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21W.035 Science Writing and New Media: Elements of Science Writing for the Public (MIT) 21W.035 Science Writing and New Media: Elements of Science Writing for the Public (MIT)

Description

This class is an introduction to writing about science–including nature, medicine, and technology–for general readers. In our reading and writing we explore the craft of making scientific concepts, and the work of scientists, accessible to the public through news articles and essays. The chief work of the class is students' writing. As part of our exploration of the craft of science writing, we will read essays and articles by writers such as David Quammen, Atul Gawande, Michael Pollan, and Elizabeth Kolbert. This class is an introduction to writing about science–including nature, medicine, and technology–for general readers. In our reading and writing we explore the craft of making scientific concepts, and the work of scientists, accessible to the public through news articles and essays. The chief work of the class is students' writing. As part of our exploration of the craft of science writing, we will read essays and articles by writers such as David Quammen, Atul Gawande, Michael Pollan, and Elizabeth Kolbert.

Subjects

writing | writing | science | science | technology | technology | communications | communications | medicine | medicine | public | public | public interest | public interest | science in the public interest | science in the public interest | education | education | literacy | literacy | science literacy | science literacy | scientific literacy | scientific literacy | nature | nature | nature writing | nature writing | craft | craft | process | process | scientists | scientists | news | news | article | article | essay | essay | write | write | read | read | composition | composition | revise | revise | revision | revision | rewrite | rewrite | archive | archive | archival | archival | history | history | history of science | history of science | history of technology | history of technology | history of medicine | history of medicine | history of nature | history of nature | nature of history | nature of history | nature of technology | nature of technology | technological history | technological history | medical history | medical history | science of history | science of history | writing history | writing history | history of writing | history of writing | writing history of history of science | writing history of history of science | interview | interview | interviewing | interviewing | publish | publish | publishing | publishing | teaching writing | teaching writing | writing teaching | writing teaching | book | book | book review | book review | writing book review | writing book review | discussion | discussion | draft | draft | drafting | drafting

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21W.035 Science Writing and New Media: Elements of Science Writing for the Public (MIT) 21W.035 Science Writing and New Media: Elements of Science Writing for the Public (MIT)

Description

This class is an introduction to writing about science–including nature, medicine, and technology–for general readers. In our reading and writing we explore the craft of making scientific concepts, and the work of scientists, accessible to the public through news articles and essays. The chief work of the class is students' writing. As part of our exploration of the craft of science writing, we will read essays and articles by writers such as David Quammen, Atul Gawande, Michael Pollan, and Elizabeth Kolbert. This class is an introduction to writing about science–including nature, medicine, and technology–for general readers. In our reading and writing we explore the craft of making scientific concepts, and the work of scientists, accessible to the public through news articles and essays. The chief work of the class is students' writing. As part of our exploration of the craft of science writing, we will read essays and articles by writers such as David Quammen, Atul Gawande, Michael Pollan, and Elizabeth Kolbert.

Subjects

writing | writing | science | science | technology | technology | communications | communications | medicine | medicine | public | public | public interest | public interest | science in the public interest | science in the public interest | education | education | literacy | literacy | science literacy | science literacy | scientific literacy | scientific literacy | nature | nature | nature writing | nature writing | craft | craft | process | process | scientists | scientists | news | news | article | article | essay | essay | write | write | read | read | composition | composition | revise | revise | revision | revision | rewrite | rewrite | archive | archive | archival | archival | history | history | history of science | history of science | history of technology | history of technology | history of medicine | history of medicine | history of nature | history of nature | nature of history | nature of history | nature of technology | nature of technology | technological history | technological history | medical history | medical history | science of history | science of history | writing history | writing history | history of writing | history of writing | writing history of history of science | writing history of history of science | interview | interview | interviewing | interviewing | publish | publish | publishing | publishing | teaching writing | teaching writing | writing teaching | writing teaching | book | book | book review | book review | writing book review | writing book review | discussion | discussion | draft | draft | drafting | drafting

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.758 Genre Fiction Workshop (MIT) 21W.758 Genre Fiction Workshop (MIT)

Description

Some argue that genre fiction is only a marketing category, but other critics say that different genres meet specific expectations of readers. This course examines these different agreements of what the reader wants and what the writer provides under the aegis of different genres. We will look at how genres are divided into subgenres, and how they are combined into cross-genre work, always keeping in mind the Reader-Writer Contact that is at the heart of genre writing. We shall also think about the ways in which crossing genres has led to the establishment of new genres (steampunk, preternatural romance) and strongly established subgenres (historical mystery, urban fantasy). Some argue that genre fiction is only a marketing category, but other critics say that different genres meet specific expectations of readers. This course examines these different agreements of what the reader wants and what the writer provides under the aegis of different genres. We will look at how genres are divided into subgenres, and how they are combined into cross-genre work, always keeping in mind the Reader-Writer Contact that is at the heart of genre writing. We shall also think about the ways in which crossing genres has led to the establishment of new genres (steampunk, preternatural romance) and strongly established subgenres (historical mystery, urban fantasy).

