional | three-dimensional | time-based media | time-based media | installations | installations | performance and video | performance and video | visiting artist presentations | visiting artist presentations | field trips | field trips | studio practice | studio practice | aesthetic analyses | aesthetic analyses | modern art | modern art | art history | art history | body | body | phenomenology | phenomenology | personal space | personal space | installation | installation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.302 BSAD Foundations in the Visual Arts (MIT) 4.302 BSAD Foundations in the Visual Arts (MIT)

Description

This class offers a foundation in the visual art practice and its critical analysis for beginning architecture students. Emphasis is on long-range artistic development and its analogies to architectural thinking and practice. Students will learn to communicate ideas and experiences through various two-dimensional, and three-dimensional, and time-based media, including installations, performance and video. Lectures, visiting artist presentations, field trips, and readings supplement studio practice. This class offers a foundation in the visual art practice and its critical analysis for beginning architecture students. Emphasis is on long-range artistic development and its analogies to architectural thinking and practice. Students will learn to communicate ideas and experiences through various two-dimensional, and three-dimensional, and time-based media, including installations, performance and video. Lectures, visiting artist presentations, field trips, and readings supplement studio practice.

Subjects

visual art practice | visual art practice | critical analysis | critical analysis | long-range artistic development | long-range artistic development | two-dimensional | two-dimensional | three-dimensional | three-dimensional | time-based media | time-based media | installations | installations | performance and video | performance and video | visiting artist presentations | visiting artist presentations | field trips | field trips | studio practice | studio practice | architecture | architecture | architectural practice | architectural practice | two-dimensional media | two-dimensional media | three-dimensional media | three-dimensional media | 2D media | 2D media | 3D media | 3D media | sculpture | sculpture | performance | performance | video | video

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Queen Victoria on 'Fyvie' with John Brown at Balmoral Queen Victoria on 'Fyvie' with John Brown at Balmoral

Description

Subjects

greatbritain | greatbritain | horses | horses | blackandwhite | blackandwhite | horse | horse | fashion | fashion | animal | animal | scotland | scotland | kilt | kilt | aberdeenshire | aberdeenshire | victorian | victorian | victoria | victoria | queen | queen | queens | queens | pony | pony | historical | historical | hanover | hanover | queenvictoria | queenvictoria | royalty | royalty | balmoral | balmoral | equus | equus | sporran | sporran | servants | servants | fyvie | fyvie | johnbrown | johnbrown | deeside | deeside | sidesaddle | sidesaddle | nationalgalleriesofscotland | nationalgalleriesofscotland | cartesdevisite | cartesdevisite | mrsbrown | mrsbrown | mourningdress | mourningdress | ridinghabit | ridinghabit | georgewashingtonwilson | georgewashingtonwilson | commons:event=commonground2009 | commons:event=commonground2009

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Are We Making the Most of Olympic Tourism for 2012?

Description

When London first one the right to stage the 2012 Summer Olympic and Paralympic Games, the city anticipated a major boost to sports tourism based revenue as a result. However, claims of failures to exploit these opportunities have recently been levelled at the Government.

Subjects

oxb:060111:027dd | sport | leisure | tourism | hospitality. cc-by | creative commons | UKOER | HLST | ENGSCOER | OER | LL2012 | London 2012 | Olympics | Olympic Games | Paralympics | Paralympic Games | Learning Legacies | JISC | HEA | Oxford Brookes University | HLSTOER | IOC | LOCOG | athletics | competition | Tourist | travel | visitors | visitor numbers | attractions | The Olympics and Tourism.

License

This work is licensed under a Creative Commons Attribution 2.0 UK: England and Wales License,except where otherwise noted within the resource. This work is licensed under a Creative Commons Attribution 2.0 UK: England and Wales License,except where otherwise noted within the resource.

