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21M.873 Theater Arts Topics (MIT) 21M.873 Theater Arts Topics (MIT)

Description

Directed practice in acting, directing, or design on a sustained theater piece, either one-act or full length, from pre-rehearsal preparation to workshop production. Directed practice in acting, directing, or design on a sustained theater piece, either one-act or full length, from pre-rehearsal preparation to workshop production.

Subjects

Acting; directing; design; theater; one-act; full length; pre-rehearsal; workshop; production; theater arts; directed practice; stagecraft; Dramashop; rehearsal; Anne Washburn; play; The Internationalist; Sonenberg; auditions; technical. | Acting; directing; design; theater; one-act; full length; pre-rehearsal; workshop; production; theater arts; directed practice; stagecraft; Dramashop; rehearsal; Anne Washburn; play; The Internationalist; Sonenberg; auditions; technical. | Acting; | Acting; | Acting | Acting | directing | directing | design | design | theater | theater | one-act | one-act | full length | full length | pre-rehearsal | pre-rehearsal | workshop | workshop | production | production | theater arts | theater arts | directed practice | directed practice | stagecraft | stagecraft | Dramashop | Dramashop | rehearsal | rehearsal | Anne Washburn | Anne Washburn | play | play | The Internationalist | The Internationalist | Sonenberg | Sonenberg | auditions | auditions | technical | technical

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Repairing locomotives at the Scotswood Works Repairing locomotives at the Scotswood Works

Description

Subjects

industry | industry | metal | metal | bar | bar | standing | standing | train | train | interesting | interesting | wire | wire | workers | workers | construction | construction | industrial | industrial | factory | factory | pattern | pattern | floor | floor | box | box | britain | britain | mark | mark | steel | steel | parts | parts | pipe | pipe | platform | platform | machine | machine | plate | plate | rope | rope | row | row | structure | structure | line | line | pole | pole | beam | beam | chain | chain | workshop | workshop | transportation | transportation | frame | frame | porthole | porthole | bolt | bolt | cylinder | cylinder | barrier | barrier | locomotive | locomotive | repairing | repairing | products | products | unusual | unusual | hook | hook | tyneside | tyneside | chord | chord | locomotives | locomotives | repairs | repairs | global | global | sections | sections | newcastleupontyne | newcastleupontyne | fascinating | fascinating | digitalimage | digitalimage | factories | factories | nineteenthcentury | nineteenthcentury | rivertyne | rivertyne | manufacturing | manufacturing | boilers | boilers | industrialheritage | industrialheritage | northeastofengland | northeastofengland | vickersarmstrong | vickersarmstrong | elswickworks | elswickworks | workshopoftheworld | workshopoftheworld | scotswoodworks | scotswoodworks | april1948 | april1948 | 12shop | 12shop

License

No known copyright restrictions

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The Shell Department at the Elswick Works The Shell Department at the Elswick Works

Description

Subjects

light | light | woman | woman | shells | shells | men | men | industry | industry | wall | wall | shirt | shirt | standing | standing | scarf | scarf | bench | bench | table | table | shoe | shoe | glasses | glasses | interesting | interesting | workers | workers | industrial | industrial | factory | factory | shine | shine | hand | hand | darkness | darkness | floor | floor | unitedkingdom | unitedkingdom | britain | britain | timber | timber | lace | lace | mark | mark | interior | interior | military | military | board | board | debris | debris | leg | leg | grain | grain | working | working | shell | shell | tie | tie | tools | tools | apron | apron | company | company | jacket | jacket | cap | cap | workshop | workshop | archives | archives | ww2 | ww2 | zipper | zipper | products | products | unusual | unusual | striking | striking | bombs | bombs | crease | crease | weight | weight | attentive | attentive | newcastleupontyne | newcastleupontyne | fascinating | fascinating | digitalimage | digitalimage | factories | factories | wartime | wartime | secondworldwar | secondworldwar | rivertyne | rivertyne | manufacturing | manufacturing | industrialheritage | industrialheritage | armaments | armaments | blackandwhitephotograph | blackandwhitephotograph | northeastofengland | northeastofengland | womenworkers | womenworkers | lordarmstrong | lordarmstrong | vickersarmstrong | vickersarmstrong | elswickworks | elswickworks | williamgeorgearmstrong | williamgeorgearmstrong | workshopoftheworld | workshopoftheworld | scotswoodworks | scotswoodworks | vickersarmstrongcollection | vickersarmstrongcollection | 2december1942 | 2december1942 | theshelldepartment | theshelldepartment | trenchmortarbombs | trenchmortarbombs | gauging42inch | gauging42inch

