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Guiding Star Publishing House staff at work in chicago, Illinois

Description

Subjects

industry | labor | machinery | printing | machines | publishing | printers | employees | 1900s | koreshans | chicagoil | publishers | printingequipment | printshops | cyrusteed | statelibraryandarchivesofflorida | printinghouses | koreshanunitycollection | guidingstarpublishinghouse | englewoodavenuechicagoil

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21L.015 Introduction to Media Studies (MIT) 21L.015 Introduction to Media Studies (MIT)

Description

Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identities Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media's place in society. Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identities

Subjects

literature | literature | comparative mass media | comparative mass media | communication | communication | modern culture | modern culture | social values | social values | politics | politics | radio | radio | television | television | film | film | print | print | digital techonology | digital techonology | history | history | storytelling | storytelling | advertising | advertising | oral | oral | culture | culture | photography | photography | oral culture | oral culture | cultural forms | cultural forms | political beliefs | political beliefs | economics | economics | mediated communication | mediated communication | class politics | class politics | gender | gender | race | race | identity | identity | behavior | behavior | criticism | criticism | global multimedia environment | global multimedia environment | consumers | consumers | theatrical | theatrical | photographic | photographic | broadcast | broadcast | cinematic | cinematic | cinema | cinema | theatre | theatre | printing | printing | publishing | publishing | books | books | electronic | electronic | transformations | transformations | narrative | narrative

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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CMS.801 Media in Transition (MIT) CMS.801 Media in Transition (MIT)

Description

This course centers on historical eras in which the form and function of media technologies were radically transformed. It includes consideration of the "Gutenberg Revolution," the rise of modern mass media, and the "digital revolution," among other case studies of media transformation and cultural change. Readings cover cultural and social history and historiographic methods. This course centers on historical eras in which the form and function of media technologies were radically transformed. It includes consideration of the "Gutenberg Revolution," the rise of modern mass media, and the "digital revolution," among other case studies of media transformation and cultural change. Readings cover cultural and social history and historiographic methods.

Subjects

Media | Media | mass media | mass media | history | history | Gutenberg | Gutenberg | cultural change | cultural change | cultural history | cultural history | social history | social history | historiographic method | historiographic method | books | books | medieval history | medieval history | codex book | codex book | writing | writing | printing | printing | printing press | printing press | stage | stage | theater | theater | renaissance | renaissance | romanticism | romanticism | modernity | modernity | inventions | inventions | photography | photography | nineteenth century | nineteenth century | image | image | telegraph | telegraph | electrification | electrification | communication | communication | Morse | Morse | Daguerreotype | Daguerreotype | Fox Talbot | Fox Talbot | phonograph | phonograph | sound recording | sound recording | radio | radio | broadcasting | broadcasting | film | film | video | video | cinema | cinema | publishing | publishing

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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7th Bengal Cavalry 7th Bengal Cavalry

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Subjects

photographs | photographs | photographicprints | photographicprints | albumenprints | albumenprints

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Orderlies of Foreign Officers Orderlies of Foreign Officers

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Subjects

photographs | photographs | photographicprints | photographicprints | albumenprints | albumenprints

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Bishareen Types from the Arabian Desert, Africa. Bishareen Types from the Arabian Desert, Africa.

Description

Subjects

stereoviews | stereoviews | photographs | photographs | photographicprints | photographicprints | stereographs | stereographs | gelatinsilverprints | gelatinsilverprints | groupportraits | groupportraits | portraitphotographs | portraitphotographs

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Donkey, Camel and Buffalo Market, Gizeh, Egypt. Donkey, Camel and Buffalo Market, Gizeh, Egypt.

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Subjects

stereoviews | stereoviews | photographs | photographs | photographicprints | photographicprints | stereographs | stereographs | gelatinsilverprints | gelatinsilverprints

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Threshing Beans in the Field, Egypt. Threshing Beans in the Field, Egypt.