Subjects

writing | writing | creative writing | creative writing | fiction | fiction | fiction writing | fiction writing | writing fiction | writing fiction | genre fiction | genre fiction | genre | genre | genres | genres | fantasy | fantasy | fantasy writing | fantasy writing | science fiction | science fiction | mystery | mystery | historical fiction | historical fiction | preternatural romance | preternatural romance | horror | horror | steampunk | steampunk | workshop | workshop | revision | revision

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21W.758 Genre Fiction Workshop (MIT) 21W.758 Genre Fiction Workshop (MIT)

Description

Some argue that genre fiction is only a marketing category, but other critics say that different genres meet specific expectations of readers. This course examines these different agreements of what the reader wants and what the writer provides under the aegis of different genres. We will look at how genres are divided into subgenres, and how they are combined into cross-genre work, always keeping in mind the Reader-Writer Contact that is at the heart of genre writing. We shall also think about the ways in which crossing genres has led to the establishment of new genres (steampunk, preternatural romance) and strongly established subgenres (historical mystery, urban fantasy). Some argue that genre fiction is only a marketing category, but other critics say that different genres meet specific expectations of readers. This course examines these different agreements of what the reader wants and what the writer provides under the aegis of different genres. We will look at how genres are divided into subgenres, and how they are combined into cross-genre work, always keeping in mind the Reader-Writer Contact that is at the heart of genre writing. We shall also think about the ways in which crossing genres has led to the establishment of new genres (steampunk, preternatural romance) and strongly established subgenres (historical mystery, urban fantasy).

Subjects

writing | writing | creative writing | creative writing | fiction | fiction | fiction writing | fiction writing | writing fiction | writing fiction | genre fiction | genre fiction | genre | genre | genres | genres | fantasy | fantasy | fantasy writing | fantasy writing | science fiction | science fiction | mystery | mystery | historical fiction | historical fiction | preternatural romance | preternatural romance | horror | horror | steampunk | steampunk | workshop | workshop | revision | revision

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.780 Communicating in Technical Organizations (MIT) 21W.780 Communicating in Technical Organizations (MIT)

Description

This class offers students an opportunity to experiment with various forms and practices of cellphone communication and, most importantly, to propose and develop a semester-long project using advanced A780 cellphones donated by Motorola along with access to J2ME™ source code for programming cellphone applications. Class size is limited. Students in small collaborative groups will propose, implement and report on a semester-long project. This class offers students an opportunity to experiment with various forms and practices of cellphone communication and, most importantly, to propose and develop a semester-long project using advanced A780 cellphones donated by Motorola along with access to J2ME™ source code for programming cellphone applications. Class size is limited. Students in small collaborative groups will propose, implement and report on a semester-long project.

Subjects

communication | communication | contemporary engineering and science professional | contemporary engineering and science professional | analyzing how composition and publication contribute to work management and knowledge production | analyzing how composition and publication contribute to work management and knowledge production | writing specific kinds of documents in a clear style | writing specific kinds of documents in a clear style | communication as organizational process | communication as organizational process | electronic modes such as e-mail and the Internet | electronic modes such as e-mail and the Internet | the informational and social roles of specific document forms | the informational and social roles of specific document forms | writing as collaboration | writing as collaboration | the writing process | the writing process | the elements of style | the elements of style | methods of oral presentation | and communication ethics | methods of oral presentation | and communication ethics | case studies | case studies | writing assignments | writing assignments | oral presentation | oral presentation | methods of oral presentation | and communication ethics | methods of oral presentation | and communication ethics

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21W.780 Communicating in Technical Organizations (MIT) 21W.780 Communicating in Technical Organizations (MIT)

Description

This class offers students an opportunity to experiment with various forms and practices of cellphone communication and, most importantly, to propose and develop a semester-long project using advanced A780 cellphones donated by Motorola along with access to J2ME™ source code for programming cellphone applications. Class size is limited. Students in small collaborative groups will propose, implement and report on a semester-long project. This class offers students an opportunity to experiment with various forms and practices of cellphone communication and, most importantly, to propose and develop a semester-long project using advanced A780 cellphones donated by Motorola along with access to J2ME™ source code for programming cellphone applications. Class size is limited. Students in small collaborative groups will propose, implement and report on a semester-long project.

Subjects

communication | communication | contemporary engineering and science professional | contemporary engineering and science professional | analyzing how composition and publication contribute to work management and knowledge production | analyzing how composition and publication contribute to work management and knowledge production | writing specific kinds of documents in a clear style | writing specific kinds of documents in a clear style | communication as organizational process | communication as organizational process | electronic modes such as e-mail and the Internet | electronic modes such as e-mail and the Internet | the informational and social roles of specific document forms | the informational and social roles of specific document forms | writing as collaboration | writing as collaboration | the writing process | the writing process | the elements of style | the elements of style | methods of oral presentation | and communication ethics | methods of oral presentation | and communication ethics | case studies | case studies | writing assignments | writing assignments | oral presentation | oral presentation | methods of oral presentation | and communication ethics | methods of oral presentation | and communication ethics

