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Description
Prolonged heat treatment above 150°C to 200°C has led to the evolution of the stable CuAl2 phase (θ). The CuAl2 phase is visible at high magnifications. It does not contribute to the strength of the alloy and the over aged aluminium has poor mechanical properties.Subjects
aged | alloy | aluminium | copper | hardening | heat treatment | metal | quenching | vacancy | doitpoms | university of cambridge | micrograph | corematerials | ukoer | Engineering | H000License
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Prolonged heat treatment above 150°C to 200°C has led to the evolution of the stable CuAl2 phase (θ). The CuAl2 phase is visible at high magnifications. It does not contribute to the strength of the alloy and the over aged aluminium has poor mechanical properties.Subjects
aged | alloy | aluminium | copper | hardening | heat treatment | metal | quenching | vacancy | doitpoms | university of cambridge | micrograph | corematerials | ukoer | Engineering | H000License
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Prolonged heat treatment above 150°C to 200°C has led to the evolution of the stable CuAl2 phase (θ). The CuAl2 phase is visible at high magnifications. It does not contribute to the strength of the alloy and the over aged aluminium has poor mechanical properties.Subjects
aged | alloy | aluminium | copper | hardening | heat treatment | metal | quenching | vacancy | doitpoms | university of cambridge | micrograph | corematerials | ukoer | Engineering | H000License
Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
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Carbon-carbon composites are manufactured from continuous carbon fibres which are woven in a two or three dimensional pattern. The fibres are then impregnated with a polymeric resin. After the component has been shaped and cured the matrix is pyrolysed by heating in an inert atmosphere. This converts the matrix to carbon chain molecules which are densified by further heat treatments. The resulting composite consists of the original carbon fibres in a carbon matrix. Carbon-carbon composites have low density, high strength and high modulus. These properties are retained to temperatures above 2000°C. Creep resistance and toughness are also high, and the high thermal conductivity and low thermal expansion coefficient provide thermal shock resistance. The woven structure of this composite canSubjects
carbon-carbon composite | composite material | polymeric resin | pyrolysis | toughness | woven continuous carbon fibres | doitpoms | university of cambridge | micrograph | corematerials | ukoer | Engineering | H000License
Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
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Carbon-carbon composites are manufactured from continuous carbon fibres which are woven in a two or three dimensional pattern. The fibres are then impregnated with a polymeric resin. After the component has been shaped and cured the matrix is pyrolysed by heating in an inert atmosphere. This converts the matrix to carbon chain molecules which are densified by further heat treatments. The resulting composite consists of the original carbon fibres in a carbon matrix. Carbon-carbon composites have low density, high strength and high modulus. These properties are retained to temperatures above 2000°C. Creep resistance and toughness are also high, and the high thermal conductivity and low thermal expansion coefficient provide thermal shock resistance. The woven structure of this composite canSubjects
carbon-carbon composite | composite material | polymeric resin | pyrolysis | toughness | woven continuous carbon fibres | doitpoms | university of cambridge | micrograph | corematerials | ukoer | Engineering | H000License
Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
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Carbon-carbon composites are manufactured from continuous carbon fibres which are woven in a two or three dimensional pattern. The fibres are then impregnated with a polymeric resin. After the component has been shaped and cured the matrix is pyrolysed by heating in an inert atmosphere. This converts the matrix to carbon chain molecules which are densified by further heat treatments. The resulting composite consists of the original carbon fibres in a carbon matrix. Carbon-carbon composites have low density, high strength and high modulus. These properties are retained to temperatures above 2000°C. Creep resistance and toughness are also high, and the high thermal conductivity and low thermal expansion coefficient provide thermal shock resistance. The woven structure of this composite canSubjects
carbon-carbon composite | composite material | polymeric resin | pyrolysis | toughness | woven continuous carbon fibres | doitpoms | university of cambridge | micrograph | corematerials | ukoer | Engineering | H000License
Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
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Carbon-carbon composites are manufactured from continuous carbon fibres which are woven in a two or three dimensional pattern. The fibres are then impregnated with a polymeric resin. After the component has been shaped and cured the matrix is pyrolysed by heating in an inert atmosphere. This converts the matrix to carbon chain molecules which are densified by further heat treatments. The resulting composite consists of the original carbon fibres in a carbon matrix. Carbon-carbon composites have low density, high strength and high modulus. These properties are retained to temperatures above 2000°C. Creep resistance and toughness are also high, and the high thermal conductivity and low thermal expansion coefficient provide thermal shock resistance. The woven structure of this composite canSubjects