License

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21W.755 Writing and Reading Short Stories (MIT) 21W.755 Writing and Reading Short Stories (MIT)

Description

This class will focus on the craft of the short story, which we will explore through reading great short stories, writers speaking about writing, writing exercises and conducting workshops on original stories. This class will focus on the craft of the short story, which we will explore through reading great short stories, writers speaking about writing, writing exercises and conducting workshops on original stories.

Subjects

short story | short story | voice | voice | point of view | point of view | character | character | place | place | plot | plot | pace | pace | conflict | conflict | want | want | obstacle | obstacle | writer's block | writer's block | workshop | workshop | incident | incident | description | description | publishing | publishing | revelation | revelation | reader | reader | writer | writer | free writing | free writing | rewrite | rewrite

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.777 The Science Essay (MIT) 21W.777 The Science Essay (MIT)

Description

This class celebrates, analyzes and practices the art and craft of the Science Essay - that is, writing for a general audience on topics in science and technology. We read a variety of essays, but writing and revision are the main work of the class. This class is conducted as a combination workshop/seminar style class. (It is not a lecture class.) This class celebrates, analyzes and practices the art and craft of the Science Essay - that is, writing for a general audience on topics in science and technology. We read a variety of essays, but writing and revision are the main work of the class. This class is conducted as a combination workshop/seminar style class. (It is not a lecture class.)

Subjects

Science | Science | Essay | Essay | Writing | Writing | Technology | Technology | Edit | Edit | Culture | Culture | Themes | Themes | Biography | Biography | Draft | Draft | Portfolio | Portfolio | audience | audience | revision | revision | writers | writers | workshop | workshop

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.732 Costume Design for the Theater (MIT) 21M.732 Costume Design for the Theater (MIT)

Description

This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects. This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects.

Subjects

Theater | Theater | workshop | workshop | design | design | costume | costume | psychology | psychology | clothing | clothing | character analysis | character analysis | script | script | directorial concept | directorial concept | period | period | research | research | drawing | drawing | rendering | rendering | skills | skills | practical exercises | practical exercises | basic | basic | construction | construction | drafting | drafting | draping | draping | tools | tools | projects. | projects.

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.730-2 Expository Writing - Food for Thought: Writing and Reading about Food and Culture (MIT) 21W.730-2 Expository Writing - Food for Thought: Writing and Reading about Food and Culture (MIT)

Description

"Civilization is mostly the story of how seeds, meats, and ways to cook them travel from place to place." - Adam Gopnik, "What's Cooking.""A significant part of the pleasure of eating is in one's accurate consciousness of the lives and the world from which food comes." - Wendell Berry, "The Pleasures of Eating."If you are what you eat, what are you? Food is at once the stuff of life and a potent symbol; it binds us to the earth, to our families, and to our cultures. The aroma of turkey roasting or the taste of green tea can be a portal to memories, while too many Big Macs can clog our arteries. The chef is an artist, yet those who pick oranges or process meat may be little more than slaves. In this class, we will explore many of the fascinating iss "Civilization is mostly the story of how seeds, meats, and ways to cook them travel from place to place." - Adam Gopnik, "What's Cooking.""A significant part of the pleasure of eating is in one's accurate consciousness of the lives and the world from which food comes." - Wendell Berry, "The Pleasures of Eating."If you are what you eat, what are you? Food is at once the stuff of life and a potent symbol; it binds us to the earth, to our families, and to our cultures. The aroma of turkey roasting or the taste of green tea can be a portal to memories, while too many Big Macs can clog our arteries. The chef is an artist, yet those who pick oranges or process meat may be little more than slaves. In this class, we will explore many of the fascinating iss

Subjects

Expository | Expository | writing | writing | food | food | thought | thought | life | life | symbol | symbol | it earth | it earth | families | families | cultures | cultures | The aroma of turkey memories | The aroma of turkey memories | chef | chef | artist | artist | family meals | family meals | art | art | science | science | cooking | cooking | fair trade | fair trade | eating disorders | eating disorders | Fast Food Nation | Fast Food Nation | films | films | videos | videos | personal narratives | personal narratives | essays | essays | research | research | workshop. | workshop.

