Searching for witchcraft : 9 results found | RSS Feed for this search

The Witch Of Edmonton

Description

Witchcraft and bigamy. A collaborative play about witchcraft, bigamy - and a talking Dog - what more could you want? Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

witchcraft | playwright | literature | theatre | elizabethan | play | witchcraft | playwright | literature | theatre | elizabethan | play | 2015-11-02

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21M.013J The Supernatural in Music, Literature and Culture (MIT) 21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips. This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips.

Subjects

magic | magic | witches | witches | witchcraft | witchcraft | belief | belief | superstition | superstition | sorcery | sorcery | ghost | ghost | spirit | spirit | heaven | heaven | hell | hell | devil | devil | angel | angel | occult | occult | paranormal | paranormal | religion | religion | allegory | allegory | Bible | Bible | God | God | sin | sin | alchemy | alchemy | astrology | astrology | mystic | mystic | mysticism | mysticism | Europe | Europe | European history | European history | medieval | medieval | Renaissance | Renaissance | Shakespeare | Shakespeare | Goethe | Goethe | Henry James | Henry James | 19th century America | 19th century America | metaphysics | metaphysics | pragmatism | pragmatism | death | death | afterlife | afterlife | soul | soul | phantom | phantom | myth | myth | spell | spell | wizard | wizard | wisdom | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21A.211 Magic, Witchcraft, and the Spirit World (MIT) 21A.211 Magic, Witchcraft, and the Spirit World (MIT)

Description

Spiritual, magical, and "occult" aspects of human behavior in anthropological and historical perspective: magic, ritual curing, trance, spirit possession, sorcery, and accusations of witchcraft. Material drawn from traditional nonwestern societies, medieval and early modern Europe, and colonial and contemporary North America. Spiritual, magical, and "occult" aspects of human behavior in anthropological and historical perspective: magic, ritual curing, trance, spirit possession, sorcery, and accusations of witchcraft. Material drawn from traditional nonwestern societies, medieval and early modern Europe, and colonial and contemporary North America.

Subjects

anthropology | anthropology | sorcery | sorcery | spirit possession | spirit possession | ritual curing | ritual curing | magic | magic | witchcraft | witchcraft

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.013J The Supernatural in Music, Literature and Culture (MIT) 21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural. This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural.

Subjects

21M.013 | 21M.013 | 21A.113 | 21A.113 | 21L.013 | 21L.013 | Macbeth | Macbeth | Dido and Aeneas | Dido and Aeneas | Faust | Faust | Liszt | Liszt | Berlioz | Berlioz | Murnau | Murnau | Turn of the Screw | Turn of the Screw | magic | magic | witches | witches | witchcraft | witchcraft | belief | belief | superstition | superstition | sorcery | sorcery | ghost | ghost | spirit | spirit | heaven | heaven | hell | hell | devil | devil | angel | angel | occult | occult | paranormal | paranormal | religion | religion | allegory | allegory | Bible | Bible | God | God | sin | sin | alchemy | alchemy | astrology | astrology | mystic | mystic | mysticism | mysticism | Europe | Europe | European history | European history | medieval | medieval | Renaissance | Renaissance | Shakespeare | Shakespeare | Goethe | Goethe | Henry James | Henry James | 19th century America | 19th century America | metaphysics | metaphysics | pragmatism | pragmatism | death | death | afterlife | afterlife | soul | soul | phantom | phantom | myth | myth | spell | spell | wizard | wizard | wisdom | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

http://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

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21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips.

Subjects

magic | witches | witchcraft | belief | superstition | sorcery | ghost | spirit | heaven | hell | devil | angel | occult | paranormal | religion | allegory | Bible | God | sin | alchemy | astrology | mystic | mysticism | Europe | European history | medieval | Renaissance | Shakespeare | Goethe | Henry James | 19th century America | metaphysics | pragmatism | death | afterlife | soul | phantom | myth | spell | wizard | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allarchivedcourses.xml

Attribution

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21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural.

Subjects

21M.013 | 21A.113 | 21L.013 | Macbeth | Dido and Aeneas | Faust | Liszt | Berlioz | Murnau | Turn of the Screw | magic | witches | witchcraft | belief | superstition | sorcery | ghost | spirit | heaven | hell | devil | angel | occult | paranormal | religion | allegory | Bible | God | sin | alchemy | astrology | mystic | mysticism | Europe | European history | medieval | Renaissance | Shakespeare | Goethe | Henry James | 19th century America | metaphysics | pragmatism | death | afterlife | soul | phantom | myth | spell | wizard | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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21M.013J The Supernatural in Music, Literature and Culture (MIT)

Description

This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips.

Subjects

magic | witches | witchcraft | belief | superstition | sorcery | ghost | spirit | heaven | hell | devil | angel | occult | paranormal | religion | allegory | Bible | God | sin | alchemy | astrology | mystic | mysticism | Europe | European history | medieval | Renaissance | Shakespeare | Goethe | Henry James | 19th century America | metaphysics | pragmatism | death | afterlife | soul | phantom | myth | spell | wizard | wisdom

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

Site sourced from

http://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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21A.211 Magic, Witchcraft, and the Spirit World (MIT)

Description

Spiritual, magical, and "occult" aspects of human behavior in anthropological and historical perspective: magic, ritual curing, trance, spirit possession, sorcery, and accusations of witchcraft. Material drawn from traditional nonwestern societies, medieval and early modern Europe, and colonial and contemporary North America.

Subjects

anthropology | sorcery | spirit possession | ritual curing | magic | witchcraft

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allsimplifiedchinesecourses.xml

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21A.211 Magic, Witchcraft, and the Spirit World (MIT)

Description

Spiritual, magical, and "occult" aspects of human behavior in anthropological and historical perspective: magic, ritual curing, trance, spirit possession, sorcery, and accusations of witchcraft. Material drawn from traditional nonwestern societies, medieval and early modern Europe, and colonial and contemporary North America.

Subjects

anthropology | sorcery | spirit possession | ritual curing | magic | witchcraft

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

Site sourced from

https://ocw.mit.edu/rss/all/mit-allcourses.xml

Attribution

Click to get HTML | Click to get attribution | Click to get URL

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