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Subjects

stereoviews | stereoviews | photographs | photographs | photographicprints | photographicprints | stereographs | stereographs | gelatinsilverprints | gelatinsilverprints

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4.173 Digital Mock-Up Workshop (MIT) 4.173 Digital Mock-Up Workshop (MIT)

Description

This is an advanced subject in computer modeling and CAD CAM fabrication in building large-scale prototypes and digital mock-ups within a studio setting. Prototypes and mock-ups are developed with the aid of outside designers, consultants and fabricators. Field trips and in depth relationships with building fabricators demonstrate new methods for building design. The class analyzes complex shapes, shape relationships and curved surfaces fabrication at a macro scale leading to new architectural languages based on new methods of design and construction. This is an advanced subject in computer modeling and CAD CAM fabrication in building large-scale prototypes and digital mock-ups within a studio setting. Prototypes and mock-ups are developed with the aid of outside designers, consultants and fabricators. Field trips and in depth relationships with building fabricators demonstrate new methods for building design. The class analyzes complex shapes, shape relationships and curved surfaces fabrication at a macro scale leading to new architectural languages based on new methods of design and construction.

Subjects

architecture | architecture | digital fabrication | digital fabrication | CAD / CAM | CAD / CAM | machining | machining | computer aided design | computer aided design | digital prototype | digital prototype | fabrication | fabrication | Gehry | Gehry | TriPyramid | TriPyramid | Stata Center | Stata Center | Disney Concert Hall | Disney Concert Hall | digital architecture | digital architecture | 3D modelling | 3D modelling | 3D printing | 3D printing | Palladio | Palladio | design and manufacture | design and manufacture | construction | construction | assembly | assembly | tectonics | tectonics

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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21H.418 Technologies of Word 1450-2000 (MIT) 21H.418 Technologies of Word 1450-2000 (MIT)

Description

There has been much discussion in recent years, on this campus and elsewhere, about the death of the book. Digitization and various forms of electronic media, some critics say, are rendering the printed text as obsolete as the writing quill. In this subject we will examine the claims for and against the demise of the book, but we also supplement these arguments with an historical perspective they lack: we examine books and printing technology during the Early Modern period of European history, from roughly 1450 to 1800. We will begin with the theoretical and historical overviews of Walter Ong and Elizabeth Eisenstein, after which we will study specific cases such as the writings and readers of Erasmus and Jean-Jacques Rousseau, English chapbooks, and stage plays in print. Finally, we will There has been much discussion in recent years, on this campus and elsewhere, about the death of the book. Digitization and various forms of electronic media, some critics say, are rendering the printed text as obsolete as the writing quill. In this subject we will examine the claims for and against the demise of the book, but we also supplement these arguments with an historical perspective they lack: we examine books and printing technology during the Early Modern period of European history, from roughly 1450 to 1800. We will begin with the theoretical and historical overviews of Walter Ong and Elizabeth Eisenstein, after which we will study specific cases such as the writings and readers of Erasmus and Jean-Jacques Rousseau, English chapbooks, and stage plays in print. Finally, we will

Subjects

publishing | publishing | Gutenberg | Gutenberg | printing | printing | Walter Ong | Walter Ong | Elizabeth Eisenstein | Elizabeth Eisenstein | Erasmus | Jean-Jacques Rousseau | Erasmus | Jean-Jacques Rousseau | Erasmus | Erasmus | Jean-Jacques Rousseau | Jean-Jacques Rousseau | English chapbooks | English chapbooks | stage plays | stage plays

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Image Matching on Printed Images in Bodleian Collections

Description

Giles Bergel and Andrew Zisserman from the Broadside Ballad Connections project demonstrate new image matching software that allows researchers to track images across early forms of printed literature. Visit http://ballads.bodleian.ox.ac.uk/. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

literature | art | printing | design | images | ballads | software | literature | art | printing | design | images | ballads | software | 2012-11-23

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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Image Matching on Printed Images in Bodleian Collections

Description

Giles Bergel and Andrew Zisserman from the Broadside Ballad Connections project demonstrate new image matching software that allows researchers to track images across early forms of printed literature. Visit http://ballads.bodleian.ox.ac.uk/. Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Subjects

literature | art | printing | design | images | ballads | software | literature | art | printing | design | images | ballads | software | 2012-11-23

License

http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

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4.510 Digital Design Fabrication (MIT) 4.510 Digital Design Fabrication (MIT)

Description

This course will guide graduate students through the process of using rapid prototyping and CAD/CAM devices in a studio environment. The class has a theoretical focus on machine use within the process of design. Each student is expected to have completed one graduate level of design computing with a full understanding of solid modeling in CAD. Students are also expected to have completed at least one graduate design studio. This course will guide graduate students through the process of using rapid prototyping and CAD/CAM devices in a studio environment. The class has a theoretical focus on machine use within the process of design. Each student is expected to have completed one graduate level of design computing with a full understanding of solid modeling in CAD. Students are also expected to have completed at least one graduate design studio.