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.745 Advanced Essay Workshop (MIT) 21W.745 Advanced Essay Workshop (MIT)

Description

This course is a workshop for advanced students with some experience in writing essays, nonfiction prose. Our focus will be negotiating and representing identities grounded in gender, race, class, nationality, sexuality, and other categories of identity, either our own or other's, in prose that is expository, exploratory, investigative, persuasive, lyrical, or incantatory. We will read nonfiction prose works by a wide array of writers who have used language to negotiate and represent aspects of identity and the ways the different determinants of identity intersect, compete, and cooperate. This course is a workshop for advanced students with some experience in writing essays, nonfiction prose. Our focus will be negotiating and representing identities grounded in gender, race, class, nationality, sexuality, and other categories of identity, either our own or other's, in prose that is expository, exploratory, investigative, persuasive, lyrical, or incantatory. We will read nonfiction prose works by a wide array of writers who have used language to negotiate and represent aspects of identity and the ways the different determinants of identity intersect, compete, and cooperate.

Subjects

workshop | workshop | advanced students | advanced students | writing | writing | essays | essays | nonfiction | nonfiction | prose | prose | identities | identities | gender | gender | race | race | class | class | nationality | nationality | sexuality | sexuality | identity | identity | expository | expository | exploratory | exploratory | investigative | investigative | persuasive | persuasive | lyrical | lyrical | incantatory | incantatory | determinants of identity | determinants of identity | intersect | intersect | compete | compete | cooperate | cooperate | SP.576 | SP.576

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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1.133 Masters of Engineering Concepts of Engineering Practice (MIT) 1.133 Masters of Engineering Concepts of Engineering Practice (MIT)

Description

1.133 is a core requirement for the Master of Engineering (M. Eng.) program. It features lectures presented by a variety of industry and academic speakers. The course is designed to teach students about the roles of today's professional engineer and to expose them to team-building skills through lectures, team workshops, and seminars. Topics include: written and oral communications, job placement skills, trends in the engineering and construction industry, proposal preparation, project evaluation, project management, professional ethics, and negotiation. The course draws on relevent large scale projects to illustrate each component of the subject. Course lectures are integrated with a weekly seminar series and the MEng group project subjects which are mentioned herein.  1.133 is a core requirement for the Master of Engineering (M. Eng.) program. It features lectures presented by a variety of industry and academic speakers. The course is designed to teach students about the roles of today's professional engineer and to expose them to team-building skills through lectures, team workshops, and seminars. Topics include: written and oral communications, job placement skills, trends in the engineering and construction industry, proposal preparation, project evaluation, project management, professional ethics, and negotiation. The course draws on relevent large scale projects to illustrate each component of the subject. Course lectures are integrated with a weekly seminar series and the MEng group project subjects which are mentioned herein. 

Subjects

professional engineer | professional engineer | team-building skills | team-building skills | lectures | lectures | team workshops | team workshops | seminars | seminars | written communication | written communication | oral communication | oral communication | job placement skills | job placement skills | trends in the engineering | trends in the engineering | trends in construction industry | trends in construction industry | risk analysis | risk analysis | risk management | risk management | managing public information | managing public information | proposal preparation | proposal preparation | project evaluation | project evaluation | project management | project management | liability | liability | professional ethics | professional ethics | negotiation | negotiation | construction industry | construction industry | engineering | engineering | resume writing | resume writing | technical writing | technical writing | job placement interviews | job placement interviews | alternative dispute resolution | alternative dispute resolution

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21G.414 German Culture, Media, and Society (MIT) 21G.414 German Culture, Media, and Society (MIT)

