Description

This section of Introduction to Technical Communication deals with ethical issues associated with the design, use, and propagation of technology. At virtually all stages of development and use, any technology can carry with it ethical dilemmas for both creators and users. Of particular interest is how such dilemmas are resolved (or complicated) according to how effectively they are communicated to stakeholders. This section of Introduction to Technical Communication deals with ethical issues associated with the design, use, and propagation of technology. At virtually all stages of development and use, any technology can carry with it ethical dilemmas for both creators and users. Of particular interest is how such dilemmas are resolved (or complicated) according to how effectively they are communicated to stakeholders.

Subjects

technology | technology | ethics | ethics | science | science | engineering | engineering | nuclear power | nuclear power | GM foods | GM foods | memo | memo | letter | letter | correspondence | correspondence | cover letter | cover letter | abstract | abstract | environmental ethics | environmental ethics | scientific writing | scientific writing | case study | case study | thesis | thesis | citation | citation | workshop | workshop | literature review | literature review | critical review | critical review | proposal | proposal | language | language

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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southshields | southshields | shipbuilding | shipbuilding | johnreadheadsonsltd | johnreadheadsonsltd | cargoship | cargoship | shipyard | shipyard | vessel | vessel | rivertyne | rivertyne | northeastengland | northeastengland | tyneside | tyneside | maritime | maritime | industry | industry | industrial | industrial | ships | ships | crofter | crofter | jetty | jetty | cranes | cranes | maritimeheritage | maritimeheritage | industrialheritage | industrialheritage | shipbuildingheritage | shipbuildingheritage | abstract | abstract | johnreadhead | johnreadhead | johnreadheadsonssouthshields | johnreadheadsonssouthshields | ship | ship | cargo | cargo | readheadsjetty | readheadsjetty | 7december1951 | 7december1951 | launched | launched | 16august1951 | 16august1951 | northeastofengland | northeastofengland | unitedkingdom | unitedkingdom | development | development | production | production | structure | structure | construction | construction | blackandwhitephotograph | blackandwhitephotograph | digitalimage | digitalimage | archives | archives | 1865 | 1865 | jsoftley | jsoftley | partnership | partnership | lawe | lawe | johnreadheadco | johnreadheadco | highwestyard | highwestyard | swanhuntergroup | swanhuntergroup | britishshipbuilders | britishshipbuilders | readheads | readheads | hainsteamshipcompanyltd | hainsteamshipcompanyltd | stricklineltd | stricklineltd | princeline | princeline | sirjamesknott | sirjamesknott | transportation | transportation | crane | crane | bank | bank | bridge | bridge | rail | rail | deck | deck | cabin | cabin | chimney | chimney | cylinder | cylinder | mast | mast | signage | signage | letters | letters | letter | letter | buildings | buildings | sky | sky | water | water | timber | timber | metal | metal | majestic | majestic | impressive | impressive | unusual | unusual | striking | striking | interesting | interesting | measurement | measurement | romannumeral | romannumeral

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ceramic | plates | commemorative | sunderland | pottery | history | sunderlandmuseumwintergardens | potterycollection | commemorativeplates | colourphotograph | digitalimage | industry | social | abstract | interesting | unusual | fascinating | northeastofengland | unitedkingdom | sunderlandpotterycommemorativeplates | georgeedmanbraveg | december30th1861 | born | birth | occasion | event | anniversary | illustration | letters | decoration | neutralbackground | shadow | artificiallight | display | detail | circular | curve | ceramicplatescollection | ceramicplatecollection | shapes | number | smallcaseletters | largecaseletters | leaves | branches | marks | grain | artanddesign | archives

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This course offers analysis and practice of various forms of scientific and technical writing, from memos to journal articles, in addition to strategies for conveying technical information to specialist and non-specialist audiences. Comparable to 21W.780 Communicating in Technical Organizations, but methods in this course are designed to deal with special problems of advanced ELS or bilingual students. The goal of the workshop is to develop effective writing skills for academic and professional contexts. Models, materials, topics and assignments vary from term to term.