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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: On Fibbing, Fact and Fabulation : On Fibbing, Fact and Fabulation

Description

The first Weinrebe lecture in life-writing was given by Michèle Roberts, Emeritus Professor of Creative Writing at the University of East Anglia. The lecture is introduced by Professor Hermione Lee. In this lecture, Michèle Roberts offers a stimulating blend of moving personal accounts, and thought-provoking reflections on the theory of life-writing. Michèle Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House which won the WHSmith Literary Award and was shortlisted for the Booker Prize. Her memoir Paper Houses was BBC Radio 4's Book of the Week in June 2007. She has also published poetry and short stories, most recently collected in Mud- stories of sex and love (2010). The first Weinrebe lecture in life-writing was given by Michèle Roberts, Emeritus Professor of Creative Writing at the University of East Anglia. The lecture is introduced by Professor Hermione Lee. In this lecture, Michèle Roberts offers a stimulating blend of moving personal accounts, and thought-provoking reflections on the theory of life-writing. Michèle Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House which won the WHSmith Literary Award and was shortlisted for the Booker Prize. Her memoir Paper Houses was BBC Radio 4's Book of the Week in June 2007. She has also published poetry and short stories, most recently collected in Mud- stories of sex and love (2010).

Subjects

life-writing | life-writing | writing | writing | #greatwriters | #greatwriters | biography | biography | fiction | fiction | life-writing | writing | #greatwriters | biography | fiction | life-writing | writing | #greatwriters | biography | fiction

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Where may truth lie? Fiction in memory, memory in fiction Where may truth lie? Fiction in memory, memory in fiction

Description

The award-winning author and memoirist Candia McWilliam attests to the edifying power of fiction and biography in the third lecture in the Weinrebe series from the Oxford Centre for Life-Writing. The award-winning author and memoirist Candia McWilliam attests to the edifying power of fiction and biography to help us see the world through the eyes of others, in the third lecture in the Weinrebe series from the Oxford Centre for Life-Writing. McWilliam overcame writer's block following a period of near-blindness brought on by the rare illness blepharospasm to write the Hawthornden Prize-winning memoir What to Look For in Winter. Wolfson College President and OCLW Director Hermione Lee, in her introduction to the lecture, described her voice as "subtle, original and sharp", and her memoir The award-winning author and memoirist Candia McWilliam attests to the edifying power of fiction and biography in the third lecture in the Weinrebe series from the Oxford Centre for Life-Writing. The award-winning author and memoirist Candia McWilliam attests to the edifying power of fiction and biography to help us see the world through the eyes of others, in the third lecture in the Weinrebe series from the Oxford Centre for Life-Writing. McWilliam overcame writer's block following a period of near-blindness brought on by the rare illness blepharospasm to write the Hawthornden Prize-winning memoir What to Look For in Winter. Wolfson College President and OCLW Director Hermione Lee, in her introduction to the lecture, described her voice as "subtle, original and sharp", and her memoir

Subjects

fiction | fiction | #greatwriters | #greatwriters | writing | writing | life-writing | life-writing | wolfson | wolfson | biography | biography | fiction | #greatwriters | writing | life-writing | wolfson | biography | 2012-02-14 | fiction | #greatwriters | writing | life-writing | wolfson | biography | 2012-02-14

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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What can I say? Secrets in fiction and biography What can I say? Secrets in fiction and biography

Description

Booker Prize winning novelist Alan Hollinghurst discusses fiction and biography in conversation with Hermione Lee at Wolfson College's Oxford Centre for Life-Writing (OCLW). Alan Hollinghurst gives an insight into the secrets of his fiction at Wolfson College's Oxford Centre for Life-Writing, speaking in conversation with College President and literary biographer Hermione Lee on the complex relationships between biographer and subject; lived experience and the attempt to record it, a subject he explores in his latest novel, The Stranger's Child. The conversation ranges over the changing attitudes to privacy charted through the historical span of the novel, the parallel liberation of biography and gay writing over the same period, the fallibility of the novelist's primary tool - memory Booker Prize winning novelist Alan Hollinghurst discusses fiction and biography in conversation with Hermione Lee at Wolfson College's Oxford Centre for Life-Writing (OCLW). Alan Hollinghurst gives an insight into the secrets of his fiction at Wolfson College's Oxford Centre for Life-Writing, speaking in conversation with College President and literary biographer Hermione Lee on the complex relationships between biographer and subject; lived experience and the attempt to record it, a subject he explores in his latest novel, The Stranger's Child. The conversation ranges over the changing attitudes to privacy charted through the historical span of the novel, the parallel liberation of biography and gay writing over the same period, the fallibility of the novelist's primary tool - memory

Subjects

#greatwriters | #greatwriters | gay literature | gay literature | creative | creative | life-writing | life-writing | writing | writing | biography | biography | #greatwriters | gay literature | creative | life-writing | writing | biography | 2012-02-07 | #greatwriters | gay literature | creative | life-writing | writing | biography | 2012-02-07

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21W.035 Science Writing and New Media: Elements of Science Writing for the Public (MIT)

Description

This class is an introduction to writing about science–including nature, medicine, and technology–for general readers. In our reading and writing we explore the craft of making scientific concepts, and the work of scientists, accessible to the public through news articles and essays. The chief work of the class is students' writing. As part of our exploration of the craft of science writing, we will read essays and articles by writers such as David Quammen, Atul Gawande, Michael Pollan, and Elizabeth Kolbert.