Description

Dieser Kurs beleuchtet schwerpunktartig das neue Selbstbewusstsein von Minoritäten in Deutschland. Zahlreiche aktuelle Beispiele aus Film, Radio, Fernsehen und Literatur belegen den zunehmenden Beitrag dieser Gruppe zum Kultur- und Medienschaffen in Deutschland, sowie deren sich verändernde Repräsentation in den deutschen Medien. Ein zweiter Themenbereich behandelt den neuen Blick nach Osten und die aktuelle Verarbeitung der deutschen Vereinigung unter dem Stichwort Ostalgie. Jüngste Beispiele von populären Medienformen wie Hörspiel und Kurzfilm verdeutlichen die spezifischen Produktions- und Rezeptionsbedingungen in der deutschen Medienlandschaft. In einem Hörspiel-Workshop mit der deutsch-japanischen Schriftstellerin Yoko Taw Dieser Kurs beleuchtet schwerpunktartig das neue Selbstbewusstsein von Minoritäten in Deutschland. Zahlreiche aktuelle Beispiele aus Film, Radio, Fernsehen und Literatur belegen den zunehmenden Beitrag dieser Gruppe zum Kultur- und Medienschaffen in Deutschland, sowie deren sich verändernde Repräsentation in den deutschen Medien. Ein zweiter Themenbereich behandelt den neuen Blick nach Osten und die aktuelle Verarbeitung der deutschen Vereinigung unter dem Stichwort Ostalgie. Jüngste Beispiele von populären Medienformen wie Hörspiel und Kurzfilm verdeutlichen die spezifischen Produktions- und Rezeptionsbedingungen in der deutschen Medienlandschaft. In einem Hörspiel-Workshop mit der deutsch-japanischen Schriftstellerin Yoko Taw

Subjects

German | German | Germany | Germany | minorities | minorities | film | film | radio | radio | television | television | literature | literature | culture | culture | media | media | Ostalgie | Ostalgie | kurzfilm | kurzfilm | radioplay | radioplay | workshop | workshop | Yoko Tawada | Yoko Tawada | production | production | Aprilkinder | Aprilkinder | Fatih Akin | Fatih Akin | Kanak Attack | Kanak Attack | Good Bye Lenin | Good Bye Lenin | Sonnenallee | Sonnenallee | Zimmerspringbrunnen | Zimmerspringbrunnen | Halbe Treppe | Halbe Treppe | Walter Ruttmann | Walter Ruttmann | Paul W?hr; Bill Fontana. | Paul W?hr; Bill Fontana. | Paul W?hr | Paul W?hr | Bill Fontana. | Bill Fontana.

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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17.918 New Global Agenda: Exploring 21st Century Challenges through Innovations in Information Technologies (MIT) 17.918 New Global Agenda: Exploring 21st Century Challenges through Innovations in Information Technologies (MIT)

Description

This workshop is designed to introduce students to different perspectives on international politics in the 21st century. Students will explore how advances in information technology are changing international relations and global governance through opening new channels of communication, creating new methods of education, and new potentials for democratization. We will consider the positive and negative externalities associated with applications of such technologies. Students will be encouraged to look at alternative futures, and/or to frame solutions to problems that they define. The class will include guest lectures, discussions, and a final project and presentation. This workshop is designed to introduce students to different perspectives on international politics in the 21st century. Students will explore how advances in information technology are changing international relations and global governance through opening new channels of communication, creating new methods of education, and new potentials for democratization. We will consider the positive and negative externalities associated with applications of such technologies. Students will be encouraged to look at alternative futures, and/or to frame solutions to problems that they define. The class will include guest lectures, discussions, and a final project and presentation.

Subjects

Political science | Political science | global | global | Twenty-first Century | Twenty-first Century | innovation | innovation | challenges | challenges | information technology | information technology | workshop | workshop | international politics | international politics | international relations | international relations | global governance | global governance | communication | communication | education | education | democratization | democratization | alternative futures | alternative futures | solutions | solutions

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.184 Architectural Design Workshops: Computational Design for Housing (MIT) 4.184 Architectural Design Workshops: Computational Design for Housing (MIT)

Description

An intensive nine day remote collaborative workshop involving MIT and Miyagi University in Japan. The objective is to develop a small housing project using shape computation as a design methodology. Students will use and test new interactive software for designing, sharing applications with overseas partners, presenting projects on an Internet workspace, and critiquing design proposals through the web and other advanced digital technologies. Students will be expected to do most of their work in class. An intensive nine day remote collaborative workshop involving MIT and Miyagi University in Japan. The objective is to develop a small housing project using shape computation as a design methodology. Students will use and test new interactive software for designing, sharing applications with overseas partners, presenting projects on an Internet workspace, and critiquing design proposals through the web and other advanced digital technologies. Students will be expected to do most of their work in class.