Subjects

writing | science | engineering | scientific paper | scientific presentation | research | grammar | strategy | style | nonlinear writing | coherence | punctuation | peer review | e-mail | memo | letters | verb form | job letters | cover letter | technical memo | use of sources | indefinite article | definite article | abstracts | introductions | plagiarism | proposals | relative clause | publishing | professionalism | conference papers | poster session

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm

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In Swift's letters to his adored Stella, we see an elaborate combination of language and code to tease his reader but still communicate intimacy. The denial of full disclosure and the refusal to reveal all is part of the game of seduction. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

literature | letters | valentine | romance | #greatwriters | love | swift | literature | letters | valentine | romance | #greatwriters | love | swift | 2011-02-14

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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In Swift's letters to his adored Stella, we see an elaborate combination of language and code to tease his reader but still communicate intimacy. The denial of full disclosure and the refusal to reveal all is part of the game of seduction. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

literature | letters | valentine | romance | #greatwriters | love | swift | literature | letters | valentine | romance | #greatwriters | love | swift | 2011-02-14

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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This course focuses on the period between roughly 1550-1850. American ideas of race had taken on a certain shape by the middle of the nineteenth century, consolidated by legislation, economics, and the institution of chattel slavery. But both race and identity meant very different things three hundred years earlier, both in their dictionary definitions and in their social consequences. How did people constitute their identities in early America, and how did they speak about these identities? Texts will include travel writing, captivity narratives, orations, letters, and poems, by Native American, English, Anglo-American, African, and Afro-American writers. This course focuses on the period between roughly 1550-1850. American ideas of race had taken on a certain shape by the middle of the nineteenth century, consolidated by legislation, economics, and the institution of chattel slavery. But both race and identity meant very different things three hundred years earlier, both in their dictionary definitions and in their social consequences. How did people constitute their identities in early America, and how did they speak about these identities? Texts will include travel writing, captivity narratives, orations, letters, and poems, by Native American, English, Anglo-American, African, and Afro-American writers.

Subjects

Literature | Literature | writing | writing | early American | early American | lives | lives | gender | gender | race | race | nation | nation | faith | faith | Nineteenth century | Nineteenth century | legislation | legislation | economics | economics | slavery | slavery | narratives | narratives | orations | orations | letters | letters | poems | poems | Native American | Native American | English | English | Anglo-American | Anglo-American | African | African | Afro-American | Afro-American

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Description

This section of Introduction to Technical Communication deals with ethical issues associated with the design, use, and propagation of technology. At virtually all stages of development and use, any technology can carry with it ethical dilemmas for both creators and users. Of particular interest is how such dilemmas are resolved (or complicated) according to how effectively they are communicated to stakeholders.

Subjects

technology | ethics | science | engineering | nuclear power | GM foods | memo | letter | correspondence | cover letter | abstract | environmental ethics | scientific writing | case study | thesis | citation | workshop | literature review | critical review | proposal | language

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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In this interdisciplinary seminar, we explore a variety of visual and written tools for self exploration and self expression. Through discussion, written assignments, and directed exercises, students practice utilizing a variety of media to explore and express who they are. In this interdisciplinary seminar, we explore a variety of visual and written tools for self exploration and self expression. Through discussion, written assignments, and directed exercises, students practice utilizing a variety of media to explore and express who they are.

Subjects

self-exploration | self-exploration | self-expression | self-expression | photography | photography | representations of self | representations of self | family history | family history | race | race | gender | gender | personal values | personal values | letters | letters | emails | emails | blogs | blogs | journals | journals | poetry | poetry | memoirs | memoirs | autobiographies | autobiographies | self-portraiture | self-portraiture | narrative | narrative | ESG.SP240 | ESG.SP240

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Tom Jones, a foreman shipwright at William Doxford & Sons (Shipbuilders) Ltd , marking out the front plate of a ship using the traditional chalked string method, 1961 (TWAM ref. DS.DOX/6/7/4/2). Sunderland has a remarkable history of innovation in shipbuilding and marine engineering. From the development of turret ships in the 1890s and the production of Doxford opposed piston engines after the First World War through to the designs for Liberty ships in the 1940s and SD14s in the 1960s. Sunderland has much to be proud of. Tyne & Wear Archives cares for tens of thousands of photographs in its shipbuilding collections. Most of these focus on the ships ? in particular their construction, launch and sea trials. This set looks to redress the balance and to celebrate the work of the men and women who have played such a vital part in the region?s history. The images show the human side of this great story, with many relating to the world famous shipbuilding and engineering firm William Doxford & Sons Ltd. The Archives has produced a short blog to accompany these images. (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

shipbuilding | shipwright | williamdoxfordsonsltd | pallion | sunderland | marineengineering | blackandwhitephotograph | working | doxfords | tomjones | foremanshipwright | maritimeheritage | marking | frontplate | chalkedstring | method | innovation | 1961 | design | construction | worker | man | thestraightestlinetosea | buildsproudships | line | letters | arrow | letter | precision | mark | measure | capital | plate | piece | parts | rows | patterns | hat | glasses | coat | jumper | light | shadow | concentration | interesting | unusual | hand | emblem | box | lid