Subjects

writing | science | technology | communications | medicine | public | public interest | science in the public interest | education | literacy | science literacy | scientific literacy | nature | nature writing | craft | process | scientists | news | article | essay | write | read | composition | revise | revision | rewrite | archive | archival | history | history of science | history of technology | history of medicine | history of nature | nature of history | nature of technology | technological history | medical history | science of history | writing history | history of writing | writing history of history of science | interview | interviewing | publish | publishing | teaching writing | writing teaching | book | book review | writing book review | discussion | draft | drafting

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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7.02CI Experimental Biology - Communications Intensive (MIT) 7.02CI Experimental Biology - Communications Intensive (MIT)

Description

This course is the scientific communications portion of course 7.02, Experimental Biology and Communication. Students develop their skills as writers of scientific research, skills that also contribute to the learning of the 7.02 course materials. Through in class and out of class writing exercises, students explore the genre of the research article and its components while developing an understanding of the materials covered in the 7.02 laboratory. This course is the scientific communications portion of course 7.02, Experimental Biology and Communication. Students develop their skills as writers of scientific research, skills that also contribute to the learning of the 7.02 course materials. Through in class and out of class writing exercises, students explore the genre of the research article and its components while developing an understanding of the materials covered in the 7.02 laboratory.

Subjects

scientific writing | scientific writing | technical writing | technical writing | scientific communication | scientific communication | science writing | science writing | research article | research article | title | title | abstract | abstract | introduction | introduction | methods | methods | results | results | discussion | discussion | conclusion | conclusion | laboratory research paper | laboratory research paper | 7.02 | 7.02 | 10.702 | 10.702

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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2.THA Undergraduate Thesis for Course 2-A (MIT) 2.THA Undergraduate Thesis for Course 2-A (MIT)

Description

This course is taken by mechanical engineering majors during their senior year to prepare a detailed thesis proposal under the guidance of staff from the Writing Program. The thesis proposal must bear the endorsement of the thesis supervisor and indicate the number of units planned. This course is offered during the Independent Activities Period (IAP), which is a special 4-week term at MIT that runs from the first week of January until the end of the month. This course is taken by mechanical engineering majors during their senior year to prepare a detailed thesis proposal under the guidance of staff from the Writing Program. The thesis proposal must bear the endorsement of the thesis supervisor and indicate the number of units planned. This course is offered during the Independent Activities Period (IAP), which is a special 4-week term at MIT that runs from the first week of January until the end of the month.

Subjects

thesis | thesis | writing | writing | mechanical engineering | mechanical engineering | technical writing | technical writing | scientific writing | scientific writing | thesis proposal | thesis proposal

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21W.780 Communicating in Technical Organizations (MIT) 21W.780 Communicating in Technical Organizations (MIT)

Description

This course focuses on an exploration of the role that communication plays in the work of the contemporary engineering and science professional. Emphasis is placed on analyzing how composition and publication contribute to work management and knowledge production, as well as the "how-to" aspects of writing specific kinds of documents in a clear style. Topics include: communication as organizational process, electronic modes such as e-mail and the Internet, the informational and social roles of specific document forms, writing as collaboration, the writing process, the elements of style, methods of oral presentation, and communication ethics. Case studies used as the basis for class discussion and some writing assignments. Several short documents, a longer report or article, and a This course focuses on an exploration of the role that communication plays in the work of the contemporary engineering and science professional. Emphasis is placed on analyzing how composition and publication contribute to work management and knowledge production, as well as the "how-to" aspects of writing specific kinds of documents in a clear style. Topics include: communication as organizational process, electronic modes such as e-mail and the Internet, the informational and social roles of specific document forms, writing as collaboration, the writing process, the elements of style, methods of oral presentation, and communication ethics. Case studies used as the basis for class discussion and some writing assignments. Several short documents, a longer report or article, and a

Subjects

Communicating; Technical;Organizations | Communicating; Technical;Organizations | document | document | abstracts | abstracts | executive | executive | summaries | summaries | memos | memos | proposals | proposals | progress | progress | reports | reports | PowerPoint | PowerPoint | Web | Web | poster | poster | writing | writing | Communicating | Communicating | Technical | Technical | Organizations | Organizations | engineering professionals | engineering professionals | science professionals | science professionals | composition | composition | publication | publication | work management | work management | knowledge production | knowledge production | technical writing | technical writing | organizational process | organizational process | electronic communication | electronic communication | electronic mail | electronic mail | e-mail | e-mail | internet | internet | intranet | intranet | informational roles | informational roles | social roles | social roles | collaboration | collaboration | writing process | writing process | elements of style | elements of style | oral presentation | oral presentation | communication ethics | communication ethics | communicating technical information | communicating technical information | web-based media | web-based media | video | video | teleconferencing | teleconferencing | document types | document types | executive summaries | executive summaries | technical memos | technical memos | progress reports | progress reports | final reports | final reports | oral reports | oral reports