Subjects

workshop | workshop | design inquiry | design inquiry | problem | problem | research | research | studio | studio | Remote Collaboration | Remote Collaboration | Design Computation | Design Computation | shape | shape | buildings | buildings | virtual | virtual | workspace | workspace

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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1.133 Masters of Engineering Concepts of Engineering Practice (MIT) 1.133 Masters of Engineering Concepts of Engineering Practice (MIT)

Description

This course is a core requirement for the Masters in Engineering program, designed to teach students about the roles of today's professional engineer and expose them to team-building skills through lectures, team workshops, and seminars. Topics include: written and oral communication, job placement skills, trends in the engineering and construction industry, risk analysis and risk management, managing public information, proposal preparation, project evaluation, project management, liability, professional ethics, and negotiation. The course draws on relevant large-scale projects to illustrate each component of the subject. This course is a core requirement for the Masters in Engineering program, designed to teach students about the roles of today's professional engineer and expose them to team-building skills through lectures, team workshops, and seminars. Topics include: written and oral communication, job placement skills, trends in the engineering and construction industry, risk analysis and risk management, managing public information, proposal preparation, project evaluation, project management, liability, professional ethics, and negotiation. The course draws on relevant large-scale projects to illustrate each component of the subject.

Subjects

professional engineer | professional engineer | team-building skills | team-building skills | lectures | lectures | team workshops | team workshops | seminars | seminars | written communication | written communication | oral communication | oral communication | job placement skills | job placement skills | trends in engineering | trends in engineering | trends in construction industry | trends in construction industry | risk analysis | risk analysis | risk management | risk management | proposal preparation | proposal preparation | request for proposal | request for proposal | small business | small business | professional registration | professional registration | project evaluation | project evaluation | project management | project management | liability | liability | professional ethics | professional ethics | negotiation | negotiation

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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11.310J Media Technology and City Design and Development (MIT) 11.310J Media Technology and City Design and Development (MIT)

Description

This workshop explores the potential of media technology and the Internet to enhance communication and transform city design and community development in inner-city neighborhoods. The class introduces a variety of methods for describing or representing a place and its residents, for simulating actions and changes, for presenting visions of the future, and for engaging multiple actors in the process of envisioning change and guiding action. Students will engage two neighborhoods: the Mill Creek neighborhood of West Philadelphia, PA, and the Brightwood/Northend neighborhood of Springfield, MA. Students will meet real people working on real projects, put theory into practice, and reflect on insights gained in the process. Our hope is that student work will contribute to new initiatives i This workshop explores the potential of media technology and the Internet to enhance communication and transform city design and community development in inner-city neighborhoods. The class introduces a variety of methods for describing or representing a place and its residents, for simulating actions and changes, for presenting visions of the future, and for engaging multiple actors in the process of envisioning change and guiding action. Students will engage two neighborhoods: the Mill Creek neighborhood of West Philadelphia, PA, and the Brightwood/Northend neighborhood of Springfield, MA. Students will meet real people working on real projects, put theory into practice, and reflect on insights gained in the process. Our hope is that student work will contribute to new initiatives i

Subjects

workshop | workshop | community development in inner-city neighborhoods | community development in inner-city neighborhoods | internet | internet | digital | digital | teaching tool | teaching tool | media | media | urban | urban | design | design | West Philadelphia | West Philadelphia | Mill Creek | Mill Creek | urban environmental design | urban environmental design | information technology | information technology | public education | public education | city design | city design | community development | community development | inner-city neighborhoods | inner-city neighborhoods | design and planning | design and planning | grassroots efforts | grassroots efforts | neighborhood-based design | neighborhood-based design | environmental and community history | environmental and community history | planning | planning | community and watershed | community and watershed | WPLP | WPLP | school and community | school and community | interactive design | interactive design | 11.310 | 11.310 | 4.243 | 4.243

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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11.310J Media Technology and City Design and Development (MIT) 11.310J Media Technology and City Design and Development (MIT)

Description

This workshop explores the potential of media technology and the Internet to enhance communication and transform city design and community development in inner-city neighborhoods. The class introduces a variety of methods for describing or representing a place and its residents, for simulating actions and changes, for presenting visions of the future, and for engaging multiple actors in the process of envisioning change and guiding action. Students will engage one neighborhood, meet real people working on real projects, put theory into practice, and reflect on insights gained in the process. This year the course will examine what it means to be an urban designer/planner and how to create a digital teaching tool (using digital storytelling) that supports others in learning about the relatio This workshop explores the potential of media technology and the Internet to enhance communication and transform city design and community development in inner-city neighborhoods. The class introduces a variety of methods for describing or representing a place and its residents, for simulating actions and changes, for presenting visions of the future, and for engaging multiple actors in the process of envisioning change and guiding action. Students will engage one neighborhood, meet real people working on real projects, put theory into practice, and reflect on insights gained in the process. This year the course will examine what it means to be an urban designer/planner and how to create a digital teaching tool (using digital storytelling) that supports others in learning about the relatio

