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Description
This class explores the creation (and creativity) of the modern scientific and cultural world through study of western Europe in the 17th century, the age of Descartes and Newton, Shakespeare, Milton and Ford. It compares period thinking to present-day debates about the scientific method, art, religion, and society. This team-taught, interdisciplinary subject draws on a wide range of literary, dramatic, historical, and scientific texts and images, and involves theatrical experimentation as well as reading, writing, researching and conversing. The primary theme of the class is to explore how England in the mid-seventeenth century became "a world turned upside down" by the new ideas and upheavals in religion, politics, and philosophy, ideas that would shape our modern world. Paying special This class explores the creation (and creativity) of the modern scientific and cultural world through study of western Europe in the 17th century, the age of Descartes and Newton, Shakespeare, Milton and Ford. It compares period thinking to present-day debates about the scientific method, art, religion, and society. This team-taught, interdisciplinary subject draws on a wide range of literary, dramatic, historical, and scientific texts and images, and involves theatrical experimentation as well as reading, writing, researching and conversing. The primary theme of the class is to explore how England in the mid-seventeenth century became "a world turned upside down" by the new ideas and upheavals in religion, politics, and philosophy, ideas that would shape our modern world. Paying specialSubjects
history | history | art and science | art and science | art vs. science | art vs. science | history of science | history of science | religion | religion | natural philosophy | natural philosophy | mathematics | mathematics | literature | literature | church | church | cosmology | cosmology | physics | physics | philosphy | philosphy | astronomy | astronomy | alchemy | alchemy | chemistry | chemistry | plays | plays | theater history | theater history | cultural studies | cultural studies | Shakespeare | Shakespeare | Ford | Ford | Tate | Tate | Behn | Behn | Francis Bacon | Francis Bacon | Burton | Burton | Hobbes | Hobbes | Boyle | Boyle | 17th century | 17th century | England | England | Scotland | Scotland | english history | english history | scottish history | scottish history | Britain | Britain | Charles I | Charles I | Charles II | Charles II | Cromwell | Cromwell | Jacobean era | Jacobean era | Caroline era | Caroline era | English Restoration | English Restoration | House of Stuart | House of Stuart | English Civil War | English Civil War | Early Modern English | Early Modern EnglishLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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This course explores the creation (and creativity) of the modern scientific and cultural world through study of western Europe in the 17th century, the age of Descartes and Newton, Shakespeare, Rembrandt and Molière. The class compares period thinking to present-day debates about the scientific method, art, religion, and society. This team-taught, interdisciplinary subject draws on a wide range of literary, dramatic, historical, and scientific texts and images, and involves theatrical experimentation as well as reading, writing, researching and conversing. This course explores the creation (and creativity) of the modern scientific and cultural world through study of western Europe in the 17th century, the age of Descartes and Newton, Shakespeare, Rembrandt and Molière. The class compares period thinking to present-day debates about the scientific method, art, religion, and society. This team-taught, interdisciplinary subject draws on a wide range of literary, dramatic, historical, and scientific texts and images, and involves theatrical experimentation as well as reading, writing, researching and conversing.License
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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See all metadata21L.486 Modern Drama (MIT) 21L.486 Modern Drama (MIT)
Description
This course analyzes major modern plays featuring works by Shaw, Pirandello, Beckett, Brecht, Williams, Soyinka, Hwang, Churchill, Wilson, Frayn, Stoppard, Deveare Smith, and Kushner. The class particularly considers performance, sociopolitical and aesthetic contexts, and the role of theater in the world of modern multimedia. This course analyzes major modern plays featuring works by Shaw, Pirandello, Beckett, Brecht, Williams, Soyinka, Hwang, Churchill, Wilson, Frayn, Stoppard, Deveare Smith, and Kushner. The class particularly considers performance, sociopolitical and aesthetic contexts, and the role of theater in the world of modern multimedia.Subjects