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21G.225 Advanced Workshop in Writing for Science and Engineering: ESL (MIT) 21G.225 Advanced Workshop in Writing for Science and Engineering: ESL (MIT)

Description

This workshop is designed to help advanced students of ESL and bilingual students to write clearly, accurately and effectively in a professional or academic technical environment. In class, we will focus on analyzing examples of various forms of technical writing. In addition, while 21F.225/6 is not a grammar review, we will address many of the common problems of advanced non-native writers of technical English. Class members will occasionally be the authors of the work under review. They will also occasionally be responsible for leading group discussions and for short oral presentations. The course, then, is not a grammar class nor a thesis editing service though we will spend considerable time developing student's editorial skills. Constructive partic This workshop is designed to help advanced students of ESL and bilingual students to write clearly, accurately and effectively in a professional or academic technical environment. In class, we will focus on analyzing examples of various forms of technical writing. In addition, while 21F.225/6 is not a grammar review, we will address many of the common problems of advanced non-native writers of technical English. Class members will occasionally be the authors of the work under review. They will also occasionally be responsible for leading group discussions and for short oral presentations. The course, then, is not a grammar class nor a thesis editing service though we will spend considerable time developing student's editorial skills. Constructive partic

Subjects

ESL | ESL | bilingual | bilingual | professional writing | professional writing | academic writing | academic writing | technical writing | technical writing | 21F.225 | 21F.225 | 21F.226 | 21F.226

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Writing skills

Description

This OER is intended to assist with advice and guidance to students on Writing Skills, including essay planning and writing, referencing, critical writing and critical reading. The OER also covers writing for science, writing reports, planning and conducting a dissertaion research project.

Subjects

ukoer | writing | writing skills | referencing | essay writing | critical reading | critical writing | writing reports | key skills | writing for science | leicester university | otter | Education | X000

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21G.104 Chinese IV (Regular) (MIT) 21G.104 Chinese IV (Regular) (MIT)

Description

This is the continuing instruction in spoken and written Chinese, with particular emphasis on consolidating basic conversational skills and improving reading confidence and depth.Upon completion of the course, students should be able to speak Chinese with some fluency on basic conversational topics, achieve a basic level of reading competence within simplified and traditional characters learned plus common compounds, and be able to write short compositions.Technical RequirementsMicrosoft Internet Explorer (version 5.0+) on Microsoft Windows:From VIEW menu select Encoding... Auto Select... orChinese AutoSelect.Netscape (version 7.0+) on Microsoft Windows:From VIEW menu, select Character Coding...AutoDetect… Chinese.Microsoft Internet Explorer (version 5.0+) on Macintosh OS 9 or X: This is the continuing instruction in spoken and written Chinese, with particular emphasis on consolidating basic conversational skills and improving reading confidence and depth.Upon completion of the course, students should be able to speak Chinese with some fluency on basic conversational topics, achieve a basic level of reading competence within simplified and traditional characters learned plus common compounds, and be able to write short compositions.Technical RequirementsMicrosoft Internet Explorer (version 5.0+) on Microsoft Windows:From VIEW menu select Encoding... Auto Select... orChinese AutoSelect.Netscape (version 7.0+) on Microsoft Windows:From VIEW menu, select Character Coding...AutoDetect… Chinese.Microsoft Internet Explorer (version 5.0+) on Macintosh OS 9 or X:

Subjects

chinese; languge; mandarin; reading; conversation; writing; culture; china; society; custom | chinese; languge; mandarin; reading; conversation; writing; culture; china; society; custom | language | language | chinese | chinese | mandarin | mandarin | reading | reading | conversation | conversation | culture | culture | writing | writing | china | china | custom | custom | society | society | aural comprehension | aural comprehension | common compounds | common compounds | composition | composition | conversational fluency | conversational fluency | grammar | grammar | language laboratory | language laboratory | reading competence | reading competence | simplified characters | simplified characters | oral exercises | oral exercises | vocabulary | vocabulary | writing exercises | writing exercises | traditional characters | traditional characters | Chinese culture | Chinese culture | Chinese customs | Chinese customs | Chinese society | Chinese society

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21L.703 Studies in Drama: Too Hot to Handle: Forbidden Plays in Modern America (MIT) 21L.703 Studies in Drama: Too Hot to Handle: Forbidden Plays in Modern America (MIT)

