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21M.735 Technical Design: Scenery, Mechanisms, and Special Effects (MIT) 21M.735 Technical Design: Scenery, Mechanisms, and Special Effects (MIT)

Description

This class looks at the special structural and practical needs of theatrical scenery and effects and how they can be constructed. We map the technical design process from initial meetings to realization on stage. The class emphasizes safety, budgeting, and problem solving. Ten 1-3 page Tech notes are required as well as a final project. Work includes actual production assignments as well as paper design projects. This class looks at the special structural and practical needs of theatrical scenery and effects and how they can be constructed. We map the technical design process from initial meetings to realization on stage. The class emphasizes safety, budgeting, and problem solving. Ten 1-3 page Tech notes are required as well as a final project. Work includes actual production assignments as well as paper design projects.

Subjects

Technical | Technical | Design | Design | Theater | Theater | Scenery | Scenery | Stage | Stage | Theatre | Theatre | Production | Production | Lighting | Lighting | Rigging | Rigging | Flats | Flats | Drops | Drops | Structure | Structure | Pyrotechnics | Pyrotechnics | Atmospherics | Atmospherics | Special Effects | Special Effects

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.734 Lighting Design for the Theatre (MIT) 21M.734 Lighting Design for the Theatre (MIT)

Description

This class explores the artistry of Lighting Design. Students gain an overall technical working knowledge of the tools of the trade, and learn how, and where to apply them to a final design. However essential technical expertise is, the class stresses the artistic, conceptual, collaborative side of the craft. The class format is a "hands on" approach, with a good portion of class time spent in a theatre. This class explores the artistry of Lighting Design. Students gain an overall technical working knowledge of the tools of the trade, and learn how, and where to apply them to a final design. However essential technical expertise is, the class stresses the artistic, conceptual, collaborative side of the craft. The class format is a "hands on" approach, with a good portion of class time spent in a theatre.

Subjects

Lighting | Lighting | Design | Design | Theatre | Theatre | Stagecraft | Stagecraft | Technical | Technical | Stage | Stage | Production | Production | Theater | Theater | theatrical lighting design | theatrical lighting design | Boston theater | Boston theater | theater architecture | theater architecture | written script analysis | written script analysis | plot | plot | paperwork | paperwork | theoretical design | theoretical design | spatial adaptation | spatial adaptation | artistry | artistry | storyboards | storyboards

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21M.734 Lighting Design for the Theatre (MIT) 21M.734 Lighting Design for the Theatre (MIT)

Description

This class explores the artistry of Lighting Design. Students gain an overall technical working knowledge of the tools of the trade, and learn how, and where to apply them to a final design. However essential technical expertise is, the class stresses the artistic, conceptual, collaborative side of the craft. The class format is a "hands on" approach, with a good portion of class time spent in a theatre. This class explores the artistry of Lighting Design. Students gain an overall technical working knowledge of the tools of the trade, and learn how, and where to apply them to a final design. However essential technical expertise is, the class stresses the artistic, conceptual, collaborative side of the craft. The class format is a "hands on" approach, with a good portion of class time spent in a theatre.

Subjects

Lighting | Lighting | Design | Design | Theatre | Theatre | Stagecraft | Stagecraft | Technical | Technical | Stage | Stage | Production | Production | Theater | Theater | theatrical lighting design | theatrical lighting design | Boston theater | Boston theater | theater architecture | theater architecture | written script analysis | written script analysis | plot | plot | paperwork | paperwork | theoretical design | theoretical design | spatial adaptation | spatial adaptation | artistry | artistry | storyboards | storyboards

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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King Lear to In the loop : fiction and British politics King Lear to In the loop : fiction and British politics