License

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During the First World War this building was known as the Hancock Museum. The displays looked very different then but would still have contained many of the fascinating natural science objects that they do today. The curator of the museum in 1914 was Edwin Leonard Gill. In 1915 his father, Jospeh J Gill, wrote a letter to the Museums Journal. ?Several of these sets of questions were prepared for me by my son, E. Leonard Gill, the Curator of this Museum, whose place I am temporarily filling whilst he is ?on service in France?. Two at least of the papers were composed amidst the roar of big guns a little behind the firing line? Yours truly, Joseph J Gill, Temporary Curator, Hancock Museum, Newcastle upon Tyne (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email claire.ross@twmuseums.org.uk

Subjects

worldwarone | worlife1914 | twamvenues | blackandwhite | letter | paper | josephjgill | print | museumsjournal | 1915 | firstworldwar | ww1 | hancockmuseum | naturalscienceobjects | 1914 | curator | edwinleonardgill | setsofquestions | preparation | serviceinfrance | composition | roarofguns | text | words | letters | space | punctuation | grammer | language | english | children | youngpeople | visit | questioncards | objects | exhibition | display | questions | birdsandeggs | fishes | zoology | cases | answers | experiment | record | newcastleupontyne | socialheritage | notice | account | intriguing | story | archive | changes

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This mysterious collection of images have been discovered within the photographic collections of Tyne & Wear Archives & Museums. Reference: TWCMS -H13098-73-16 The lantern slides are from a series titled 'Psychic Photography From A New Angle' and feature eerie images of the supposedly paranormal and unknown forces caught on camera. Very little is known of the origins of this collection. The slides were designed to accompany a lecture by a Mr C.P. MacCarthy of 15 Wilkinson Street, Sheffield. Mr MacCarthy produced the images under test conditions in 1934 in front of an invited committee at 76 Clarkehouse Road, Sheffield. He states the intention was to ?demonstrate under test conditions Fake Psychic Photography? to this committee. Mr MacCarthy states his three reasons for this demonstration. 1.To prove the possibility of Fake under test conditions. 2.To show you cannot be too critical of such phenomena. 3.To indicate the increasing scope for fraud with the probability of genuine spirit photography. Mr MacCarthy further guarantees ?in the sum of five pounds, payable to any charitable institution, that no collusion exists, or has existed between myself and any other party in connection with this demonstration.? Little is currently known of the Psychic demonstration. Who sat on the invited committee? Who was Mr MacCarthy? Why was he investigating Psychic Photography? Can you help us with this information? (Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk

Subjects

psychic | photography | paranormal | supernatural | fake | spirit | ghost | ectoplasm | spiritphotography | fraud | experiment | eerie | creepy | weird | odd | blackandwhitephotograph | lanternslides | mysterious | photographiccollection | tyneweararchivesmuseums | anewangle | cpmaccarthy | unknown | forces | captured | camera | lecture | mrcpmaccarthy | 15wilkinsonstreet | sheffield | images | testconditions | committee | phenomena | critical | genuine | collusion | demonstration | connection | psychicdemonstration | may15th1934 | fakepsychicphotographs | typedletter | text | word | letter | paper | grain | intriguing | social | psychicphotographyfromanewangle

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text | vessel | land | maritimeheritage | blackandwhitephotograph | letters | archive | explored | smoke | chimney | porthole | water | rail | vent | rope | frame | deck | mast | momentous | industrial | crest | structure | hole | cylinder | tube | striking | exploration | mauretania | passage | bank | horizon | shipbuilding | marineengineering | panels | pipe | observationdeck | dim | buildings | industry | industrialheritage | abstract | documentation | digitalimage | label | colour | words | letter | archiveexplored | poster | cover | campaign | transportation | cargo | cabin | sky | grain | mark | blur | majestic | impressive | unusual | interesting | fascinating | engaging | glimpse | view | construction | production | progression | slope | vast | archivesexploredmauretania | exploreyourarchiveawarenesscampaign | northeastofengland | unitedkingdom