Description

Unlike film, theater in America does not have a ratings board that censors content. So plays have had more freedom to explore and to transgress normative culture. Yet censorship of the theater has been part of American culture from the beginning, and continues today. How and why does this happen, and who decides whether a play is too dangerous to see or to teach? Are plays dangerous? Sinful? Even demonic? In our seminar, we will study plays that have been censored, either legally or extra-legally (i.e. refused production, closed down during production, denied funding, or taken off school reading lists). We'll look at laws, both national and local, relating to the "obscene", as well as unofficial practices, and think about the way censorship operates in American life now. And of course w Unlike film, theater in America does not have a ratings board that censors content. So plays have had more freedom to explore and to transgress normative culture. Yet censorship of the theater has been part of American culture from the beginning, and continues today. How and why does this happen, and who decides whether a play is too dangerous to see or to teach? Are plays dangerous? Sinful? Even demonic? In our seminar, we will study plays that have been censored, either legally or extra-legally (i.e. refused production, closed down during production, denied funding, or taken off school reading lists). We'll look at laws, both national and local, relating to the "obscene", as well as unofficial practices, and think about the way censorship operates in American life now. And of course w

Subjects

drama | drama | forbidden plays | forbidden plays | Modern America | Modern America | decision alley | decision alley | drama strategies | drama strategies | drama skills | drama skills | purchasing institution | purchasing institution | drama activity | drama activity | drama activities | drama activities | writing opportunity | writing opportunity | last wolf | last wolf | learning medium | learning medium | literacy activities | literacy activities | writing opportunities | writing opportunities | foundation stage | foundation stage | assessment focus | assessment focus | two long lines | two long lines | dramatic activity | dramatic activity | action conventions | action conventions | literary arts | literary arts | storytelling | storytelling | poetry | poetry | live performance | live performance | ritual | ritual | entertainment | entertainment | communities | communities | social norms | social norms | audiences | audiences | plays | plays | dramatic structure | dramatic structure | performing arts | performing arts | writing | writing | discussion | discussion | writer | writer | speaker | speaker | cultures | cultures | tools | tools | fiction | fiction | ethical | ethical | historical | historical | political | political | artistic | artistic | questions | questions | creativity | creativity | self-awareness | self-awareness | communicate | communicate | theater | theater | outdoor public theatres | outdoor public theatres | scaena frons | scaena frons | many theatre artists | many theatre artists | violence onstage | violence onstage | neoclassical theatre | neoclassical theatre | neoclassical rules | neoclassical rules | medieval theatre | medieval theatre | environmental theatre | environmental theatre | departures from realism | departures from realism | significant playwrights | significant playwrights | first permanent theatre | first permanent theatre | theatre history | theatre history | theatre | theatre | censorship | censorship | blacklist | blacklist | banned | banned | obscenity | obscenity | architecture | architecture | selective realism | selective realism

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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11.225 Argumentation and Communication (MIT) 11.225 Argumentation and Communication (MIT)

Description

This course is a writing practicum associated with 11.201 (Gateway: Planning Action), that focuses on helping students write and present their ideas in cogent, persuasive arguments and other analytical frameworks. Reading and writing assignments and other exercises stress the connections between clear thinking, critical reading, and effective writing. This course is a writing practicum associated with 11.201 (Gateway: Planning Action), that focuses on helping students write and present their ideas in cogent, persuasive arguments and other analytical frameworks. Reading and writing assignments and other exercises stress the connections between clear thinking, critical reading, and effective writing.

Subjects

effective communication | effective communication | policy | policy | public | public | persuasive | persuasive | presentation skills | presentation skills | public speaking | public speaking | analysis policy analysis | analysis policy analysis | writing | writing | diagnostic | diagnostic | oral briefing | oral briefing | grammar | grammar | memo writing | memo writing | memo structure | memo structure | paragraph | paragraph | revision | revision | cogence | cogence | writing analysis | writing analysis | analysis | analysis | policy analysis | policy analysis

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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11.914 Planning Communication (MIT) 11.914 Planning Communication (MIT)

Description

This three-week module, centered on a focal case, represents the second part of the Department's introduction to the challenges of reflection and action in professional planning practice. As such, it builds on the concepts and tools in 11.201 and 11.202 in the fall semester. Working in teams, students will deliver a 20-minute oral briefing, with an additional 10 minutes for questions and comments, in the last week of the class (as detailed on the assignment and posted course schedule). The teams will brief invited guests ("briefees") taking the roles of decision makers. DUSP faculty and fellow students may also be in attendance. This three-week module, centered on a focal case, represents the second part of the Department's introduction to the challenges of reflection and action in professional planning practice. As such, it builds on the concepts and tools in 11.201 and 11.202 in the fall semester. Working in teams, students will deliver a 20-minute oral briefing, with an additional 10 minutes for questions and comments, in the last week of the class (as detailed on the assignment and posted course schedule). The teams will brief invited guests ("briefees") taking the roles of decision makers. DUSP faculty and fellow students may also be in attendance.