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ón en la Práctica Artística (2012) ón en la Práctica Artística (2012)

Description

?Taller de investigación en la práctica artística? aspira a proporcionar al alumno las herramientas y criterios intelectuales adecuados para lograr la comunicabilidad de los argumentos en que sustentar sus juicios acerca de la práctica artística. La segmentación departamental de las disciplinas que tradicionalmente se han ocupado del fenómeno artístico (bellas artes, historia del arte, teoría del arte, estética, antropología, psicología, literatura,?), y la reciente creación de nuevos ámbitos académicos relacionados con el arte como los ?estudios visuales?, tienden a perfilar una interesada imagen de la práctica artística (de las bellas artes) subsidiaria e incapaz por sí misma de dar cuenta razonada y argumentada de sus productos. En respuesta a esta situació ?Taller de investigación en la práctica artística? aspira a proporcionar al alumno las herramientas y criterios intelectuales adecuados para lograr la comunicabilidad de los argumentos en que sustentar sus juicios acerca de la práctica artística. La segmentación departamental de las disciplinas que tradicionalmente se han ocupado del fenómeno artístico (bellas artes, historia del arte, teoría del arte, estética, antropología, psicología, literatura,?), y la reciente creación de nuevos ámbitos académicos relacionados con el arte como los ?estudios visuales?, tienden a perfilar una interesada imagen de la práctica artística (de las bellas artes) subsidiaria e incapaz por sí misma de dar cuenta razonada y argumentada de sus productos. En respuesta a esta situació

Subjects

Emilio Zurita | Emilio Zurita | visitas de estudio virtuales | visitas de estudio virtuales | artista | artista | pintura | pintura | ética y Teoría de las Artes | ética y Teoría de las Artes | Escultura | Escultura | ón artística | ón artística | Pintura | Pintura | áctica artística | áctica artística

License

http://creativecommons.org/licenses/by-nc-sa/3.0/

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The Oldest Workman

Description

Queen Elizabeth shakes hands with John Taylor, 89, oldest workman at the Hebburn Shipyard of Hawthorn Leslie, 7 April 1943. Reference: 2931 On 22 November Prince William will be visiting Sunderland and South Tyneside to take part in a number of youth development events. During the visit he will also officially open Haven Point, the new leisure centre in South Shields. To celebrate this Tyne & Wear Archives has produced a short flickr set remembering past royal visits to the region?s shipyards. Most of the visits featured here took place during difficult times and they gave a real boost to public spirits in the face of two World Wars. A short blog relating to these images can be read here . These images are part of the Tyne & Wear Archives Shipyard Collection. In July 2013 the outstanding historical significance of the Collection was recognised by UNESCO through its inscription to the UK Memory of the World Register. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

visits | events | royal | monarchy | industry | patriotic | tynewear | northeast | historical | maritime | wartime | king | prince | morale | queen | workman | elder | johntaylor | royalvisits | hebburnshipyard | queenelizabeth | hawthornleslie | ww2 | worldwartwo | 7april1943 | sunderland | southtyneside | northeastofengland | unitedkingdom | princewilliam | havenpoint | southshields | youthdevelopmentevents | region | publicspirits | tyneweararchivesshipyardcollection | royalty | crown | britishroyalfamily | occasion | glimpse | view | digitalimage | socialhistory | maritimeheritage | industrialheritage | shipbuildingheritage | abstract | documentation | archives | blackandwhitephotograph | grain | blur | mark | workers | gathering | standing | uniform | coat | cap | pocket | crease | fur | fingers | handbag | button | necklace | blouse | tie | moustache | neutralbackground | dark | unusual | fascinating | oldest

License

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King George VI at the shipyard of Hawthorn Leslie

Description

This is a photograph of King George VI meeting some of the oldest serving employees at the shipyard of Hawthorn Leslie, Hebburn, 7 April 1943. Reference: 2931 On 22 November Prince William will be visiting Sunderland and South Tyneside to take part in a number of youth development events. During the visit he will also officially open Haven Point, the new leisure centre in South Shields. To celebrate this Tyne & Wear Archives has produced a short flickr set remembering past royal visits to the region?s shipyards. Most of the visits featured here took place during difficult times and they gave a real boost to public spirits in the face of two World Wars. A short blog relating to these images can be read here . These images are part of the Tyne & Wear Archives Shipyard Collection. In July 2013 the outstanding historical significance of the Collection was recognised by UNESCO through its inscription to the UK Memory of the World Register. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

visits | events | royal | monarchy | industry | patriotic | tynewear | northeast | historical | maritime | wartime | king | prince | morale | queen | blackandwhitephotograph | kinggeorgevi | shipyard | hawthornleslie | employees | workers | hebburn | 7april1943 | meeting | gathering | 22november | socialheritage | princewilliam | sunderland | southtyneside | youthdevelopmentevents | havenpoint | newleisurecentre | southshields | royalvisit | region | publicspirits | boost | worldwars | tyneweararchivesshipyardcollection | july2013 | unesco | ukmemoryoftheworldregister | public | rail | barrier | timber | wall | uniform | naval | button | coat | shirt | tie | cleanshaven | badge | trousers | hat | numbers | shadow | light | attentive | striking | unusual | welcome | bar | tin | sheet | sleeve | glasses | pocket | cloth | suit | shoes | shine

