Description

This Geddes lecture, marking the 30th anniversary of Philip Geddes' death in the Harrods bombing is by the Rt Hon the Lord Patten of Barnes CH, the Chancellor of the University of Oxford and Chairman of the BBC Trust. This Geddes lecture, marking the 30th anniversary of Philip Geddes' death in the Harrods bombing is by the Rt Hon the Lord Patten of Barnes CH, the Chancellor of the University of Oxford and Chairman of the BBC Trust.

Subjects

media | media | journalism | journalism | communications | communications | broadcasting | broadcasting | freedom of speech | freedom of speech | press | press | media | journalism | communications | broadcasting | freedom of speech | press | 2013-02-15 | media | journalism | communications | broadcasting | freedom of speech | press | 2013-02-15

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Mark Damazer, Master of St Peter's Collge and Former Controller of BBC Radio 4 and John Lloyd, give a talk for the Reuters Institute on 14th June 2011. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

government | media | journalism | broadcasting | reuters | radio | government | media | journalism | broadcasting | reuters | radio | 2011-06-14

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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During this first introduction to the radio, we will learn the basics of its language and the several expressive and narrative possibilities provided by this medium. During this first introduction to the radio, we will learn the basics of its language and the several expressive and narrative possibilities provided by this medium.

Subjects

Periodismo | Periodismo | features | features | interviews | interviews | journalism | journalism | reports | reports | broadcast | broadcast | program | program | radio | radio | Grado en Periodismo | Grado en Periodismo | news | news | bulletin | bulletin | 2012 | 2012

License

Copyright 2015, UC3M http://creativecommons.org/licenses/by-nc-sa/4.0/

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6.441 offers an introduction to the quantitative theory of information and its applications to reliable, efficient communication systems. Topics include: mathematical definition and properties of information; source coding theorem, lossless compression of data, optimal lossless coding; noisy communication channels, channel coding theorem, the source-channel separation theorem, multiple access channels, broadcast channels, Gaussian noise, and time-varying channels. 6.441 offers an introduction to the quantitative theory of information and its applications to reliable, efficient communication systems. Topics include: mathematical definition and properties of information; source coding theorem, lossless compression of data, optimal lossless coding; noisy communication channels, channel coding theorem, the source-channel separation theorem, multiple access channels, broadcast channels, Gaussian noise, and time-varying channels.

Subjects

transmission of information | transmission of information | quantitative theory of information | quantitative theory of information | efficient communication systems | efficient communication systems | mathematical definition of information | mathematical definition of information | properties of information | properties of information | source coding theorem | source coding theorem | lossless compression of data | lossless compression of data | optimal lossless coding | optimal lossless coding | noisy communication channels | noisy communication channels | channel coding theorem | channel coding theorem | the source-channel separation theorem | the source-channel separation theorem | multiple access channels | multiple access channels | broadcast channels | broadcast channels | gaussian noise | gaussian noise | time-varying channels | time-varying channels | lossless data compression | lossless data compression | telecommunications | telecommunications | data transmission | data transmission

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Includes audio/video content: AV lectures. This course is an introduction to copyright law and American law in general. Topics covered include: structure of federal law; basics of legal research; legal citations; how to use LexisNexis®; the 1976 Copyright Act; copyright as applied to music, computers, broadcasting, and education; fair use; Napster®, Grokster®, and Peer-to-Peer file-sharing; Library Access to Music Project; The 1998 Digital Millennium Copyright Act; DVDs and encryption; software licensing; the GNU® General Public License and free software. Includes audio/video content: AV lectures. This course is an introduction to copyright law and American law in general. Topics covered include: structure of federal law; basics of legal research; legal citations; how to use LexisNexis®; the 1976 Copyright Act; copyright as applied to music, computers, broadcasting, and education; fair use; Napster®, Grokster®, and Peer-to-Peer file-sharing; Library Access to Music Project; The 1998 Digital Millennium Copyright Act; DVDs and encryption; software licensing; the GNU® General Public License and free software.