Description

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction. In addition to the conference several video interviews were conducted with some of the speakers on the day. In this interview taken at the Fiction and British Politics Conference in London, playwright James Graham (Toryboyz, Little Madam, Sons of York) talks about his approach to political fiction and what inspires him. Suitable for Undergraduate study and community education James Graham, Political Playwright James Graham writes for theatre, radio, film and television. He won the Catherine Johnson Award for the Best Play 2007 for his play Eden's Empire and On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction. In addition to the conference several video interviews were conducted with some of the speakers on the day. In this interview taken at the Fiction and British Politics Conference in London, playwright James Graham (Toryboyz, Little Madam, Sons of York) talks about his approach to political fiction and what inspires him. Suitable for Undergraduate study and community education James Graham, Political Playwright James Graham writes for theatre, radio, film and television. He won the Catherine Johnson Award for the Best Play 2007 for his play Eden's Empire and

Subjects

UNow | UNow | Politics | Politics | Fiction | Fiction | Political Fiction | Political Fiction | Political Theatre | Political Theatre | Political Representation | Political Representation | Political Depiction | Political Depiction | Politicised Writing | Politicised Writing | UKOER | UKOER

License

Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA) Except for third party materials (materials owned by someone other than The University of Nottingham) and where otherwise indicated, the copyright in the content provided in this resource is owned by The University of Nottingham and licensed under a Creative Commons Attribution-NonCommercial-ShareAlike UK 2.0 Licence (BY-NC-SA)

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d: John Fletcher

Description

A riposte to Shakespeare's The Taming of the Shrew Fletcher?s play is a riposte to Shakespeare?s The Taming of the Shrew: in this lecture I discuss their interconnectedness as a way to identify Fletcher?s particular dramaturgy. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

play | theatre | elizabethan | Elizabethan Theatre | literature | shakespeare | playwright | play | theatre | elizabethan | Elizabethan Theatre | literature | shakespeare | playwright | 2015-11-16

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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21M.735 Technical Design: Scenery, Mechanisms, and Special Effects (MIT)

Description

This class looks at the special structural and practical needs of theatrical scenery and effects and how they can be constructed. We map the technical design process from initial meetings to realization on stage. The class emphasizes safety, budgeting, and problem solving. Ten 1-3 page Tech notes are required as well as a final project. Work includes actual production assignments as well as paper design projects.

Subjects

Technical | Design | Theater | Scenery | Stage | Theatre | Production | Lighting | Rigging | Flats | Drops | Structure | Pyrotechnics | Atmospherics | Special Effects

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21M.734 Lighting Design for the Theatre (MIT)

Description

This class explores the artistry of Lighting Design. Students gain an overall technical working knowledge of the tools of the trade, and learn how, and where to apply them to a final design. However essential technical expertise is, the class stresses the artistic, conceptual, collaborative side of the craft. The class format is a "hands on" approach, with a good portion of class time spent in a theatre.

Subjects

Lighting | Design | Theatre | Stagecraft | Technical | Stage | Production | Theater | theatrical lighting design | Boston theater | theater architecture | written script analysis | plot | paperwork | theoretical design | spatial adaptation | artistry | storyboards

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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21M.734 Lighting Design for the Theatre (MIT)

Description

This class explores the artistry of Lighting Design. Students gain an overall technical working knowledge of the tools of the trade, and learn how, and where to apply them to a final design. However essential technical expertise is, the class stresses the artistic, conceptual, collaborative side of the craft. The class format is a "hands on" approach, with a good portion of class time spent in a theatre.

Subjects

Lighting | Design | Theatre | Stagecraft | Technical | Stage | Production | Theater | theatrical lighting design | Boston theater | theater architecture | written script analysis | plot | paperwork | theoretical design | spatial adaptation | artistry | storyboards

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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Shakespeare and Love and Shakespeare and Spirituality

Description

ational, or global scale?and which are a focus of reflection for anyone involved in working on or seeing the plays. Researcher and Director - Dr Laura Higgins.

Subjects

Shakespeare Love Spirituality Theatre

License

copyright Oxford Brookes University, except where indicated in the item description. Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.0 UK: England & Wales License. copyright Oxford Brookes University, except where indicated in the item description. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.0 UK: England & Wales License.

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