License

No known copyright restrictions

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Welcome to their Majesties

Description

This is a photograph of Shipyard workers standing beside a sign reading 'Welcome to their Majesties' and welcoming King George VI and Queen Elizabeth to the shipyard of John Readhead & Sons Ltd, South Shields, 7 April 1943 Reference: 1061/1209/4 On 22 November Prince William will be visiting Sunderland and South Tyneside to take part in a number of youth development events. During the visit he will also officially open Haven Point, the new leisure centre in South Shields. To celebrate this Tyne & Wear Archives has produced a short flickr set remembering past royal visits to the region?s shipyards. Most of the visits featured here took place during difficult times and they gave a real boost to public spirits in the face of two World Wars. A short blog relating to these images can be read here . These images are part of the Tyne & Wear Archives Shipyard Collection. In July 2013 the outstanding historical significance of the Collection was recognised by UNESCO through its inscription to the UK Memory of the World Register. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

visits | events | royal | monarchy | industry | patriotic | tynewear | northeast | historical | maritime | wartime | king | prince | morale | queen | welcometotheirmajesties | blackandwhitephotograph | humanity | people | text | letters | shadow | workers | shipyard | maritimeheritage | hats | shirt | trousers | coat | shoes | buttons | comradeship | sign | message | welcome | royalty | majesties | kinggeorgevi | johnreadheadsonsltd | board | southshields | 7april1943 | royalvisit | memory | reflection | moral | boost | hardship | difficulttimes | beacon | hope | publicspirits | twoworldwars | structure | vents | wall | mechanical | wheel | pole | cheer | chain | metal | steel | bolts | iron | pattern | proud | builders | rail | debris | post | stairs | windows | vent | lever

License

No known copyright restrictions

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HRH Prince Albert visits South Shields

Description

This photograph shows the future King George VI visiting the shipyard of John Readhead & Sons Ltd, South Shields, 16 April 1920 Reference: 1061/1209/2 On 22 November Prince William will be visiting Sunderland and South Tyneside to take part in a number of youth development events. During the visit he will also officially open Haven Point, the new leisure centre in South Shields. To celebrate this Tyne & Wear Archives has produced a short flickr set remembering past royal visits to the region?s shipyards. Most of the visits featured here took place during difficult times and they gave a real boost to public spirits in the face of two World Wars. A short blog relating to these images can be read here . These images are part of the Tyne & Wear Archives Shipyard Collection. In July 2013 the outstanding historical significance of the Collection was recognised by UNESCO through its inscription to the UK Memory of the World Register. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

visits | events | royal | monarchy | industry | patriotic | tynewear | northeast | historical | maritime | wartime | king | prince | morale | queen | southshields | shipyard | apprentices | mayor | blackandwhitephotograph | digitalimage | socialhistory | hrhprincealbert | northeastofengland | unitedkingdom | kinggeorgevi | royalvisits | archives | documentation | maritimeheritage | shipbuildingheritage | industrialheritage | abstract | royalfamily | johnreadheadsonsltd | 16april1920 | princewilliam | sunderland | southtyneside | youthdevelopmentevents | havenpoint | regional | tyneweararchivesshipyardcollection | interesting | engaging | unusual | fascinating | sign | building | brick | wall | sky | vessel | deck | flag | pole | gathering | people | uniform | electricpowerhouse | lightpost | lamp | grain | mark | blur | window | frame | development | structure | construction | production | necklace | hat | coat | standing

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Launch of the 'British Princess'