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This photograph is from the Robert Hope collection. Robert Hope was a resident of Newcastle upon Tyne. In the early 1970s he took out a bank loan to buy a Rolleiflex camera. Over the next few years he photographed various Newcastle scenes, including the Grainger Market and the demolition of housing estates in the West End of the city. Robert Hope died in 2001. Thanks to Steven Hope for donating the collection to Tyne & Wear Archives & Museums. (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

graingercoffeebar | roberthopecollection | roberthope | newcastleupontyne | northeastofengland | unitedkingdom | early1970s | rolleiflexcamera | newcastlescenes | socialhistory | blackandwhitephotograph | digitalimage | archives | interesting | fascinating | unusual | graingermarket | consumerism | industry | letters | signage | stalls | windows | displays | products | stool | seated | people | gathering | standing | coat | belt | crease | women | rundown | men | suit | glasses | hair | plasticbag | handle | dailylives | clothing | hanger | wall | floor | interior | marketstalls | curtain | thegaigercfeeba | missingletters | beam | ceiling | debris | cup | coffee | machine | button | photographer | documentary

License

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This photograph shows a storehouse at the shipbuilder Wigham Richardson's Neptune Yard. In 1881 the owner John Wigham Richardson made a large sundial, which can be seen here hanging on the storehouse wall. He also wrote a motto underneath: 'Watching these fleeting hours soon past, remember that which comes at last.' The storehouse was taken down when Wigham Richarson merged with Swan Hunter in 1902, but the sundial was preserved, and today it is in Tyne & Wear Archives & Museums' collections. Reference: TWCMS: 2001.3617 (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure - for image licensing enquiries please follow this link www.twmuseums.org.uk/image-licensing/

Subjects

sundial | wighamrichardsonsneptueyard | johnwigham | richardson | 1881 | storehouse | swanhunter | 1902 | preserved | 1892 | ship | shipyard | boat | navy | officers | construction | marine | sea | museum | newcastle | twam | tyneandwear | tyneandweararchivesandmuseums | northeast | blackandwhitephotos | oldphotographs | blackwhitephotos | yard | neptune | warehouse | brick | letter | words | numbers | timber | wood | post | fleetinghours | memory | change | sun | rays | drawing | design | measurement | clock | peelingpaint | engraving | wall | roof | watchingthesefleetinghourssoonpastrememberthatwhichcomesatlast | owner | johnwighamrichardson | merger | merged | preservation | tyneweararchivesmuseumscollections | maritimeheritage | blackandwhitephotograph | digitalimage | archives | documentation | interesting | unusual | shipbuildingheritage | industrialheritage | shipbuilder | wighamrichardsonsneptuneyard | signage | letters | building | sky | unitedkingdom | newcastleupontyne | northeastofengland

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Sandhill, c1900. Looking north-west towards the railway viaduct. Includes numbers 38-41, premises of B J Sutherland and Co, flour, grain, and provisions merchant; H and W Robertson, hay and straw merchants; J Richardson, hairdresser; J Edminson, corn and salt dealer and Newton and Co, india rubber merchants. Reference: TWAS: dx872/29 (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk. To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.

Subjects

sandhill | railway | bjsutherlandandco | flour | grain | provisions | merchanthandwrobertson | hayandstrawmerchants | jrichardson | hairdresser | jedminson | cornandsaltdealer | newtonandco | indiarubbermerchants | 19thcentury | 1800s | 1881 | newcastle | twam | tyneandwear | tyneandweararchivesandmuseums | northeast | blackandwhitephotos | oldphotographs | buildings | arch | newcastleinthe1800s | newcastleupontyne | blackandwhitephotograph | digitalimage | archives | documentation | northeastofengland | unitedkingdom | city | urban | progress | development | industry | structure | road | lamppost | business | sky | pavement | pedestrian | cart | horse | transportation | signage | chimney | bridge | stone | letters | window | letter | sign | shadow | daylight | engaging | fascinating | unusual | c1900 | railwayviaduct | 3841 | premises | provisionsmerchant | handwrobertson | salt | dealer | cornandsalt | roof | fur | cap | coat

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Shorthand Sue Teaches Teeline Shorthand Sue goes over some of the fundamentals of the Teeline shorthand writing system. See the benefits of learning the Teeline system of shorthand. Learn the basics with examples of letters.