Subjects

effective communication | effective communication | policy | policy | public | public | persuasive | persuasive | presentation skills | presentation skills | public speaking | public speaking | analysis | analysis | policy analysis | policy analysis | writing | writing | diagnostic | diagnostic | oral briefing | oral briefing | grammar | grammar | memo writing | memo writing | memo structure | memo structure | paragraph | paragraph | revision | revision | cogence | cogence | writing analysis | writing analysis

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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11.225 Argumentation and Communication (MIT) 11.225 Argumentation and Communication (MIT)

Description

This Communication and Argumentation seminar is an intensive writing workshop that focuses on argumentation and communication. Students learn to write and present their ideas in cogent, persuasive arguments and other analytical frameworks. Reading and writing assignments and other exercises stress the connections between clear thinking, critical reading, and effective writing. This Communication and Argumentation seminar is an intensive writing workshop that focuses on argumentation and communication. Students learn to write and present their ideas in cogent, persuasive arguments and other analytical frameworks. Reading and writing assignments and other exercises stress the connections between clear thinking, critical reading, and effective writing.

Subjects

effective communication | effective communication | policy | policy | public | public | persuasive | persuasive | presentation skills | presentation skills | public speaking | public speaking | analysis | analysis | policy analysis | policy analysis | writing | writing | diagnostic | diagnostic | oral briefing | oral briefing | grammar | grammar | memo writing | memo writing | memo structure | memo structure | paragraph | paragraph | revision | revision | cogence | cogence | writing analysis | writing analysis

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21L.703 Studies in Drama: Too Hot to Handle: Forbidden Plays in Modern America (MIT) 21L.703 Studies in Drama: Too Hot to Handle: Forbidden Plays in Modern America (MIT)

Description

Unlike film, theater in America does not have a ratings board that censors content. So plays have had more freedom to explore and to transgress normative culture. Yet censorship of the theater has been part of American culture from the beginning, and continues today. How and why does this happen, and who decides whether a play is too dangerous to see or to teach? Are plays dangerous? Sinful? Even demonic? In our seminar, we will study plays that have been censored, either legally or extra-legally (i.e. refused production, closed down during production, denied funding, or taken off school reading lists). We'll look at laws, both national and local, relating to the "obscene", as well as unofficial practices, and think about the way censorship operates in American life now. And of course w Unlike film, theater in America does not have a ratings board that censors content. So plays have had more freedom to explore and to transgress normative culture. Yet censorship of the theater has been part of American culture from the beginning, and continues today. How and why does this happen, and who decides whether a play is too dangerous to see or to teach? Are plays dangerous? Sinful? Even demonic? In our seminar, we will study plays that have been censored, either legally or extra-legally (i.e. refused production, closed down during production, denied funding, or taken off school reading lists). We'll look at laws, both national and local, relating to the "obscene", as well as unofficial practices, and think about the way censorship operates in American life now. And of course w

Subjects

drama | drama | forbidden plays | forbidden plays | Modern America | Modern America | decision alley | decision alley | drama strategies | drama strategies | drama skills | drama skills | purchasing institution | purchasing institution | drama activity | drama activity | drama activities | drama activities | writing opportunity | writing opportunity | last wolf | last wolf | learning medium | learning medium | literacy activities | literacy activities | writing opportunities | writing opportunities | foundation stage | foundation stage | assessment focus | assessment focus | two long lines | two long lines | dramatic activity | dramatic activity | action conventions | action conventions | literary arts | literary arts | storytelling | storytelling | poetry | poetry | live performance | live performance | ritual | ritual | entertainment | entertainment | communities | communities | social norms | social norms | audiences | audiences | plays | plays | dramatic structure | dramatic structure | performing arts | performing arts | writing | writing | discussion | discussion | writer | writer | speaker | speaker | cultures | cultures | tools | tools | fiction | fiction | ethical | ethical | historical | historical | political | political | artistic | artistic | questions | questions | creativity | creativity | self-awareness | self-awareness | communicate | communicate | theater | theater | outdoor public theatres | outdoor public theatres | scaena frons | scaena frons | many theatre artists | many theatre artists | violence onstage | violence onstage | neoclassical theatre | neoclassical theatre | neoclassical rules | neoclassical rules | medieval theatre | medieval theatre | environmental theatre | environmental theatre | departures from realism | departures from realism | significant playwrights | significant playwrights | first permanent theatre | first permanent theatre | theatre history | theatre history | theatre | theatre | censorship | censorship | blacklist | blacklist | banned | banned | obscenity | obscenity | architecture | architecture | selective realism | selective realism

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21G.225 Advanced Workshop in Writing for Science and Engineering: ESL (MIT) 21G.225 Advanced Workshop in Writing for Science and Engineering: ESL (MIT)

Description

This workshop is designed to help advanced students of ESL and bilingual students to write clearly, accurately and effectively in a professional or academic technical environment. In class, we will focus on analyzing examples of various forms of technical writing. In addition, while 21F.225/6 is not a grammar review, we will address many of the common problems of advanced non-native writers of technical English. Class members will occasionally be the authors of the work under review. They will also occasionally be responsible for leading group discussions and for short oral presentations. The course, then, is not a grammar class nor a thesis editing service though we will spend considerable time developing student's editorial skills. Constructive partic This workshop is designed to help advanced students of ESL and bilingual students to write clearly, accurately and effectively in a professional or academic technical environment. In class, we will focus on analyzing examples of various forms of technical writing. In addition, while 21F.225/6 is not a grammar review, we will address many of the common problems of advanced non-native writers of technical English. Class members will occasionally be the authors of the work under review. They will also occasionally be responsible for leading group discussions and for short oral presentations. The course, then, is not a grammar class nor a thesis editing service though we will spend considerable time developing student's editorial skills. Constructive partic