Description

This is a photograph of Princess Elizabeth launching the tanker ?British Princess? built by Sir James Laing & Sons Ltd, Deptford, 30 April 1946. Reference: DS.LG/4/PH/4/1 pg24 On 22 November Prince William will be visiting Sunderland and South Tyneside to take part in a number of youth development events. During the visit he will also officially open Haven Point, the new leisure centre in South Shields. To celebrate this Tyne & Wear Archives has produced a short flickr set remembering past royal visits to the region?s shipyards. Most of the visits featured here took place during difficult times and they gave a real boost to public spirits in the face of two World Wars. A short blog relating to these images can be read here . These images are part of the Tyne & Wear Archives Shipyard Collection. In July 2013 the outstanding historical significance of the Collection was recognised by UNESCO through its inscription to the UK Memory of the World Register. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

visits | events | royal | monarchy | industry | patriotic | tynewear | northeast | historical | maritime | wartime | king | prince | morale | queen | princesselizabeth | launch | event | tanker | vessel | ship | ?britishprincess? | construction | production | structure | platform | sirjameslaingsonsltd | deptford | 30april1946 | sunderland | 22november | princewilliam | southtyneside | youthdevelopmentevents | havenpoint | royalvisits | shipyard | regional | publicspirits | tyneweararchivesshipyardcollection | bolt | panel | components | blackandwhitephotograph | digitalimage | archives | documentation | shipbuildingheritage | maritimeheritage | industrialheritage | socialhistory | abstract | engaging | compelling | unusual | interesting | fascinating | northeastofengland | unitedkingdom | britishroyalfamily | building | crowd | people | microphone | wire | support | bar | shine | daylight | roof | wall | hat | suit | tie | announcement

License

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The Queen at Doxfords Shipyard

Description

This is a Photograph of Queen Mary being cheered by a crowd of workers at William Doxford & Sons Ltd, Sunderland, 15 June 1917. Reference: DS.DOX/6/14/1/4 On 22 November Prince William will be visiting Sunderland and South Tyneside to take part in a number of youth development events. During the visit he will also officially open Haven Point, the new leisure centre in South Shields. To celebrate this Tyne & Wear Archives has produced a short flickr set remembering past royal visits to the region?s shipyards. Most of the visits featured here took place during difficult times and they gave a real boost to public spirits in the face of two World Wars. A short blog relating to these images can be read here . These images are part of the Tyne & Wear Archives Shipyard Collection. In July 2013 the outstanding historical significance of the Collection was recognised by UNESCO through its inscription to the UK Memory of the World Register. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

visits | events | royal | monarchy | industry | patriotic | tynewear | northeast | historical | maritime | wartime | king | prince | morale | queen | queenmary | crowd | people | cheer | workers | williamdoxfordsonsltd | sunderland | 15june1917 | doxfordsshipyard | shipyard | royalvisits | britishroyalfamilies | hardship | publicspirits | social | industrial | abstract | fascinating | unusual | 22 | november | umbrella | dress | hat | flower | decoration | women | men | children | man | arch | building | wall | roof | gutter | seated | standing | blouse | crease | grain | debris | trousers | shirt | coat | policeman | badge | shoe | window | frame | pipe | glass | moraleboost | mark | dirt | brick | daylight | event | glove | hand | blackandwhitephotograph

License

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The Queen visits Washington

Description

This is a photograph of the Queen visiting Washington, UK. The photograph was taken in 1977. Reference: 5417/289/1 This collection of images has been assembled in support of the Washington Heritage Festival 2013. The celebration of Washington brings together a variety of different themes. Washington is a Town in the City of Sunderland, Tyne & Wear. It is traditionally associated with Coal Industry, and notably known as the home of the Washington Family, ancestors of the First President of the United States George Washington. However, in 1964 Washington was designated a New Town and drastically changed. With the introduction of new industry such as the Nissan Car Factory Washington experienced a huge redevelopment in both its economy and community. These Photographs are taken from the Records of the Washington Development Corporation; held at Tyne & Wear Archives. The records document this change in industry, landscape and community in Washington between 1964 & 1988, and consist of many photographs. For more information on the Washington Heritage Festival, 21st September 2013 please click here. (Copyright) These images are Crown Copyright. We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

northeast | iconic | memorable | event | nostalgic | development | community | colourphotograph | socialheritage | monarchy | royal | queen | visit | washington | unitedkingdom | 1977 | washingtonheritagefestival2013 | washingtonheritagecollectionvisitsandevents | occasion | momentous | town | cityofsunderland | tynewear | coalindustry | industry | washingtonfamily | president | unitedstates | georgewashington | 1964 | newtown | industrial | nissancarfactory | redevelopment | washingtondevelopmentcorporation | tyneweararchives | landscape | 19641988 | uniform | hat | jumper | gathering | crowds | shirt | cap | dress | necklace | pearl | brooch | unusual | button | barrier | fence | flowers | flag | pole | medal | belt | cheer | applause | children | women | men | glasses | smile | camera | ring | hair | head | arm | boy | ear | neck | nose | mouth