Subjects

teeline | shorthand | using letters | letters | administrative studies | N000

License

Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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roof | roof | chimney | chimney | sky | sky | cloud | cloud | building | building | men | men | industry | industry | window | window | glass | glass | hat | hat | metal | metal | stone | stone | wall | wall | standing | standing | river | river | boat | boat | cabin | cabin | iron | iron | industrial | industrial | ship | ship | hand | hand | arm | arm | crane | crane | head | head | timber | timber | steel | steel | parts | parts | flag | flag | coat | coat | debris | debris | pipe | pipe | platform | platform | bank | bank | rail | rail | plate | plate | vessel | vessel | rope | rope | cargo | cargo | structure | structure | riverwear | riverwear | pole | pole | suit | suit | deck | deck | soil | soil | crew | crew | pile | pile | frame | frame | porthole | porthole | mooring | mooring | letter | letter | trousers | trousers | mast | mast | identification | identification | shipyard | shipyard | waving | waving | attentive | attentive | tanker | tanker | fascinating | fascinating | digitalimage | digitalimage | sunderland | sunderland | bending | bending | shipbuilding | shipbuilding | moored | moored | shiplaunch | shiplaunch | wearside | wearside | unsual | unsual | blackandwhitephotograph | blackandwhitephotograph | northeastofengland | northeastofengland | maritimeheritage | maritimeheritage | northsands | northsands | northsandsshipyard | northsandsshipyard | jlthompsonsonsltd | jlthompsonsonsltd | northsandssunderland | northsandssunderland | spinanger | spinanger | 22october1957 | 22october1957

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This workshop is designed to help you write clearly, accurately and effectively in both an academic and a professional environment. In class, we analyze various forms of writing and address problems common to advanced speakers of English. We will often read one another's work. This workshop is designed to help you write clearly, accurately and effectively in both an academic and a professional environment. In class, we analyze various forms of writing and address problems common to advanced speakers of English. We will often read one another's work.

Subjects

Workshop | Workshop | correction symbols | correction symbols | word choice | word choice | academic language | academic language | sentence | sentence | grammar | grammar | definition | definition | resume | resume | cover letter | cover letter | paraphrase | paraphrase | summary | summary | proposal | proposal | research paper | research paper | abstract | abstract | punctuation | punctuation | transitions | transitions | subjunctives | subjunctives | preposition | preposition | verb | verb | noun | noun | subject | subject | citing sources | citing sources | research | research | appositives | appositives | modifiers | modifiers | inversions | inversions | presentation | presentation | articles | articles | Latin terms | Latin terms

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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In this interdisciplinary seminar, we explore a variety of visual and written tools for self exploration and self expression. Through discussion, written assignments, and directed exercises, students practice utilizing a variety of media to explore and express who they are. In this interdisciplinary seminar, we explore a variety of visual and written tools for self exploration and self expression. Through discussion, written assignments, and directed exercises, students practice utilizing a variety of media to explore and express who they are.

Subjects

self-exploration | self-exploration | self-expression | self-expression | photography | photography | representations of self | representations of self | family history | family history | race | race | gender | gender | personal values | personal values | letters | letters | emails | emails | blogs | blogs | journals | journals | poetry | poetry | memoirs | memoirs | autobiographies | autobiographies | self-portraiture | self-portraiture | narrative | narrative | ESG.SP240 | ESG.SP240