modern plays | modern plays | Shaw | Shaw | Pirandello | Pirandello | Beckett | Beckett | Brecht | Brecht | Williams | Williams | Soyinka | Soyinka | Hwang | Hwang | Churchill | Churchill | Wilson | Wilson | Frayn | Frayn | Stoppard | Stoppard | Deveare Smith | Deveare Smith | Kushner | Kushner | performance | performance | sociopolitical | sociopolitical | aesthetic contexts | aesthetic contexts | theater | theater | multimedia | multimediaLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects. This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects.Subjects
Theater | Theater | workshop | workshop | design | design | costume | costume | psychology | psychology | clothing | clothing | character analysis | character analysis | script | script | directorial concept | directorial concept | period | period | research | research | drawing | drawing | rendering | rendering | skills | skills | practical exercises | practical exercises | construction | construction | drafting | drafting | draping | draping | tools | tools | projects | projectsLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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See all metadataTALAT Lecture 1501: Properties, Characteristics and Alloys of Aluminium
Description
This lecture provides a survey of the aluminium alloys available to the user; it describes their various properties; it gives an insight into the choice of aluminium for a proposed application. In the context of this lecture not every individual alloy and its properties have been treated in detail, but rather divided into alloy types with reference to the most commonly used alloys. For further details on alloy properties the reader is referred to available databanks like ALUSELECT of the European Aluminium Association (EAA) or to the European and national materials standards. Good engineering background in materials, design and manufacturing processes is assumed.Subjects
aluminium | aluminum | european aluminium association | EAA | Training in Aluminium Application Technologies | training | metallurgy | technology | lecture | properties | selection criteria | production | industry | recycled aluminium | secondary aluminium | atomic structure | crystal structure | density | electrical conductivity | resistivity | thermal conductivity | reflectance | non-magnetic | emissivity | corrosion resistance | thermal expansion | melting temperature | latent heat | specific heat | identification | aluminium - copper alloys | aluminium - manganese alloys | aluminium - silicon alloys | aluminium - magnesium alloys | aluminium - magnesium - silicon alloys | aluminium - zinc - magnesium alloys | aluminium - zinc - magnesium - copper alloys | ingot | casting | work hardening | dispersion hardening | solid solution hardening | precipitation hardening | temper designations | non heat-treatable alloys | heat-treatable alloys | applications | mechanical properties | tensile strength | strength/weight ratio | proof stress | elastic properties | elongation | compression | bearing | shear | hardness | ductility | creep | impact strength | elevated temperatures | low temperatures | fracture characteristics | fatigue | corematerials | ukoerLicense
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On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction. In addition to the conference several video interviews were conducted with some of the speakers on the day. In this interview taken at the Fiction and British Politics Conference in London, playwright James Graham (Toryboyz, Little Madam, Sons of York) talks about his approach to political fiction and what inspires him. Suitable for Undergraduate study and community education James Graham, Political Playwright James Graham writes for theatre, radio, film and television. He won the Catherine Johnson Award for the Best Play 2007 for his play Eden's Empire and On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction. In addition to the conference several video interviews were conducted with some of the speakers on the day. In this interview taken at the Fiction and British Politics Conference in London, playwright James Graham (Toryboyz, Little Madam, Sons of York) talks about his approach to political fiction and what inspires him. Suitable for Undergraduate study and community education James Graham, Political Playwright James Graham writes for theatre, radio, film and television. He won the Catherine Johnson Award for the Best Play 2007 for his play Eden's Empire andSubjects
UNow | UNow | Politics | Politics | Fiction | Fiction | Political Fiction | Political Fiction | Political Theatre | Political Theatre | Political Representation | Political Representation | Political Depiction | Political Depiction | Politicised Writing | Politicised Writing | UKOER | UKOERLicense
Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA) Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA)Site sourced from
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See all metadataTALAT Lecture 1501: Properties, Characteristics and Alloys of Aluminium