Subjects

opyright law | opyright law | american law structure of federal law | american law structure of federal law | legal research and citations | legal research and citations | Lexis-Nexis | Lexis-Nexis | 1976 Copyright Act | 1976 Copyright Act | copyright as applied to music | copyright as applied to music | computers | computers | broadcasting | broadcasting | and education | and education | fair use | fair use | Napster | Napster | Grokster | Grokster | and P2P file-sharing | and P2P file-sharing | Library Access to Music Project | Library Access to Music Project | The 1998 Digital Millennium Copyright Act | The 1998 Digital Millennium Copyright Act | DVDs and encryption | DVDs and encryption | Software licensing | Software licensing | The GNU General Public License | The GNU General Public License | free software | free software

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Includes audio/video content: AV selected lectures. The subtitle of this course for the spring 2003 term is "American Television: A Cultural History." The class takes a cultural approach to television's evolution as a technology and system of representation, considering television as a system of storytelling and myth-making, and as a cultural practice, studied from anthropological, literary, and cinematic perspectives. The course focuses on prime-time commercial broadcasting, the medium's technological and economic history, and theoretical perspectives. There is much required viewing as well as readings in media theory and cultural interpretation. Includes audio/video content: AV selected lectures. The subtitle of this course for the spring 2003 term is "American Television: A Cultural History." The class takes a cultural approach to television's evolution as a technology and system of representation, considering television as a system of storytelling and myth-making, and as a cultural practice, studied from anthropological, literary, and cinematic perspectives. The course focuses on prime-time commercial broadcasting, the medium's technological and economic history, and theoretical perspectives. There is much required viewing as well as readings in media theory and cultural interpretation.

Subjects

systems of representation | systems of representation | storytelling | storytelling | myth | myth | cultural practice | cultural practice | anthropology | anthropology | literature | literature | cinematogaphy | cinematogaphy | prime-time | prime-time | commercial broadcasting | commercial broadcasting | media theory | media theory | cultural interpretation | cultural interpretation | CMS.915 | CMS.915

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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6.441 offers an introduction to the quantitative theory of information and its applications to reliable, efficient communication systems. Topics include mathematical definition and properties of information, source coding theorem, lossless compression of data, optimal lossless coding, noisy communication channels, channel coding theorem, the source channel separation theorem, multiple access channels, broadcast channels, Gaussian noise, and time-varying channels. 6.441 offers an introduction to the quantitative theory of information and its applications to reliable, efficient communication systems. Topics include mathematical definition and properties of information, source coding theorem, lossless compression of data, optimal lossless coding, noisy communication channels, channel coding theorem, the source channel separation theorem, multiple access channels, broadcast channels, Gaussian noise, and time-varying channels.

Subjects

properties of information | properties of information | source coding theorem | source coding theorem | lossless compression | lossless compression | noisy communication | noisy communication | channel coding theorem | channel coding theorem | source channel separation theorem | source channel separation theorem | multiple access channels | multiple access channels | broadcast channels | broadcast channels | Gaussian noise | Gaussian noise | time-varying channels | time-varying channels

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of media. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, performance, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. This year’s course will focus on issues of network culture and media convergence, addressing such subjects as Intellectual Property, peer2peer authoring, blogging, and game modification. Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of media. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, performance, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. This year’s course will focus on issues of network culture and media convergence, addressing such subjects as Intellectual Property, peer2peer authoring, blogging, and game modification.

Subjects

Comparative Media Studies | Comparative Media Studies | global multimedia environment | global multimedia environment | literate | literate | critical | critical | consumers | consumers | producers | producers | interdisciplinary | interdisciplinary | comparative | comparative | historical | historical | lens | lens | the course defines oral | the course defines oral | print | print | performance | performance | photographic | photographic | broadcast | broadcast | cinematic | cinematic | digital | digital | cultural | cultural | forms | forms | practices | practices | mediated communication | mediated communication | functions | functions | society | society | network culture | network culture | media convergence | media convergence | Intellectual Property | Intellectual Property | peer2peer authoring | peer2peer authoring | blogging | blogging | game modification | game modification | lens | the course defines oral | lens | the course defines oral

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identities Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identities

Subjects

literature | literature | comparative mass media | comparative mass media | communication | communication | modern culture | modern culture | social values | social values | politics | politics | radio | radio | television | television | film | film | print | print | digital techonology | digital techonology | history | history | storytelling | storytelling | advertising | advertising | oral | oral | culture | culture | photography | photography | oral culture | oral culture | cultural forms | cultural forms | political beliefs | political beliefs | economics | economics | mediated communication | mediated communication | class politics | class politics | gender | gender | race | race | identity | identity | behavior | behavior | criticism | criticism | global multimedia environment | global multimedia environment | consumers | consumers | theatrical | theatrical | photographic | photographic | broadcast | broadcast | cinematic | cinematic | cinema | cinema | theatre | theatre | printing | printing | publishing | publishing | books | books | electronic | electronic | transformations | transformations | narrative | narrative