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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light | light | sky | sky | industry | industry | night | night | stairs | stairs | interesting | interesting | construction | construction | industrial | industrial | ship | ship | darkness | darkness | crane | crane | mark | mark | label | label | debris | debris | grain | grain | platform | platform | rail | rail | ground | ground | vessel | vessel | cargo | cargo | structure | structure | number | number | company | company | deck | deck | nighttime | nighttime | bow | bow | porthole | porthole | letter | letter | unusual | unusual | hull | hull | launch | launch | shipyard | shipyard | southshields | southshields | development | development | partnership | partnership | fascinating | fascinating | digitalimage | digitalimage | 1865 | 1865 | berth | berth | artificiallight | artificiallight | shipbuilding | shipbuilding | launched | launched | cargoship | cargoship | blackandwhitephotograph | blackandwhitephotograph | lawe | lawe | northeastofengland | northeastofengland | maritimeheritage | maritimeheritage | sirjamesknott | sirjamesknott | november1948 | november1948 | johnreadhead | johnreadhead | stricklineltd | stricklineltd | strickline | strickline | princeline | princeline | britishshipbuilders | britishshipbuilders | hainsteamshipcompany | hainsteamshipcompany | armanistan | armanistan | johnreadheadsonsltd | johnreadheadsonsltd | johnreadheadsons | johnreadheadsons | highwestyard | highwestyard | johnreadheadsonssouthshields | johnreadheadsonssouthshields | jsoftley | jsoftley | swanhuntergroup | swanhuntergroup | 30november1948 | 30november1948 | johnreadheadco | johnreadheadco

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door | door | roof | roof | sky | sky | cloud | cloud | abstract | abstract | building | building | london | london | industry | industry | window | window | glass | glass | metal | metal | wall | wall | stairs | stairs | interesting | interesting | wire | wire | construction | construction | cabin | cabin | industrial | industrial | ship | ship | post | post | mechanical | mechanical | crane | crane | timber | timber | steel | steel | debris | debris | pipe | pipe | platform | platform | machine | machine | rail | rail | ground | ground | vessel | vessel | rope | rope | structure | structure | cranes | cranes | chain | chain | deck | deck | pile | pile | frame | frame | porthole | porthole | letter | letter | intriguing | intriguing | drape | drape | ladder | ladder | unusual | unusual | launch | launch | shipyard | shipyard | southshields | southshields | development | development | partnership | partnership | readhead | readhead | slipway | slipway | vessels | vessels | digitalimage | digitalimage | 1865 | 1865 | shipbuilding | shipbuilding | cargoship | cargoship | northeastofengland | northeastofengland | maritimeheritage | maritimeheritage | sirjamesknott | sirjamesknott | november1948 | november1948 | johnreadhead | johnreadhead | stricklineltd | stricklineltd | strickline | strickline | princeline | princeline | britishshipbuilders | britishshipbuilders | hainsteamshipcompanyltd | hainsteamshipcompanyltd | armanistan | armanistan | johnreadheadsonsltd | johnreadheadsonsltd | johnreadheadsons | johnreadheadsons | highwestyard | highwestyard | johnreadheadsonssouthshields | johnreadheadsonssouthshields | jsoftley | jsoftley | swanhuntergroup | swanhuntergroup | 30november1948 | 30november1948 | johnreadheadco | johnreadheadco

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roof | roof | chimney | chimney | sky | sky | industry | industry | water | water | glass | glass | wheel | wheel | wall | wall | buildings | buildings | handle | handle | boat | boat | interesting | interesting | wire | wire | construction | construction | cabin | cabin | stair | stair | industrial | industrial | panel | panel | crane | crane | timber | timber | ships | ships | pipe | pipe | grain | grain | rail | rail | rope | rope | row | row | structure | structure | beam | beam | chain | chain | deck | deck | pile | pile | maritime | maritime | frame | frame | cylinder | cylinder | letter | letter | unusual | unusual | mast | mast | shipyard | shipyard | plank | plank | drydock | drydock | southshields | southshields | development | development | partnership | partnership | readhead | readhead | vessels | vessels | fascinating | fascinating | digitalimage | digitalimage | 1865 | 1865 | shipbuilding | shipbuilding | northeastengland | northeastengland | lawe | lawe | maritimeheritage | maritimeheritage | sirjamesknott | sirjamesknott | no2dock | no2dock | johnreadhead | johnreadhead | stricklineltd | stricklineltd | princeline | princeline | britishshipbuilders | britishshipbuilders | hainsteamshipcompanyltd | hainsteamshipcompanyltd | johnreadheadsonsltd | johnreadheadsonsltd | johnreadheadsons | johnreadheadsons | highwestyard | highwestyard | 16june1953 | 16june1953 | johnreadheadsonssouthshields | johnreadheadsonssouthshields | jsoftley | jsoftley | swanhuntergroup | swanhuntergroup | johnreadheadco | johnreadheadco

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