Subjects

digital fabrication | digital fabrication | design | design | cad | cad | cam | cam | digital manufacturing | digital manufacturing | assembly | assembly | design geometry | design geometry | fabrication | fabrication | drafting | drafting | modeling | modeling | printing | printing | waterjet cutting | waterjet cutting | cnc manufacturing | cnc manufacturing | generative fabrication | generative fabrication | construction grammars | construction grammars | prototyping | prototyping | boston water taxi | boston water taxi

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.001J CityScope: New Orleans (MIT) 4.001J CityScope: New Orleans (MIT)

Description

Do you want to think about ways to help solve New Orleans' problems? CityScope is a project-based introduction to the contemporary city. "Problem solving in complex (urban) environments" is different than "solving complex problems." As a member of a team, you will learn to assess scenarios for the purpose of formulating social, economic and design strategies to provide humane and sustainable solutions. A visit to New Orleans is planned for spring break 2007. Do you want to think about ways to help solve New Orleans' problems? CityScope is a project-based introduction to the contemporary city. "Problem solving in complex (urban) environments" is different than "solving complex problems." As a member of a team, you will learn to assess scenarios for the purpose of formulating social, economic and design strategies to provide humane and sustainable solutions. A visit to New Orleans is planned for spring break 2007.

Subjects

new orleans | new orleans | hurricane katrina | hurricane katrina | flooding | flooding | rebuilding | rebuilding | problem-solving | problem-solving | future of the city | future of the city | city footprint | city footprint | natural disaster | natural disaster | housing | housing | urban reconstruction | urban reconstruction | bring new orleans back commission | bring new orleans back commission | disaster recovery | disaster recovery | flood protection | flood protection | parks and open spaces | parks and open spaces | lower ninth ward restoration | lower ninth ward restoration | city design | city design | sustainable city | sustainable city | sustainable new orleans | sustainable new orleans | public housing | public housing | urban ecology | urban ecology | urban infrastructure | urban infrastructure | port of new orleans | port of new orleans | louisiana | louisiana

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.511 Digital Mock-Up Workshop (MIT) 4.511 Digital Mock-Up Workshop (MIT)

Description

This is an advanced subject in computer modeling and CAD CAM fabrication, with a focus on building large-scale prototypes and digital mock-ups within a classroom setting. Prototypes and mock-ups are developed with the aid of outside designers, consultants, and fabricators. Field trips and in-depth relationships with building fabricators demonstrate new methods for building design. The class analyzes complex shapes, shape relationships, and curved surfaces fabrication at a macro scale leading to new architectural languages, based on methods of construction. This is an advanced subject in computer modeling and CAD CAM fabrication, with a focus on building large-scale prototypes and digital mock-ups within a classroom setting. Prototypes and mock-ups are developed with the aid of outside designers, consultants, and fabricators. Field trips and in-depth relationships with building fabricators demonstrate new methods for building design. The class analyzes complex shapes, shape relationships, and curved surfaces fabrication at a macro scale leading to new architectural languages, based on methods of construction.

Subjects

architecture | architecture | digital fabrication | digital fabrication | CAD / CAM | CAD / CAM | machining | machining | computer aided design | computer aided design | digital prototype | digital prototype | fabrication | fabrication | Gehry | Gehry | TriPyramid | TriPyramid | Stata Center | Stata Center | Disney Concert Hall | Disney Concert Hall | digital architecture | digital architecture | 3D modelling | 3D modelling | 3D printing | 3D printing | Palladio | Palladio | design and manufacture | design and manufacture | construction | construction | assembly | assembly | tectonics | tectonics

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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4.501 Architectural Construction and Computation (MIT) 4.501 Architectural Construction and Computation (MIT)

Description

This class investigates the use of computers in architectural design and construction. It begins with a pre-prepared design computer model, which is used for testing and process investigation in construction. It then explores the process of construction from all sides of the practice: detail design, structural design, and both legal and computational issues. This class investigates the use of computers in architectural design and construction. It begins with a pre-prepared design computer model, which is used for testing and process investigation in construction. It then explores the process of construction from all sides of the practice: detail design, structural design, and both legal and computational issues.