Description
This lecture provides a survey of the aluminium alloys available to the user; it describes their various properties; it gives an insight into the choice of aluminium for a proposed application. In the context of this lecture not every individual alloy and its properties have been treated in detail, but rather divided into alloy types with reference to the most commonly used alloys. For further details on alloy properties the reader is referred to available databanks like ALUSELECT of the European Aluminium Association (EAA) or to the European and national materials standards. Good engineering background in materials, design and manufacturing processes is assumed.Subjects
aluminium | aluminum | european aluminium association | eaa | talat | training in aluminium application technologies | training | metallurgy | technology | lecture | properties | selection criteria | production | industry | recycled aluminium | secondary aluminium | atomic structure | crystal structure | density | electrical conductivity | resistivity | thermal conductivity | reflectance | non-magnetic | emissivity | corrosion resistance | thermal expansion | melting temperature | latent heat | specific heat | identification | aluminium - copper alloys | aluminium - manganese alloys | aluminium - silicon alloys | aluminium - magnesium alloys | aluminium - magnesium - silicon alloys | aluminium - zinc - magnesium alloys | aluminium - zinc - magnesium - copper alloys | ingot | casting | work hardening | dispersion hardening | solid solution hardening | precipitation hardening | temper designations | non heat-treatable alloys | heat-treatable alloys | applications | mechanical properties | tensile strength | strength/weight ratio | proof stress | elastic properties | elongation | compression | bearing | shear | hardness | ductility | creep | impact strength | elevated temperatures | low temperatures | fracture characteristics | fatigue | corematerials | ukoer | Engineering | H000License
Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
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Subjects
ireland | dublin | cars | cyclists | kodak | bass | mountaindew | bicycles | stbruno | posters | kelly | trucks | players | trams | eason | tobacco | theatreroyal | oxo | tailors | chemist | glassnegative | bakingpowder | olympiatheatre | leinster | connolly | navycut | abbeytheatre | harcourtstreet | borwicks | chisellers | skingame | charlemontstreet | fruitmerchants | easonson | easoncollection | keepsketch | dateestablished | adelaidepharmacy | tokalonskinfoods | drumheadcigarettes | harcourtdairy | z4229 | yi9339 | oconnellsdublinale | shamrockandheather | ekramm | dixonscornerLicense
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See all metadataFlorida Theatre on Monroe Street in Tallahassee, Florida
Description
Subjects
streets | florida | highways | 1960s | theaters | tallahassee | movietheaters | us27 | floridatheatre | leoncounty | ushighway27 | statelibraryandarchivesofflorida | tallahasseedemocrattallahasseefloridanewspaper | vision:text=0592 | vision:outdoor=0976 | monroestreettallahasseeflaLicense
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Subjects
ireland | dublin | tivoli | pub | theatre | bass | may | pit | posters | variety | monday | 20thcentury | 1915 | musichall | 31st | stalls | colbert | cornexchange | glassnegative | publichouse | leinster | tivolitheatre | burghquay | jmcgrath | robertfrench | williamlawrence | nationallibraryofireland | jimdixon | irishpress | lawrencecollection | loyalnationalrepealassociation | jeanrobb | conciliationhall | theatreofvarieties | leonardstevens | whbyrne | robbdixon | billycurzon | ivystephens | ryewodestrio | lawsonfraser | fredbluett | grandlyrichall | lyrictheatreofvarieties | williamhenrybyrneLicense
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See all metadata3.044 Materials Processing (MIT) 3.044 Materials Processing (MIT)
Description
The goal of 3.044 is to teach cost-effective and sustainable production of solid material with a desired geometry, structure or distribution of structures, and production volume. Toward this end, it is organized around different types of phase transformations which determine the structure in various processes for making materials, in roughly increasing order of entropy change during those transformations: solid heat treatment, liquid-solid processing, fluid behavior, deformation processing, and vapor-solid processing. The course ends with several lectures that place the subject in the context of society at large. The goal of 3.044 is to teach cost-effective and sustainable production of solid material with a desired geometry, structure or distribution of structures, and production volume. Toward this end, it is organized around different types of phase transformations which determine the structure in various processes for making materials, in roughly increasing order of entropy change during those transformations: solid heat treatment, liquid-solid processing, fluid behavior, deformation processing, and vapor-solid processing. The course ends with several lectures that place the subject in the context of society at large.Subjects