carbon-carbon composite | composite material | polymeric resin | pyrolysis | toughness | woven continuous carbon fibres | doitpoms | university of cambridge | micrograph | corematerials | ukoer | Engineering | H000License
Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
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Carbon-carbon composites are manufactured from continuous carbon fibres which are woven in a two or three dimensional pattern. The fibres are then impregnated with a polymeric resin. After the component has been shaped and cured the matrix is pyrolysed by heating in an inert atmosphere. This converts the matrix to carbon chain molecules which are densified by further heat treatments. The resulting composite consists of the original carbon fibres in a carbon matrix. Carbon-carbon composites have low density, high strength and high modulus. These properties are retained to temperatures above 2000°C. Creep resistance and toughness are also high, and the high thermal conductivity and low thermal expansion coefficient provide thermal shock resistance. The woven structure of this composite canSubjects
carbon-carbon composite | composite material | polymeric resin | pyrolysis | toughness | woven continuous carbon fibres | doitpoms | university of cambridge | micrograph | corematerials | ukoer | Engineering | H000License
Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
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See all metadataNi-Superalloy, heat treated above gamma-prime solvus
Description
Micrograph shows a microstructure now devoid of γ' as at this temperature it has become fully dissolved into the matrix. This results in grain growth, partly due to the solution of γ' into the γ matrix and also because the main mechanism for preventing grain growth, namely the primary γ' is no longer present. Carbide phases still exist and act in places to inhibit grain boundary motion and therefore grain growth. View schematic diagram of γ' microstructureSubjects
heat treatment | nickel | doitpoms | university of cambridge | micrograph | corematerials | ukoer | Engineering | H000License
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See all metadata21L.006 American Literature (MIT) 21L.006 American Literature (MIT)
Description
This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions. This is a HASS-D CI course. Like other communications-intensive courses in the humanities, arts, and social sciences, it allows students to produce 20 pages of polished writing with careful attention to revision. It also offers substantial opportunities for oral expression, through presentations of written work, student-led discussion, and class participation. The class has a low enrollment that ensures maximum attention to student writing and opportunity for oral expression, and a writing fellow/tutor is available for consultation on drafts and revisions.Subjects
William Bradford | William Bradford | Mary Rowlandson | Mary Rowlandson | Jonathan Edwards | Jonathan Edwards | Benjamin Franklin | Benjamin Franklin | Olaudah Equiano | Olaudah Equiano | Phyllis Wheatley | Phyllis Wheatley | Washington Irving | Washington Irving | Ralph Waldo Emerson | Ralph Waldo Emerson | Henry David Thoreau | Henry David Thoreau | Nathaniel Hawthorne | Nathaniel Hawthorne | Frederick Douglass | Frederick Douglass | Herman Melville | Herman Melville | Margaret Fuller | Margaret Fuller | Harriet Beecher Stowe | Harriet Beecher Stowe | Walt Whitman | Walt Whitman | Emily Dickinson | Emily Dickinson | realism | realism | satire | satire | Rebecca Harding Davis | Rebecca Harding Davis | Samuel Clemens | Samuel Clemens | Sarah Orne Jewett | Sarah Orne Jewett | Kate Chopin | Kate Chopin | Charlotte Perkins | Charlotte Perkins | Gilman | Gilman | Edith Wharton | Edith Wharton | revision | revision | Claude McKay | Claude McKay | Zora Neale Hurston | Zora Neale Hurston | Jean Toomer | Jean Toomer | Langston Hughes | Langston Hughes | Countee Cullen | Countee Cullen | Richard Wright | Richard Wright | Toni Morrison | Toni MorrisonLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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See all metadataCMS.801 Media in Transition (MIT) CMS.801 Media in Transition (MIT)
Description
This course centers on historical eras in which the form and function of media technologies were radically transformed. It includes consideration of the "Gutenberg Revolution," the rise of modern mass media, and the "digital revolution," among other case studies of media transformation and cultural change. Readings cover cultural and social history and historiographic methods. This course centers on historical eras in which the form and function of media technologies were radically transformed. It includes consideration of the "Gutenberg Revolution," the rise of modern mass media, and the "digital revolution," among other case studies of media transformation and cultural change. Readings cover cultural and social history and historiographic methods.Subjects