Subjects

architecture | architecture | digital fabrication | digital fabrication | CAD / CAM | CAD / CAM | machining | machining | computer aided design | computer aided design | digital prototype | digital prototype | fabrication | fabrication | Gehry | Gehry | TriPyramid | TriPyramid | Stata Center | Stata Center | Disney Concert Hall | Disney Concert Hall | digital architecture | digital architecture | 3D modelling | 3D modelling | 3D printing | 3D printing | Palladio | Palladio | design and manufacture | design and manufacture | construction | construction | assembly | assembly | tectonics | tectonics | building | building | building materials | building materials | joints | joints | connections | connections

License

Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm

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Second Lieutenant E M Bolt

Description

Subjects

soldier | war | military | wwi | bolt | worldwarone | ww1 | britisharmy | greatwar | firstworldwar | officer | worldwar | worldwar1 | centenary | iwm | royalartillery | thegreatwar | 19141918 | blackandwhiteprints | warphotography | photographicprints | bondofsacrifice | imperialwarmuseums

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Captain T Adamson

Description

Subjects

soldier | war | military | wwi | worldwarone | ww1 | britisharmy | greatwar | firstworldwar | officer | worldwar | worldwar1 | centenary | iwm | adamson | thegreatwar | 19141918 | blackandwhiteprints | highlandlightinfantry | warphotography | photographicprints | bondofsacrifice | imperialwarmuseums

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Lieutenant W W Adams

Description

Subjects

soldier | war | adams | military | wwi | worldwarone | ww1 | britisharmy | greatwar | firstworldwar | officer | worldwar | worldwar1 | centenary | iwm | thegreatwar | 19141918 | blackandwhiteprints | warphotography | armyordnancecorps | photographicprints | bondofsacrifice | imperialwarmuseums

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Lieutenant W H Brett

Description

Subjects

soldier | war | military | wwi | brett | worldwarone | ww1 | britisharmy | greatwar | firstworldwar | officer | worldwar | worldwar1 | centenary | iwm | thegreatwar | 19141918 | blackandwhiteprints | warphotography | photographicprints | worcestershireregiment | bondofsacrifice | imperialwarmuseums | vision:people=099 | vision:face=099 | vision:outdoor=0928

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Lieutenant Eric Montague Abendana

Description

Subjects

soldier | war | military | wwi | jamaica | worldwarone | ww1 | greatwar | firstworldwar | officer | worldwar | worldwar1 | cef | centenary | iwm | thegreatwar | canadianexpeditionaryforce | 19141918 | portantonio | blackandwhiteprints | warphotography | etrun | photographicprints | abendana | canadianengineers | duisansbritishcemetery | bondofsacrifice | imperialwarmuseums | vision:people=099 | vision:face=099 | vision:outdoor=0914

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Lieutenant E J Boys MC

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Subjects

boys | soldier | war | military | wwi | mc | worldwarone | ww1 | britisharmy | greatwar | firstworldwar | officer | worldwar | worldwar1 | centenary | iwm | thegreatwar | 19141918 | blackandwhiteprints | warphotography | royalgarrisonartillery | militarycross | photographicprints | bondofsacrifice | imperialwarmuseums

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Lieutenant C G Ashton

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Subjects

war | military | wwi | worldwarone | ww1 | ashton | greatwar | firstworldwar | officer | worldwar | worldwar1 | centenary | iwm | thegreatwar | rnas | 19141918 | blackandwhiteprints | warphotography | royalnavalairservice | photographicprints | bondofsacrifice | imperialwarmuseums | hmsimperieuse

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Lieutenant Christian Harold Ernest Boulton

Description

Subjects

soldier | war | military | wwi | worldwarone | ww1 | britisharmy | greatwar | firstworldwar | officer | worldwar | worldwar1 | boulton | centenary | iwm | thegreatwar | 19141918 | blackandwhiteprints | cameronhighlanders | warphotography | photographicprints | bondofsacrifice | imperialwarmuseums

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Private George Arnott

Description

Subjects

soldier | war | military | wwi | worldwarone | ww1 | britisharmy | greatwar | firstworldwar | worldwar | worldwar1 | centenary | iwm | thegreatwar | arnott | 19141918 | blackandwhiteprints | highlandlightinfantry | warphotography | photographicprints | bondofsacrifice | imperialwarmuseums | glasgowboysbrigadebattalion

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