diffusion | diffusion | chemical reaction | chemical reaction | phase transformation | phase transformation | heat transport | heat transport | mass transport | mass transport | fluid | fluid | fluid flow | fluid flow | recycling | recycling | cost modeling | cost modeling | multilayer | multilayer | biot number | biot number | radiation | radiation | convection | convection | titanium | titanium | moving bodies | moving bodies | Reynolds number | Reynolds number | turbulence | turbulence | reactor | reactor | deformation | deformation | polymer | polymer | vapor transport | vapor transport | nanotechnology | nanotechnologyLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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Subjects
wwii | worldwarii | pto | bomb | secondworldwar | worldwartwo | pacifictheatre | pacifictheater | aerialbombardment | pacifictheaterofoperations | aerialbomb | pacifictheatreofoperations | parafrag | parafragbombLicense
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Subjects
wwii | worldwarii | pto | bomb | secondworldwar | worldwartwo | pacifictheatre | pacifictheater | aerialbombardment | pacifictheaterofoperations | aerialbomb | pacifictheatreofoperations | parafrag | parafragbombLicense
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Subjects
wwii | worldwarii | pto | bomb | secondworldwar | worldwartwo | pacifictheatre | revetment | pacifictheater | aerialbombardment | pacifictheaterofoperations | aerialbomb | pacifictheatreofoperations | parafrag | parafragbombLicense
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Subjects
wwii | worldwarii | pto | bomb | secondworldwar | worldwartwo | pacifictheatre | pacifictheater | aerialbombardment | pacifictheaterofoperations | aerialbomb | pacifictheatreofoperations | parafrag | parafragbombLicense
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Subjects
wwii | worldwarii | pto | bomb | secondworldwar | worldwartwo | pacifictheatre | pacifictheater | aerialbombardment | pacifictheaterofoperations | aerialbomb | pacifictheatreofoperations | parafrag | parafragbombLicense
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Subjects
wwii | worldwarii | pto | bomb | secondworldwar | worldwartwo | pacifictheatre | pacifictheater | aerialbombardment | pacifictheaterofoperations | aerialbomb | pacifictheatreofoperations | parafrag | parafragbombLicense
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Subjects
wwii | worldwarii | pto | bomb | secondworldwar | worldwartwo | pacifictheatre | pacifictheater | aerialbombardment | pacifictheaterofoperations | aerialbomb | pacifictheatreofoperations | parafrag | parafragbombLicense
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Subjects
wwii | worldwarii | pto | bomb | secondworldwar | worldwartwo | pacifictheatre | pacifictheater | aerialbombardment | pacifictheaterofoperations | aerialbomb | pacifictheatreofoperationsLicense
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wwii | worldwarii | pto | bomb | secondworldwar | worldwartwo | marikina | pacifictheatre | pacifictheater | aerialbombardment | pacifictheaterofoperations | aerialbomb | pacifictheatreofoperations | parafrag | marikinaairdrome | parafragbombLicense
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See all metadataGreat Northern Hotel and Great Northern Office and Theatre Company Building
Description
Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.00151 Title: Great Northern Hotel and Great Northern Office and Theatre Company Building Architect: Burnham & Root (1873-1891) Architect: D. H. Burnham & Company (1896-1912) Photograph date: ca. 1896 Office and Theatre Building date: 1895-1896 Great Northern Hotel date: 1890-1892 Location: North and Central America: United States; Illinois, Chicago Materials: albumen print Image: 9.375 x 7.2835 in.; 23.8125 x 18.5 cm Style: Chicago Style Provenance: Transfer from the College of Architecture, Art and Planning Persistent URI: hdl.handle.net/1813.001/5s9n There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source. We had some help with the geocoding from Web Services by Yahoo!Subjects
cornelluniversitylibrary | architecture | businessdistricts | cityviews | urbanviews | streetscapes | orielwindows | trefoils | chicagoillinois | hotelspublicaccommodations | officebuildings | greatnorthernhotelchicagoillinois | greatnorthernofficeandtheatrecompanybuildingchicagoillinois | constructionviews | culidentifier:value=155309000151 | culidentifier:lunafield=accessionnumberLicense