License

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The Chinese Economic Delegation

Description

This is a photograph of the Chinese Economic Delegation talking to Local Violin Maker Barry Oliver during their visit to Washington, UK in the 1970's. Reference: 5417/105/1 This collection of images has been assembled in support of the Washington Heritage Festival 2013. The celebration of Washington brings together a variety of different themes. Washington is a Town in the City of Sunderland, Tyne & Wear. It is traditionally associated with Coal Industry, and notably known as the home of the Washington Family, ancestors of the First President of the United States George Washington. However, in 1964 Washington was designated a New Town and drastically changed. With the introduction of new industry such as the Nissan Car Factory Washington experienced a huge redevelopment in both its economy and community. These Photographs are taken from the Records of the Washington Development Corporation; held at Tyne & Wear Archives. The records document this change in industry, landscape and community in Washington between 1964 & 1988, and consist of many photographs. For more information on the Washington Heritage Festival, 21st September 2013 please click here. (Copyright) These images are Crown Copyright. We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

northeast | iconic | memorable | event | nostalgic | development | community | barryoliver | chineseeconomicdelegation | 1970s | localviolinmaker | visit | washingtonuk | washingtonheritagefestival2013 | socialhistory | industry | industrial | abstract | town | cityofsunderland | tynewear | washintonheritagecollectionvisitsandevents | coalindustry | washingtonfamily | ancestors | firstpresident | unitedstatesofamerica | georgewashington | newtown | 1964 | newindustry | transformation | change | chinese | nissancarfactory | redevelopment | economy | records | washingtondevelopmentcorporation | tyneweararchives | 196488 | digitalimage | blackandwhitephotograph | fascinating | striking | unusual | standing | stone | archway | wall | violin | moustache | gathering | men | overalls | jumper | arm | hair | crease | head | beard | uniform | button | suit | tie | shirt | fold | glasses | bald | timber | string | smile | relaxed | wrinkle | cleanshaven

License

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Potters Wheel

Description

The blind visitors to Sunderland Museum are using a potter's wheel and clay.1913 ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS:K13801 view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | potterswheel | clay | 1913 | visitorservices | socialhistory | archives | seeingthroughtouch | northeastofengland | unitedkingdom | blackandwhitephotograph | frame | label | text | october1913 | blindvisitors | fingers | eyes | johnalfredcharltondea | formercurator | interior | room | wall | floor | curtain | decoration | flowers | fascinating | unusual | poignant | museumcollection | sunderlandcouncilblindschool | eager | apron | ribbon | dress | suit | tie | waistcoat | shirt | tablecloth | container | box | furniture | plant | signage | senses | touching | handling | attentive | standing | gathering | grain

License

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Reptiles

Description

Blind visitors to Sunderland Museum are handling the reptile specimens, including the crocodile and shells. ?To them, their fingers are eyes? From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections at Sunderland Museum, which was ?eagerly accepted?. Ref: TWCMS: K13597(2) view the set www.flickr.com/photos/twm_news/sets/72157626903151525/ (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

blind | children | adults | johnalfredcharltondeas | charltondeas | handlingsessions | sunderland | sunderlandmuseum | touch | see | objects | collections | access | curator | sessions | northeast | newcastleupontyne | tyneandwear | museum | twam | tyneandweararchivesandmuseums | oldphotographs | oldphotos | crocodile | shells | reptile | specimens | taxidermy | blackandwhitephotograph | visitorservices | reptiles | table | wall | floor | blindvisitors | seeingthroughtouch | reptilespecimens | shell | fingers | eyes | june1913 | socialhistory | digitalimage | archives | documentation | formercurator | handlingsessionsfortheblind | sunderlandcouncilblindschool | tablecloth | crease | dress | girl | boy | sensory | signals | poignant | engaging | interesting | unusual | northeastofengland | unitedkingdom | shadow | neutralbackground | standing | seated | engaged | curiosity | learning | education | programme | event | activity | mark | grain | artificiallight

