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21L.015 Introduction to Media Studies (MIT) 21L.015 Introduction to Media Studies (MIT)
Description
Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of media. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, performance, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. This year’s course will focus on issues of network culture and media convergence, addressing such subjects as Intellectual Property, peer2peer authoring, blogging, and game modification. Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of media. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, performance, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. This year’s course will focus on issues of network culture and media convergence, addressing such subjects as Intellectual Property, peer2peer authoring, blogging, and game modification.Subjects
Comparative Media Studies | Comparative Media Studies | global multimedia environment | global multimedia environment | literate | literate | critical | critical | consumers | consumers | producers | producers | interdisciplinary | interdisciplinary | comparative | comparative | historical | historical | lens | lens | the course defines oral | the course defines oral | print | print | performance | performance | photographic | photographic | broadcast | broadcast | cinematic | cinematic | digital | digital | cultural | cultural | forms | forms | practices | practices | mediated communication | mediated communication | functions | functions | society | society | network culture | network culture | media convergence | media convergence | Intellectual Property | Intellectual Property | peer2peer authoring | peer2peer authoring | blogging | blogging | game modification | game modification | lens | the course defines oral | lens | the course defines oralLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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See all metadata21L.015 Introduction to Media Studies (MIT) 21L.015 Introduction to Media Studies (MIT)
Description
Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identities Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identitiesSubjects
literature | literature | comparative mass media | comparative mass media | communication | communication | modern culture | modern culture | social values | social values | politics | politics | radio | radio | television | television | film | film | print | print | digital techonology | digital techonology | history | history | storytelling | storytelling | advertising | advertising | oral | oral | culture | culture | photography | photography | oral culture | oral culture | cultural forms | cultural forms | political beliefs | political beliefs | economics | economics | mediated communication | mediated communication | class politics | class politics | gender | gender | race | race | identity | identity | behavior | behavior | criticism | criticism | global multimedia environment | global multimedia environment | consumers | consumers | theatrical | theatrical | photographic | photographic | broadcast | broadcast | cinematic | cinematic | cinema | cinema | theatre | theatre | printing | printing | publishing | publishing | books | books | electronic | electronic | transformations | transformations | narrative | narrativeLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present. This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.Subjects
German | German | Film | Film | Cinema | Cinema | Movies | Movies | History | History | Intercultural Analyses | Intercultural Analyses | Cinematic Tradition | Cinematic Tradition | Post-War | Post-War | Aesthetics | Aesthetics | German film-making | German film-making | Second World War | Second World War | German Cinema | German Cinema | post-war Germany | post-war Germany | New German Cinema | New German Cinema | East Germany | East Germany | film production | film production | film analysis | film analysis | German cinematic production | German cinematic production | German history | German history | Die Stunde Null | Die Stunde Null | Tr?mmerfilme | Tr?mmerfilme | Catastrophy | Catastrophy | visual histories | visual histories | West Germany | West Germany | America | America | Hollywood | Hollywood | East German Cinema | East German Cinema | Post-unification German Cinema | Post-unification German Cinema | WWII | WWIILicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htmSite sourced from
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Professor Jon Mee, University of Warwick, discusses how Dickens's fiction can be considered 'cinematic' by drawing attention to the shifting points of view in Oliver Twist, Our Mutual Friend, and other novels. He relates this to work done in recent and historical adaptations of Dickens's work. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Subjects
#greatwriters | points of view | Our Mutual Friend | Victorian literature | cinematic | Oliver Twist | dickens | #greatwriters | points of view | Our Mutual Friend | Victorian literature | cinematic | Oliver Twist | dickensLicense
http://creativecommons.org/licenses/by-nc-sa/2.0/uk/Site sourced from
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This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present. This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.Subjects
German | German | Film | Film | Cinema | Cinema | Movies | Movies | History | History | Intercultural Analyses | Intercultural Analyses | Cinematic Tradition | Cinematic Tradition | Post-War | Post-War | Aesthetics | Aesthetics | German film-making | German film-making | Second World War | Second World War | German Cinema | German Cinema | post-war Germany | post-war Germany | New German Cinema | New German Cinema | East Germany | East Germany | film production | film production | film analysis | film analysis | German cinematic production | German cinematic production | German history | German history | Die Stunde Null | Die Stunde Null | Tr?mmerfilme | Tr?mmerfilme | Catastrophy | Catastrophy | visual histories | visual histories | West Germany | West Germany | America | America | Hollywood | Hollywood | East German Cinema | East German Cinema | Post-unification German Cinema | Post-unification German Cinema | WWII | WWIILicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