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Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.01443 Title: Arles. Amphitheater Photographer: Séraphin Médéric Mieusement (French, 1840-1905) Building Date: ca. 1-ca. 99 Photograph date: ca. 1874-ca. 1890 Location: Europe: France; Arles Materials: albumen print Style: Roman Provenance: Gift of Andrew Dickson White Persistent URI: hdl.handle.net/1813.001/5tnj There are no known copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source. We had some help with the geocoding from Web Services by Yahoo!Subjects
cornelluniversitylibrary | amphitheaterarlesfrance | amphitheaters | provencefrance | ruins | arcades | seats | culidentifier:value=155309001443 | culidentifier:lunafield=accessionnumber | pleiades:depicts=148217License
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See all metadataGeorge Shorrock Ashcombe Wheatcroft, c1960s
Description
Professor of English Law 1959-1968 Extracts from ?Professor G.S.A. (?Ash?) Wheatcroft? by Sir Mark Weinberg in The LSE Magazine, June 1988, No75, p. 22 ?A graduate of New College, Oxford, Ash Wheatcroft practised as a solicitor from 1930 until 1951, with a break for a distinguished military career in the Second World War which he finished as a lieutenant-colonel in the Royal Service Corps. He was a Chancery Master from 1951-1959 and wrote many of the sections on Court procedure for the 3rd edition of Halsbury?s laws of England. He was a Professor of Law at the School from 1959-1968 and from 1971 to 1972 was the official advisor to the Customs and Excise on the introduction of VAT. He was Vice Chairman of Hambro Life Assurance?from 1971-1979?Ash Wheatcroft was an expert chess player (representing England before the War) and likened taxation to a game of chess between the practitioner and the Inland Revenue, played according to tightly drawn rules: he abhorred any suggestion that the Revenue might be given arbitrary powers to change the rules of the game once it had started?? IMAGELIBRARY/965 Persistent URL: archives.lse.ac.uk/dserve.exe?dsqServer=lib-4.lse.ac.uk&a...License
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See all metadata16.55 Ionized Gases (MIT) 16.55 Ionized Gases (MIT)
Description
This course highlights the properties and behavior of low-temperature plasmas in relation to energy conversion, plasma propulsion, and gas lasers. The course includes material on the equilibrium (energy states, statistical mechanics, and relationship to thermodynamics) and kinetic theory of ionized gases (motion of charged particles, distribution function, collisions, characteristic lengths and times, cross sections, and transport properties). In addition, the course discusses gas surface interactions (thermionic emission, sheaths, and probe theory) and radiation in plasmas and diagnostics. This course highlights the properties and behavior of low-temperature plasmas in relation to energy conversion, plasma propulsion, and gas lasers. The course includes material on the equilibrium (energy states, statistical mechanics, and relationship to thermodynamics) and kinetic theory of ionized gases (motion of charged particles, distribution function, collisions, characteristic lengths and times, cross sections, and transport properties). In addition, the course discusses gas surface interactions (thermionic emission, sheaths, and probe theory) and radiation in plasmas and diagnostics.Subjects
Ionized gases | Ionized gases | plasma physics | plasma physics | motion of charges | motion of charges | drift | drift | adiabatic invariants | adiabatic invariants | collision theory | collision theory | kinetic theory | kinetic theory | H theorem | H theorem | entropy | entropy | Maxwellian distribution | Maxwellian distribution | Boltzmann equation | Boltzmann equation | plasma sheath | plasma sheath | electrostatic probe | electrostatic probe | orbital motion limit | orbital motion limit | equilibrium statistical mechanics | equilibrium statistical mechanics | radiation transport | radiation transportLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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An interactive diagram showing how the electric water heater attached to a shower works. Users can attach the correct label to different parts of the system.Subjects
plumbing | heating installation | heating engineering | electricity | PROPERTY (BUILT ENVIRONMENT) | ENGINEERING | Employability | Learning | Students | Design and delivery of programmes | UK EL03 = SCQF 3 | Level 3 | Entry level 2 | NICAT Entry | Access 3 | Foundation SG | UK EL04 = SCQF 4 | Foundational Level | NICAT 1 | CQFW 1 | Foundation | GCSE D-G | NVQ 1 | Intermediate 1 | | UK EL05 = SCQF 5 | Intermediate level | Intermediate | NICAT 2 | CQFW 2 | Intermediate | GSCE A-C | NVQ 2 | | UK EL07 = SCQF 7 | Higher Certificate | NICAT 4 | CQFW 4 | NVQ 4 | Advanced Higher | SVQ 4 | HN Certificate | Engineering | H000 | CONSTRUCTION and PROPERTY (BUILT ENVIRONMENT) | T | XLicense
Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
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