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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The subtitle of this course for the spring 2003 term is "American Television: A Cultural History." The class takes a cultural approach to television's evolution as a technology and system of representation, considering television as a system of storytelling and myth-making, and as a cultural practice, studied from anthropological, literary, and cinematic perspectives. The course focuses on prime-time commercial broadcasting, the medium's technological and economic history, and theoretical perspectives. There is much required viewing as well as readings in media theory and cultural interpretation. The subtitle of this course for the spring 2003 term is "American Television: A Cultural History." The class takes a cultural approach to television's evolution as a technology and system of representation, considering television as a system of storytelling and myth-making, and as a cultural practice, studied from anthropological, literary, and cinematic perspectives. The course focuses on prime-time commercial broadcasting, the medium's technological and economic history, and theoretical perspectives. There is much required viewing as well as readings in media theory and cultural interpretation.

Subjects

systems of representation | systems of representation | storytelling | storytelling | myth | myth | cultural practice | cultural practice | anthropology | anthropology | literature | literature | cinematogaphy | cinematogaphy | prime-time | prime-time | commercial broadcasting | commercial broadcasting | media theory | media theory | cultural interpretation | cultural interpretation | CMS.915 | CMS.915

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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Symposium following Mark Thompson's series of talks for the Humanitas Programme. With Polly Toynbee, Gus O'Donnell, David Willetts MP and chaired by Andrew Marr. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-09

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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In his third lecture, Mark Thompson looks at what happens when modern rhetoric and morality collide, taking the wars in Iraq and Afghanistan as his principal examples. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-07

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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In his third lecture, Mark Thompson looks at what happens when modern rhetoric and morality collide, taking the wars in Iraq and Afghanistan as his principal examples. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-07

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Almost everyone accepts that science is our most authoritative guide to understanding the world so why is it so disputed when it comes to public policy? Mark Thompson examines what's happened to the 'argument from authority' in modern rhetoric. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-06

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Almost everyone accepts that science is our most authoritative guide to understanding the world so why is it so disputed when it comes to public policy? Mark Thompson examines what's happened to the 'argument from authority' in modern rhetoric. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-06

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Drawing in particular on recent examples from American and British healthcare reform, Mark Thompson asks whether the language of politics is changing in ways which threaten public understanding of and engagement with the most important issues of the day. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-05

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Drawing in particular on recent examples from American and British healthcare reform, Mark Thompson asks whether the language of politics is changing in ways which threaten public understanding of and engagement with the most important issues of the day. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-05

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Symposium following Mark Thompson's series of talks for the Humanitas Programme. With Polly Toynbee, Gus O'Donnell, David Willetts MP and chaired by Andrew Marr. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-09

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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In his third lecture, Mark Thompson looks at what happens when modern rhetoric and morality collide, taking the wars in Iraq and Afghanistan as his principal examples. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-07

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Almost everyone accepts that science is our most authoritative guide to understanding the world so why is it so disputed when it comes to public policy? Mark Thompson examines what's happened to the 'argument from authority' in modern rhetoric. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-06

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Drawing in particular on recent examples from American and British healthcare reform, Mark Thompson asks whether the language of politics is changing in ways which threaten public understanding of and engagement with the most important issues of the day. Mark's series of lectures is entitled "The Cloud of Unknowing: Policy, rhetoric and public bewilderment". Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | arts | tv | media | bbc | television | broadcasting | new york times | oxford | news | humanitas | 2012-11-05

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Matthew Engel, Journalist and Sports Writer and 2011 News International Visiting Professor of Broadcast Media gives the first of the 2011 series on Broadcast media, entitled; Please, mister, can we have our ball back? Sport, the media, and the people. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

media | football | broadcasting | news international | news | sport | media | football | broadcasting | news international | news | sport | 2011-01-25

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Matthew Engel, the journalist and sports writer and 2011 News International Broadcast Media Professor gives his second lecture in the 2011 series entitled 'Please, mister, can we have our ball back? Sport, the media, and the people. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

media | football | broadcasting | news international | news | sport | media | football | broadcasting | news international | news | sport | 2011-02-01

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Matthew Engel, the journalist and sports writer and 2011 New International Professor of Broadcast Media gives his third lecture in the 2011 series entitled; Please, mister, can we have our ball back? Sport, the media, and the people. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

media | football | broadcasting | news international | news | sport | media | football | broadcasting | news international | news | sport

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Final lecture of the 2011 News International Professorship of Broadcast Media lecture series on Sport and Broadcast Media. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

media | football | broadcasting | news international | politics | rupert murdoch | news | sport | media | football | broadcasting | news international | politics | rupert murdoch | news | sport | 2011-02-08

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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