Subjects

workshop | workshop | community development in inner-city neighborhoods | community development in inner-city neighborhoods | internet | internet | digital | digital | teaching tool | teaching tool | media | media | urban | urban | design | design | 11.310 | 11.310

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.732 Beginning Costume Design and Construction (MIT) 21M.732 Beginning Costume Design and Construction (MIT)

Description

This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects. This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects.

Subjects

Theater | Theater | workshop | workshop | design | design | costume | costume | psychology | psychology | clothing | clothing | character analysis | character analysis | script | script | directorial concept | directorial concept | period | period | research | research | drawing | drawing | rendering | rendering | skills | skills | practical exercises | practical exercises | construction | construction | drafting | drafting | draping | draping | tools | tools | projects | projects

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.873 Theater Arts Topics - Suburbia (MIT) 21M.873 Theater Arts Topics - Suburbia (MIT)

Description

Includes audio/video content: AV special element audio. Directed practice in acting, production, or design on a sustained theater piece, either one-act or full length, from pre-rehearsal preparation to workshop production. Consult Theater Arts Office. Includes directed practice in stagecraft. Dramashop rehearses a production of Eric Bogosian's play "subUrbia" for presentation the first two weekends in February. Visiting artist, David R. Gammons, directs. Approximately 10 roles filled by auditions. Students can receive up to six credits for acting or technical positions. Schedule of rehearsals to be arranged, but actors should be available during the afternoon. Students must be available for performances in early February. This course is offered during the Independent Activities Period Includes audio/video content: AV special element audio. Directed practice in acting, production, or design on a sustained theater piece, either one-act or full length, from pre-rehearsal preparation to workshop production. Consult Theater Arts Office. Includes directed practice in stagecraft. Dramashop rehearses a production of Eric Bogosian's play "subUrbia" for presentation the first two weekends in February. Visiting artist, David R. Gammons, directs. Approximately 10 roles filled by auditions. Students can receive up to six credits for acting or technical positions. Schedule of rehearsals to be arranged, but actors should be available during the afternoon. Students must be available for performances in early February. This course is offered during the Independent Activities Period

Subjects

Acting | Acting | directing | directing | design | design | theater | theater | one-act | one-act | full length | full length | pre-rehearsal | pre-rehearsal | workshop | workshop | production | production | theater arts | theater arts | directed practice | directed practice | stagecraft | stagecraft | Dramashop | Dramashop | rehearsal | rehearsal | subUrbia | subUrbia | David Gammons | David Gammons | Eric Bogosian | Eric Bogosian | play | play | auditions | auditions | technical | technical | audio | audio | video | video | images | images

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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SP.292 Writing Workshop (MIT) SP.292 Writing Workshop (MIT)

Description

MIT students are challenged daily to solve for x, to complete four problem sets, two papers, and prepare for an exam worth 30% of their grade... all in one night. When they do stop to breathe, it's for a shower or a meal. What does this have to do with creative writing? Everything. Creative writing and MIT go together better than you might imagine. MIT students are challenged daily to solve for x, to complete four problem sets, two papers, and prepare for an exam worth 30% of their grade... all in one night. When they do stop to breathe, it's for a shower or a meal. What does this have to do with creative writing? Everything. Creative writing and MIT go together better than you might imagine.