Media | Media | mass media | mass media | history | history | Gutenberg | Gutenberg | cultural change | cultural change | cultural history | cultural history | social history | social history | historiographic method | historiographic method | books | books | medieval history | medieval history | codex book | codex book | writing | writing | printing | printing | printing press | printing press | stage | stage | theater | theater | renaissance | renaissance | romanticism | romanticism | modernity | modernity | inventions | inventions | photography | photography | nineteenth century | nineteenth century | image | image | telegraph | telegraph | electrification | electrification | communication | communication | Morse | Morse | Daguerreotype | Daguerreotype | Fox Talbot | Fox Talbot | phonograph | phonograph | sound recording | sound recording | radio | radio | broadcasting | broadcasting | film | film | video | video | cinema | cinema | publishing | publishingLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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See all metadataConducting a Thorough Market Assessment
Description
A recorded Entrepreneur's Forum on February 3, 2011 sponsored by Calit2's TechPortal and OCTANe@UCI. Brant Cooper has 20 years of experience in the high tech industry. He has participated in several startup ventures in a variety of roles, including IT, marketing and business development. He recently co-authored a book, The Entrepreneur's Guide to Customer Development: A Cheat Sheet to The Four Steps to the Epiphany, and he blogs at Market by the Numbers. Patrick Vlaskovits is an entrepreneur and author who founded two startup companies. He has bachelor and master's degrees from UC Santa Barbara, has lived and worked in Budapest, Hungary for a time, and has spearheaded multiple technology initiatives. He is the co-author of The Entrepreneur's Guide to Customer Development: A Cheat Sheet to The Four Steps to the Epiphany and is a co-organizer of the Los Angeles Lean Startup Circle.License
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English theatre and opera director Jonathan Kent talks with Fiona Macintosh about his work with Greek tragedies. English theatre and opera director Jonathan Kent talks with Fiona Macintosh about his work with Greek tragedies.Subjects
classics | classics | greek tragedy | greek tragedy | classics | greek tragedy | 2013-10-21 | classics | greek tragedy | 2013-10-21License
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See all metadataPastomimes - Robinson Crusoe (the Pantomime Hero)
Description
Subjects
ireland | dublin | december | theatre | ephemera | posters | 20thcentury | pantomime | theatreroyal | wintergardens | hippodrome | 1916 | hawkinsstreet | brunswickstreet | davidallen | robinsoncrusoe | leinster | pearsestreet | nationallibraryofireland | greatbrunswickstreet | ephemeracollection | hollowayplaybillscollection | vision:text=087 | vision:outdoor=0954 | ghostsofxmaspast | fredwwarden | wardenwillmot | mabelosborn | balfourkinninmontLicense
No known copyright restrictionsSite sourced from
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See all metadataPastomime - Humpty Dumpty (a lad who rises from a very low position)
Description
Subjects
ireland | dublin | december | theatre | ephemera | posters | 20thcentury | pantomime | 1916 | davidallen | humptydumpty | leinster | gaietytheatre | southkingstreet | nationallibraryofireland | thegaiety | thomasbarry | greatbrunswickstreet | ephemeracollection | hollowayplaybillscollection | vision:text=0832 | vision:sky=0598 | vision:outdoor=0649 | ghostsofxmaspast | fredwwarden | clarabeckLicense
No known copyright restrictionsSite sourced from
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See all metadataSinbad the Sailor aka Tinbad the Tailor
Description
Subjects
christmas | ireland | dublin | december | theatre | 19thcentury | january | ephemera | ithaca | pantomime | ulysses | jamesjoyce | 1893 | programme | 1890s | 1892 | leinster | gaietytheatre | sinbadthesailor | southkingstreet | nationallibraryofireland | michaelgunn | sindbadthesailor | ephemeracollection | ghostsofxmaspast | greenleafwithers | ithacaepisode | williecrackles | greenleafwithersbrown | tindbadthetailorLicense
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Image from ?[Home-Theatricals made Easy, or, Busy, happy, and merry. [With illustrations.]]?, 000575255 Author: CALLOW, Frances Elizabeth and CALLOW (Alice Mary) Page: 49 Year: 1891 Place: London Publisher: Ward, Lock & Co. Following the link above will take you to the British Library?s integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the ?itemViewer?. Click on the 'related items? to search for the electronic version of this work.Subjects
bldigital | bl_labs | britishlibrary | 1891 | similar_to_70600553189_place_of_publishing | similar_to_70600553189_published_date | similar_to_70600553189_bubblyness_xLicense
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Image from ?King Charles the First: an historical tragedy. Written in imitation of Shakespear. As it is acted at the Theatre-Royal in Lincoln?s-Inn-Fields. [In verse. By William Havard.]?, 000665248 Author: Charles I, King of England Page: 13 Year: 1737 Place: London Publisher: J. Watts View all the images from this book Following the link above will take you to the British Library?s integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer?. Click on the 'related items? to search for the electronic version of this work.Subjects
bldigital | bl_labs | britishlibrary | 1737 | similar_to_73704575638_place_of_publishing | similar_to_73704575638_slantyness | similar_to_73704575638_bubblyness_avesizeLicense