Subjects

ESL | ESL | bilingual | bilingual | professional writing | professional writing | academic writing | academic writing | technical writing | technical writing | 21F.225 | 21F.225 | 21F.226 | 21F.226

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21W.780 Communicating in Technical Organizations (MIT) 21W.780 Communicating in Technical Organizations (MIT)

Description

This course focuses on an exploration of the role that communication plays in the work of the contemporary engineering and science professional. Emphasis is placed on analyzing how composition and publication contribute to work management and knowledge production, as well as the "how-to" aspects of writing specific kinds of documents in a clear style. Topics include: communication as organizational process, electronic modes such as e-mail and the Internet, the informational and social roles of specific document forms, writing as collaboration, the writing process, the elements of style, methods of oral presentation, and communication ethics. Case studies used as the basis for class discussion and some writing assignments. Several short documents, a longer report or article, and a This course focuses on an exploration of the role that communication plays in the work of the contemporary engineering and science professional. Emphasis is placed on analyzing how composition and publication contribute to work management and knowledge production, as well as the "how-to" aspects of writing specific kinds of documents in a clear style. Topics include: communication as organizational process, electronic modes such as e-mail and the Internet, the informational and social roles of specific document forms, writing as collaboration, the writing process, the elements of style, methods of oral presentation, and communication ethics. Case studies used as the basis for class discussion and some writing assignments. Several short documents, a longer report or article, and a

Subjects

Communicating; Technical;Organizations | Communicating; Technical;Organizations | document | document | abstracts | abstracts | executive | executive | summaries | summaries | memos | memos | proposals | proposals | progress | progress | reports | reports | PowerPoint | PowerPoint | Web | Web | poster | poster | writing | writing | Communicating | Communicating | Technical | Technical | Organizations | Organizations | engineering professionals | engineering professionals | science professionals | science professionals | composition | composition | publication | publication | work management | work management | knowledge production | knowledge production | technical writing | technical writing | organizational process | organizational process | electronic communication | electronic communication | electronic mail | electronic mail | e-mail | e-mail | internet | internet | intranet | intranet | informational roles | informational roles | social roles | social roles | collaboration | collaboration | writing process | writing process | elements of style | elements of style | oral presentation | oral presentation | communication ethics | communication ethics | communicating technical information | communicating technical information | web-based media | web-based media | video | video | teleconferencing | teleconferencing | document types | document types | executive summaries | executive summaries | technical memos | technical memos | progress reports | progress reports | final reports | final reports | oral reports | oral reports

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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7.02CI Experimental Biology - Communications Intensive (MIT) 7.02CI Experimental Biology - Communications Intensive (MIT)

Description

This course is the scientific communications portion of course 7.02, Experimental Biology and Communication. Students develop their skills as writers of scientific research, skills that also contribute to the learning of the 7.02 course materials. Through in class and out of class writing exercises, students explore the genre of the research article and its components while developing an understanding of the materials covered in the 7.02 laboratory. This course is the scientific communications portion of course 7.02, Experimental Biology and Communication. Students develop their skills as writers of scientific research, skills that also contribute to the learning of the 7.02 course materials. Through in class and out of class writing exercises, students explore the genre of the research article and its components while developing an understanding of the materials covered in the 7.02 laboratory.

Subjects

scientific writing | scientific writing | technical writing | technical writing | scientific communication | scientific communication | science writing | science writing | research article | research article | title | title | abstract | abstract | introduction | introduction | methods | methods | results | results | discussion | discussion | conclusion | conclusion | laboratory research paper | laboratory research paper | 7.02 | 7.02 | 10.702 | 10.702

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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11.225 Argumentation and Communication (MIT) 11.225 Argumentation and Communication (MIT)

Description

This course is a writing practicum associated with 11.201 (Gateway: Planning Action), that focuses on helping students write and present their ideas in cogent, persuasive arguments and other analytical frameworks. Reading and writing assignments and other exercises stress the connections between clear thinking, critical reading, and effective writing. This course is a writing practicum associated with 11.201 (Gateway: Planning Action), that focuses on helping students write and present their ideas in cogent, persuasive arguments and other analytical frameworks. Reading and writing assignments and other exercises stress the connections between clear thinking, critical reading, and effective writing.

Subjects

effective communication | effective communication | policy | policy | public | public | persuasive | persuasive | presentation skills | presentation skills | public speaking | public speaking | analysis policy analysis | analysis policy analysis | writing | writing | diagnostic | diagnostic | oral briefing | oral briefing | grammar | grammar | memo writing | memo writing | memo structure | memo structure | paragraph | paragraph | revision | revision | cogence | cogence | writing analysis | writing analysis | analysis | analysis | policy analysis | policy analysis

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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