Subjects

creative writing | creative writing | writing | writing | workshop | workshop | reading | reading | reflection | reflection | revision | revision | microfiction | microfiction | essay | essay | satire | satire | contributors' note | contributors' note | OuLiPo | OuLiPo

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21G.225 Advanced Workshop in Writing for Science and Engineering (ELS) (MIT) 21G.225 Advanced Workshop in Writing for Science and Engineering (ELS) (MIT)

Description

Analysis and practice of various forms of scientific and technical writing, from memos to journal articles. Strategies for conveying technical information to specialist and non-specialist audiences. Comparable to 21W.780 but methods designed to deal with special problems of advanced ELS or bilingual students. The goal of the workshop is to develop effective writing skills for academic and professional contexts. Models, materials, topics and assignments vary from semester to semester. Analysis and practice of various forms of scientific and technical writing, from memos to journal articles. Strategies for conveying technical information to specialist and non-specialist audiences. Comparable to 21W.780 but methods designed to deal with special problems of advanced ELS or bilingual students. The goal of the workshop is to develop effective writing skills for academic and professional contexts. Models, materials, topics and assignments vary from semester to semester.

Subjects

English | English | group discussion | group discussion | group analyses | group analyses | speaking exercise | speaking exercise | workshop | workshop | formal paper | formal paper | non-expert audience | non-expert audience | audience | audience | correspondence | correspondence | writing | writing | research proposal | research proposal

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21W.730 Writing on Contemporary Issues: Social and Ethical Issues (MIT) 21W.730 Writing on Contemporary Issues: Social and Ethical Issues (MIT)

Description

This course provides the opportunity for students-as readers, viewers, writers and speakers-to engage with social and ethical issues they care deeply about. Over the course of the semester, through discussing the writing of classic and contemporary authors, we will explore different perspectives on a range of social issues such as free speech, poverty and homelessness, mental illness, capital punishment and racial and gender inequality. In addition, we will analyze selected documentary and feature films and photographs that represent or dramatize social problems or issues. In assigned essays, students will have the opportunity to write about social and ethical issues of their own choice. This course aims to help students to grow significantly in their ability to understand and grappl This course provides the opportunity for students-as readers, viewers, writers and speakers-to engage with social and ethical issues they care deeply about. Over the course of the semester, through discussing the writing of classic and contemporary authors, we will explore different perspectives on a range of social issues such as free speech, poverty and homelessness, mental illness, capital punishment and racial and gender inequality. In addition, we will analyze selected documentary and feature films and photographs that represent or dramatize social problems or issues. In assigned essays, students will have the opportunity to write about social and ethical issues of their own choice. This course aims to help students to grow significantly in their ability to understand and grappl

Subjects

Writing on contemporary issues | Writing on contemporary issues | social issues | social issues | ethical issues | ethical issues | contemporary | contemporary | culture | culture | culture shock | culture shock | urban and environmental crises | urban and environmental crises | issues of race and gender | issues of race and gender | media saturation | media saturation | language and representation | language and representation | writing | writing | workshop | workshop | uncertainty | uncertainty | confusion | confusion | assimilating | assimilating | assimilation | assimilation | current | current

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Showering on Skylab Showering on Skylab

Description

Subjects

shower | shower | ows | ows | jacklousma | jacklousma | alanbean | alanbean | skylab3 | skylab3 | owengarriott | owengarriott | orbitalworkshop | orbitalworkshop

License

No known copyright restrictions

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21W.763J Transmedia Storytelling: Modern Science Fiction (MIT) 21W.763J Transmedia Storytelling: Modern Science Fiction (MIT)

Description

Transmedia narratives exist across multiple storytelling platforms, using the advantages of each to enhance the experience of the audience. No matter which medium nor how many, the heart of any successful transmedia project is a good story. In this class we will spend time on the basics of solid storytelling in speculative fiction before we move on to how to translate those elements into various media. We will then explore how different presentations in different media can complement and enhance our storytelling. While we will read scholarly articles and discuss ideas about transmedia, this is primarily a class in making speculative fiction transmedia projects. We will analyze the strengths and weaknesses of various mediums and consider how they complement each other, and how by using Transmedia narratives exist across multiple storytelling platforms, using the advantages of each to enhance the experience of the audience. No matter which medium nor how many, the heart of any successful transmedia project is a good story. In this class we will spend time on the basics of solid storytelling in speculative fiction before we move on to how to translate those elements into various media. We will then explore how different presentations in different media can complement and enhance our storytelling. While we will read scholarly articles and discuss ideas about transmedia, this is primarily a class in making speculative fiction transmedia projects. We will analyze the strengths and weaknesses of various mediums and consider how they complement each other, and how by using

Subjects

21W.763 | 21W.763 | transmedia | transmedia | scifi | scifi | kitsch | kitsch | zombies | zombies | storytelling | storytelling | narrative | narrative | workshop | workshop | speculative | speculative | fiction | fiction

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.021 Writing and Experience: MIT: Inside, Live (MIT) 21W.021 Writing and Experience: MIT: Inside, Live (MIT)

Description

During this seminar, students will chronicle their MIT experiences and investigate MIT history and culture. Visits to the MIT archives and museum, along with relevant readings, will supplement students’ experiences as source material for discussion and writing. During this seminar, students will chronicle their MIT experiences and investigate MIT history and culture. Visits to the MIT archives and museum, along with relevant readings, will supplement students’ experiences as source material for discussion and writing.