http://ocw.mit.edu/rss/all/mit-allcourses.xmlAttribution
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See all metadata21F.056 Visual Histories: German Cinema 1945 to Present (MIT)
Description
This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.Subjects
German | Film | Cinema | Movies | History | Intercultural Analyses | Cinematic Tradition | Post-War | Aesthetics | German film-making | Second World War | German Cinema | post-war Germany | New German Cinema | East Germany | film production | film analysis | German cinematic production | German history | Die Stunde Null | Tr?mmerfilme | Catastrophy | visual histories | West Germany | America | Hollywood | East German Cinema | Post-unification German Cinema | WWIILicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
http://ocw.mit.edu/rss/all/mit-allcourses.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadata21F.056 Visual Histories: German Cinema 1945 to Present (MIT)
Description
This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.Subjects
German | Film | Cinema | Movies | History | Intercultural Analyses | Cinematic Tradition | Post-War | Aesthetics | German film-making | Second World War | German Cinema | post-war Germany | New German Cinema | East Germany | film production | film analysis | German cinematic production | German history | Die Stunde Null | Tr?mmerfilme | Catastrophy | visual histories | West Germany | America | Hollywood | East German Cinema | Post-unification German Cinema | WWIILicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htmSite sourced from
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This is a glass slide creating an almost cinematic scene of a grand building and fountain illuminated by dramatic searchlights in the sky. The slide has no stated date, but is believed to have been taken by South Shields Photographic Society's photographer Harrison Burgess. This image is part of the Tyne & Wear archives & museums set Harrison Burgess and the South Shields Photographic Society. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email adam.bell@twmuseums.org.ukSubjects
blackandwhite | glassslide | cinematicscene | grandbuilding | fountain | illumination | decoration | designs | lights | patterns | display | dazzled | shadow | nightsky | stars | star | southshieldsphotographicsociety | photographer | searchlights | harrisonburgess | bench | stillwater | potplant | box | lawn | pillar | reflection | universe | majestic | glareLicense
No known copyright restrictionsSite sourced from
Tyne & Wear Archives & Museums | FlickRAttribution
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See all metadata21L.015 Introduction to Media Studies (MIT)
Description
Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of media. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, performance, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. This year’s course will focus on issues of network culture and media convergence, addressing such subjects as Intellectual Property, peer2peer authoring, blogging, and game modification.Subjects
Comparative Media Studies | global multimedia environment | literate | critical | consumers | producers | interdisciplinary | comparative | historical | lens | the course defines oral | print | performance | photographic | broadcast | cinematic | digital | cultural | forms | practices | mediated communication | functions | society | network culture | media convergence | Intellectual Property | peer2peer authoring | blogging | game modification | lens | the course defines oralLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htmSite sourced from
https://ocw.mit.edu/rss/all/mit-allcourses.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadata21L.015 Introduction to Media Studies (MIT)
Description
Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identitiesSubjects
literature | comparative mass media | communication | modern culture | social values | politics | radio | television | film | print | digital techonology | history | storytelling | advertising | oral | culture | photography | oral culture | cultural forms | political beliefs | economics | mediated communication | class politics | gender | race | identity | behavior | criticism | global multimedia environment | consumers | theatrical | photographic | broadcast | cinematic | cinema | theatre | printing | publishing | books | electronic | transformations | narrativeLicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htmSite sourced from
https://ocw.mit.edu/rss/all/mit-allcourses.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadata21G.056 Visual Histories: German Cinema 1945 to Present (MIT)
Description
This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.Subjects
German | Film | Cinema | Movies | History | Intercultural Analyses | Cinematic Tradition | Post-War | Aesthetics | German film-making | Second World War | German Cinema | post-war Germany | New German Cinema | East Germany | film production | film analysis | German cinematic production | German history | Die Stunde Null | Tr?mmerfilme | Catastrophy | visual histories | West Germany | America | Hollywood | East German Cinema | Post-unification German Cinema | WWIILicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htmSite sourced from
https://ocw.mit.edu/rss/all/mit-allcourses.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadata21G.056 Visual Histories: German Cinema 1945 to Present (MIT)
Description
This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.Subjects
German | Film | Cinema | Movies | History | Intercultural Analyses | Cinematic Tradition | Post-War | Aesthetics | German film-making | Second World War | German Cinema | post-war Germany | New German Cinema | East Germany | film production | film analysis | German cinematic production | German history | Die Stunde Null | Tr?mmerfilme | Catastrophy | visual histories | West Germany | America | Hollywood | East German Cinema | Post-unification German Cinema | WWIILicense
Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htmSite sourced from
https://ocw.mit.edu/rss/all/mit-alltraditionalchinesecourses.xmlAttribution
Click to get HTML | Click to get attribution | Click to get URLAll metadata
See all metadata