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In this presentation from the Institute of Film and Television Studies' Ephemeral Media Workshops, Professor Barbara Klinger from Indiana University discusses her research on the phenomenon of fan recreations. Presentation produced/delivered: June/July 2009 Suitable for: Undergraduate Study and Community Education Professor Barbara Klinger, Indiana University Professor Barbara Klinger's research and teaching focus on U.S. cinema, film exhibition and reception, fan studies, cinema and new media, film and convergence culture, media theory and criticism, and gender studies. She is currently working on two book projects: Becoming Classic: Hollywood Cinema, Television Exhibition, and Popular Canons/and Reenactment: Fans Performing Movies, from Theater to Youtube. In this presentation from the Institute of Film and Television Studies' Ephemeral Media Workshops, Professor Barbara Klinger from Indiana University discusses her research on the phenomenon of fan recreations. Presentation produced/delivered: June/July 2009 Suitable for: Undergraduate Study and Community Education Professor Barbara Klinger, Indiana University Professor Barbara Klinger's research and teaching focus on U.S. cinema, film exhibition and reception, fan studies, cinema and new media, film and convergence culture, media theory and criticism, and gender studies. She is currently working on two book projects: Becoming Classic: Hollywood Cinema, Television Exhibition, and Popular Canons/and Reenactment: Fans Performing Movies, from Theater to Youtube.Subjects
UNow | UNow | Ephemeral Media | Ephemeral Media | Humanities | Humanities | Film and Television Studies | Film and Television Studies | New Media | New Media | Film and Media | Film and Media | Fans | Fans | Film Reenactment | Film Reenactment | YouTube | YouTube | Fan Recreations | Fan Recreations | Fan studies | Fan studies | UKOER | UKOERLicense
Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA) Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA)Site sourced from
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See all metadataImage from ?The Old Re?gime. Court, salons and theatres?, 001833949
Description
Image from ?The Old Re?gime. Court, salons and theatres?, 001833949 Author: JACKSON, Catherine Charlotte Lady Volume: 01 Page: 185 Year: 1880 Place: London Publisher: Bentley & Son View all the images from this book Following the link above will take you to the British Library?s integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer?. Click on the 'related items? to search for the electronic version of this work.Subjects
bldigital | bl_labs | britishlibrary | 1880 | similar_to_78188013519_place_of_publishing | similar_to_78188013519_published_date | similar_to_78188013519_bubblyness_xLicense
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Image from ?The Rivals, a comedy. As it is acted at the Theatre-Royal in Covent-Garden. By R. B. B. Sheridan]?, 003111786 Author: Page: 55 Year: 1775 Place: London Publisher: John Wilkie View all the images from this book Following the link above will take you to the British Library?s integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer?. Click on the 'related items? to search for the electronic version of this work.Subjects
bldigital | bl_labs | britishlibrary | 1775 | similar_to_79242629899_place_of_publishing | similar_to_79242629899_slantyness | similar_to_79242629899_bubblyness_x | similar_to_79242629899_bubblyness_yLicense
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Image from ?Das Welttheater, oder die allgemeine Weltgeschichte von der Scho?pfung bis zum Jahr 1840, etc?, 003520629 Author: STRAHLHEIM, C. Volume: 05 Page: 931 Year: 1834 Place: Frankfurt am Main Publisher: View all the images from this book Following the link above will take you to the British Library?s integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer?. Click on the 'related items? to search for the electronic version of this work.License
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Image from ?Das Welttheater, oder die allgemeine Weltgeschichte von der Scho?pfung bis zum Jahr 1840, etc?, 003520629 Author: STRAHLHEIM, C. Volume: 04 Page: 1091 Year: 1834 Place: Frankfurt am Main Publisher: View all the images from this book Following the link above will take you to the British Library?s integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer?. Click on the 'related items? to search for the electronic version of this work.License
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Image from ?The Tempest; an opera taken [by David Garrick] from Shakespear. As it is performed at the Theatre-Royal in Drury Lane?, 003354147 Author: Shakespeare, William Page: 3 Year: 1756 Place: London Publisher: J. & R. Tonson View all the images from this book Following the link above will take you to the British Library?s integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer?. Click on the 'related items? to search for the electronic version of this work.Subjects
bldigital | bl_labs | britishlibrary | 1756 | similar_to_86484656012_place_of_publishing | new_train_of_thoughtLicense
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Image from ?The Tantalus Tour. A theatrical venture. Chronicled by W. Parke. With illustrations by J. Harrison?, 002778443 Author: PARKE, Walter. Page: 50 Year: 1896 Place: London Publisher: Bellairs & Co. View all the images from this book Following the link above will take you to the British Library?s integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer?. Click on the 'related items? to search for the electronic version of this work.Subjects
bldigital | bl_labs | britishlibrary | 1896 | similar_to_87832639722_published_date | similar_to_87832639722_bubblyness_avesize | new_train_of_thoughtLicense
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