License

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King George VI visits the Elswick Works

Description

Royal Visit by King George VI and Queen Elizabeth, 18 June 1941 (TWAM ref. 5366/14). ?Workshop of the World? is a phrase often used to describe Britain?s manufacturing dominance during the Nineteenth Century. It?s also a very apt description for the Elswick Works and Scotswood Works of Vickers Armstrong and its predecessor companies. These great factories, situated in Newcastle along the banks of the River Tyne, employed hundreds of thousands of men and women and built a huge variety of products for customers around the globe. The Elswick Works was established by William George Armstrong (later Lord Armstrong) in 1847 to manufacture hydraulic cranes. From these relatively humble beginnings the company diversified into many fields including shipbuilding, armaments and locomotives. By 1953 the Elswick Works covered 70 acres and extended over a mile along the River Tyne. This set of images, mostly taken from our Vickers Armstrong collection, includes fascinating views of the factories at Elswick and Scotswood, the products they produced and the people that worked there. By preserving these archives we can ensure that their legacy lives on. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

Subjects

elswickworks | newcastleupontyne | factory | industry | vickersarmstrong | royalvisit | kinggeorgevi | secondworldwar | womenworkers | industrial | visit | blackandwhitephotograph | monarchy | royal | digitalimage | uniform | ww2 | queenelizabeth | 18june1941 | workshopoftheworld | interesting | unusual | britishroyalfamilies | industrialheritage | manufacturing | scotswoodworks | factories | newcastle | rivertyne | bank | river | workers | products | armstrong | williamgeorgearmstrong | lordarmstrong | shipbuilding | armaments | locomotives | vickersarmstrongcollection | elswick | line | mark | grain | wall | interior | brick | timber | machine | men | women | walking | standing | gathering | inspection | suit | tie | shirt | trousers | hat | emblem | coat | overalls | shoe | shine | structure | door | darkness | preoccupied | attentive | plank | metal | handle | steel | wheel

License

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Table summarising information on website visits

Description

This is an illustration of a table detailing the traffic on a particular website. It highlights the number of visits, hits and unique visitors to the site. This resource is copyright Swansea College 2005.

Subjects

statistics | logs | websites | visits | visitors | hits | referrers | traffic | RETAILING | Mathematical and Computer Sciences | Business and Administrative studies | BUSINESS / MANAGEMENT / OFFICE STUDIES | INFORMATION | Employability | Design and delivery of programmes | UK EL06 = SCQF 6 | Advanced courses | NICAT 3 | CQFW 3 | Advanced | A/AS Level | NVQ 3 | Higher | SVQ 3 | UK EL07 = SCQF 7 | Higher Certificate | NICAT 4 | CQFW 4 | NVQ 4 | Advanced Higher | SVQ 4 | HN Certificate | UK EL08 = SCQF 8 | Higher Diploma | NICAT 5 | CQFW 5 | HN Diploma | Diploma in HE | UK EL09 = SCQF 9 | Ordinary degree | NICAT 6 | CQFW 6 | NVQ 5 | SVQ 5 | Ordinary degree | Graduate certific | administrative studies | Computer science | N000 | I100 | INFORMATION TECHNOLOGY and INFORMATION | SALES MARKETING and RETAILING | A | C | B

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Are we making the most of Olympic tourism for 2012?

Description

This document discusses the extent to which the games have been successfully promoted

Subjects

leisure | tourism | hospitality. cc-by | creative commons | athletics | competition | travel | visitors | visitor numbers | attractions | sport | ukoer | hlst | engscoer | oer | ll2012 | london 2012 | olympics | olympic games | paralympics | paralympic games | learning legacies | jisc | hea | oxford brookes university | hlstoer | ioc | locog | tourist | the olympics and tourism | 2012 legacies for learning | SPORTS GAMES and RECREATION | M

License

Attribution 2.0 UK: England & Wales Attribution 2.0 UK: England & Wales http://creativecommons.org/licenses/by/2.0/uk/ http://creativecommons.org/licenses/by/2.0/uk/

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