Subjects

MIT | MIT | history | history | culture | culture | writing | writing | campus | campus | graphic essay | graphic essay | journal | journal | Angles | Angles | Ilona Karmel Writing Prize | Ilona Karmel Writing Prize | library | library | freewriting | freewriting | museum | museum | workshop | workshop | archives | archives | student | student

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.732-2 Introduction to Technical Communication: Ethics in Science and Technology (MIT) 21W.732-2 Introduction to Technical Communication: Ethics in Science and Technology (MIT)

Description

This section of Introduction to Technical Communication deals with ethical issues associated with the design, use, and propagation of technology. At virtually all stages of development and use, any technology can carry with it ethical dilemmas for both creators and users. Of particular interest is how such dilemmas are resolved (or complicated) according to how effectively they are communicated to stakeholders. This section of Introduction to Technical Communication deals with ethical issues associated with the design, use, and propagation of technology. At virtually all stages of development and use, any technology can carry with it ethical dilemmas for both creators and users. Of particular interest is how such dilemmas are resolved (or complicated) according to how effectively they are communicated to stakeholders.

Subjects

technology | technology | ethics | ethics | science | science | engineering | engineering | nuclear power | nuclear power | GM foods | GM foods | memo | memo | letter | letter | correspondence | correspondence | cover letter | cover letter | abstract | abstract | environmental ethics | environmental ethics | scientific writing | scientific writing | case study | case study | thesis | thesis | citation | citation | workshop | workshop | literature review | literature review | critical review | critical review | proposal | proposal | language | language

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.730-5 Writing on Contemporary Issues: Culture Shock! Writing, Editing, and Publishing in Cyberspace (MIT) 21W.730-5 Writing on Contemporary Issues: Culture Shock! Writing, Editing, and Publishing in Cyberspace (MIT)

Description

This course is an introduction to writing prose for a public audience—specifically, prose that is both critical and personal, that features your ideas, your perspective, and your voice to engage readers. The focus of our reading and your writing will be American popular culture, broadly defined. That is, you will write essays that critically engage elements and aspects of contemporary American popular culture and that do so via a vivid personal voice and presence. In the coming weeks we will read a number of pieces that address current issues in popular culture. These readings will address a great many subjects from the contemporary world to launch and elaborate an argument or position or refined observation. And you yourselves will write a great deal, attending always to the ways yo This course is an introduction to writing prose for a public audience—specifically, prose that is both critical and personal, that features your ideas, your perspective, and your voice to engage readers. The focus of our reading and your writing will be American popular culture, broadly defined. That is, you will write essays that critically engage elements and aspects of contemporary American popular culture and that do so via a vivid personal voice and presence. In the coming weeks we will read a number of pieces that address current issues in popular culture. These readings will address a great many subjects from the contemporary world to launch and elaborate an argument or position or refined observation. And you yourselves will write a great deal, attending always to the ways yo

Subjects

contemporary | contemporary | contemporary issues | contemporary issues | culture | culture | culture shock | culture shock | urban and environmental crises | urban and environmental crises | economic imperialism | economic imperialism | sexual and reproductive politics | sexual and reproductive politics | the ethics of biotechnologies | the ethics of biotechnologies | issues of race and gender | issues of race and gender | the romance of technology | the romance of technology | robotics and cyborg cultures | robotics and cyborg cultures | media saturation | media saturation | language and representation | language and representation | writing | writing | workshop | workshop | Honeymoon Phase | Honeymoon Phase | Negotiation Phase | Negotiation Phase | Adjustment Phase | Adjustment Phase | Reverse Culture Shock | Reverse Culture Shock | anxiety | anxiety | feelings | feelings | surprise | surprise | disorientation | disorientation | uncertainty | uncertainty | confusion | confusion | assimilating | assimilating | current | current

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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